Blanking my thoughts, desperate not to betray myself, I back away. There’s an exit behind me. As I reach it, I pause, expecting the ball of light to shoot across and block my way. When nothing happens, I slip out of the chamber and scurry through a short, narrow tunnel.
The tunnel opens out on to a plateau. I race away from the chamber, planning to put plenty of space between myself and the ball of light. But the air here is foul and my body revolts. As a stitch hits me hard, I collapse, gasping for air, lungs straining, head aching.
After a minute of painful gasping, the stitch eases and I stand. Instead of running again, I turn slowly and study my surroundings. I’m on a ruined world. The sky is a dark purple colour, full of poisonous-looking clouds. Forks of lightning split the air every few seconds although I can hear no thunder. When the lightning hits the ground, the dark earth flashes and explodes in short-lived funnels of dirt, mud and pebbles.
Huge, bone-like pillars jut out of the scorched, pockmarked earth. At first I think they’re the remains of giant demons. I’ve seen plenty of sky demons in my time, massive monsters, some the size of a world. But the longer I look, the more convinced I become that these aren’t bones, but rather the remains of buildings.
Wandering slowly to the nearest pile of pillars, breathing shallowly, I find that they’re made of some sort of metal. That confuses me. Demons aren’t builders. Some create houses or palaces, even towns and cities, modelled after those on Earth. But they use bones, flesh, cobwebs, plants and other organic substances to fashion their facsimiles. I’ve never known a demon to utilise metal or concrete.
The voice told me we were still in the human universe. I thought we slipped out of it when we crossed through the window, but it looks like we didn’t. I don’t know where I am, but I’m pretty sure it’s not a demon world.
As I move through the ash-ridden remains of what was once maybe a skyscraper, something moves in the filth nearby. Jumping backwards, I try to absorb magic from the air, but there’s virtually nothing to tap into. Like Earth, this is a zone of little or no magical energy.
The thing wriggles clear of the hard mud and debris it was nestling beneath. It looks like a giant slug, but with six small eyes, a jagged gash for a mouth, and other human-looking bits and pieces—a few fingers, a toe, a strip of flesh that might be an ear. The eyes stare at me for a moment, then the mouth opens and it thrusts itself at my face, making a gruesome, high-pitched noise.
The slug creature strikes my chest and I fall. It’s on me in a flash, slithering to my face, leaving a slimy trail. Thin fingers scratch at my chin, then a grey, cold slit clamps over my mouth and nostrils. I feel it tighten on my lips and nose, and the slug squeals with excitement as I struggle for air.
I punch the slug, but my fists make little impact, merely sinking into the gooey, sticky layers of its body. Disgusting slime oozes from the slit, filling my mouth. I collapse, my lungs straining, still pushing and punching the slug, but feebly now. My strength is fading. Soon I’ll be slug fodder and the beast will be able to feast on my flesh at its leisure.
As the world starts to darken around me, the slug is abruptly ripped away. I catch a glimpse of it flying through the air, squealing frantically. It lands hard, rolls a few times, then straightens and propels itself at me again.
Somebody steps in front of me and meets the charge of the slug. It looks like a boy, but with pale green skin. He’s small but strong—he catches the slug and slams it down in a neatly executed wrestling move. While the slug writhes beneath him, the boy grabs one of the creature’s fingers and bites it off with… a small mouth set in the palm of his hand!
The slug stunned me when it attacked, but when I realise who the boy is I’m shocked to the core. I stare with mounting horror and bewilderment as the slug shrieks, then quickly slips away when the boy releases it. He makes sure it isn’t going to attack again, then turns to face me.
He has the body of a young child – maybe three years old – but a head that’s bigger than an adult’s. Mouths in both palms, full of small, sharp teeth. No eyes—instead, balls of fire burn deeply in his empty sockets. And no hair—in its place, small slugs, much like the one he just saved me from, slide slowly around his skull.
“Artery!” I moan. I have no idea how Lord Loss’s familiar came to be here – he was killed a year ago – but I’m certain he only saved me from the slug in order to kill me himself.
The hellchild cocks his head and frowns. “No,” he growls, and it’s the first time I’ve ever heard him speak. His green flesh ripples and the colour fades. His head shrinks and the slugs burrow into his scalp, then turn into hair. The fire in his empty sockets dies away and eyes sprout to fill them. His large mouth tightens a couple of notches and his sharp teeth soften into a more human-like shape. The mouths in his palms disappear, flesh closing over them.
“No,” he says again, and this time his voice is softer. “Not Artery.” He glances at his skin – pale, like Mum’s – and smiles. Almost no trace of the monster remains. I’m gazing at what looks like an ordinary boy. And he’s every bit as familiar as the green-skinned demon.
“I’m Art,” he says, then steps forward and sticks out a small, delicate hand.
THE MAN FROM ATLANTIS (#ulink_70a88fec-71d4-5721-aa63-6f147bfa7a27)
→”You can’t be real,” I gasp, backing away from the figure. “You’re not my brother. You never really existed. I made you up.”
“Yes,” the boy nods. “You transformed Artery into this shape and kept him safe, even though he should have perished on your world, by subconsciously utilising the power of the Kah-Gash. We were surprised it cooperated with you. But the Kah-Gash never ceases to surprise us.”
“You’re not Art!” I shout. “Art didn’t speak like this. He never spoke at all.”
“True,” the boy says. “Artery could communicate with his own kind, but only telepathically. Art would never have been able to speak, even if he’d grown up.
“I’m not the demon you stole or the child you turned it into,” the boy continues. “I am the ball of light from the ship. Sensing the difficulty you had accepting my natural form, I adopted the body of someone you would feel more comfortable with. If you prefer, I can switch to the shape of your mother or father, but I think you will find me easier to deal with this way.”
My head’s spinning. “Are you a shape-shifter?” I ask, getting to my feet and walking around the boy, checking him from every angle.
“No,” he says. “I have no physical body. I assembled this from a corpse, remoulding its flesh and bones. It was a creature like the one which attacked you. They are pitiful beasts. Hard to believe they are descended from beings once as industrious as yourself.”
“What do you mean?” I frown.
“It’s a descendant of the Atlanteans,” Art says. “They were bipeds, like you, and their society was similar to yours. Indeed, your distant ancestors were strongly influenced by the beings of Atlantis.”
“Atlantis?” I croak. “What are you talking about? Atlantis was a mythical city.”
“No,” Art corrects me. “It was a world of immense, amazing cities, the closest inhabitable planet to Earth. The Atlanteans explored this world to its fullest, then the lifeless planets nearby, finally extending to their neighbouring galaxies. They visited your world. Your ancestors worshipped them, built monuments like theirs, dressed in their honour, wrote things down as they did.”
“Are you pulling my leg?” I growl.
“I do not understand,” Art responds.
“Are you trying to fool me?”
“No. Atlantis was an advanced planet. The Atlanteans were wise and kind. But they harnessed the raw energy of this universe and that is dangerous. They knew the risks and accepted them. It was the price they paid to explore further afield, beyond the confines of their own sector of the universe.
“They fell within the space of an hour,” Art goes on, and although he has a child’s face, he looks like an adult as he gazes upon the wrecks of the buildings. “An explosion set off a chain reaction and their society crumbled. The ships they’d sent off into space were linked to the home world, so they were destroyed too. The sky filled with pollutants and ash. Death claimed nineteen billion souls. A few Atlanteans survived and mutated, but I doubt they would have wished for their offspring to end up like this. It would have been better if they’d all perished.”
Art falls silent. I stare at the boy who is the image of the child I once thought of as a brother. Now that I’m over my initial shock, I find that he was right—it’s a lot easier talking to someone who looks like a boy than with a ball of light.
I study the graveyard of the world around me. Art could be lying, but I don’t think so. I’m standing on the remains of Atlantis. The most famous lost city of legend was never a city at all, but a different world. The information is mind-boggling. If Art’s telling the truth, the Atlanteans visited mankind in the past. They taught us to read and write, to build. Maybe they even bred with us and –
“No,” Art interrupts. “The Atlanteans did not breed with lesser beings.”
“This is incredible,” I gasp, the word not doing my feelings justice. “But if they travelled to our world by rockets, not windows, is this still the human universe?”
“Of course.” Art sounds surprised. “I thought that was clear.”
“You said we hadn’t crossed but I wasn’t sure.”
“We have not left your universe and will not during the course of our travels,” Art says.
“This isn’t the end?”
The boy giggles the way Art used to when he bit someone. “Hardly. This is merely the beginning of an amazing journey.”
“Where are we going?” I ask.
“Far away,” he answers mysteriously.
“What if I don’t want to go with you?” I counter.
“You have no choice,” Art says.
“Is that a threat?”
“No,” he shrugs. “It’s just the way things are.”