Tales for Fifteen

"And engaging, and agreeable, and gentlemanlike?"

"Agreeable, and gentlemanlike too.

"And graceful, and loveable?"

"Graceful, certainly; and, very possible, loveable, to those who know him."

"Know him! – what more would you know of the man? You see his beauty and elegance – you witness his breeding – you listen to his sense and information – what more is necessary to fall in love with him?"

"Really, I pretend to no reasoning upon the subject at all," said Charlotte, smiling; "but if you have such an intention, indulge in it freely, I beg of you, for you will not find a rival in me. – But, listen, he is about to play a solo on his flute."

A man with three hundred thousand dollars may play a solo, but he never can be alone where there are any to listen. The hearts of many throb at the very breathings of wealth through a flute, who would remain callous to the bitterest sighs of poverty. But Delafield possessed other attractions to catch the attention of the audience: his powers on the instrument greatly exceeded those of any of his competitors, and his execution was really wonderful; every tongue was silent, every ear was attentive, and every head nodded approbation, excepting that of our heroine. Delafield, perfectly master of his instrument and the music, fixed his eye on the countenance of Charlotte, and he experienced a thrill at his heart as he witnessed her lovely face smiling approbation, while his fingers glided over the flute with a rapidity and skill that produced an astonishing variety and gradation of sounds. At length, thought he, I have succeeded, and have made an impression on this charming girl that is allied to admiration. The idea gave him spirits for the task, and his performance exceeded any thing the company had ever witnessed before. On laying down the instrument, he approached the place where the friends were sitting, with an exultation in his eyes that was inferior only to modesty in the power to captivate.

"Certainly, Mr. Delafield," cried Maria Osgood, "you have outdone your own outdoings."

"If I have been so fortunate as to please here, then I am rewarded indeed," said the youth, with a bow and an expression that rendered it a little doubtful to which of the ladies the compliment was addressed. At this instant, George Morton approached them.

"Mr. Delafield, let me make you acquainted with Mr. Morton," said Maria, glancing her eye at the former in a manner that he understood.

"I have great pleasure in taking Mr. Morton by the hand," said Seymour, "if he will excuse the want of ceremony in this company. The lesson that you gave to me yesterday, sir, will not soon be forgotten."

"In what manner, sir?" inquired George, with a little embarrassment and a conscious blush.

"In teaching me, among others, Mr. Morton, the difference between active and passive humanity – between that which is satisfied with feeling, and that which prompts to serve."

To this unexpected compliment young Morton could do no more than bow in silence, for it was too flattering for a reply – and too true to deny. As Delafield turned his eye, at a little loss to know whether to be pleased or not with his own humility, he met a look from Charlotte that more than rewarded him for the effort. It was a mild, benevolent, pure glance, that spoke admiration and heartfelt pleasure. He forgot his solo, and the expected compliments; and, for the rest of the evening, that thrilling expression floated in his brain, and was present to his thoughts; it was worth a thousand of the studied glances that were continually aimed at him from all sides of the room, and with every variety of eye – from the piercing black, to the ogling gray. It was a look that came directly from, and went to, the heart. If young ladies always knew how nicely nature has qualified the other sex to judge of their actions, what multitudes of astonishingly expressive glances, and artfully contrived gestures and movements, would sink down into looks, that indicated feelings and motives, that were adapted to the occasion! What trouble in creating incidents that might draw out charms would be avoided! And, in short, how much extra labour, both of body and mind, would be spared!

This agreeable contemplation of Mr. Delafield was soon interrupted by the cheerful voice of Maria Osgood, who cried —

"Bless me, George, you really do look ill."

"It is seldom that I have much health to boast of," replied the youth, in a feeble voice, and with a still feebler smile.

"But," said Maria, without reflecting, "you look worse than usual."

There was so much truth in this remark, that the young man could only smile in silence, while Seymour, surveying the very plain exterior of his new acquaintance, turned his eyes with additional satisfaction towards a mirror that reflected his own form from head to feet.

"You will not attempt the flute to-night, George?" said Charlotte.

"I believe I must, or not fulfil my engagement to Mrs. Osgood."

"Surely," continued Charlotte, in a low tone to her friend, "George had better not play, looking so ill as he does."

"Certainly not; besides, his performance would not shine after that of Mr. Delafield."

Seymour overheard this speech, which was really intended only for the ear of Charlotte, and he was instantly seized with an unaccountable desire to hear the flute of Mr. Morton. Seymour was conscious that he played well, and could he have forgotten the indifference that Miss Henly exhibited to his performance, would have been abundantly flattered with the encomiums that were lavished on his skill.

A request from the mistress of the mansion now compelled George to make his appearance among the musicians, and in a few minutes his flute was heard alone. There was a vacancy in the looks of Charlotte, during the scientific execution of the different individuals who had been labouring at the several instruments in the course of the evening, that denoted a total indifference to the display. But, the moment that George was called on to take his part in the entertainment, this listlessness disappeared, and was succeeded by an expression of intense interest and deep anxiety. The melody of George was simple and plaintive; he aimed at no extraordinary exhibition of skill, and it was difficult to compare his music with that of Seymour. The latter, however, studied the countenance of the young lady near him as the best index to their comparative merit, and he was soon able to read his own want of success. For the first few minutes, anxiety was the principal expression portrayed in her lovely face, but it was soon succeeded by a deep and powerful emotion. There is something contagious in the natural expression of our passions, that insensibly enlists the sympathies of the beholder – and Seymour felt a soft melancholy stealing over him as he gazed, that was but a faint reflection of the tenderness excited in the breast of Charlotte, while she listened to sounds that penetrated to her very soul. There is no mistaking the effect of music that depends only on its melody. Its appeal to the heart is direct and unequivocal, and nothing but callous indifference can resist its power. The most profound silence pervaded the apartment, and George was enabled to finish his piece with a spirit that increased with the attention. As the last breathing notes died on the ear, Delafield turned to meet those eyes which had already secured an unconscious victory, and saw them moistened with a lustre that added to their natural softness. Beauty in tears is proverbially irresistible – and the youth, bending forward, said in a voice that was modulated to the stillness of the room —

"Such melody, Miss Henly, captivates the senses."

"Does it not touch the heart?" asked the young lady, with a little of unusual animation.

"The heart too. But Mr. Morton looks exhausted after his labours."

All the pleasure which had shone in the countenance of Charlotte, vanished instantly, and gave place to deep concern.

"Oh! it is unjustifiable, thus to purchase pleasure at the expense of another," said she, in a tone that Seymour scarcely heard.

How tenderly would the man be loved, thought the youth, who succeeded in engaging the affections of this young creature! how disinterested is her regard – and how considerate are her feelings! Here will I trust my hopes for happiness in this life, and here will I conquer, or here will I die!

No two persons could possibly be actuated by sensations more different than Charlotte and Seymour Delafield. He had been so long palled with the attentions of managing mothers and designing daughters; had seen so much of female manoeuvring, and had so easily seen through it, that the natural and inartificial loveliness of Charlotte touched his senses with a freshness of delicacy that to him was as captivating as it was novel. Upon unpractised men, the arts of the sex are often successful, but generally they are allies that increase the number of the assailants, without promoting the victory. It is certain that many a fair one played that evening in order that Mr. Delafield might applaud; that some sighed that he might hear, and others ogled that he might sigh: but not one made the impression that the quiet, speaking eye, and artless but peaceful nature of Charlotte produced on the youth. While this novel feeling was gaining ground in the bosom of Mr. Delafield, Charlotte saw nothing in her new acquaintance but a gentleman of extraordinary personal beauty, agreeable manners, and graceful address – qualities that are always sure to please, and, not unusually, to captivate. But to her he was a stranger; and Charlotte, who never thought or reasoned on the subject, would have been astonished had one seriously spoken of her loving him. The road to conquest with her lay through her heart, and was but little connected with her imagination.

"Heigho! George," cried Maria, as he approached, "you have given me the dolefuls."

"And me both pleasure and pain," said Charlotte.

"Why the latter?" asked the youth, quickly.

"Surely it was imprudent in you to play, with such a cold."

The lip of the youth quivered, and a smile of mournful and indefinable meaning passed over his features, but he continued silent.

"It is to be hoped it had one good effect at least," continued Maria.

"Such as what?"

"Such as putting the little dears to sleep in the nursery, which is directly over our heads."

"It is well if I have done that little good," said George.

"You have brought tears into eyes that never should weep," cried Delafield, "and melancholy to a countenance that seems formed by nature to convey an idea of peaceful content."

Morton looked earnestly at the speaker for a moment, when a painful feeling seemed suddenly to seize on his heart – for his cheek grew paler, and his lip quivered with an agitation that apparently he could not control. Charlotte alone noticed the alteration, and, speaking in a low tone, she said —

"Do go home, George; you are far from being well – to oblige me, go home."

"To oblige you, I would do much more unwelcome biddings," he replied, with a slight colour; "but I believe you are right; and, having discharged my duty here, I will retire."

He rose, and, paying the customary compliments to the mistress of the mansion, withdrew. With him disappeared all the awakened interest of Charlotte in the scene.

In vain was Seymour Delafield attentive, polite, and even particularly so. That devotedness of admiration for which so many sighed, and which so many envied, was entirely thrown away upon Charlotte. She listened, she bowed, and she smiled – and, sometimes, she answered; but it was evidently without meaning or interest, until, wearied with his fruitless efforts to make an impression, and perhaps with a hope of exciting a little jealousy, he turned his attention to her more lively companion.

"Your mother's nursery, Miss Osgood," he cried, "ought on such an occasion to be tenantless."

"You think there are enough of us here to make it so," returned the lady, with an affected sigh.

"I really had not observed the number of your charming family – how many are there of you?"