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Stage-coach and Tavern Days

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2017
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Let me not fail to speak of the splendid glasses in which flip was often served – I mean the great glass tumblers without handles which, under the name of flip glasses, still are found in New England homes. They are vast drinking-vessels, sometimes holding three or four quarts apiece, and speak to us distinctly of the unlimited bibulous capacities of our ancestors. They are eagerly sought for by glass and china collectors, and are among the prettiest and most interesting of old-time relics.

English flip is not so simple nor so original nor so good a drink as American flip. It might be anything but flip, since it is compounded in a saucepan, and knows naught of the distinctive branding of flip, the seething loggerhead. If it contained no spirits, it was called “egg-hot.”

A rule for flip which seems to combine the good points of the American and English methods, uses ale instead of home-brewed. It may be given “in the words of the Publican who made it”: —

“Keep grated Ginger and Nutmeg with a fine dried Lemon Peel rubbed together in a Mortar. To make a quart of Flip: Put the Ale on the Fire to warm, and beat up three or four Eggs with four ounces of moist Sugar, a teaspoonful of grated Nutmeg or Ginger, and a Quartern of good old Rum or Brandy. When the Ale is near to boil, put it into one pitcher, and the Rum and Eggs, etc., into another: turn it from one Pitcher to another till it is as smooth as cream. To heat plunge in the red hot Loggerhead or Poker. This quantity is styled One Yard of Flannel.”

A quartern is a quarter of a gill, which is about the “dash” of rum.

No flip was more widely known and more respected than the famous brew of Abbott’s Tavern at Holden, Massachusetts. This house, built in 1763, and kept by three generations of Abbotts, never wavered in the quality of its flip. It is said to have been famous from the Atlantic to the Pacific – and few stage-coaches or travellers ever passed that door without adding to its praises and thereafter spreading its reputation. It is sad to add that I don’t know exactly how it was made. A bill still existing tells its price in Revolutionary days; other items show its relative valuation: —

This is the only tavern bill I have ever seen in which nice distinctions were made in boarding men and women. I am glad to know that the “weomen” traveller in those days had 2s. 8d. of daily advantage over the men.

Other names for the hospital loggerhead were flip-dog and hottle. The loggerhead was as much a part of the chimney furniture of an old-time New England tavern and farm-house as the bellows or andirons. In all taverns and many hospitable homes it was constantly kept warm in the ashes, ready for speedy heating in a bed of hot coals, to burn a mug of fresh flip for every visitor or passer by. Cider could be used instead of beer, if beer could not be had. Some wise old flip tasters preferred cider to beer. Every tavern bill of the eighteenth century was punctuated with entries of flip. John Adams said if you spent the evening in a tavern, you found it full of people drinking drams of flip, carousing, and swearing. The old taprooms were certainly cheerful and inviting gathering-places; where mine host sat behind his cagelike counter surrounded by cans and bottles and glasses, jars of whole spices and whole loaves of sugar; where an inspiring row of barrels of New England rum, hard cider, and beer ranged in rivalry at an end of the room, and

“Where dozed a fire of beechen logs that bred
Strange fancies in its embers golden-red,
And nursed the loggerhead, whose hissing dip,
Timed by wise instinct, creamed the bowl of flip.”

These fine lines of Lowell’s seem to idealize the homely flip and the loggerhead as we love to idealize the customs of our forbears. Many a reader of them, inspired by the picture, has heated an iron poker or flip-dog and brewed and drunk a mug of flip. I did so not long ago, mixing carefully by a rule for flip recommended and recorded and used by General Putnam – Old Put – in the Revolution. I had the Revolutionary receipt and I had the Revolutionary loggerhead, and I had the old-time ingredients, but alas, I had neither the tastes nor the digestion of my Revolutionary sires, and the indescribable scorched and puckering bitterness of taste and pungency of smell of that rank compound which was flip, will serve for some time in my memory as an antidote for any overweening longing for the good old times.

The toddy stick, beloved for the welcome ringing music it made on the sides of glass tumblers, was used to stir up toddy and other sweetened drinks.

It was a stick six or eight inches long, with a knob at one end, or flattened out at the end so it would readily crush the loaf sugar used in the drink. The egg-nog stick was split at one end, and a cross-piece of wood was set firmly in. It was a crude egg-beater. Whirled rapidly around, while the upright stick was held firmly between the palms of the hands, it was a grateful, graceful, and inviting machine in the hands of skilful landlords of old.

Another universal and potent colonial drink was punch. It came to the English colonies in America from the English colonies in India. To the Orientals we owe punch – as many other good things. The word is from the Hindustani panch, five, referring to the five ingredients then used in the drink, namely: tea, arrack, sugar, lemons, water.

In 1675 one Tryer drank punch in India and, like the poor thing that he was, basely libelled it as an enervating liquor. The English took very quickly to the new drink, as they did to everything else in India, and soon the word appeared in English ballads, showing that punch was well known.

Englishmen did not use without change the punch-bowls of India, but invented an exceptionally elegant form known by the name of Monteith. It was called after a man of fashion who was marked and remarkable for wearing a scalloped coat. In the Art of Cookery we find reference to him and the Monteith punch bowl: —

“New things produce new words, and so Monteith
Has by one vessel saved himself from death.”

Monteiths seem to have come into fashion about 1697. The rim was scalloped like its namesake’s coat, or cut in battlements, thus forming indentations, in which a punch ladle and lemon strainer and tall wine-glasses were hung on their sides, the foot out. The rim was usually separate from the bowl, and was lifted off with the glasses and ladle and strainer, for the punch to be brewed in the bowl. When the punch was duly finished, the ornamental rim was replaced. A porcelain imitation of a Monteith is here shown, which was made in China for an American ship-owner, doubtless from a silver model.

Punch became popular in New England just as it did in old England, in fact, wherever English-speaking sea rovers could tell of the new drink. In 1682 John Winthrop wrote of the sale of a punch bowl in Boston, and in 1686 John Dunton told of more than one noble bowl of punch in New England.

Every buffet of people of good station in prosperous times soon had a punch bowl. Every dinner was prefaced by a bowl of punch passed from hand to hand, while the liquor was drunk from the bowl. Double and “thribble” bowls of punch were served in taverns; these held two and three quarts each.

To show the amount of punch drunk at a minister’s ordination in New England in 1785, I will state that the eighty people attending in the morning had thirty bowls of punch before going to meeting; and the sixty-eight who had dinner disposed of forty-four bowls of punch, eighteen bottles of wine, eight bowls of brandy, and a quantity of cherry rum.

Punch was popular in Virginia, it was popular in New York, it was popular in Pennsylvania. William Black recorded in his diary in 1744 that in Philadelphia he was given cider and punch for lunch; rum and brandy before dinner; punch, Madeira, port, and sherry at dinner; punch and liqueurs with the ladies; and wine, spirit, and punch till bedtime; all in punch bowls big enough for a goose to swim in.

In 1757 S. M. of Boston, who was doubtless Samuel Mather, the son of Cotton Mather, sent to Sir Harry Frankland, the hero of the New England romance of Agnes Surriage, a box of lemons with these lines: —

“You know from Eastern India came
The skill of making punch as did the name.
And as the name consists of letters five,
By five ingredients is it kept alive.
To purest water sugar must be joined,
With these the grateful acid is combined.
Some any sours they get contented use,
But men of taste do that from Tagus choose.
When now these three are mixed with care
Then added be of spirit a small share.
And that you may the drink quite perfect see,
Atop the musky nut must grated be.”

From the accounts that have come down to us, the “spirits a small share” of the Puritan Mather’s punch receipt was seldom adhered to in New England punches.

The importation to England and America of lemons, oranges, and limes for use as punch “sowrings,” as they were called, was an important part of the West Indian and Portuguese trade. The juices of lemons, oranges, limes, and pineapples were all used in punches, and were imported in demijohns and bottles. The appetizing advertisements of J. Crosby, a Boston fruit importer, are frequent for many years in New England newspapers. Here is one from the Salem Gazette in 1741: —

“Extraordinary good and very fresh Orange juice which some of the very best Punch Tasters prefer to Lemmon, at one dollar a gallon. Also very good Lime Juice and Shrub to put into Punch at the Basket of Lemmons, J. Crosby, Lemmon Trader.”

I don’t know whether the punch tasters referred to were professional punch mixers or whether it was simply a term applied to persons of well-known experience and judgment in punch-drinking.

In Salem, New Jersey, in 1729, tavern prices were regulated by the Court. They were thus: —

Punches were many of name, scores of different ones were given by drink compounders, both amateur and professional. Punches were named for persons, for places; for taverns and hosts; for bar-tenders and stage-coach drivers; for unusual ingredients or romantic incidents. Sometimes honor was conferred by naming the punch for the person; sometimes the punch was the only honor the original ever had. In these punches all kinds of flavoring and spices were used, and all the strong liquors of the world, all the spirits, wines, liqueurs, drops, distilled waters and essences – but seldom and scant malt liquors, if it were truly punch.

With regard to the proper amounts of all these various fluids to be used in composition opinions always differed. Many advised a light hand with cordials, some disliked spices; others wished a plentiful amount of lemon juice, others wished tea. In respect of the proportions of two important and much-discussed ingredients, old-time landlords apparently heeded directions similar to those I once heard given impressively by an old Irish ecclesiastic of high office: “Shtop! shtop! ye are not commincin’ right and in due ordher! Ye musthn’t iver put your whiskey or rum foorst in your punch-bowl and thin add wather; for if ye do, ivery dhrop of wather ye put in is just cruel spoilin’ of the punch; but – foorst – put some wather in the bowl – some, I say, since in conscience ye must – thin pour in the rum; and sure ye can aisily parcaive that ivery dhrop ye put in is afther makin’ the punch betther and betther.”

Charles Lamb tells in his Popular Fallacies of “Bully Dawson kicked by half the town and half the town kicked by Bully Dawson.” This Bully Dawson was a famous punch brewer; his rule was precisely like that of a famous New England landlord, and is worth choosing among a score of rules: —

“The man who sees, does, or thinks of anything else while he is making Punch may as well look for the Northwest Passage on Mutton Hill. A man can never make good punch unless he is satisfied, nay positive, that no man breathing can make better. I can and do make good Punch, because I do nothing else, and this is my way of doing it. I retire to a solitary corner with my ingredients ready sorted; they are as follows, and I mix them in the order they are here written. Sugar, twelve tolerable lumps; hot water, one pint; lemons, two, the juice and peel; old Jamaica rum, two gills; brandy, one gill; porter or stout, half a gill; arrack, a slight dash. I allow myself five minutes to make a bowl in the foregoing proportions, carefully stirring the mixture as I furnish the ingredients until it actually foams; and then Kangaroos! how beautiful it is!”

With this nectar and a toast we may fitly close this chapter. May the grass grow lightly o’er the grave of Bully Dawson, and weigh like lead on the half the town that kicked him!

CHAPTER VI

SMALL DRINK

“Under this tearme of small-drink,” wrote an old chronicler, “do I endow such drinks as are of comfort, to quench an honest thirst, not to heat the brain, as one man hath ale, another cider, another metheglin, and one sack.” Under this title I also place such tavern and home drinks of colonial times as were not deemed vastly intoxicating; though New England cider might well be ranged very close to New England rum in intoxicating powers.

The American colonists were not enthusiastic water drinkers, and they soon imported malt and established breweries to make the familiar ale and beer of old England. The Dutch patroons found brewing a profitable business in New York, and private families in all the colonies built home brew-houses and planted barley and hops.

In Virginia a makeshift ale was made from maize as early as 1620. George Thorpe wrote that it was a good drink, much preferable to English beer. Governor Berkeley wrote of Virginians a century later: —

“Their small-drink is either wine or water, beer, milk and water, or water alone. Their richer sort generally brew their small-beer with malt, which they have from England, though barley grows there very well; but for the want of convenience of malt-houses, the inhabitants take no care to sow it. The poorer sort brew their beer with molasses and bran; with Indian corn malted with drying in a stove: with persimmons dried in a cake and baked; with potatoes with the green stalks of Indian corn cut small and bruised, with pompions, with the Jerusalem artichoke which some people plant purposely for that use, but this is the least esteemed.”

Similar beers were made in New England. The court records are full of enactments to encourage beer-brewing. They had not learned that liberty to brew, when and as each citizen pleased, would prove the best stimulus. Much personal encouragement was also given. The President of Harvard College did not disdain to write to the court on behalf of “Sister Bradish,” that she might be “encouraged and countenanced” in her baking of bread and brewing and selling of penny beer. And he adds in testimony that “such is her art, way, and skill that shee doth vend such comfortable penniworths for the relief of all that send unto her as elsewhere they can seldom meet with.” College students were permitted to buy of her to a certain amount; and with the light of some contemporary evidence as to the quality of the college commons we can believe they needed very “comfortable penniworths.”

Some New England taverns were famous for their spruce, birch, and sassafras beer, boiled with scores of roots and herbs, with birch, spruce, or sassafras bark, with pumpkin and apple parings, with sweetening of molasses or maple syrup, or beet tops and other makeshifts. A colonial song writer boasted —

“Oh, we can make liquor to sweeten our lips
Of pumpkins, of parsnips, of walnut-tree chips.”

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