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Шоколад / Chocolat

Год написания книги
1999
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“I’m sure there’s room here for both of us,” she says evenly. “Are you sure you don’t want a drink of chocolate? I could explain what I – ”

I shake my head furiously, like a dog tormented by wasps. Her very calm infuriates me, and I can hear a kind of buzzing in my head, an unsteadiness which sends the room spinning about me. The creamy smell of chocolate is maddening. For a moment my senses are unnaturally enhanced; I can smell her perfume, a caress of lavender, the warm spicy scent of her skin. Beyond her, a whiff of the marshes, a musky tang of engine-oil and sweat and paint from her redhaired friend.

“I – no – I…” Nightmarishly, I have forgotten what I intended to say. Something about respect, I think, about the community. About pulling together in the same direction, about righteousness, decency, about morality. Instead I gulp air, my head swimming. “I–I…”

I cannot shake the thought that she is doing this, pulling the threads of my senses apart, reaching into my mind.

She leans forward, pretending solicitude, and her scent assails me once more.

“Are you all right?” I hear her voice from a great distance. “Monsieur Reynaud, are you all right?”

I push her away with trembling hands.

“Nothing.” At last I manage to speak. “An – indisposition. Nothing. I’ll bid you good – ”

Blindly I stumble towards the door. A red sachet suspended from the door-jamb brushes my face more of her superstition – and I cannot shake off the absurd impression that the ridiculous thing is responsible for my malaise; herbs and bones sewn together and hung there to trouble my mind. I stagger out into the street, gasping for breath.

My head clears as soon as the rain touches it, but I keep walking. Walking.

I did not stop until I reached you, mon pere. My heart was pounding, my face running with sweat, but at last I feel purged of her presence. Was this what you felt, mon pere, that day in the old chancery? Did temptation wear this face?

The dandelions are spreading, their bitter leaves pushing up the black earth, their white roots forking deep, biting hard. Soon they will be in bloom. I will walk home via the river, pare, to observe the small floating city which even now grows, spreads across the swollen Tannes. More boats have arrived since last we spoke so that the river is paved with them. A man might walk across.

EVERYONE WELCOME

Is this what she intends? A gathering of these people, a celebration of excess? How we fought to eradicate those remaining pagan traditions, pere, how we preached and cajoled. The egg, the hare, still-living symbols of the tenacious root of paganism, exposed for what they are. For a time we were pure. But with her the purge must begin anew. This is a stronger strain, defying us once again. And my flock, my stupid, trustful flock, turning to her, listening to her… Armande Voizin. Julien Narcisse. Guillaume Duplessis. Josephine Muscat. Georges Clairmont. They will hear their names spoken in tomorrow’s sermon along with all those who have listened to her. The chocolate festival is only a part of the sickening whole, I will tell them. The befriending of the river-gypsies. Her deliberate defiance of our customs and observances. The influence she brings to bear on our children. All signs, I will tell them, all signs of the insidious effect of her presence here.

This festival of hers will fail. Ridiculous to imagine that with such strength of opposition it could succeed. I will preach against it every Sunday. I will read out the names of her collaborators and pray for their deliverance. Already the gypsies have brought unrest. Muscat complains that their presence deters his customers. The noise from their camp, the music, the fires, have made Les Marauds into a floating shanty town, the river gleaming with spilled oil, drifts of litter sailing downstream. And his wife would have welcomed them, so I heard. Fortunately Muscat is not intimidated by these people. Clairmont tells me he ousted them easily last week when they dared to set foot in his cafe. You see, pere, in spite of their bravado they are cowards. Muscat has blocked off the path from Les Marauds to discourage them from passing. The possibility of violence should appal me, pere, but in a way I would welcome it. It might give me the excuse I need to call the police from Agen. I should talk to Muscat again. He would know what to do.

18

Saturday, March 1

Roux’s boat is one of the nearest to the shore, moored some distance from the rest, opposite Armande’s house. Tonight paper lanterns were strung across its bows like glowing fruit, and, as we made our way into Les Marauds, we caught the sharp scent of grilling food from the river bank. Armande’s windows had been flung open to overlook the river, and the light from the house made irregular patterns on the water. I was struck by the absence of litter, the care with which every scrap of waste had been placed in the steel drums for burning. From one of the boats further downriver came the sound of a guitar playing. Roux was sitting on the little jetty, looking into the water. A small group of people had already joined him, and I recognized Zezette, another girl called Blanche and the North African, Mahmed. Beside them something was cooking on a portable brazier filled with coals.

Anouk ran to the fire at once. I heard Zezette warn her in a soft voice,

“Careful, sweetheart, it’s hot.”

Blanche held out a mug containing warm spiced wine and I took it with a smile.

“See what you think of this.”

The drink was sweet and sharp with lemon and nutmeg, the spirit so strong that it caught at the throat.

For the first time in weeks the night was clear, and our breath made pale dragons in the still air. A thin mist hung over the river, lit here and there by the lights from the boats.

“Pantoufle wants some too,” said Anouk, pointing at the pan of spiced wine.

Roux grinned. “Pantoufle?”

“Anouk’s rabbit,” I told him quickly. “Her – imaginary friend.”

“I’m not sure Pantoufle would like this very much,” he told her. “Perhaps he’d like a little apple juice instead?”

“I’ll ask him,” said Anouk.

Roux seemed different here, more relaxed, outlined in fire as he supervised his cooking. I remember river crayfish, split and grilled over the embers, sardines, early sweetcorn, sweet potatoes, caramelized apples rolled in sugar and flash-fried in butter, thick pancakes, honey. We ate with our fingers from tin plates and drank cider and more of the spiced wine. A few children joined Anouk in a game by the river bank. Armande came down to join us too, holding out her hands to warm them by the brazier.

“If only I were younger,” she sighed. “I wouldn’t mind this every night.”She took a hot potato from its nest of coals and juggled it deftly to cool it. “This is the life I used to dream about as a child. A houseboat, lots of friends, parties every night…” She gave Roux a malicious look. “I think I’ll run away with you,” she declared. “I always had a soft spot for a redheaded man. I may be old, but I bet I could still teach you a thing or two.”

Roux grinned. There was no trace of self-consciousness in him tonight. He was good-humoured, filling and refilling the mugs with wine and cider, touchingly pleased to be the host. He flirted with Armande, paying her extravagant compliments, making her caw with laughter. He taught Anouk how to skim flat stones across the water. Finally he showed us his boat, carefully maintained and clean, the tiny kitchen, the storage hold with its water tank and food stores, the sleeping area with its plexiglass roof.

“It was nothing but a wreck when I bought it,” he told us. “I fixed it up so that now it’s as good as any house on land.” His smile was a little rueful, like that of a man confessing to a childish pastime. “All that work, just so I can lie on my bed at night and listen to the water and watch the stars.”

Anouk was exuberant in her approval.

“I like it,” she declared. “I like it a lot! And it isn’t a mid – mid – whatever Jeannot’s mother says it is.”

“A midden,” suggested Roux gently.

I looked at him quickly, but he was laughing.

“No, we’re not as bad as some people think we are.”

“We don’t think you’re bad at all!” Anouk was indignant.

Roux shrugged.

Later there was music, a flute and a fiddle and some drums improvised from cans and dustbins. Anouk joined in with her toy trumpet, and the children danced so wildly and so close to the river bank that they had to be sent away to a safe distance. It was well past eleven when we finally left, Anouk drooping with fatigue but protesting fiercely.

“It’s OK,” Roux told her. “You can come back any time you like.”

I thanked him as I picked up Anouk in my arms.

“You’re welcome.”

For a second his smile faltered as he looked beyond me to the top of the hill. A faint crease appeared between his eyes.

“What’s wrong?”

“I’m not sure. Probably nothing.”

There are few streetlights in Les Marauds. The only illumination comes from a single yellow lantern outside the Cafe de la Republique, shining greasily on the narrow causeway. Beyond that is the Avenue des Francs Bourgeois, broadening to a well-lit avenue of trees. He watched for a moment longer, eyes narrowed.

“I just thought I saw someone coming down the hill, that’s all. Must have been a trick of the light. There’s no one there now.”

I carried Anouk up the hill. Behind us, soft calliope music from the floating carnival. On the jetty Zezette was dancing, outlined against the dying fire, her frenzied shadow leaping below her. As we passed the Cafe de la Republique I saw that the door was ajar, though all the lights were out. From inside the building I heard a door close softly, as if someone had been watching, but that might have been the wind.

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