Dangerous Women. Part I

Popular fiction, though, has always had a schizophrenic view of the dangerousness of women. In the science fiction of the 1930s, ’40s, and ’50s, women, if they appeared at all, were largely regulated to the role of the scientist’s beautiful daughter, who might scream during the fight scenes but otherwise had little to do except hang adoringly on the arm of the hero afterwards. Legions of women swooned helplessly while waiting to be rescued by the intrepid jut-jawed hero from everything from dragons to the bug-eyed monsters who were always carrying them off for improbable purposes either dietary or romantic on the covers of pulp SF magazines. Hopelessly struggling women were tied to railroad tracks, with nothing to do but squeak in protest and hope that the Good Guy arrived in time to save them.

And yet, at the same time, warrior women like Edgar Rice Burroughs’s Dejah Thoris and Thuvia, Maid of Mars, were every bit as good with the blade and every bit as deadly in battle as John Carter and their other male comrades, female adventuresses like C. L. Moore’s Jirel of Joiry swashbuckled their way through the pages of Weird Tales magazine (and blazed a trail for later female swashbucklers like Joanna Russ’s Alyx); James H. Schmitz sent Agents of Vega like Granny Wannatel and fearless teenagers like Telzey Amberdon and Trigger Argee out to battle the sinister menaces and monsters of the spaceways; and Robert A. Heinlein’s dangerous women were capable of being the captain of a spaceship or killing enemies in hand-to-hand combat. Arthur Conan Doyle’s sly, shady Irene Adler was one of the only people ever to outwit his Sherlock Holmes, and probably one of the inspirations for the legions of tricky, dangerous, seductive, and treacherous “femmes fatale” who featured in the works of Dashiell Hammett and James M. Cain and later went on to appear in dozens of films noir, and who still turn up in the movies and on television to this day. Later television heroines such as Buffy the Vampire Slayer and Xena, Warrior Princess, firmly established women as being formidable and deadly enough to battle hordes of fearsome supernatural menaces, and helped to inspire the whole subgenre of paranormal romance, which is sometimes unofficially known as the “kick-ass heroine” genre.

Like our anthology Warriors, Dangerous Women was conceived of as a cross-genre anthology, one that would mingle every kind of fiction, so we asked writers from every genre – science fiction, fantasy, mystery, historical, horror, paranormal romance, men and women alike – to tackle the theme of “dangerous women,” and that call was answered by some of the best writers in the business, including both new writers and giants of their fields like Diana Gabaldon, Jim Butcher, Sharon Kay Penman, Joe Abercrombie, Carrie Vaughn, Joe R. Lansdale, Lawrence Block, Cecelia Holland, Brandon Sanderson, Sherilynn Kenyon, S. M. Stirling, Nancy Kress, and George R.R. Martin.

Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors; intrepid women fighter pilots and far-ranging spacewomen; deadly female serial killers; formidable female superheroes; sly and seductive femmes fatale; female wizards; hard-living bad girls; female bandits and rebels; embattled survivors in postapocalyptic futures; female private investigators; stern female hanging judges; haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths; daring dragonriders; and many more.

Enjoy!

George R.R. Martin

Hugo, Nebula, and World Fantasy Award – winner George R.R. Martin, New York Times bestselling author of the landmark A Song of Ice and Fire fantasy series, has been called “the American Tolkien.”

Born in Bayonne, New Jersey, George R.R. Martin made his first sale in 1971, and soon established himself as one of the most popular SF writers of the seventies. He quickly became a mainstay of the Ben Bova Analog with stories such as “With Morning Comes Mistfall,” “And Seven Times Never Kill Man,” “The Second Kind of Loneliness,” “The Storms of Windhaven” (in collaboration with Lisa Tuttle, and later expanded by them into the novel Windhaven), “Override,” and others, although he also sold to Amazing, Fantastic, Galaxy, Orbit, and other markets. One of his Analog stories, the striking novella “A Song for Lya,” won him his first Hugo Award, in 1974.

By the end of the seventies he had reached the height of his influence as a science fiction writer, and was producing his best work in that category with stories such as the famous “Sandkings,” his best-known story, which won both the Nebula and the Hugo in 1980 (he’d later win another Nebula in 1985 for his story “Portraits of His Children”); “The Way of Cross and Dragon,” which won a Hugo Award in the same year (making Martin the first author ever to receive two Hugo Awards for fiction in the same year): “Bitterblooms”; “The Stone City”; “Starlady”; and others. These stories would be collected in Sandkings, one of the strongest collections of the period. By now he had mostly moved away from Analog, although he would have a long sequence of stories about the droll interstellar adventures of Haviland Tuf (later collected in Tuf Voyaging) running throughout the eighties in the Stanley Schmidt Analog, as well as a few strong individual pieces such as the novella “Nightflyers.” Most of his major work of the late seventies and early eighties, though, would appear in Omni. The late seventies and eighties also saw the publication of his memorable novel Dying of the Light, his only solo SF novel, while his stories were collected in A Song for Lya, Sandkings, Songs of Stars and Shadows, Songs the Dead Men Sing, Nightflyers, and Portraits of His Children. By the beginning of the eighties he’d moved away from SF and into the horror genre, publishing the big horror novel Fevre Dream, and winning the Bram Stoker Award for his horror story “The Pear-Shaped Man” and the World Fantasy Award for his werewolf novella “The Skin Trade.” By the end of that decade, though, the crash of the horror market and the commercial failure of his ambitious horror novel The Armageddon Rag had driven him out of the print world and to a successful career in television instead, where for more than a decade he worked as story editor or producer on such shows as the new Twilight Zone and Beauty and the Beast.

After years away, Martin made a triumphant return to the print world in 1996 with the publication of the immensely successful fantasy novel A Game of Thrones, the start of his Song of Ice and Fire sequence. A freestanding novella taken from that work, “Blood of the Dragon,” won Martin another Hugo Award in 1997. Further books in the Song of Ice and Fire series—A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, have made it one of the most popular, acclaimed, and bestselling series in all of modern fantasy. Recently, the books were made into an HBO TV series, Game of Thrones, which has become one of the most popular and acclaimed shows on television, and made Martin a recognizable figure well outside of the usual genre boundaries, even inspiring a satirical version of him on Saturday Night Live. Martin’s most recent books are the latest book in the Ice and Fire series, A Dance with Dragons; a massive retrospective collection spanning the entire spectrum of his career, GRRM: A RRetrospective; a novella collection, Starlady and Fast-Friend; a novel written in collaboration with Gardner Dozois and Daniel Abraham, Hunter’s Run; and, as editor, several anthologies edited in collaboration with Gardner Dozois, including Warriors, Songs of the Dying Earth, Songs of Love and Death, and Down These Strange Streets, and several new volumes in his long-running Wild Cards anthology series, including Suicide Kings and Fort Freak. In 2012, Martin was given the Life Achievement Award by the World Fantasy Convention.

Here he takes us to the turbulent land of Westeros, home to his Ice and Fire series, for the bloody story of a clash between two very dangerous women whose bitter rivalry and ambition plunges all of Westeros disastrously into war.

THE PRINCESS AND THE QUEEN, OR, THE BLACKS AND THE GREENS

by George R. R. Martin

Being A History of the Causes, Origins, Battles, and Betrayals of that Most Tragic Bloodletting Known as the Dance of the Dragons, as set down by Archmaester Gyldayn of the Citadel of Oldtown

(here transcribed by GEORGE R.R. MARTIN)

The Dance of the Dragons is the flowery name bestowed upon the savage internecine struggle for the Iron Throne of Westeros fought between two rival branches of House Targaryen during the years 129 to 131 AC. To characterize the dark, turbulent, bloody doings of this period as a “dance” strikes us as grotesquely inappropriate. No doubt the phrase originated with some singer. “The Dying of the Dragons” would be altogether more fitting, but tradition and time have burned the more poetic usage into the pages of history, so we must dance along with the rest.

There were two principal claimants to the Iron Throne upon the death of King Viserys I Targaryen: his daughter Rhaenyra, the only surviving child of his first marriage, and Aegon, his eldest son by his second wife. Amidst the chaos and carnage brought on by their rivalry, other would-be kings would stake claims as well, strutting about like mummers on a stage for a fortnight or a moon’s turn, only to fall as swiftly as they had arisen.

The Dance split the Seven Kingdoms in two, as lords, knights, and smallfolk declared for one side or the other and took up arms against each other. Even House Targaryen itself became divided, when the kith, kin, and children of each of the claimants became embroiled in the fighting. Over the two years of struggle, a terrible toll was taken of the great lords of Westeros, together with their bannermen, knights, and smallfolk. Whilst the dynasty survived, the end of the fighting saw Targaryen power much diminished, and the world’s last dragons vastly reduced in number.

The Dance was a war unlike any other ever fought in the long history of the Seven Kingdoms. Though armies marched and met in savage battle, much of the slaughter took place on water, and … especially … in the air, as dragon fought dragon with tooth and claw and flame. It was a war marked by stealth, murder, and betrayal as well, a war fought in shadows and stairwells, council chambers and castle yards, with knives and lies and poison.

Long simmering, the conflict burst into the open on the third day of third moon of 129 AC, when the ailing, bedridden King Viserys I Targaryen closed his eyes for a nap in the Red Keep of King’s Landing, and died without waking. His body was discovered by a serving man at the hour of the bat, when it was the king’s custom to take a cup of hippocras. The servant ran to inform Queen Alicent, whose apartments were on the floor below the king’s.

The manservant delivered his dire tidings directly to the queen, and her alone, without raising a general alarum; the king’s death had been anticipated for some time, and Queen Alicent and her party, the so-called greens[1 - In 111 AC, a great tourney was held at King’s Landing on the fifth anniversary of the king’s marriage to Queen Alicent. At the opening feast, the queen wore a green gown, whilst the princess dressed dramatically in Targaryen red and black. Note was taken, and thereafter it became the custom to refer to “greens” and “blacks” when talking of the queen’s party and the party of the princess, respectively. In the tourney itself, the blacks had much the better of it when Ser Criston Cole, wearing Princess Rhaenyra’s favor unhorsed all of the queen’s champions, including two of her cousins and her youngest brother, Ser Gwayne Hightower.], had taken care to instruct all of Viserys’s guards and servants in what to do when the day came.

Queen Alicent went at once to the king’s bedchamber, accompanied by Ser Criston Cole, Lord Commander of the Kingsguard. Once they had confirmed that Viserys was dead, Her Grace ordered his room sealed and placed under guard. The serving man who had found the king’s body was taken into custody, to make certain he did not spread the tale. Ser Criston returned to White Sword Tower and sent his brothers of the Kingsguard to summon the members of the king’s small council. It was the hour of the owl.

Then as now, the Sworn Brotherhood of the Kingsguard consisted of seven knights, men of proven loyalty and undoubted prowess who had taken solemn oaths to devote their lives to defending the king’s person and kin. Only five of the white cloaks were in King’s Landing at the time of Viserys’s death; Ser Criston himself, Ser Arryk Cargyll, Ser Rickard Thorne, Ser Steffon Darklyn, and Ser Willis Fell. Ser Erryk Cargyll (twin to Ser Arryk) and Ser Lorent Marbrand, with Princess Rhaenyra on Dragonstone, remained unaware and uninvolved as their brothers-in-arms went forth into the night to rouse the members of the small council from their beds.

Gathering in the queen’s chambers as the body of her lord husband grew cold above were Queen Alicent herself; her father Ser Otto Hightower, Hand of the King; Ser Criston Cole, Lord Commander of the Kingsguard; Grand Maester Orwyle; Lord Lyman Beesbury, master of coin, a man of eighty; Ser Tyland Lannister, master of ships, brother to the Lord of Casterly Rock; Larys Strong, called Larys Clubfoot, Lord of Harrenhal, master of whisperers; and Lord Jasper Wylde, called Ironrod, master of laws.

Grand Maester Orwyle opened the meeting by reviewing the customary tasks and procedures required at the death of a king. He said, “Septon Eustace should be summoned to perform the last rites and pray for the king’s soul. A raven must needs be sent to Dragonstone at once to inform Princess Rhaenyra of her father’s passing. Mayhaps Her Grace the queen would care to write the message, so as to soften these sad tidings with some words of condolence? The bells are always rung to announce the death of a king, someone should see to that, and of course we must begin to make our preparations for Queen Rhaenyra’s coronation—”

Ser Otto Hightower cut him off. “All this must needs wait,” he declared, “until the question of succession is settled.” As the King’s Hand, he was empowered to speak with the king’s voice, even to sit the Iron Throne in the king’s absence. Viserys had granted him the authority to rule over the Seven Kingdoms, and “until such time as our new king is crowned,” that rule would continue.

“Until our new queen is crowned,” Lord Beesbury said, in a waspish tone.

“King,” insisted Queen Alicent. “The Iron Throne by rights must pass to His Grace’s eldest trueborn son.”

The discussion that followed lasted nigh unto dawn. Lord Beesbury spoke on behalf of Princess Rhaenyra. The ancient master of coin, who had served King Viserys for his entire reign, and his grandfather Jaehaerys the Old King before him, reminded the council that Rhaenyra was older than her brothers and had more Targaryen blood, that the late king had chosen her as his successor, that he had repeatedly refused to alter the succession despite the pleadings of Queen Alicent and her greens, that hundreds of lords and landed knights had done obeisance to the princess in 105 AC, and sworn solemn oaths to defend her rights.

But these words fell on ears made of stone. Ser Tyland pointed out that many of the lords who had sworn to defend the succession of Princess Rhaenyra were long dead. “It has been twenty-four years,” he said. “I myself swore no such oath. I was a child at the time.” Ironrod, the master of laws, cited the Great Council of 101 and the Old King’s choice of Baelon rather than Rhaenys in 92, then discoursed at length about Aegon the Conquerer and his sisters, and the hallowed Andal tradition wherein the rights of a trueborn son always came before the rights of a mere daughter. Ser Otto reminded them that Rhaenyra’s husband was none other than Prince Daemon, and “we all know that one’s nature. Make no mistake, should Rhaenyra ever sit the Iron Throne, it will be Daemon who rules us, a king consort as cruel and unforgiving as Maegor ever was. My own head will be the first cut off, I do not doubt, but your queen, my daughter, will soon follow.”

Queen Alicent echoed him. “Nor will they spare my children,” she declared. “Aegon and his brothers are the king’s trueborn sons, with a better claim to the throne than her brood of bastards. Daemon will find some pretext to put them all to death. Even Helaena and her little ones. One of these Strongs put out Aemond’s eye, never forget. He was a boy, aye, but the boy is the father to the man, and bastards are monstrous by nature.”

Ser Criston Cole spoke up. Should the princess reign, he reminded them, Jacaerys Velaryon would rule after her. “Seven save this realm if we seat a bastard on the Iron Throne.” He spoke of Rhaenyra’s wanton ways and the infamy of her husband. “They will turn the Red Keep into a brothel. No man’s daughter will be safe, nor any man’s wife. Even the boys … we know what Laenor was.”

It is not recorded that Lord Larys Strong spoke a word during this debate, but that was not unusual. Though glib of tongue when need be, the master of whisperers hoarded his words like a miser hoarding coins, preferring to listen rather than talk.

“If we do this,” Grand Maester Orwyle cautioned the council, “it must surely lead to war. The princess will not meekly stand aside, and she has dragons.”

“And friends,” Lord Beesbury declared. “Men of honor, who will not forget the vows they swore to her and her father. I am an old man, but not so old that I will sit here meekly whilst the likes of you plot to steal her crown.” And so saying, he rose to go.

But Ser Criston Cole forced Lord Beesbury back into his seat and opened his throat with a dagger.

And so the first blood shed in the Dance of the Dragons belonged to Lord Lyman Beesbury, master of coin and lord treasurer of the Seven Kingdoms.

No further dissent was heard after the death of Lord Beesbury. The rest of the night was spent making plans for the new king’s coronation (it must be done quickly, all agreed), and drawing up lists of possible allies and potential enemies, should Princess Rhaenyra refuse to accept King Aegon’s ascension. With the princess in confinement on Dragonstone, about to give birth, Queen Alicent’s greens enjoyed an advantage; the longer Rhaenyra remained ignorant of the king’s death, the slower she would be to move. “Mayhaps the whore will die in childbirth,” Queen Alicent said.

No ravens flew that night. No bells rang. Those servants who knew of the king’s passing were sent to the dungeons. Ser Criston Cole was given the task of taking into custody such “blacks” who remained at court, those lords and knights who might be inclined to favor Princess Rhaenyra. “Do them no violence, unless they resist,” Ser Otto Hightower commanded. “Such men as bend the knee and swear fealty to King Aegon shall suffer no harm at our hands.”

“And those who will not?” asked Grand Maester Orwyle.

“Are traitors,” said Ironrod, “and must die a traitor’s death.”

Lord Larys Strong, master of whisperers, then spoke for the first and only time. “Let us be the first to swear,” he said, “lest there be traitors here amongst us.” Drawing his dagger, the Clubfoot drew it across his palm. “A blood oath,” he urged, “to bind us all together, brothers unto death.” And so each of the conspirators slashed their palms and clasped hands with one another, swearing brotherhood. Queen Alicent alone amongst them was excused from the oath, on the account of her womanhood.

Dawn was breaking over the city before Queen Alicent dispatched the Kingsguard to bring her sons to the council. Prince Daeron, the gentlest of her children, wept for his grandsire’s passing. One-eyed Prince Aemond, nineteen, was found in the armory, donning plate and mail for his morning practice in the castle yard. “Is Aegon king,” he asked Ser Willis Fell, “or must we kneel and kiss the old whore’s cunny?” Princess Helaena was breaking her fast with her children when the Kingsguard came to her … but when asked the whereabouts of Prince Aegon, her brother and husband, said only, “He is not in my bed, you may be sure. Feel free to search beneath the blankets.”

Prince Aegon was with a paramour when he was found. At first, the prince refused to be a part of his mother’s plans. “My sister is the heir, not me,” he said. “What sort of brother steals his sister’s birthright?” Only when Ser Criston convinced him that the princess must surely execute him and his brothers should she don the crown did Aegon waver. “Whilst any trueborn Targaryen yet lives, no Strong can ever hope to sit the Iron Throne,” Cole said. “Rhaenyra has no choice but to take your heads if she wishes her bastards to rule after her.” It was this, and only this, that persuaded Aegon to accept the crown that the small council was offering him,

Ser Tyland Lannister was named master of coin in place of the late Lord Beesbury, and acted at once to seize the royal treasury. The crown’s gold was divided into four parts. One part was entrusted to the care of the Iron Bank of Braavos for safekeeping, another sent under strong guard to Casterly Rock, a third to Oldtown. The remaining wealth was to be used for bribes and gifts, and to hire sellswords if needed. To take Ser Tyland’s place as master of ships, Ser Otto looked to the Iron Islands, dispatching a raven to Dalton Greyjoy, the Red Kraken, the daring and bloodthirsty sixteen-year-old Lord Reaper of Pyke, offering him the admiralty and a seat on the council for his allegiance.

A day passed, then another. Neither septons nor silent sisters were summoned to the bedchamber where King Viserys lay, swollen and rotting. No bells rang. Ravens flew, but not to Dragonstone. They went instead to Oldtown, to Casterly Rock, to Riverrun, to Highgarden, and to many other lords and knights whom Queen Alicent had cause to think might be sympathetic to her son.

The annals of the Great Council of 101 were brought forth and examined, and note was made of which lords had spoken for Viserys, and which for Rhaenys, Laena, or Laenor. The lords assembled had favored the male claimant over the female by twenty to one, but there had been dissenters, and those same houses were most like to lend Princess Rhaenyra their support should it come to war. The princess would have the Sea Snake and his fleets, Ser Otto judged, and like as not the other lords of the eastern shores as well: Lords Bar Emmon, Massey, Celtigar, and Crabb most like, perhaps even the Evenstar of Tarth. All were lesser powers, save for the Velaryons. The northmen were a greater concern: Winterfell had spoken for Rhaenys at Harrenhal, as had Lord Stark’s bannermen, Dustin of Barrowton and Manderly of White Harbor. Nor could House Arryn be relied upon, for the Eyrie was presently ruled by a woman, Lady Jeyne, the Maiden of the Vale, whose own rights might be called into question should Princess Rhaenyra be put aside.

The greatest danger was deemed to be Storm’s End, for House Baratheon had always been staunch in support of the claims of Princess Rhaenys and her children. Though old Lord Boremund had died, his son Borros was even more belligerent than his father, and the lesser storm lords would surely follow wherever he led. “Then we must see that he leads them to our king,” Queen Alicent declared. Whereupon she sent for her second son.

Thus it was not a raven who took flight for Storm’s End that day, but Vhagar, oldest and largest of the dragons of Westeros. On her back rode Prince Aemond Targaryen, with a sapphire in the place of his missing eye. “Your purpose is to win the hand of one of Lord Baratheon’s daughters,” his grandsire Ser Otto told him, before he flew. “Any of the four will do. Woo her and wed her, and Lord Borros will deliver the stormlands for your brother. Fail—”

“I will not fail,” Prince Aemond blustered. “Aegon will have Storm’s End, and I will have this girl.”