Wild Cards

‘A Long Night at the Palmer House’ copyright © 2018 by John Jos. Miller

‘Down the Rabbit Hole’ copyright © 2018 by Kevin Andrew Murphy

‘The Motherfucking Apotheosis of Todd Motherfucking Taszycki’ copyright © 2018 by Christopher Rowe

‘A Bit of a Dinosaur’ copyright © 2018 by Paul Cornell

‘Stripes’ copyright © 2018 by Marko Kloos

‘The Sister in the Streets’ copyright © 2018 by Lumina Enterprises

‘A Beautiful Façade’ copyright © 2018 by Mary Anne Mohanraj

‘Meathooks on Ice’ copyright © 2018 by Saladin Ahmed

Low Chicago (#ulink_19688d69-9e62-58c8-971b-46b0f1db7c0c)

a variant of seven-card stud poker

wherein the high hand splits the pot

with the low spade in the hole

A Long Night at the Palmer House (#u87dff998-180f-5323-9e64-e6bda2ca6117)

by John Jos. Miller (#u87dff998-180f-5323-9e64-e6bda2ca6117)

Part 1 (#u87dff998-180f-5323-9e64-e6bda2ca6117)

IT HAD BEEN ONE hundred and forty-two years since John Nighthawk had been inside the Palmer House, and then it had been the earlier incarnation of the luxurious Chicago hotel, known simply as the Palmer.

Nighthawk’s age was not apparent in his appearance. He was a smallish black man in a dark pin-striped suit with a discreet kidskin glove on his left hand. He looked to be in his thirties. He sighed as he gazed at the entrance to the hotel. Perhaps, he thought, it’s finally time to lay old ghosts. He hurried across the street, dodging early morning traffic with the ease of the longtime urbanite, and entered the hotel’s lobby.

Inside he paused momentarily, suddenly almost overwhelmed as one of his visions washed over him. They were part of the powers he’d gained on that first Wild Card Day in 1946 and usually came as warnings of great danger lurking in the near future. This one was more incoherent than usual, chaotic scenes of fire and ice, of great beasts and shifting landscapes, of quick flashes of the past he’d once seen and an even vaster past he’d never imagined.

He stood for a moment catching his breath, then went on to the elevator bank and up to the seventh floor, wondering what was in store for him this time around.

The door to room 777 opened at Nighthawk’s light knock, and he found himself looking down into the large, expressive eyes of a man even shorter and slighter than himself, no more than five four and maybe a hundred and ten pounds. The crown of his head was totally bald and there were baggy wrinkles under his soulful eyes. He looked as if he were in his fifties.

It took Nighthawk a moment to place his face. He was the spitting image of the actor Donald Meek. Nighthawk had loved him in Stagecoach, the original version with John Wayne. He’d seen it at the Theatre back in 1939 when it’d first come out.

“You must be John Nighthawk.” The man’s voice was high and flighty, fussy sounding.

“I am.”

“Come in, come in, and meet the client.”

Nighthawk entered the suite’s siting room. It was luxuriously appointed, as one would expect in the Palmer House, with period furniture that was a little too heavy and ornate for Nighthawk’s taste. Death himself stood in the doorway between the sitting room and one of the two bedrooms.

Death was tall, well over six feet, and cadaverously lean. He wore a black suit of old-fashioned cut and fabric. Rubies the size of walnuts gleamed in his silver cuff links. His face and head were skeletal, fleshless, mere yellowish skin stretched tightly over bone. His teeth, white and perfect, were exposed by a lipless grin.

“Perhaps you know Mr. Charles Dutton?” the man who looked like Donald Meek said. “The client.”

“We’ve never met,” Nighthawk said, “but of course I’ve heard much about you, sir.”

Dutton inclined his head. “And I of you, sir. I would like to engage you to help Mr. Meek take care of me for the next few days.”

Dutton’s voice was as cadaverous as Nighthawk expected it would be.

“You’re here for the game.” Nighthawk was so sure that he made it a statement rather than a question.

Dutton’s rictus of a smile may have widened a millimeter. “Quite so. You know of the game, Mr. Nighthawk?”

He did. “Poker. Dealer’s choice. Seven players. Hosted by Giovanni Galante, a high-ranking member of Chicago’s most prominent crime family. A million-dollar cash buy-in. Each player is allowed two attendants.”

“Some bring whores,” Dutton said dismissively.

“Some bring bodyguards,” Meek added.

Dutton’s eyes were dark and unreadable in the skin and bone of his face. “It begins tonight in a suite on an upper floor of the Palmer House and continues until one player has acquired all of the chips. I intend to be that player.”

Nighthawk nodded. He frowned at Meek. The man was not physically impressive. It was hard to imagine him guarding anyone. But of course he was not the real Donald Meek. The actor had been dead for decades. But there was a certain shadowy ace from New York City who called himself Mr. Nobody who could change his appearance at will and often liked to mimic film stars from the past. And Charles Dutton had been associated with Mr. Nobody, as he recalled.

“And your ace is?” Nighthawk asked Meek.

Meek giggled. “I make problems … disappear.”

“Okay.” If Nobody wanted to keep things close to his vest, that was all right with Nighthawk.

Dutton nodded to Meek. “Mr. Nighthawk will make a satisfactory addition to our little team.”

“Oh my, yes,” Meek said. “I told you he was the man for the job, Mr. Dutton.”

“Galante is hosting,” Dutton said, “but the names of the other players are supposedly secret until game time. I know that I have the ultimate poker face … but it might be helpful if we knew ahead of time who else will be attending.”

“And,” Meek added, “if we knew if they were bringing hookers or guns. Or both.”

“You being a local man, with contacts …” Dutton added.

“I’ll get right on it,” Nighthawk said.

“An inestimable choice,” Dutton said to Meek. Death sounded pleased.

The game was set for a suite on the Palmer House’s penultimate floor. Most of the regular furniture had been removed from the sitting room, though a couple of small sofas and overstuffed chairs were scattered around for the attendants, bodyguards, and other onlookers. A bar stood before one wall with rows of liquor bottles behind it. Doors to three bedrooms opened off the sitting room and a bathroom was located in the short hallway that led from the entrance to the sitting room.

A large purpose-built poker table covered with green felt filled the center of the room, with a lavish chandelier hanging over it. Seven comfortable leather chairs for the players were spaced around the table, with a number of other chairs a few feet back for the players’ attendants. Most of those chairs were already occupied when Nighthawk, Meek, and Dutton entered the room.

Nighthawk knew all of the players already present and several of their attendants. He would have recognized most of them even if he hadn’t spent the morning and afternoon hitting up his sources for information.