'Impossible!' said Piedro. Francisco did not consider that those who have habits of pilfering continue to practise them often, when the poverty which first tempted them to dishonesty ceases. 'Impossible! You stare when I tell you I am rich; but the thing is so. Moreover, I am well with my father at home. I have friends in Naples, and I call myself Piedro the Lucky. Look you here,' said he, producing an old gold coin. 'This does not smell of fish, does it? My father is no longer a fisherman, nor I either. Neither do I sell sugar-plums to children; nor do I slave myself in a vineyard, like some folks; but fortune, when I least expected it, has stood my friend. I have many pieces of gold like this. Digging in my father's garden, it was my luck to come to an old Roman vessel full of gold. I have this day agreed for a house in Naples for my father. We shall live, whilst we can afford it, like great folks, you will see; and I shall enjoy the envy that will be felt by some of my old friends, the little Neapolitan merchants, who will change their note when they see my change of fortune. What say you to all this, Francisco the Honest?'
'That I wish you joy of your prosperity, and hope you may enjoy it long and well.'
'Well, no doubt of that. Every one who has it enjoys it well. He always dances well to whom fortune pipes.'[31 - Assai ben balla a chi fortuna suona.]
'Yes, no longer pipe, no longer dance,' replied Francisco; and here they parted; for Piedro walked away abruptly, much mortified to perceive that his prosperity did not excite much envy, or command any additional respect from Francisco.
'I would rather,' said Francisco, when he returned to Carlo and Rosetta, who waited for him under the portico, when he left them – 'I would rather have such good friends as you, Carlo and Arthur, and some more I could name, and, besides that, have a clear conscience, and work honestly for my bread, than be as lucky as Piedro. Do you know he has found a treasure, he says, in his father's garden – a vase full of gold? He showed me one of the gold pieces.'
'Much good may they do him. I hope he came honestly by them,' said Carlo; 'but ever since the affair of the double measure, I suspect double-dealing always from him. It is not our affair, however. Let him make himself happy his way, and we ours.
'He that would live in peace and rest,
Must hear, and see, and say the best.'[32 - Odi, vedi, taci, se vuoi viver in pace.]
All Piedro's neighbours did not follow this peaceable maxim; for when he and his father began to circulate the story of the treasure found in the garden, the village of Resina did not give them implicit faith. People nodded and whispered, and shrugged their shoulders; then crossed themselves and declared that they would not, for all the riches of Naples, change places with either Piedro or his father. Regardless, or pretending to be regardless, of these suspicions, Piedro and his father persisted in their assertions. The fishing-nets were sold, and everything in their cottage was disposed of; they left Resina, went to live at Naples, and, after a few weeks, the matter began to be almost forgotten in the village.
The old gardener, Francisco's father, was one of those who endeavoured to think the best; and all that he said upon the subject was, that he would not exchange Francisco the Honest for Piedro the Lucky; that one can't judge of the day till one sees the evening as well as the morning.[33 - La vita il fine, – e di loda la sera.Compute the morn and evening of their day. – Pope]
Not to leave our readers longer in suspense, we must inform them that the peasants of Resina were right in their suspicions. Piedro had never found any treasure in his father's garden, but he came by his gold in the following manner: —
After he was banished from the little wood-market for stealing Rosetta's basketful of wood, after he had cheated the poor woman, who let glasses out to hire, out of the value of the glasses which he broke, and, in short, after he had entirely lost his credit with all who knew him, he roamed about the streets of Naples, reckless of what became of him.
He found the truth of the proverb, 'that credit lost is like a Venice glass broken – it can't be mended again.' The few shillings which he had in his pocket supplied him with food for a few days. At last he was glad to be employed by one of the peasants who came to Naples to load their asses with manure out of the streets. They often follow very early in the morning, or during the night-time, the trace of carriages that are gone, or that are returning from the opera; and Piedro was one night at this work, when the horses of a nobleman's carriage took fright at the sudden blaze of some fireworks. The carriage was overturned near him; a lady was taken out of it, and was hurried by her attendants into a shop, where she stayed till her carriage was set to rights. She was too much alarmed for the first ten minutes after her accident to think of anything; but after some time, she perceived that she had lost a valuable diamond cross, which she had worn that night at the opera. She was uncertain where she had dropped it; the shop, the carriage, the street were searched for it in vain.
Piedro saw it fall as the lady was lifted out of the carriage, seized upon it, and carried it off. Ignorant as he was of the full value of what he had stolen, he knew not how to satisfy himself as to this point, without trusting some one with the secret.
After some hesitation, he determined to apply to a Jew, who, as it was whispered, was ready to buy everything that was offered to him for sale, without making any troublesome inquiries. It was late; he waited till the streets were cleared, and then knocked softly at the back door of the Jew's house. The person who opened the door for Piedro was his own father. Piedro started back; but his father had fast hold of him.
'What brings you here?' said the father, in a low voice, a voice which expressed fear and rage mixed.
'Only to ask my way – my shortest way,' stammered Piedro.
'No equivocations! Tell me what brings you here at this time of the night? I will know.'
Piedro, who felt himself in his father's grasp, and who knew that his father would certainly search him, to find out what he had brought to sell, thought it most prudent to produce the diamond cross. His father could but just see its lustre by the light of a dim lamp which hung over their heads in the gloomy passage in which they stood.
'You would have been duped, if you had gone to sell this to the Jew. It is well it has fallen into my hands. How came you by it?' Piedro answered that he had found it in the street. 'Go your ways home, then,' said the father; 'it is safe with me. Concern yourself no more about it.'
Piedro was not inclined thus to relinquish his booty, and he now thought proper to vary in his account of the manner in which he found the cross. He now confessed that it had dropped from the dress of a lady, whose carriage was overturned as she was coming home from the opera, and he concluded by saying that, if his father took his prize from him without giving him his share of the profits, he would go directly to the shop where the lady stopped whilst her servants were raising the carriage, and that he would give notice of his having found the cross.
Piedro's father saw that his smart son, though scarcely sixteen years of age, was a match for him in villainy. He promised him that he should have half of whatever the Jew would give for the diamonds, and Piedro insisted upon being present at the transaction.
We do not wish to lay open to our young readers scenes of iniquity. It is sufficient to say that the Jew, who was a man old in all the arts of villainy, contrived to cheat both his associates, and obtained the diamond cross for less than half its value. The matter was managed so that the transaction remained undiscovered. The lady who lost the cross, after making fruitless inquiries, gave up the search, and Piedro and his father rejoiced in the success of their manœuvres.
It is said that 'Ill-gotten wealth is quickly spent';[34 - Vien presto consumato l' ingiustamente acquistato.] and so it proved in this instance. Both father and son lived a riotous life as long as their money lasted, and it did not last many months. What his bad education began, bad company finished, and Piedro's mind was completely ruined by the associates with whom he became connected during what he called his prosperity. When his money was at an end, these unprincipled friends began to look cold upon him, and at last plainly told him – 'If you mean to live with us, you must live as we do.' They lived by robbery.
Piedro, though familiarised to the idea of fraud, was shocked at the thought of becoming a robber by profession. How difficult it is to stop in the career of vice! Whether Piedro had power to stop, or whether he was hurried on by his associates, we shall, for the present, leave in doubt.
CHAPTER IV
We turn with pleasure from Piedro the Cunning to Francisco the Honest. Francisco continued the happy and useful course of his life. By his unremitting perseverance he improved himself rapidly under the instructions of his master and friend, Signor Camillo; his friend, we say, for the fair and open character of Francisco won, or rather earned, the friendship of this benevolent artist. The English gentleman seemed to take a pride in our hero's success and good conduct. He was not one of those patrons who think that they have done enough when they have given five guineas. His servant Arthur always considered every generous action of his master's as his own, and was particularly pleased whenever this generosity was directed towards Francisco.
As for Carlo and the little Rosetta, they were the companions of all the pleasant walks which Francisco used to take in the cool of the evening, after he had been shut up all day at his work. And the old carpenter, delighted with the gratitude of his pupil, frequently repeated – 'That he was proud to have given the first instructions to such a genius; and that he had always prophesied Francisco would be a great man.' 'And a good man, papa,' said Rosetta; 'for though he has grown so great, and though he goes into palaces now, to say nothing of that place underground, where he has leave to go, yet, notwithstanding all this, he never forgets my brother Carlo and you.'
'That's the way to have good friends,' said the carpenter. 'And I like his way; he does more than he says. Facts are masculine, and words are feminine.'[35 - I fatti sono maschii, le parole femmine.]
These good friends seemed to make Francisco happier than Piedro could be made by his stolen diamonds.
One morning, Francisco was sent to finish a sketch of the front of an ancient temple, amongst the ruins of Herculaneum. He had just reached the pit, and the men were about to let him down with cords, in the usual manner, when his attention was caught by the shrill sound of a scolding woman's voice. He looked, and saw at some paces distant this female fury, who stood guarding the windlass of a well, to which, with threatening gestures and most voluble menaces, she forbade all access. The peasants – men, women, and children, who had come with their pitchers to draw water at this well – were held at bay by the enraged female. Not one dared to be the first to advance; whilst she grasped with one hand the handle of the windlass, and, with the other tanned muscular arm extended, governed the populace, bidding them remember that she was padrona, or mistress of the well. They retired, in hopes of finding a more gentle padrona at some other well in the neighbourhood; and the fury, when they were out of sight, divided the long black hair which hung over her face, and, turning to one of the spectators, appealed to them in a sober voice, and asked if she was not right in what she had done. 'I, that am padrona of the well,' said she, addressing herself to Francisco, who, with great attention, was contemplating her with the eye of a painter – 'I, that am padrona of the well, must in times of scarcity do strict justice, and preserve for ourselves alone the water of our well. There is scarcely enough even for ourselves. I have been obliged to make my husband lengthen the ropes every day for this week past. If things go on at this rate, there will soon be not one drop of water left in my well.'
'Nor in any of the wells of the neighbourhood,' added one of the workmen, who was standing by; and he mentioned several in which the water had lately suddenly decreased; and a miller affirmed that his mill had stopped for want of water.
Francisco was struck by these remarks. They brought to his recollection similar facts, which he had often heard his father mention in his childhood, as having been observed previous to the last eruption of Mount Vesuvius.[36 - Phil. Trans. vol. ix.] He had also heard from his father, in his childhood, that it is better to trust to prudence than to fortune; and therefore, though the peasants and workmen, to whom he mentioned his fears, laughed, and said, 'That as the burning mountain had been favourable to them for so many years, they would trust to it and St. Januarius one day longer,' yet Francisco immediately gave up all thoughts of spending this day amidst the ruins of Herculaneum. After having inquired sufficiently, after having seen several wells, in which the water had evidently decreased, and after having seen the mill-wheels that were standing still for want of their usual supply, he hastened home to his father and mother, reported what he had heard and seen, and begged of them to remove, and to take what things of value they could to some distance from the dangerous spot where they now resided.
Some of the inhabitants of Resina, whom he questioned, declared that they had heard strange rumbling noises underground; and a peasant and his son, who had been at work the preceding day in a vineyard, a little above the village, related that they had seen a sudden puff of smoke come out of the earth, close to them; and that they had, at the same time, heard a noise like the going off of a pistol.[37 - These facts are mentioned in Sir William Hamilton's account of an eruption of Mount Vesuvius. – See Phil. Trans. 1795, first part.]
The villagers listened with large eyes and open ears to these relations; yet such was their habitual attachment to the spot they lived upon, or such the security in their own good fortune, that few of them would believe that there could be any necessity for removing. 'We'll see what will happen to-morrow; we shall be safe here one day longer,' said they.
Francisco's father and mother, more prudent than the generality of their neighbours, went to the house of a relation, at some miles' distance from Vesuvius, and carried with them all their effects.
In the meantime, Francisco went to the villa where his English friends resided. The villa was in a most dangerous situation, near Torre del Greco – a town that stands at the foot of Mount Vesuvius. He related all the facts that he had heard to Arthur, who, not having been, like the inhabitants of Resina, familiarised to the idea of living in the vicinity of a burning mountain and habituated to trust in St. Januarius, was sufficiently alarmed by Francisco's representations. He ran to his master's apartment, and communicated all that he had just heard. The Count de Flora and his lady, who were at this time in the house, ridiculed the fears of Arthur, and could not be prevailed upon to remove even as far as Naples. The lady was intent upon preparations for her birthday, which was to be celebrated in a few days with great magnificence at their villa; and she observed that it would be a pity to return to town before that day, and they had everything arranged for the festival. The prudent Englishman had not the gallantry to appear to be convinced by these arguments, and he left the place of danger. He left it not too soon, for the next morning exhibited a scene – a scene which we shall not attempt to describe.
We refer our young readers to the account of this dreadful eruption of Mount Vesuvius, published by Sir W. Hamilton in the Philosophical Transactions. It is sufficient here to say that, in the space of about five hours, the wretched inhabitants of Torre del Greco saw their town utterly destroyed by the streams of burning lava which poured from the mountain. The villa of Count de Flora, with some others, which were at a little distance from the town, escaped; but they were absolutely surrounded by the lava. The count and countess were obliged to fly from their house with the utmost precipitation in the night-time; and they had not time to remove any of their furniture, their plate, clothes, or jewels.
A few days after the eruption, the surface of the lava became so cool that people could walk upon it, though several feet beneath the surface it was still exceedingly hot. Numbers of those who had been forced from their houses now returned to the ruins to try to save whatever they could. But these unfortunate persons frequently found their houses had been pillaged by robbers, who, in these moments of general confusion, enrich themselves with the spoils of their fellow-creatures.
'Has the count abandoned his villa? and is there no one to take care of his plate and furniture? The house will certainly be ransacked before morning,' said the old carpenter to Francisco, who was at his house giving him an account of their flight. Francisco immediately went to the count's house in Naples, to warn him of his danger. The first person he saw was Arthur, who, with a face of terror, said to him, 'Do you know what has happened? It is all over with Resina!' 'All over with Resina! What, has there been a fresh eruption? Has the lava reached Resina?' 'No; but it will inevitably be blown up. There,' said Arthur, pointing to a thin figure of an Italian, who stood pale and trembling, and looking up to heaven as he crossed himself repeatedly – 'There,' said Arthur, 'is a man who has left a parcel of his cursed rockets and fireworks, with I don't know how much gunpowder, in the count's house, from which we have just fled. The wind blows that way. One spark of fire, and the whole is blown up.'
Francisco waited not to hear more; but instantly, without explaining his intentions to any one, set out for the count's villa, and, with a bucket of water in his hand, crossed the beds of lava with which the house was encompassed; when, reaching the hall where the rockets and gunpowder were left, he plunged them into the water, and returned with them in safety over the lava, yet warm under his feet.
What was the surprise and joy of the poor firework-maker when he saw Francisco return from this dangerous expedition! He could scarcely believe his eyes, when he saw the rockets and the gunpowder all safe.
The count, who had given up the hopes of saving his palace, was in admiration when he heard of this instance of intrepidity, which probably saved not only his villa, but the whole village of Resina, from destruction. These fireworks had been prepared for the celebration of the countess's birthday, and were forgotten in the hurry of the night on which the inhabitants fled from Torre del Greco.
'Brave young man!' said the count to Francisco, 'I thank you, and shall not limit my gratitude to thanks. You tell me that there is danger of my villa being pillaged by robbers. It is from this moment your interest as well as mine to prevent their depredations; for (trust to my liberality) a portion of all that is saved of mine shall be yours.'
'Bravo! bravissimo!' exclaimed one who started from a recessed window in the hall where all this passed. 'Bravo! bravissimo!' Francisco thought he knew the voice and the countenance of this man, who exclaimed with so much enthusiasm. He remembered to have seen him before, but when, or where, he could not recollect. As soon as the count left the hall, the stranger came up to Francisco. 'Is it possible,' said he, 'that you don't know me? It is scarcely a twelvemonth since I drew tears from your eyes.' 'Tears from my eyes?' repeated Francisco, smiling; 'I have shed but few tears. I have had but few misfortunes in my life.' The stranger answered him by two extempore Italian lines, which conveyed nearly the same idea that has been so well expressed by an English poet: —
To each their sufferings – all are men
Condemn'd alike to groan;
The feeling for another's woes,
Th' unfeeling for his own.
'I know you now perfectly well,' cried Francisco; 'you are the Improvisatore who, one fine moonlight night last summer, told us the story of Cornaro the Turk.'
'The same,' said the Improvisatore; 'the same, though in a better dress, which I should not have thought would have made so much difference in your eyes, though it makes all the difference between man and man in the eyes of the stupid vulgar. My genius has broken through the clouds of misfortune of late. A few happy impromptu verses I made on the Count de Flora's fall from his horse attracted attention. The count patronises me. I am here now to learn the fate of an ode I have just composed for his lady's birthday. My ode was to have been set to music, and to have been performed at his villa near Torre del Greco, if these troubles had not intervened. Now that the mountain is quiet again, people will return to their senses. I expect to be munificently rewarded. But perhaps I detain you. Go; I shall not forget to celebrate the heroic action you have performed this day. I still amuse myself amongst the populace in my tattered garb late in the evenings, and I shall sound your praises through Naples in a poem I mean to recite on the late eruption of Mount Vesuvius. Adieu.'
The Improvisatore was as good as his word. That evening, with more than his usual enthusiasm, he recited his verses to a great crowd of people in one of the public squares. Amongst the crowd were several to whom the name of Francisco was well known, and by whom he was well beloved. These were his young companions, who remembered him as a fruit-seller amongst the little merchants. They rejoiced to hear his praises, and repeated the lines with shouts of applause.