GUY. [Boldly] As a matter of fact this is my sister's studio; she's in France – and has a friend staying here.
BUILDER. Oh! And you have a key?
GUY. My sister's.
BUILDER. Does your sister shave?
GUY. I – I don't think so.
BUILDER. No. Then perhaps you'll tell me what these mean? [He takes out the strop and shaving stick].
GUY. Oh! Ah! Those things?
BUILDER. Yes. Now then?
GUY. [Addressing MRS BUILDER] Need we go into this in your presence, ma'am? It seems rather delicate.
BUILDER. What explanation have you got?
GUY. Well, you see —
BUILDER. No lies; out with it!
GUY. [With decision] I prefer to say nothing.
BUILDER. What's your name?
GUY. Guy Herringhame.
BUILDER. Do you live here?
Guy makes no sign.
MRS BUILDER. [To Guy] I think you had better go.
BUILDER. Julia, will you leave me to manage this?
MRS BUILDER. [To Guy] When do you expect my daughter in?
GUY. Now – directly.
MRS BUILDER. [Quietly] Are you married to her?
GUY. Yes. That is – no – o; not altogether, I mean.
BUILDER. What's that? Say that again!
GUY. [Folding his arms] I'm not going to say another word.
BUILDER. I am.
MRS BUILDER. John – please!
BUILDER. Don't put your oar in! I've had wonderful patience so far. [He puts his boot through a drawing] Art! This is what comes of it! Are you an artist?
GUY. No; a flying man. The truth is —
BUILDER. I don't want to hear you speak the truth. I'll wait for my daughter.
GUY. If you do, I hope you'll be so very good as to be gentle. If you get angry I might too, and that would be awfully ugly.
BUILDER. Well, I'm damned!
GUY. I quite understand that, sir. But, as a man of the world, I hope you'll take a pull before she comes, if you mean to stay.
BUILDER. If we mean to stay! That's good!
GUY. Will you have a cigarette?
BUILDER. I – I can't express —
GUY. [Soothingly] Don't try, sir. [He jerks up his chin, listening] I think that's her. [Goes to the door] Yes. Now, please! [He opens the door] Your father and mother, Athene.
ATHENE enters. She is flushed and graceful. Twenty-two, with a short upper lip, a straight nose, dark hair, and glowing eyes. She wears bright colours, and has a slow, musical voice, with a slight lisp.
ATHENE. Oh! How are you, mother dear? This is rather a surprise. Father always keeps his word, so I certainly didn't expect him. [She looks steadfastly at BUILDER, but does not approach].
BUILDER. [Controlling himself with an effort] Now, Athene, what's this?
ATHENE. What's what?
BUILDER. [The strop held out] Are you married to this – this – ?
ATHENE. [Quietly] To all intents and purposes.
BUILDER. In law?
ATHENE. No.
BUILDER. My God! You – you – !
ATHENE. Father, don't call names, please.
BUILDER. Why aren't you married to him?
ATHENE. Do you want a lot of reasons, or the real one?
BUILDER. This is maddening! [Goes up stage].