The Disowned — Volume 03
Эдвард Джордж Бульвер-Литтон
Edward Bulwer-Lytton
The Disowned — Volume 03
CHAPTER XXI
Mrs. Trinket. What d'ye buy, what d'ye lack, gentlemen? Gloves, ribbons, and essences,—ribbons, gloves, and essences. ETHEREGE.
"And so, my love," said Mr. Copperas, one morning at breakfast, to his wife, his right leg being turned over his left, and his dexter hand conveying to his mouth a huge morsel of buttered cake,—"and, so my love, they say that the old fool is going to leave the jackanapes all his fortune?"
"They do say so, Mr. C.; for my part I am quite out of patience with the art of the young man; I dare say he is no better than he should be; he always had a sharp look, and for aught I know there may be more in that robbery than you or I dreamed of, Mr. Copperas. It was a pity," continued Mrs. Copperas, upbraiding her lord with true matrimonial tenderness and justice, for the consequences of his having acted from her advice,—"it was a pity, Mr. C., that you should have refused to lend him the pistols to go to the old fellow's assistance, for then who knows but—"
"I might have converted them into pocket pistols," interrupted Mr. C., "and not have overshot the mark, my dear—ha, ha, ha!"
"Lord, Mr. Copperas, you are always making a joke of everything."
"No, my dear, for once I am making a joke of nothing."
"Well, I declare it's shameful," cried Mrs. Copperas, still following up her own indignant meditations, "and after taking such notice of Adolphus, too, and all!"
"Notice, my dear! mere words," returned Mr. Copperas, "mere words, like ventilators, which make a great deal of air, but never raise the wind; but don't put yourself in a stew, my love, for the doctors say that copperas in a stew is poison!"
At this moment Mr. de Warens, throwing open the door, announced Mr. Brown; that gentleman entered, with a sedate but cheerful air. "Well, Mrs. Copperas, your servant; any table-linen wanted? Mr. Copperas, how do you do? I can give you a hint about the stocks. Master Copperas, you are looking bravely; don't you think he wants some new pinbefores, ma'am? But Mr. Clarence Linden, where is he? Not up yet, I dare say. Ah, the present generation is a generation of sluggards, as his worthy aunt, Mrs. Minden, used to say."
"I am sure," said Mrs. Copperas, with a disdainful toss of the head, "I know nothing about the young man. He has left us; a very mysterious piece of business indeed, Mr. Brown; and now I think of it, I can't help saying that we were by no means pleased with your introduction: and, by the by, the chairs you bought for us at the sale were a mere take-in, so slight that Mr. Walruss broke two of them by only sitting down."
"Indeed, ma'am?" said Mr. Brown, with expostulating gravity; "but then Mr. Walruss is so very corpulent. But the young gentleman, what of him?" continued the broker, artfully turning from the point in dispute.
"Lord, Mr. Brown, don't ask me: it was the unluckiest step we ever made to admit him into the bosom of our family; quite a viper, I assure you; absolutely robbed poor Adolphus."
"Lord help us!" said Mr. Brown, with a look which "cast a browner horror" o'er the room, "who would have thought it? and such a pretty young man!"
"Well," said Mr. Copperas, who, occupied in finishing the buttered cake, had hitherto kept silence, "I must be off. Tom—I mean de Warens—have you stopped the coach?"
"Yees, sir."
And what coach is it?"
"It be the Swallow, sir."
"Oh, very well. And now, Mr. Brown, having swallowed in the roll, I will e'en roll in the Swallow—Ha, ha, ha!—At any rate," thought Mr. Copperas, as he descended the stairs, "he has not heard that before."
"Ha, ha!" gravely chuckled Mr. Brown, "what a very facetious, lively gentleman Mr. Copperas is. But touching this ungrateful young man, Mr. Linden, ma'am?"
"Oh, don't tease me, Mr. Brown, I must see after my domestics: ask Mr. Talbot, the old miser in the next house, the havarr, as the French say."
"Well, now," said Mr. Brown, following the good lady down stairs, "how distressing for me! and to say that he was Mrs. Minden's nephew, too!"
But Mr. Brown's curiosity was not so easily satisfied, and finding Mr. de Warens leaning over the "front" gate, and "pursuing with wistful eyes" the departing "Swallow," he stopped, and, accosting him, soon possessed himself of the facts that "old Talbot had been robbed and murdered, but that Mr. Linden had brought him to life again; and that old Talbot had given him a hundred thousand pounds, and adopted him as his son; and that how Mr. Linden was going to be sent to foreign parts, as an ambassador, or governor, or great person; and that how meester and meeses were quite 'cut up' about it."
All these particulars having been duly deposited in the mind of Mr. Brown, they produced an immediate desire to call upon the young gentleman, who, to say nothing of his being so very nearly related to his old customer, Mrs. Minden, was always so very great a favourite with him, Mr. Brown.
Accordingly, as Clarence was musing over his approaching departure, which was now very shortly to take place, he was somewhat startled by the apparition of Mr. Brown—"Charming day, sir,—charming day," said the friend of Mrs. Minden,—"just called in to congratulate you. I have a few articles, sir, to present you with,—quite rarities, I assure you,—quite presents, I may say. I picked them up at a sale of the late Lady Waddilove's most valuable effects. They are just the things, sir, for a gentleman going on a foreign mission. A most curious ivory chest, with an Indian padlock, to hold confidential letters,—belonged formerly, sir, to the Great Mogul; and a beautiful diamond snuff-box, sir, with a picture of Louis XIV. on it, prodigiously fine, and will look so loyal too: and, sir, if you have any old aunts in the country, to send a farewell present to, I have some charming fine cambric, a superb Dresden tea set, and a lovely little 'ape,' stuffed by the late Lady W. herself."
"My good sir," began Clarence.
"Oh, no thanks, sir,—none at all,—too happy to serve a relation of Mrs. Minden,—always proud to keep up family connections. You will be at home to-morrow, sir, at eleven; I will look in; your most humble servant, Mr. Linden." And almost upsetting Talbot, who had just entered, Mr. Brown bowed himself out.
CHAPTER XXII
He talked with open heart and tongue,
Affectionate and true;
A pair of friends, though I was young
And Matthew seventy-two.
—WORDSWORTH.
Meanwhile the young artist proceeded rapidly with his picture. Devoured by his enthusiasm, and utterly engrossed by the sanguine anticipation of a fame which appeared to him already won, he allowed himself no momentary interval of relaxation; his food was eaten by starts, and without stirring from his easel; his sleep was brief and broken by feverish dreams; he no longer roved with Clarence, when the evening threw her shade over his labours; all air and exercise he utterly relinquished; shut up in his narrow chamber, he passed the hours in a fervid and passionate self-commune, which, even in suspense from his work, riveted his thoughts the closer to its object. All companionship, all intrusion, he bore with irritability and impatience. Even Clarence found himself excluded from the presence of his friend; even his nearest relation, who doted on the very ground which he hallowed with his footstep, was banished from the haunted sanctuary of the painter; from the most placid of human beings, Warner seemed to have grown the most morose.
Want of rest, abstinence from food, the impatience of the strained spirit and jaded nerves, all contributed to waste the health while they excited the genius of the artist. A crimson spot, never before seen there, burned in the centre of his pale cheek; his eye glowed with a brilliant but unnatural fire; his features grew sharp and attenuated; his bones worked from his whitening and transparent skin; and the soul and frame, turned from their proper and kindly union, seemed contesting, with fierce struggles, which should obtain the mastery and the triumph.
But neither his new prospects nor the coldness of his friend diverted the warm heart of Clarence from meditating how he could most effectually serve the artist before he departed from the country, It was a peculiar object of desire to Warner that the most celebrated painter of the day, who was on terms of intimacy with Talbot, and who with the benevolence of real superiority was known to take a keen interest in the success of more youthful and inexperienced genius,—it was a peculiar object of desire to Warner, that Sir Joshua Reynolds should see his picture before it was completed; and Clarence, aware of this wish, easily obtained from Talbot a promise that it should be effected. That was the least service of his zeal touched by the earnestness of Linden's friendship, anxious to oblige in any way his preserver, and well pleased himself to be the patron of merit, Talbot readily engaged to obtain for Warner whatever the attention and favour of high rank or literary distinction could bestow. "As for his picture," said Talbot (when, the evening before Clarence's departure, the latter was renewing the subject), "I shall myself become the purchaser, and at a price which will enable our friend to afford leisure and study for the completion of his next attempt; but even at the risk of offending your friendship, and disappointing your expectations, I will frankly tell you that I think Warner overrates, perhaps not his talents, but his powers; not his ability for doing something great hereafter, but his capacity of doing it at present. In the pride of his heart, he has shown me many of his designs, and I am somewhat of a judge: they want experience, cultivation, taste, and, above all, a deeper study of the Italian masters. They all have the defects of a feverish colouring, an ambitious desire of effect, a wavering and imperfect outline, an ostentatious and unnatural strength of light and shadow; they show, it is true, a genius of no ordinary stamp, but one ill regulated, inexperienced, and utterly left to its own suggestions for a model. However, I am glad he wishes for the opinion of one necessarily the best judge: let him bring the picture here by Thursday; on that day my friend has promised to visit me; and now let us talk of you and your departure."
The intercourse of men of different ages is essentially unequal: it must always partake more or less of advice on one side and deference on the other; and although the easy and unpedantic turn of Talbot's conversation made his remarks rather entertaining than obviously admonitory, yet they were necessarily tinged by his experience, and regulated by his interest in the fortunes of his young friend.
"My dearest Clarence," said he, affectionately, "we are about to bid each other a long farewell. I will not damp your hopes and anticipations by insisting on the little chance there is that you should ever see me again. You are about to enter upon the great world, and have within you the desire and power of success; let me flatter myself that you can profit by my experience. Among the 'Colloquia' of Erasmus, there is a very entertaining dialogue between Apicius and a man who, desirous of giving a feast to a very large and miscellaneous party, comes to consult the epicure what will be the best means to give satisfaction to all. Now you shall be this Spudaeus (so I think he is called), and I will be Apicius; for the world, after all, is nothing more than a great feast of different strangers, with different tastes and of different ages, and we must learn to adapt ourselves to their minds, and our temptations to their passions, if we wish to fascinate or even to content them. Let me then call your attention to the hints and maxims which I have in this paper amused myself with drawing up for your instruction. Write to me from time to time, and I will, in replying to your letters, give you the best advice in my power. For the rest, my dear boy, I have only to request that you will be frank, and I, in my turn, will promise that when I cannot assist, I will never reprove. And now, Clarence, as the hour is late and you leave us early tomorrow, I will no longer detain you. God bless you and keep you. You are going to enjoy life,—I to anticipate death; so that you can find in me little congenial to yourself; but as the good Pope said to our Protestant countryman, 'Whatever the difference between us, I know well that an old man's blessing is never without its value.'"
As Clarence clasped his benefactor's hand, the tears gushed from his eyes. Is there one being, stubborn as the rock to misfortune, whom kindness does not affect? For my part, kindness seems to me to come with a double grace and tenderness from the old; it seems in them the hoarded and long purified benevolence of years; as if it had survived and conquered the baseness and selfishness of the ordeal it had passed; as if the winds, which had broken the form, had swept in vain across the heart, and the frosts which had chilled the blood and whitened the thin locks had possessed no power over the warm tide of the affections. It is the triumph of nature over art; it is the voice of the angel which is yet within us. Nor is this all: the tenderness of age is twice blessed,—blessed in its trophies over the obduracy of encrusting and withering years, blessed because it is tinged with the sanctity of the grave; because it tells us that the heart will blossom even upon the precincts of the tomb, and flatters us with the inviolacy and immortality of love.
CHAPTER XXIII
Cannot I create,
Cannot I form, cannot I fashion forth
Another world, another universe?
—KEATS.
The next morning Clarence, in his way out of town, directed his carriage (the last and not the least acceptable present from Talbot) to stop at Warner's door. Although it was scarcely sunrise, the aged grandmother of the artist was stirring, and opened the door to the early visitor. Clarence passed her with a brief salutation, hurried up the narrow stairs, and found himself in the artist's chamber. The windows were closed, and the air of the room was confined and hot. A few books, chiefly of history and poetry, stood in confused disorder upon some shelves opposite the window. Upon a table beneath them lay a flute, once the cherished recreation of the young painter, but now long neglected and disused; and, placed exactly opposite to Warner, so that his eyes might open upon his work, was the high-prized and already more than half-finished picture.
Clarence bent over the bed; the cheek of the artist rested upon his arm in an attitude unconsciously picturesque; the other arm was tossed over the coverlet, and Clarence was shocked to see how emaciated it had become. But ever and anon the lips of the sleeper moved restlessly, and words, low and inarticulate, broke out. Sometimes he started abruptly, and a bright but evanescent flush darted over his faded and hollow cheek; and once the fingers of the thin hand which lay upon the bed expanded and suddenly closed in a firm and almost painful grasp; it was then that for the first time the words of the artist became distinct.
"Ay, ay," he said, "I have thee, I have thee at last. Long, very long thou hast burnt up my heart like fuel, and mocked me, and laughed at my idle efforts; but now, now, I have thee. Fame, Honour, Immortality, whatever thou art called, I have thee, and thou canst not escape; but it is almost too late!" And, as if wrung by some sudden pain, the sleeper turned heavily round, groaned audibly, and awoke.
"My friend," said Clarence, soothingly, and taking his hand, "I have come to bid you farewell. I am just setting off for the Continent, but I could not leave England without once more seeing you. I have good news, too, for you." And Clarence proceeded to repeat Talbot's wish that Warner should bring the picture to his house on the following Thursday, that Sir Joshua might inspect it. He added also, in terms the flattery of which his friendship could not resist exaggerating, Talbot's desire to become the purchaser of the picture.
"Yes," said the artist, as his eye glanced delightedly over his labour; "yes, I believe when it is once seen there will be many candidates!"