Saint Michael

Quietly as the words were uttered, there was iron resolution in them, and they were comprehended. Hertha suddenly turned her eyes full upon the speaker, with something like anger gleaming in their depths. "And you really think thus? Can ambition, indeed, indemnify you for all else?"

"Yes," was the cold reply. "All that I carry towards the future with me is gratitude to the man who has been a father to me, and friendship for his son; in all other respects I have cleared away everything from my path."

The young Countess's lip quivered slightly, but she held her head proudly erect as she said, "Good fortune attend you, Captain Rodenberg. I do not doubt that you will make a career for yourself."

She turned away to her mother, but while together they discussed his sketches with the young painter, Hertha's thoughts were busy with the last conversation. She could not have been more distinctly informed that Michael had come off conqueror in his struggle, and the conviction that this was the case aroused an inexplicable emotion within her. He had chosen to crush out and annihilate his love, and speedy success had crowned his efforts.

When the Countess took leave of the young artist, Michael paid his farewell respects in the studio, while Hans escorted the ladies to their carriage. When he returned, he made haste to take the 'failure' from its hiding-place and to put it in a separate portfolio, which he locked up. "There would have been a pretty to-do if the Countess had seen this," said he; "she would instantly have recognized her god-child, and what would have become of the dignity of Hans Wehlau Wehlenberg of the Forschungstein? He would no longer have formed a part of the chivalric reminiscences of the Ebersburg."

"Whom did the picture represent?" asked Michael, who had been pacing the floor, lost in thought.

"Gerlinda von Eberstein. I drew it from memory. I told you of my adventure among the mountains, and of my promotion in rank. 'Tis odd, but I cannot help thinking continually of the little Dornröschen, who seemed so ridiculous, and yet was so lovely; she thrusts herself between me and all other memories. Just now, in presence of the Fair One with the Golden Locks, I was haunted by her sweet little face with its dark eyes looking out so dreamily upon a world that vanished ages ago. Moreover, Countess Hertha seems to me changed since her betrothal. It is sure to be so in these mariages de convenance, where there is no question of love. Count Raoul is not so very much devoted, either, to his fair betrothed; he certainly is wilder and more dissipated than ever, and I am greatly mistaken if he is not entangled elsewhere."

Michael suddenly stood still. "What? Now? And betrothed? That would be villanous!"

Hans looked at him in surprise. "What a tragic tone! Are you acquainted with the young Count?"

"I first saw him at the general's, and since then we have met several times. I was compelled to make it emphatically clear to him that he was in company of an officer who, if need were, would exact the consideration he seemed inclined to deny him. He seemed to understand at last."

There was a peculiar expression in the glance which the young artist riveted upon his friend, while with apparent unconcern he took up his palette and brushes and began to paint again. "You surprise me. Count Raoul probably prides himself upon his long line of ancestors, but I have never found him as haughty as is usual with his class. He must have some reason for disliking you."

"Or I for disliking him? I think each is pretty well aware of the other's sentiments."

"Aha! now it's coming," Hans muttered to himself, while he painted away. Then aloud, he continued, quietly: "You see, I have only known the amiable side of the Count. As for his betrothal, every one knows that it is all his grandfather's doing. His Excellency commanded, and the grandson bowed to his august will."

"So much the worse, and the more pitiable," Rodenberg burst forth. "Who forced him to obey? Why did he not refuse to comply? The fact is that this much-lauded, accomplished Steinrück is, with all his boasted chivalry, but a poor coward where there is any need of moral courage."

There was so passionate a hatred expressed in his words that Hans was startled. But with the egotism of the artist, who has no regard save for his work, and who overlooks all else, he never sought to discover the cause of his friend's almost savage irritability. He continued to gaze at him steadily, while his brush made stroke after stroke upon the canvas. "I think the Count would have come to grief if he had attempted any resistance," he observed. "They say the general preserves the same discipline in his household as among his soldiers, and will not suffer any opposition to his will. You know your iron chief. How would you like to confront him with a frank 'no'?"

"I have said much more to him than merely 'no.'"

"You–to the general?" Hans was so astonished that for a moment he stopped painting. Michael forgot all his usual caution, and went on, carried away by his emotion: "To General Count Steinrück? Yes. He tried to quell me with his commanding glance, and ordered me to be silent in the tone to which every one else bows; but I was not silent. He had to hear from my lips what he had probably never in his life heard before. I hurled it ruthlessly in his teeth, and he listened. Now, indeed, we are done with each other, but he knows how much I value his name and his coronet, and that as for him and his entire race, I–"

"Would fain dash them down ten hundred thousand fathoms deep into the burning pit! At last!" the artist burst forth, exultantly, as he laid down his brush. "Bravo, Michael! Now you can be good-humoured again; I have got it!"

"Got what?" asked Michael.

"The expression, the glance of flame, for which I have been looking so long. You were incomparable in your indignation,–you were Saint Michael himself."

Rodenberg seemed to recollect himself for the first time; he bit his lip. "And you have been all this time studying me in cold blood? Hans, it is unpardonable."

"Possibly, but it was necessary. Look at the picture yourself; see that brow and those eyes. I hit it off with a few strokes of the brush."

Michael, still irritated and annoyed, approached the easel and looked at the picture. He was struck with the change in it, but before he could speak Hans threw his arm around his shoulder and said, with sudden seriousness, "Come, tell me about yourself and the Steinrücks. Why do you hate Count Raoul, and what gives you the right to say such things to the general, your chief? There must be something here which yon have concealed from me."

Rodenberg made no reply, and turned away.

"Do I not deserve your confidence?" Hans asked, reproachfully. "I never have had a secret from you. What are your relations with Steinrück?"

There ensued a brief pause, and then Michael said, coldly and sternly, "The same as Count Raoul's."

Hans stared at him in blank incredulity; he could not trust his ears. "What do you mean? The general–?"

"Is the father of my mother. Her name was Louise Steinrück."

March of this year was a very disagreeable month. After being ushered in by a few bright sunny days it veiled the city in gray mist and rain for weeks. The first buds perished of cold and damp, and people gazed out from behind their window-panes, disgusted with the spring month that did so little honour to its name.

On one of these rainy afternoons Count Raoul Steinrück mounted the steps and pulled the bell of the apartments upon the first floor of a house in the fashionable quarter of the city. He must have been well known to the servant who opened the door, for he merely bowed in answer to the inquiry whether Herr de Clermont was at home, and admitted the visitor without further question.

The young Count entered the drawing-room, in which, in spite of its rich furniture, an air of comfort was lacking. All the demands of the prevailing fashion were fully met in its arrangement, but there was nothing to indicate the individuality of the owners of the apartment. Everything seemed placed where it was only for the time being, and to suggest that the entire interior might shortly be removed, to be put at the disposal of others requiring a temporary home.

At the Count's entrance a young man who had been standing at a window turned and came towards him eagerly. "Ah, here you are, Raoul! We had given you up for to-day."

"I have only half an hour," said Raoul, taking off his overcoat and throwing himself into a chair with an ease betokening that he was quite at home here. "I have just come from the department."

"And the future minister has of course brought away a fit of ill-humour," said Clermont, laughing. "Important government business,–oh, we have no chance at all where that is in question."

The conversation was carried on in French. Henri de Clermont was perhaps a few years older than the young Count Steinrück, and was wonderfully attractive in appearance and manner, although the innocent gayety of his air was not entirely in harmony with the keen glance of his dark eyes, which were those of a sharp observer. They now rested searchingly upon Raoul's countenance as he replied, impatiently,–

"Minister–government business–of course! If you only knew what an endless waste of dulness and ennui there is to be struggled through. I have been an entire year in the department, and nothing has yet fallen to my lot save the veriest trifles. A Count Steinrück is of no more importance to our chief than is any one of his bourgeois officials, and indeed not of as much if the latter happens to have a greater power of application. You must rise from the ranks."

"Yes, you Germans are wonderfully thorough in such matters," Clermont said, ironically. "With us one rises more quickly with a name and connections to aid him. And so you have been intrusted as yet with nothing important?"

"No." Raoul glanced impatiently towards the door that led into the next apartment, as if expecting some one. "At best a transcript of some confidential transaction, in which the name and position of the one concerned are due warranty for his silence; and this may go on for years."

"If you can endure it. Do you really mean to remain in the government employ?"

The young Count looked up surprised. "Certainly; why not?"

"That's an odd question for a man who is about to marry a very wealthy heiress. You might live in future as sovereign lord upon your estates, although I hardly think such an existence would satisfy you. You need life, society, the stir and action of a capital. Well, contrive to become attached to the embassy at Paris, as your father was before you. It cannot be a difficult position to attain if one pulls the right wires, and the dearest wish of your mother's heart would then be fulfilled."

"And my grandfather? He never would consent."

"If he were consulted; but his power ceases with the termination of his guardianship of your future wife. The will settles that. When does the Countess Hertha come of age?"

"Upon her twentieth birthday,–next autumn."

"And then you need consult no one, and heed nothing save the wishes of your young wife, who will hardly refuse to live with you in the capital of Europe, its brilliant centre. The general's views can then have no weight with you or with her."

"You do not know my grandfather," said Raoul, gloomily. "He will maintain his authority even then, and I– Is Madame de Nérac not visible to-day?"

"She is dressing; we are going out to dine. Where shall you be this evening?"

"With my betrothed."

"And what a face you put on as you announce it!" Clermont said, laughing. "Every one envies you your brilliant match, and with justice. Countess Hertha is beautiful, wealthy, and–"

"Cold as ice." Raoul completed the sentence with a bitter intonation. "I can assure you that I am not so much to be envied as you suppose."