Portia; Or, By Passions Rocked

Silently, with breaking hearts, they carry him into the grand old hall, and lay him reverently upon the marble flooring. Silently, they gaze upon his unmarred beauty. Not a sound – not a sob – disturbs the sacred stillness. Portia, always with his hand in hers, falls upon her knees, and, pressing it against her breast, raises her eyes devoutly heavenward. One by one, they all withdraw – Sir Mark, to break the terrible news to the old man. She is alone with her dead! With a little sigh she crouches close to him, and lays her cheek against his. The icy contact conveys no terror to her mind. She does not shrink from him, but softly, tenderly, caresses him from time to time, and yet he moves not, nor wakens into life beneath her gentle touch. Truly,

"After life's fitful fever, he sleeps well."

CHAPTER XXIX

"'Whom the gods love die young,' was said of yore."

    – Don Juan.
"Death came with friendly care."

    – Coleridge.
It all happened only yesterday, yet how long ago it seems already; and now the sun is shining again, bravely, cheerily, as though life is all made up of joy and gladness, and as though storms that despoil the earth, and heavier storms that wreck the soul, are miseries unknown; and yet he is dead, and she —

In silence they had carried him to his own chamber, and had laid him on his bed, she going with him always with his clay-cold hand in hers, and never a moan from her pale lips.

The storm had gone down by that, and a strange mournful stillness, terrible after the late rioting of the elements, covered all the land. The silence might be felt, and through it they listened eagerly for her sighs, and hoped for the tears that should have come to ease her stricken heart, but all in vain; and watching her they knew at last that the springs of grief within her were frozen, and that the blessed healing waters that can cool the burning fever of despair were not to flow for her. Only a certain curious calm lay on her, killing all outward demonstrations of grief. She spoke to no one, she was hardly, perhaps, at times, aware of the presence of those around her. Dulce's sobs did not rouse her. She showed no symptom of emotion when Sir Christopher bent his white head in inexplicable woe over the form of the man who had been dear to him as his own soul. As she knelt beside the corpse, she moved now and then, and her breath came and went softly, regularly, but her eyes never departed from the face before her, with its closed eyes and sad, solemn smile. Perhaps, in her strange musings, she was trying to follow him in spirit to where he had so dimly dreamt of here, because her eyes are gleaming large and clear, and almost unearthly in their brilliance.

"Gone before,
To that unknown and silent shore"

At first, though somewhat in awe of her, they had sought by tenderest means to draw her from the room. But she had resisted, or rather been utterly deaf to all entreaties, and, kneeling by the bed that held all that she had loved or ever could love, still fed her eager gaze with sight of him, and pressed from time to time his ice-cold hand to her cheeks, her lips, her eyes.

Then Sir Mark had admonished them to let her be, and sinking into a chair, with a heavy sigh, had kept her vigil with her. Tall candles gleamed on distant tables. The night wind sighed without; footsteps came and went, and heart-broken sighs and ill-suppressed sobs disturbed the air. The little child he had loved – the poor Boodie – would not be forbidden, and, creeping into the sad room, had stolen to the bedside, and had laid upon his breast a little pallid blossom she had, secretly and alone, braved all the terrors of the dark night to gain, having traversed the quiet garden to pluck it from the tiny plot out there she called her own.

She had not been frightened when she saw him, but had stood gazing in some wonder at the indescribably pathetic smile that glorified his lips, after which she had given her hand obediently to Dicky Browne, and had gone back with him to her nursery, content, and far less sad than when she came.

Sometimes they all came and gazed on him together; Julia trembling, but subdued; Dulce with her hand in Roger's; the old man inconsolable. Now Dicky Browne whispers feeble but well-meant words of comfort to him, now Sir Mark touches his arm in silent sympathy. But they all keep somewhat apart from Portia; she has grown suddenly sacred in their eyes, as one to whom the beloved dead more especially belongs.

One of them, Sir Mark, I believe, seeing a little bit of dark-hued ribbon round his neck, bent forward, and, loosening it, draws to light a flat gold locket with the initials P. V. sunk deeply in it. His hand shook at this discovery; he hesitated; then, some fine instinct revealing to him that it might contain some hidden charm strong enough to rouse her from her unnatural calm, he touched Portia's shoulder and laid the locket in her hand.

Mechanically she opened it, yet testily too, as if unwilling or unable to keep her eyes for even the shortest space of time from the lifeless face so dear to her. But, once opened, her glance riveted itself upon its contents. Her own face looked up at her, her own eyes smiled at her. It was her portrait that she saw, painted by him, no doubt, sadly and in secret, and worn against his heart ever since.

Long she gazed at it. Her whole face changed. The terrible calm has broken up, but no grief came in its place. There was only joy unutterable and a rapture most blessed and divine.

"My love, I knew it without this," she said, softly. Her eyes once more returned to him; a quick but lengthened sigh escaped her; her head fell forward on his breast.

They waited. The minutes grew, but still she never stirred. Some one, whispering comfort to her, tried to raise her head, but comfort from heaven itself had reached her. She was with him! She was quite dead!

They said some tissue in her heart had given way, and perhaps it was so, but surely grief had severed it.

THE END