Plays : Fourth Series

JIM. [Smiling and slow] Nothin' duin'.

TRUSTAFORD. Bravo, Jim! Yu'm right. Best zense yet!

[Applause from the dumb-as-fishes.]

[With his smile brightening, JIM resumes his seat.]

SOL POTTER. [Wiping his brow] Du seem to me, gentlemen, seem' as we'm got into a bit of a tangle in a manner of spakin', 'twid be the most zimplest and vairest way to begin all over vrom the beginnin', so's t'ave it all vair an' square for every one.

[In the uproar Of "Aye" and "No," it is noticed that TIBBY JARLAND is standing in front of her father with her finger, for want of something better, in her mouth.]

TIBBY. [In her stolid voice] Please, sister Mercy says, curate 'ave got to "Lastly." [JARLAND picks her up, and there is silence.] An' please to come quick.

JARLAND. Come on, mates; quietly now!

[He goes out, and all begin to follow him.]

MORSE. [Slowest, save for SOL POTTER] 'Tes rare lucky us was all agreed to hiss the curate afore us began the botherin' old meetin', or us widn' 'ardly 'ave 'ad time to settle what to du.

SOL POTTER. [Scratching his head] Aye, 'tes rare lucky; but I dunno if 'tes altogether reg'lar.

CURTAIN

SCENE III

The village green before the churchyard and the yew-trees at the gate. Into the pitch dark under the yews, light comes out through the half-open church door. Figures are lurking, or moving stealthily—people waiting and listening to the sound of a voice speaking in the church words that are inaudible. Excited whispering and faint giggles come from the deepest yew-tree shade, made ghostly by the white faces and the frocks of young girls continually flitting up and back in the blackness. A girl's figure comes flying out from the porch, down the path of light, and joins the stealthy group.

WHISPERING VOICE of MERCY. Where's 'e got to now, Gladys?

WHISPERING VOICE OF GLADYS. 'E've just finished.

VOICE OF CONNIE. Whu pushed t'door open?

VOICE OF GLADYS. Tim Clyst I giv' it a little push, meself.

VOICE OF CONNIE. Oh!

VOICE of GLADYS. Tim Clyst's gone in!

ANOTHER VOICE. O-o-o-h!

VOICE of MERCY. Whu else is there, tu?

VOICE OF GLADYS. Ivy's there, an' Old Mrs. Potter, an' tu o' the maids from th'Hall; that's all as ever.

VOICE of CONNIE. Not the old grey mare?

VOICE of GLADYS. No. She ain't ther'. 'Twill just be th'ymn now, an' the Blessin'. Tibby gone for 'em?

VOICE OF MERCY. Yes.

VOICE of CONNIE. Mr. Burlacombe's gone in home, I saw 'im pass by just now—'e don' like it. Father don't like it neither.

VOICE of MERCY. Mr. Strangway shoudn' 'ave taken my skylark, an' thrown father out o' winder. 'Tis goin' to be awful fun! Oh!

[She jumps up and dawn in the darkness. And a voice from far in the shadow says: "Hsssh! Quiet, yu maids!" The voice has ceased speaking in the church. There is a moment's dead silence. The voice speaks again; then from the wheezy little organ come the first faint chords of a hymn.]

GLADYS. "Nearer, my God, to Thee!"

VOICE of MERCY. 'Twill be funny, with no one 'ardly singin'.

[The sound of the old hymn sung by just six voices comes out to them rather sweet and clear.]

GLADYS. [Softly] 'Tis pretty, tu. Why! They're only singin' one verse!

[A moment's silence, and the voice speaks, uplifted, pronouncing the Blessing: "The peace of God–" As the last words die away, dark figures from the inn approach over the grass, till quite a crowd seems standing there without a word spoken. Then from out of the church porch come the congregation. TIM CLYST first, hastily lost among the waiting figures in the dark; old Mrs. Potter, a half blind old lady groping her way and perceiving nothing out of the ordinary; the two maids from the Hall, self-conscious and scared, scuttling along. Last, IVY BURLACOMBE quickly, and starting back at the dim, half-hidden crowd.]

VOICE of GLADYS. [Whispering] Ivy! Here, quick!

[Ivy sways, darts off towards the voice, and is lost in the shadow.]

VOICE OF FREMAN. [Low] Wait, boys, till I give signal.

[Two or three squirks and giggles; Tim CLYST'S voice: "Ya-as! Don't 'ee tread on my toe!" A soft, frightened "O-o-h!" from a girl. Some quick, excited whisperings: "Luke!" "Zee there!" "He's comin'!" And then a perfectly dead silence. The figure of STRANGWAY is seen in his dark clothes, passing from the vestry to the church porch. He stands plainly visible in the lighted porch, locking the door, then steps forward. Just as he reaches the edge of the porch, a low hiss breaks the silence. It swells very gradually into a long, hissing groan. STRANGWAY stands motionless, his hand over his eyes, staring into the darkness. A girl's figure can be seen to break out of the darkness and rush away. When at last the groaning has died into sheer expectancy, STRANGWAY drops his hand.]

STRANGWAY. [In a loco voice] Yes! I'm glad. Is Jarland there?

FREMAN. He's 'ere-no thanks to yu! Hsss!

[The hiss breaks out again, then dies away.]

JARLAND'S VOICE. [Threatening] Try if yu can du it again.

STRANGWAY. No, Jarland, no! I ask you to forgive me. Humbly!

[A hesitating silence, broken by muttering.]

CLYST'S VOICE. Bravo!

A VOICE. That's vair.

A VOICE. 'E's afraid o' the sack—that's what 'tis.

A VOICE. [Groaning] 'E's a praaper coward.

A VOICE. Whu funked the doctor?

CLYST'S VOICE. Shame on 'ee, therr!