The Heroine

This is lukewarm praise; but the book has a stronger claim than this on the interest of the reader; it marks a crisis in literary history. The author was a well-read man, and all the fashionable literature of his day is reflected in his pages. He was familiar with the essayists and moralists of the eighteenth century; indeed, he often falls into their attitude in his opposition to the extravagances of the Romantic movement. His parody of Johnson's later style is one of the very best of the multitude of Johnsonian imitations. Boswell, writing before 1791, was able to enumerate a distinguished array of disciples and copyists, among them Hugh Blair, Professor of Rhetoric at Edinburgh, George Colman the elder, Robertson the historian, Gibbon, Miss Burney, Mrs. Barbauld, Henry Mackenzie, Vicesimus Knox, and last, John Young, Professor of Greek at Glasgow, whose Criticism on the Elegy written in a Country Church-yard, being a continuation of Dr. Johnson's Criticism on the Poems of Gray (1783) is rightly praised by Boswell as the most perfect of all professed imitations of Johnson's style. It is only half a parody; Johnson's method in criticism has been so thoroughly assimilated by the author, that some of Johnson's strong sense filters in here and there as if by oversight. Horace Walpole said of it, acutely enough, that the author seemed to wish to be taken by Gray's admirers for a ridiculer of Johnson, and by Johnson's admirers for a censurer of Gray. But if this is the best imitation of Johnson's critical manner, his biographical style and his light occasional verse have never been so happily mimicked as in the Memoirs of James Higginson, by Himself, which occur in Letter X of The Heroine. Johnson continued to be the most influential teacher of English prose until Macaulay, by introducing a more glittering kind of antithesis and a freer use of the weapons of offence in criticism, usurped his supremacy.

A more voluminous and easier literature had enthralled the popular taste for some thirty or forty years before the author of The Heroine delivered his attack. Only a few are now remembered even by name of that horde of romances which issued from the cheap presses, in the train of Mrs. Radcliffe. It is reasonable to suppose that many of them, which had not the help of that great preservative of a bad book, good binding, have perished from off the face of the earth. They are not yet old enough to be precious, as Elizabethan trash is precious, and doubtless the surviving copies of some of them are even now being cast out from lumber-rooms and remote country libraries, to suffer their fate by fire. Their names are scattered plentifully up and down the Bibliotheca Britannica and other monumental compilations, where books that go under in their fight against time have Christian burial and a little headstone reserved for them. In The Heroine only the chief of them are referred to by name. The romances of Mrs. Radcliffe —The Mysteries of Udolpho, The Italian, and The Bravo of Venice– are praised as being 'often captivating and seldom detrimental'. The rivals of Mrs. Radcliffe who wrote those enormously popular works, The Children of the Abbey and Caroline of Lichtfield, receive a less respectful treatment. At the close of his book the author of The Heroine summarizes his indictment against these and their kind: 'They present us with incidents and characters which we can never meet in the world; and act upon the mind like intoxicating stimulants; first elevate, and then enervate it. They teach us to revel in ideal scenes of transport and distraction; and harden our hearts against living misery, by making us so refined as to feel disgust at its unpoetical accompaniments.' Throughout the book he keeps up a running fire of criticism. When Cherubina visits Westminster Abbey, 'It is the first,' she says, 'that I have ever seen, though I had read of thousands.' She apologizes for using the vulgar word 'home' – 'you know that a mere home is my horror'. She confesses that she is very inadequately armed with religion – 'I knew nothing of religion except from novels; and in these, though the devotion of heroines is sentimental and graceful to a degree, it never influences their acts, or appears connected with their moral duties. It is so speculative and generalized, that it would answer the Greek or the Persian church, as well as the Christian; and none but the picturesque and enthusiastic part is presented; such as kissing a cross, chanting a vesper with elevated eyes, or composing a well-worded prayer.'

The notable thing is that this attack on the novels of the day was not an isolated protest; it expressed the general mind and echoed the current opinion. Miss Austen, with more suavity and art, had long before said the same thing. The romance was declining; it had become a cheap mechanical thing; and the mind of the nation was turning away from it to reinstate those teachers of moral prudence whose influence had been impaired by the flood, but not destroyed. If any one had been rash enough, in the year 1814, to prophesy the future of literature, he would have been justified in saying that, to all appearances, the prose romance was dead. It had fallen into its dotage, and the hand of Eaton Stannard Barrett had killed it. The Heroine seemed to mark the end of an age of romance, and the beginning of a new era of sententious prose.

Such a prophet would have been approved by The Edinburgh Review and all the best judges of the time. He would have been wrong, for he could not foresee the accident of genius. Walter Scott, like Cherubina (whose adventures he read and applauded), had fallen a victim to the fascinations of the writers of romance, yet, unlike her, had not allowed them to deprive him of all acquaintance with 'a more useful class of composition' and the toils of active life. Romance was what he cared for, and he brought the sobriety and learning of a judge to the task of vindicating his affection. He proved that the old romantic stories are convincing enough if only the blood of life flows through them. His great panoramas of history are exhibited in the frame-work of a love-plot. In place of the feeble comic interest of the earlier romances he supplied a rich and various tissue of national character and manners. Ancient legend and song, fable and superstition, live again in his work. And, as if Cherubina's unhappy experiences had all been in vain, there is always a heroine. The readers who had been laughed into scepticism by the wit of the enemy were within a few years won back to poetry and romance; Cherubina was deposed, and in her place there reigned the Bride of Lammermoor.

    WALTER RALEIGH.

Oxford,

Christmas, 1908.

Sir,

It was the happiness of Sterne to have dedicated his volumes to a Pitt. It is my ambition to inscribe this work to you. My wishes would be complete, could I resemble the writer as you do the statesman.

I have the honor to be,

    Sir,
    Your most sincere, and most humble servant,
    E. S. BARRETT.

THE HEROINE TO THE READER

Attend, gentle and intelligent reader; for I am not the fictitious personage whose memoirs you will peruse in 'The Heroine;' but I am a corporeal being, and an inhabitant of another world.

Know, that the moment a mortal manuscript is written out in a legible hand, and the word End or Finis annexed thereto, whatever characters happen to be sketched in it (whether imaginary, biographical, or historical), acquire the quality of creating and effusing a sentient soul or spirit, which instantly takes flight, and ascends through the regions of air, till it arrives at the moon; where it is then embodied, and becomes a living creature; the precise counterpart, in mind and person, of its literary prototype.

Know farther, that all the towns, villages, rivers, hills, and vallies of the moon, owe their origin, in a similar manner, to the descriptions given by writers of those on earth; and that all the lunar trades and manufactures, fleets and coins, stays for men, and boots for ladies, receive form and substance here, from terrestrial books on war and commerce, pamphlets on bullion, and fashionable magazines.

Works consisting of abstract argument, ethics, metaphysics, polemics, &c. which, from their very nature, cannot become tangible essences, send up their ideas, in whispers, to the moon; where the tribe of talking birds receive, and repeat them for the Lunarians. So that it is not unusual to hear a mitred parrot screaming a political sermon, or a fashionable jay twittering unfigurative canzonets. These birds then are our philosophers; and so great is their value, that they sell for as much as your patriots.

The moment, however, that a book becomes obsolete on earth, the personages, countries, manners, and things recorded in it, lose, by the law of sympathy, their existence in the moon.

This, most grave reader, is but a short and imperfect sketch of the way we Moonites live and die. I shall now give you some account of what has happened to me since my coming hither.

It is something more than three lunar hours; or, in other words, about three terrestrial days ago, that, owing to the kindness of some human gentleman or other (to whom I take this opportunity of returning my grateful thanks), I became conscious of existence. Like the Miltonic Eve, almost the first thing I did was to peep into the water, and admire my face; – a very pretty one, I assure you, dear reader. I then perceived advancing a lank and grimly figure in armour, who introduced himself as Don Quixote; and we soon found each other kindred souls.

We walked, hand in hand, through a beautiful tract of country called Terra Fertilitatis; for your Selenographers, Langrenus, Florentius, Grimaldus, Ricciolus, and Hevelius of Dantzic, have given proper names to the various portions of our hemisphere.

As I proceeded, I met the Radcliffian, Rochian, and other heroines; but they tossed their heads, and told me pertly that I was a slur on the sisterhood; while some went so far as to say I had a design upon their lives. They likewise shunned the Edgeworthian heroines, whom they thought too comic, moral, and natural.

I met the Lady of the Lake, and shook hands with her; but her hand felt rather hard from the frequent use of the oar; and I spoke to the Widow Dido, but she had her old trick of turning on her heel, without answering a civil question.

I found the Homeric Achilles broiling his own beefsteaks, as usual; the Homeric Princesses drawing water, and washing linen; the Virgilian Trojans eating their tables, and the Livian Hannibal melting mountains with the patent vinegar of an advertisement.

The little boy in the Æneid had introduced the amusement of whipping tops; and Musidora had turned bathing-woman at a halfpenny a dip.

A Cæsar, an Alexander, and an Alfred, were talking politics, and quaffing the Horatian Falernian, at the Garter Inn of Shakespeare. A Catiline was holding forth on Reform, and a Hanno was advising the recall of a victorious army.

As I walked along, a parcel of Moonites, fresh from your newspapers, just popped up their heads, nodded, and died. About twenty statesmen come to us in this way almost every day; and though some of them are of the same name, and drawn from the same original, they are often as unlike each other as so many clouds. The Buonapartes, thus sent, are, in general, hideous fellows. However, your Parliamentary Reports sometimes agreeably surprise us with most respectable characters of that name.

On my way, I could observe numbers of patients dying, according as the books that had created them were sinking into oblivion. The Foxian James was paraded about in a sedan chair, and considered just gone; and a set of politicians, entitled All the Talents, who had once made a terrible noise among us, lay sprawling in their last agonies. But the most extensive mortality ever known here was caused by the burning of the Alexandrian Library. This forms quite an æra in the Lunar Annals; and it is called The great Conflagration.

I had attempted to pluck an apple from a tree that grew near the road; but, to my surprise, grasped a vacuum; and while Don Quixote was explaining to me that this phænomenon arose from the Berkeleian system of immaterialism; and that this apple was only a globular idea, I heard a squeaking voice just beside me cry:

'I must remark, Madam, that the writer who sent you among us had far too much to say, and too little to do.'

I looked round, but saw nobody.

''Tis Junius,' observed Don Quixote. 'He was invisible on earth, and therefore must be so here. Do not mind his bitter sayings.'

'An author,' continued the satirist, 'who has judgment enough to write wit, should have judgment enough to prevent him from writing it.'

'Sir,' said Don Quixote, 'if, by his works of wit, he can attain popularity, he will ensure a future attention to his works of judgment. So here is at thee, caitiff!' and closing his visor, he ran atilt at pure space.

'Nay,' cried Junius, 'let us not quarrel, though we differ. Mind unopposed by mind, fashions false opinions of its own, and degenerates from its original rectitude. The stagnant pool resolves into putridity. It is the conflict of the waters which keeps them pure.'

'Except in dropsical cases, I presume,' said Tristram Shandy, who just then came up, with his Uncle Toby. 'How goes it, heroine? How goes it? – By the man in the moon, the moment I heard of your arrival here, I gave three exulting flourishes of my hand, thus 1 2 3 then applying my middle finger to my thumb, and compressing them, by means of the flexory muscles, I shot them asunder transversely; so that the finger coming plump upon the aponeurosis —

In short, – for I don't much like the manner in which I am getting on with the description – I snapped my fingers.

'Now, Madam, I will bet the whole of Kristmanus's, Capuanus's, Schihardus's, Phocylides's, and Hanzelius's estates, – which are the best on our disk, – to as much landed property as could be shovelled into your shoe – that you will get miserably mauled by their reverences, the Scotch Reviewers. My life for it, these lads will say that your character is a mere daub drawn in distemper – the colouring too rich – the hair too golden – an eyelash too much – then, that the book itself has too little of the rational and argumentative; – that the fellow merely wrote it to make the world laugh, – which, an' please your reverences, is the gravest occupation an author can chuse; – that some of its incidents are plastered as thick as butter on the bread of Mamma's darling; others so diluted, that they wash down the bread and butter most unpalatably, and the rest unconducive to the plot, moral, and peripeteia. In short, Madam, it will appear that the work has every fault which must convict it Aristotellically and Edinburgo – reviewically, in the eyes of ninety-nine barbati; but which will leave it not the ninety-ninth part of a gry the worse in the eyes of fifteen millions of honest Englishmen; besides several very respectable ladies and gentlemen yet unborn, and nations yet undiscovered, who will read translations of it in languages yet unspoken. Bless me, what hacking they will have at you! Small sword and broad sword – staff and stiletto – flankonnade and cannonade – hurry-scurry – right wing and left wing – '

But Tristram paused short in consternation; for his animated description of a fight had roused the military spirits of Don Quixote and Captain Shandy, who were already at hard knocks; the one with his spear, and the other with his crutch. I therefore took this occasion of escaping.

And now day begins to decline; and your globe, which never sets to us, will soon shed her pale earthshine over the landscape. O how serene, how lovely these regions! Here are no hurricanes, or clouds, or vapours. Here heroines cannot sigh; for here there is no air to sigh withal. Here, in our great pits, poetically called vallies, we retire from all moonly cares; or range through the meads of Cysatus or Gruemberget, and luxuriate in the coolness of the Conical Penumbra.

I trust you will feel, dear reader, that you now owe more to my discoveries than to those of Endymion, Copernicus, Tycho Brahe, Galileus, and Newton. I pray you, therefore, to reward my services with a long and happy life; though much I fear I shall not obtain it. For, I am told, that two little shining specks, called England and Ireland (which we can just see with our glasses on your globe), are the places that I must depend upon for my health and prosperity. Now, if they fall, I must fall with them; and I fancy they have seen the best of their days already. A parrot informs me, that they are at daggers drawn with a prodigious blotch just beside them; and that their most approved patriots daily indite pamphlets to shew how they cannot hold out ten years longer. The Sternian Starling assured me just now that these patriots write the triumphs of their country in the most commiserating language; and portray her distresses with exultation. Of course, therefore, they conceive that her glories would undo her, and that nothing can save her but her calamities. So, since she is conquering away at a great rate, I may fairly infer that she is on her last legs.

Before I conclude, I must inform you of how I shall have this letter conveyed to your world. Laplace, and other philosophers, have already proved, that a stone projected by a volcano, from the moon, and with the velocity of a mile and a half per second, would be thrown beyond the sphere of the moon's attraction, and enter into the confines of the earth's. Now, hundreds have attested on oath, that they have seen luminous meteors moving through the sky; and that these have fallen on the earth, in stony or semi-metallic masses. Therefore, say the philosophers, these masses came all the way from the moon. And they say perfectly right. Believe it piously, dear reader, and quote me as your authority.

It is by means of one of these stones that I shall contrive to send you this letter. I have written it on asbestus, in liquid gold (as both these substances are inconsumable by fire); and I will fasten it to the top of a volcanic mountain, which is expected to explode in another hour.

Alas, alas, short-sighted mortals! how little ye foresee the havoc that will happen hereafter, from the pelting of these pitiless stones. For, about the time of the millenium, the doctrine of projectiles will be so prodigiously improved, that while there is universal peace upon earth, the planets will go to war with each other. Then shall we Lunarians, like true satellites, turn upon our benefactors, and instead of merely trying our small shot (as at present), we will fire off whole mountains; while you, from your superior attraction, will find it difficult to hit us at all. The consequence must be, our losing so much weight, that we shall approach, by degrees, nearer and nearer to you; 'till at last, both globes will come slap together, flatten each other out, like the pancakes of Glasse's Cookery, and rush headlong into primeval chaos.

Such will be the consummation of all things.

    Adieu.

LETTER I

My venerable Governess, guardian of my youth, must I then behold you no more? No more, at breakfast, find your melancholy features shrouded in an umbrageous cap, a novel in one hand, a cup in the other, and tears springing from your eyes, at the tale too tender, or at the tea too hot? Must I no longer wander with you through painted meadows, and by purling rivulets? Motherless, am I to be bereft of my more than mother, at the sensitive age of fifteen? What though papa caught the Butler kissing you in the pantry? What though he turned you by the shoulder out of his house? I am persuaded that the kiss was maternal, not amorous, and that the interesting Butler is your son.

Perhaps you married early in life, and without the knowledge of your parents. A gipsy stole the pretty pledge of your love; and at length, you have recognized him by the scar on his cheek. Happy, happy mother!

Happy too, perhaps, in being cast upon the world, unprotected and defamed; while I am doomed to endure the security of a home, and the dullness of an unimpeached reputation. For me, there is no hope whatever of being reduced to despair. I am condemned to waste my health, bloom, and youth, in a series of uninterrupted prosperity.