Slawter

“Sure. I’ve been waiting all week for you.”

“You knew I was coming?” Sharp this time.

“Yeah. Dervish told me.”

She taps the steering wheel with her fingernails. They’re cut short, down to the flesh. “Well, may I give you a lift home, Grubbs? That way you can direct me as we go.”

“Sure!” I open the door and slide in. Put my seat belt on. Smile wide at David A — I mean, Davida Haym. She smiles back thinly. A narrow, pale face. Moody, if not downright gloomy. Exactly the way I expected a horror producer to look. “Just go straight,” I tell her. “The road runs by our house. You can’t miss it — only mansion in the neighbourhood.”

Silence. Davida is focused on the road. I’m trying to think of something to say that’s casual and witty. But my mind’s a blank. So I check her out. Thin all over, a long neck, bony hands, straight black hair, dark eyes. Dull white shirt and skirt. Flat, plain shoes. No jewellery, except one ring on her left hand with a large gold ‘L’ in the middle of a circle of flat silver.

“How have you been, Grubbs?” she asks suddenly.

“Fine.”

“I know something of your past. What happened last year with Billy Spleen.”

“What do you know about me and Bill-E?” I ask suspiciously, guard rising.

“I know about the lycanthropy. How you fought it.”

“Dervish told you that?” I cry, astonished.

“How has Billy been? Any recurrences of his old patterns?”

“Of course not! We cured him! He’s normal now!”

“And you?” she says quietly, and her eyes flick across, cold and calculating.

“Who the hell are you?” I ask, a tremble in my voice.

“Who do you think I am?” she replies.

“I thought you were David A Haym. But you’re not… are you?”

In answer she raises a finger and points. “That must be the mansion.”

She pulls into our drive. I have a bad feeling in my gut, not sure who this woman is or how she knows about Bill-E. She kills the engine and looks at me calmly. Her eyes are really dark. A robot-like expression. No make-up. Thin lips, almost invisible. A small nose with a wartish mole on the right nostril.

“Shall we go in together, or do you want to go on ahead and tell your uncle I’m here?” she asks.

“That depends. What’s your name?” She only smiles in reply. She looks more normal when she smiles, like a teacher — stern, but human. I relax slightly. “You can come with me,” I decide, not wanting to leave her here in case she’s an old friend of Dervish’s and I appear rude.

“Thank you,” she says and gets out of the car. She’s smoothing her skirt down and studying the mansion when I step out. “Nice place,” she comments, then raises a thin eyebrow, the signal for me to lead the way. I start ahead of her, whistling, not letting her see that I’m unnerved, acting like she’s an ordinary visitor. In through the oversized front doors. The juicy smell of sizzling steak drifts from the kitchen.

“Goodness,” the woman says, looking at the high ceilings, the size of the rooms, the weapons on the walls, the staircase.

“This way,” I tell her, heading for the kitchen. “You’re just in time for dinner.”

She follows slowly, absorbing the surroundings. Obviously hasn’t been here before. I keep trying to put a name to her face, thinking of all the people Dervish has mentioned in the past.

I reach the kitchen. Dervish is hard at work on the steak. “No!” he shouts before I say anything. “She hasn’t rung and there’s been no sign of her. Now stop pestering me or I might–”

“We have company,” I interrupt.

Dervish turns questioningly. The woman enters the kitchen. I step aside so he can see her. Instant recognition. His face goes white, then red. He steps away from the hob, abandoning the steak. Eyes tight. Lips quivering. With anger.

“You!” He spits the word out.

“It’s been a long time, Dervish,” the woman says softly, not moving forward to shake his hand. “You look better than I expected.”

“I thought she was David A Haym,” I tell him.

“She’s not,” he barks. “She’s Prae Athim.”

“Pray at him?” I echo.

“Pray Ah-teem,” the woman says, stressing the syllables.

“She’s one of the Lambs,” Dervish says with a sneer.

And the fear which was tickling away at me in the car kicks in solid, like a nail being hammered into my gut.

LAMBIKINS

→ In Dervish’s study. Like most of the rooms, it’s huge. But whereas the others have bare walls, with stone or wood floorboards, the study is carpeted and the walls are covered with leather panels. There are two large desks, bookcases galore, a PC, laptop, typewriter, paper and pens. There used to be five chess sets, but not any more. The swords and axes which hung from the walls are gone too.

Prae Athim doesn’t want me here. That’s obvious from her disapproving look. Dervish doesn’t care. He’s seated behind the computer on his largest desk, one hand on the mouse, moving it around in small circles, waiting for his unwelcome guest to speak. Prae Athim is seated opposite. I’m standing close to the door, ready to leave if Dervish tells me to.

Prae finally speaks. “Billy Spleen still lives with his grandparents?” Dervish nods slowly. “I thought you might have moved him in with you. To observe.”

“You’re the master observer, not me,” Dervish says quietly.

“Isn’t it dangerous, leaving him there?” she presses.

“Billy’s time of turning has passed. There’s nothing to fear from him now.”

“That’s debatable,” Prae smiles.

“No. It isn’t.”

Prae looks at her hands crossed over her lap. Thinks a moment. Then nods at me. “I’d rather not speak in front of the boy.”

“Is this about him?” Dervish responds.

“Partially.”

“Then you’ll have to.”