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The Tatler, Volume 1

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2018
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    Juv., Sat. I. 85, 86.[55 - This motto was repeated at the head of each of the first 40 numbers in the folio issue.]
Though the other papers which are published for the use of the good people of England have certainly very wholesome effects, and are laudable in their particular kinds, yet they do not seem to come up to the main design of such narrations, which, I humbly presume, should be principally intended for the use of politic persons, who are so public spirited as to neglect their own affairs to look into transactions of State. Now these gentlemen, for the most part, being men of strong zeal and weak intellects, it is both a charitable and necessary work to offer something, whereby such worthy and well-affected members of the commonwealth may be instructed, after their reading, what to think; which shall be the end and purpose of this my paper: wherein I shall from time to time report and consider all matters of what kind soever that shall occur to me, and publish such my advices and reflections every Tuesday, Thursday, and Saturday in the week for the convenience of the post.[56 - These were the days on which the post left London for the different parts of the country.] I have also resolved to have something which may be of entertainment to the fair sex, in honour of whom I have taken the title of this paper. I therefore earnestly desire all persons, without distinction, to take it in for the present gratis, and hereafter at the price of one penny, forbidding all hawkers to take more for it at their peril. And I desire my readers to consider, that I am at a very great charge for proper materials for this work, as well as that before I resolved upon it, I had settled a correspondence in all parts of the known and knowing world. And forasmuch as this globe is not trodden upon by mere drudges of business only, but that men of spirit and genius are justly to be esteemed as considerable agents in it, we shall not, upon a dearth of news, present you with musty foreign edicts, or dull proclamations, but shall divide our relation of the passages which occur in action or discourse throughout this town, as well as elsewhere, under such dates of places as may prepare you for the matter you are to expect, in the following manner:

All accounts of gallantry, pleasure, and entertainment, shall be under the article of White's Chocolate-house;[57 - White's Chocolate-house, five doors from the bottom of the west side of St. James's Street, was established in 1698. It was burnt on April 28, 1733, while kept by Mr. Arthur. Plate VI. of Hogarth's "Rake's Progress" depicts gamblers engrossed in play in a room in this house during the fire; see also Plate IV. Swift gives it a bad character in his "Essay on Modern Education;" it had a strong character for gambling (Timbs's "Clubs and Club Life in London," where, at p. 48, there is a sketch of White's from an old drawing). The house became a private club, as we now have it, about 1736.] poetry, under that of Will's Coffee-house;[58 - Will's Coffee-house, named after Will Urwin, its proprietor, was the corner house on the north side of Russell Street, Covent Garden, at the end of Bow Street. The present house, 21 Russell Street, is probably part of the old building. Will's was ceasing to be the resort of the wits in 1709; it was in its glory at the close of the seventeenth century. The wits' room, where Dryden presided, was on the first floor.] learning, under the title of Grecian;[59 - The Grecian, in Devereux Court in the Strand, was probably the most ancient coffee-house in or about London. In 1652 an English Turkey merchant brought home with him a Greek servant, who first opened a house for making and selling coffee. This man's name was Constantine, and his house was much resorted to by lawyers, Greek scholars, and Members of the Royal Society. (See Thoresby's Diary, i. 111, 117.) Foote and Goldsmith afterwards frequented it. In Dr. King's "Anecdotes" there is a story of two gentlemen friends who disputed at the Grecian Coffee-house about the accent of a Greek word to such a length that they went out into Devereux Court and drew swords, when one of them was killed on the spot.] foreign and domestic news, you will have from St. James's Coffee-house;[60 - The St. James's Coffee-house was the last house but one on the S.W. corner of St. James's Street. It was frequented by Whig statesmen, and was closed about 1806. Swift and Steele were at a supper given by the keeper on the 19th November, 1710.] and what else I shall on any other subject offer, shall be dated from my own apartment.

I once more desire my readers to consider that as I cannot keep an ingenious man to go daily to Will's under twopence each day merely for his charges,[61 - Cf. the Spectator, No. 31: "Laying down my penny upon the bar."] to White's under sixpence, nor to the Grecian without allowing him some plain Spanish,[62 - Wine.] to be as able as others at the learned table; and that a good observer cannot speak with even Kidney[63 - A waiter. See Nos. 10 (#x6_pgepubid00071), 26 (#litres_trial_promo).] at St. James's without clean linen; I say, these considerations will, I hope, make all persons willing to comply with my humble request (when my gratis stock is exhausted) of a penny a piece; especially since they are sure of some proper amusement, and that it is impossible for me to want means to entertain them, having, besides the helps of my own parts, the power of divination, and that I can, by casting a figure, tell you all that will happen before it comes to pass.

But this last faculty I shall use very sparingly, and not speak of anything until it is passed, for fear of divulging matters which may offend our superiors.[64 - This introduction was repeated in Nos. 2 (#x3_pgepubid00018) and 3 (#x3_pgepubid00026) of the original issue.]

White's Chocolate-house, April 11

The deplorable condition of a very pretty gentleman, who walks here at the hours when men of quality first appear, is what is very much lamented. His history is, that on the 9th of September, 1705, being in his one and twentieth year, he was washing his teeth at a tavern window in Pall Mall, when a fine equipage passed by, and in it a young lady, who looked up at him; away goes the coach, and the young gentleman pulled off his nightcap, and instead of rubbing his gums, as he ought to do out of the window till about four o'clock, he sits him down, and spoke not a word till twelve at night; after which, he began to inquire, if anybody knew the lady. The company asked, "What lady?" But he said no more until they broke up at six in the morning. All the ensuing winter he went from church to church every Sunday, and from play-house to play-house all the week, but could never find the original of the picture which dwelt in his bosom. In a word, his attention to anything but his passion, was utterly gone. He has lost all the money he ever played for, and been confuted in every argument he has entered upon since the moment he first saw her. He is of a noble family, has naturally a very good air, and is of a frank, honest temper: but this passion has so extremely mauled him, that his features are set and uninformed, and his whole visage is deadened by a long absence of thought. He never appears in any alacrity, but when raised by wine; at which time he is sure to come hither, and throw away a great deal of wit on fellows, who have no sense further than just to observe, that our poor lover has most understanding when he is drunk, and is least in his senses when he is sober.[65 - "The reader is desired to take notice of the article from this place from time to time, for I design to be very exact in the progress this unhappy gentleman makes, which may be of great instruction to all who actually are, or who ever shall be, in love." (Original folio.) For Viscount Hinchinbroke ("Cynthio"), see No. 5. (#x4_pgepubid00039)]

Will's Coffee-house, April 8

On Thursday last[66 - April 7, 1709. Cibber acknowledges that Steele did the stage very considerable service by the papers on the theatre in the Tatler.] was presented, for the benefit of Mr. Betterton,[67 - For further particulars of Thomas Betterton (1635-1710), see Nos. 71 and 167. Cibber says: "I never heard a line in tragedy come from Betterton wherein my judgment, my ear and my imagination were not fully satisfied.... The person of this excellent actor was suitable to his voice, more manly than sweet, not exceeding the middle stature, inclining to be corpulent; of a serious and penetrating aspect; his limbs nearer the athletic than the delicate proportion; yet, however formed, there arose from the harmony of the whole a commanding mien of majesty."] the celebrated comedy, called "Love for Love."[68 - By Congreve, 1695.] Those excellent players, Mrs. Barry,[69 - Mrs. Elizabeth Barry on this occasion spoke an epilogue, written by Rowe. She was the daughter of Edward Barry, barrister, whose fortunes were ruined by his attachment to Charles I. Tony Aston, in his "Supplement to Cibber's Apology," says she was woman to Lady Shelton, of Norfolk, his godmother; and Curll tells us that she was early taken under the protection of Lady Davenant. She was certainly on the stage in 1673. At her first appearance there was so little hope of her success, that at the end of the season she was discharged [from] the theatre. It is probable that at this time she became acquainted with Lord Rochester, who took her under his protection, and gave her instructions in her theatrical performances. By his interest she seems to have been restored to the stage, and, improving daily in her profession, she soon eclipsed all her competitors, and in the part of Monimia in "The Orphan" established her reputation, which was enhanced by her performance as Belvidera in "Venice Preserved," and as Isabella in "The Fatal Marriage." "In characters of greatness," says Cibber, "Mrs. Barry had a presence of elevated dignity, her mien and motion superb, and gracefully majestic; her voice full, clear, and strong, so that no violence of passion could be too much for her, and when distress or tenderness possessed her she subsided into the most affecting melody and softness. In the art of exciting pity she had a power beyond all the actresses I have yet seen, or what your imagination can conceive. In scenes of anger, defiance, or resentment, while she was impetuous and terrible, she poured out the sentiment with an enchanting harmony.... In tragedy she was solemn and august, in comedy alert, easy, and genteel, pleasant in her face and action, filling the stage with a variety of gesture. She could neither sing nor dance, no not in a country dance. She adhered to Betterton in all the revolutions of the theatre, which she quitted about 1707, on account of ill-health." She returned, however, for one night with Mrs. Bracegirdle, April 7, 1709, and performed Mrs. Frail in "Love for Love" for Betterton's benefit. She died at Acton in 1713. Mrs. Barry, Mrs. Bracegirdle, Mr. Betterton, and Mr. Varbriggen were sworn as Comedians in Ordinary to her Majesty, 30th Oct., 2 Anne (1703). On the 3rd March, 1692, Mrs. Barry received £25 for acting in "The Orphan" before their Majesties, and on the 10th June, 1693, £25 for Caius Marius. (Lord Chamberlain's Records, Warrant Books, No. 20, p. 151; No. 18, pp. 30, 242.)] Mrs. Bracegirdle,[70 - Mrs. Anne Bracegirdle was the daughter of Justinian Bracegirdle, of Northamptonshire. By the imprudence of her father, who ruined himself by becoming surety for some friends, she was early left to the care of Betterton and his wife, whose attentions to her she always acknowledged to be truly paternal. By them she was first introduced to the stage, and, while very young, performed the page in "The Orphan." Increasing in years, and in ability, she became the favourite performer of the times. Cibber describes her in these terms: "Mrs. Bracegirdle was now but just blooming in her maturity; her reputation, as an actress, gradually rising with that of her person; never any woman was in such general favour of her spectators, which, to the last scene of her dramatic life, she maintained by not being unguarded in her private character. This discretion contributed not a little to make her the Cara, the darling of the theatre: for it will be no extravagant thing to say scarce an audience saw her that were less than half of them lovers, without a suspected favourite among them: and though she might be said to have been the universal passion and under the highest temptations, her constancy in resisting them served but to increase the number of her admirers. And this perhaps you will more easily believe, when I extend not my encomiums on her person beyond a sincerity that can be suspected; for she had no greater claim to beauty than what the most desirable brunette might pretend to. But her youth and lively aspect threw out such a glow of health and cheerfulness, that, on the stage, few spectators that were not past it, could behold her without desire. There were two very different characters in which she acquitted herself with uncommon applause: if anything could excuse that desperate extravagance of love, that almost frantic passion of Lee's Alexander the Great, it must have been when Mrs. Bracegirdle was his Statira: as when she acted Millamant, all the faults, follies, and affectation of that agreeable tyrant were venially melted down into so many charms and attractions of a conscious beauty." In the theatrical disputes of the times, she adhered to her benefactor Betterton, and continued to perform with applause until 1707, when, on the preference being given to Mrs. Oldfield in a contention between that actress and Mrs. Bracegirdle, she left the stage, except for one night, when she returned with Mrs. Barry to the theatre, and performed Angelica for Betterton's benefit (the performance described in this number). She died in 1748.] and Mr. Doggett,[71 - Thomas Doggett died in 1721. In 1695 he created the character of Ben in Congreve's "Love for Love." Afterwards he was associated with Steele in the management of Drury Lane Theatre.] though not at present concerned in the house, acted on that occasion. There has not been known so great a concourse of persons of distinction as at that time; the stage itself was covered with gentlemen and ladies, and when the curtain was drawn, it discovered even there a very splendid audience. This unusual encouragement, which was given to a play for the advantage of so great an actor, gives an undeniable instance, that the true relish for manly entertainments and rational pleasures is not wholly lost. All the parts were acted to perfection; the actors were careful of their carriage, and no one was guilty of the affectation to insert witticisms of his own, but a due respect was had to the audience, for encouraging this accomplished player. It is not now doubted but plays will revive, and take their usual place in the opinion of persons of wit and merit, notwithstanding their late apostacy in favour of dress and sound. This place is very much altered since Mr. Dryden frequented it; where you used to see songs, epigrams, and satires in the hands of every man you met, you have now only a pack of cards; and instead of the cavils about the turn of the expression, the elegance of the style, and the like, the learned now dispute only about the truth of the game. But, however the company is altered, all have shown a great respect for Mr. Betterton: and the very gaming part of this house have been so much touched with a sense of the uncertainty of human affairs (which alter with themselves every moment) that in this gentleman, they pitied Mark Antony of Rome, Hamlet of Denmark, Mithridates of Pontus, Theodosius of Greece, and Henry the Eighth of England. It is well known he has been in the condition of each of those illustrious personages for several hours together, and behaved himself in those high stations, in all the changes of the scene, with suitable dignity. For these reasons, we intend to repeat this favour to him on a proper occasion, lest he who can instruct us so well in personating feigned sorrows, should be lost to us by suffering under real ones. The town is at present in very great expectation of seeing a comedy now in rehearsal, which is the twenty-fifth production of my honoured friend Mr. Thomas D'Urfey;[72 - D'Urfey's "Modern Prophets" was produced in 1709. Thomas D'Urfey died in 1723, aged 70, leaving Steele a watch and chain, which his friend wore at the funeral. He wrote many plays and songs. See also Nos. 11 (#x6_pgepubid00076), 43 (#litres_trial_promo).] who, besides his great abilities in the dramatic, has a peculiar talent in the lyric way of writing, and that with a manner wholly new and unknown to the ancient Greeks and Romans, wherein he is but faintly imitated in the translations of the modern Italian operas.[73 - See No. 4. (#x3_pgepubid00032)]

St. James's Coffee-house, April 11

Letters from the Hague of the 16th say, that Major-General Cadogan[74 - William, First Earl Cadogan (1675-1726), was an able officer who took a very prominent part in Marlborough's campaigns. In January, 1709, he was made lieutenant-general, and he was dangerously wounded at the siege of Mons. He was appointed Lieutenant of the Tower of London in December.] was gone to Brussels, with orders to disperse proper instructions for assembling the whole force of the allies in Flanders in the beginning of the next month.[75 - The news-paragraphs in the earlier numbers of the Tatler are here preserved for the sake of completeness, but for the most part the details recorded are not of permanent interest, and do not call for comment. The reader may be reminded generally that in the spring of 1709 the French, after the battle of Oudenarde and the fall of Lille, followed by a very severe winter, were driven to think of terms of peace. The negotiations, however, fell through for the time, and the campaign was begun in the Netherlands, where Marlborough and Prince Eugene had an army of 110,000 men. The French were entrenched under Villars between Douay and Béthune, and were strengthened by part of the garrison of Tournay. Marlborough seized the opportunity of attacking the half-defended town, which was obliged to surrender on July 29, after a siege of nineteen days. The French then made a great effort, and brought an army of 100,000 men into the field, with the result that the battle of Malplaquet (Sept. 11) was a very bloody and hard-earned victory for the allies. The subsequent fall of Mons brought the campaign to a close.] The late offers concerning peace were made in the style of persons who think themselves upon equal terms. But the allies have so just a sense of their present advantages, that they will not admit of a treaty, except France offers what is more suitable to her present condition. At the same time we make preparations, as if we were alarmed by a greater force than that which we are carrying into the field. Thus this point seems now to be argued sword in hand. This was what a great general[76 - Marlborough.] alluded to, when being asked the names of those who were to be plenipotentiaries for the ensuing peace, answered, with a serious air, "There are about a hundred thousand of us." Mr. Kidney, who has the ear of the greatest politicians that come hither, tells me, there is a mail come in to-day with letters, dated Hague, April 19, N.S., which say, a design of bringing part of our troops into the field at the latter end of this month, is now altered to a resolution of marching towards the camp about the 20th of the next. There happened the other day, in the road of Scheveling, an engagement between a privateer of Zealand and one of Dunkirk. The Dunkirker, carrying 33 pieces of cannon, was taken and brought into the Texel. It is said, the courier of Monsieur Rouillé[77 - A merchant entrusted by Lewis XIV. to negotiate terms of peace with the Dutch.] is returned to him from the Court of France. Monsieur Vendôme being reinstated in the favour of the Duchess of Burgundy, is to command in Flanders.

Mr. Kidney added, that there were letters of the 17th from Ghent, which give an account, that the enemy had formed a design to surprise two battalions of the allies which lay at Alost; but those battalions received advice of their march, and retired to Dendermond. Lieutenant-General Wood[78 - General Wood played a distinguished part in the battles of Donauwerth (1704) and Ramilies (1706).] appeared on this occasion at the head of 5000 foot, and 1000 horse, upon which the enemy withdrew, without making any further attempt.

From my own Apartment

I am sorry I am obliged to trouble the public with so much discourse upon a matter which I at the very first mentioned as a trifle—viz. the death of Mr. Partridge,[79 - See the Introduction.] under whose name there is an almanack come out for the year 1709, in one page of which it is asserted by the said John Partridge, that he is still living, and that not only so, but that he was also living some time before, and even at the instant when I writ of his death. I have in another place, and in a paper by itself, sufficiently convinced this man that he is dead, and if he has any shame, I don't doubt but that by this time he owns it to all his acquaintance: for though the legs and arms, and whole body of that man may still appear and perform their animal functions; yet since, as I have elsewhere observed, his art is gone, the man is gone. I am, as I said, concerned, that this little matter should make so much noise; but since I am engaged, I take myself obliged in honour to go on in my lucubrations, and by the help of these arts of which I am master, as well as my skill in astrological speculations, I shall, as I see occasion, proceed to confute other dead men, who pretend to be in being, that they are actually deceased. I therefore give all men fair warning to mend their manners, for I shall from time to time print bills of mortality; and I beg the pardon of all such who shall be named therein, if they who are good for nothing shall find themselves in the number of the deceased.[80 - "A Vindication of Isaac Bickerstaff, Esq., against what is objected to him by Mr. Partridge in his Almanack for the present year 1709. By the said Isaac Bickerstaff, Esq., London, printed in the year 1709." (Advertisement in folio issue.) In a pamphlet called "Predictions for the Year 1712. By Isaac Bickerstaff, Esq.; in a Letter to the author of the Oxford Almanack. Printed in the year 1712," this "Vindication" is thus noticed: "I can't but express my resentment against a gentleman who personated me in a paper called 'Mr. Bickerstaff's Vindication.' I'm grieved to find the times should be so very wicked, that one impostor should set up to reform another, and that a false Bickerstaff should write against an imaginary Partridge. And I am heartily concerned that one who shows so much wit, such extreme civility, and writes such a gentlemanlike style, should prefix my name to writings in which there appears so little solidity and no knowledge of the Arabian philosophy. If this paper should be transmitted to posterity (as, perhaps, it might have been by the authority of the name it wears in the front) it might have been a lasting reflection upon me to the end of the world.... Till seeing four volumes of writings—the collected edition of the Tatler—pretended to be mine, and a serious philosopher's name prefixed to papers as free from my solidity as they are full of wit, I thought it high time to vindicate myself, and give the world a taste of my writings; for I am now persuaded 'twill be more for my reputation to convince than to despise mankind."]

No. 2.

[STEELE.

From Tuesday, April 12, to Thursday, April 14, 1709

Will's Coffee-house, April 13

There has lain all this evening, on the table, the following poem. The subject of it being matter very useful for families, I thought it deserved to be considered, and made more public. The turn the poet[81 - William Harrison (1685-1713) was a favourite with Swift and Addison. He wrote verses, and a continuation of the Tatler, and afterwards obtained office in the diplomatic service; but his health soon broke down, and he died when 28.] gives it is very happy; but the foundation is from a real accident which happened among my acquaintance.[82 - There is a similar story in Burton's "Anatomy of Melancholy."] A young gentleman of a great estate fell desperately in love with a great beauty of very high quality, but as ill-natured as long flattery and an habitual self-will could make her. However, my young spark ventures upon her, like a man of quality, without being acquainted with her, or having ever saluted her, till it was a crime to kiss any woman else. Beauty is a thing which palls with possession; and the charms of this lady soon wanted the support of good humour and complaisancy of manners. Upon this my spark flies to the bottle for relief from his satiety. She disdains him for being tired with that for which all men envied him; and he never came home, but it was: "Was there no sot that would stay longer? Would any man living but you? Did I leave all the world for this usage?" To which he: "Madam, split me, you are very impertinent!" In a word, this match was wedlock in its most terrible appearances. She, at last weary of railing to no purpose, applies to a good uncle, who gives her a bottle of water. "The virtue of this powerful liquor," said he, "is such, that if the woman you marry proves a scold (which, it seems, my dear niece, is your misfortune, as it was your good mother's before you), let her hold six spoonfuls in her mouth, for a full half hour after you come home—" But I find I am not in humour for telling a tale, and nothing in nature is so ungrateful as story-telling against the grain, therefore take it as the author has given it you.

The MEDECINE

A Tale—for the Ladies

Miss Molly, a famed toast, was fair and young,
Had wealth and charms, but then she had a tongue
From morn to night, the eternal larum run,
Which often lost those hearts her eyes had won.

Sir John was smitten, and confessed his flame,
Sighed out the usual time, then wed the dame:
Possessed he thought of every joy of life,
But his dear Molly proved a very wife.
Excess of fondness did in time decline,
Madam loved money, and the knight loved wine.
From whence some petty discords would arise,
As, "You're a fool"; and, "You are mighty wise!"

Though he and all the world allowed her wit,
Her voice was shrill, and rather loud than sweet,
When she began,—for hat and sword he'd call.
Then, after a faint kiss, cry, "B'y, dear Moll:
Supper and friends expect me at the Rose."[83 - The Rose Tavern, in Russell Street, adjoined Drury Lane Theatre, and was a favourite resort during and after the play.]
And, "What, Sir John, you'll get your usual dose!
Go, stink of smoke, and guzzle nasty wine,
Sure, never virtuous love was used like mine!"

Oft as the watchful bellman marched his round,
At a fresh bottle gay Sir John he found.
By four the knight would get his business done,
And only then reeled off, because alone;
Full well he knew the dreadful storm to come,
But armed with bordeaux, he durst venture home.

My lady with her tongue was still prepared,
She rattled loud, and he impatient heard:
"'Tis a fine hour? In a sweet pickle made!
And this, Sir John, is every day the trade.
Here I sit moping all the live-long night,
Devoured with spleen, and stranger to delight;
'Till morn sends staggering home a drunken beast,
Resolved to break my heart, as well as rest."

"Hey! Hoop! d'ye hear my damned obstreperous spouse!
What, can't you find one bed about the house!
Will that perpetual clack lie never still!
That rival to the softness of a mill!
Some couch and distant room must be my choice,
Where I may sleep uncursed with wife and noise."

Long this uncomfortable life they led,
With snarling meals, and each, a separate bed.
To an old uncle oft she would complain,
Beg his advice, and scarce from tears refrain.
Old Wisewood smoked the matter as it was,
"Cheer up!" cried he, "and I'll remove the cause.

"A wonderous spring within my garden flows,
Of sovereign virtue, chiefly to compose
Domestic jars, and matrimonial strife,
The best elixir t' appease man and wife;
Strange are th' effects, the qualities divine,
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