Athens: Its Rise and Fall, Complete

[ Schlegel says truly and eloquently of the chorus—“that it was the idealized spectator”—“reverberating to the actual spectator a musical and lyrical expression of his own emotions.”

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[ In this speech he enumerates, among other benefits, that of Numbers, “the prince of wise inventions”—one of the passages in which Aeschylus is supposed to betray his Pythagorean doctrines.

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[ It is greatly disputed whether Io was represented on the stage as transformed into the actual shape of a heifer, or merely accursed with a visionary phrensy, in which she believes in the transformation. It is with great reluctance that I own it seems to me not possible to explain away certain expressions without supposing that Io appeared on the stage at least partially transformed.

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[ Vit. Aesch.

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[ It is the orthodox custom of translators to render the dialogue of the Greek plays in blank verse; but in this instance the whole animation and rapidity of the original would be utterly lost in the stiff construction and protracted rhythm of that metre.

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[ Viz., the meadows around Asopus.

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[ To make the sense of this detached passage more complete, and conclude the intelligence which the queen means to convey, the concluding line in the text is borrowed from the next speech of Clytemnestra—following immediately after a brief and exclamatory interruption of the chorus.

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[ i. e. Menelaus, made by grief like the ghost of his former self.

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[ The words in italics attempt to convey paraphrastically a new construction of a sentence which has puzzled the commentators, and met with many and contradictory interpretations. The original literally is—“I pity the last the most.” Now, at first it is difficult to conjecture why those whose adversity is over, “blotted out with the moistened sponge,” should be the most deserving of compassion. But it seems to me that Cassandra applies the sentiments to herself—she pities those whose career of grief is over, because it is her own lot which she commiserates, and by reference to which she individualizes a general reflection.

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[ Perhaps his mere diction would find a less feeble resemblance in passages of Shelley, especially in the Prometheus of that poet, than in any other poetry existent. But his diction alone. His power is in concentration—the quality of Shelley is diffuseness. The interest excited by Aeschylus, even to those who can no longer sympathize with the ancient associations, is startling, terrible, and intense—that excited by Shelley is lukewarm and tedious. The intellectuality of Shelley destroyed, that of Aeschylus only increased, his command over the passions.

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[ In the comedy of “The Frogs,” Aristophanes makes it the boast of Aeschylus, that he never drew a single woman influenced by love. Spanheim is surprised that Aristophanes should ascribe such a boast to the author of the “Agamemnon.” But the love of Clytemnestra for Aegisthus is never drawn—never delineated. It is merely suggested and hinted at—a sentiment lying dark and concealed behind the motives to the murder of Agamemnon ostensibly brought forward, viz., revenge for the sacrifice of Iphigenia, and jealousy of Cassandra.

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[ In plays lost to us.

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[ I reject the traditions which make Aristides and Themistocles rivals as boys, because chronology itself refutes them. Aristides must have been of mature age at the battle of Marathon, if he was the friend and follower of Clisthenes, one of the ten generals in the action, and archon in the following year. But both Plutarch and Justin assure us that Themistocles was very young at the battle of Marathon, and this assurance is corroborated by other facts connected with his biography. He died at the age of sixty-five, but he lived to see the siege of Cyprus by Cimon. This happened B. C. 449. If, then, we refer his death to that year, he was born 514 B. C., and therefore was about twenty-four at the battle of Marathon.

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[ Plut. in Vit. Them. Heraclides et Idomeneus ap. Athen., lib. 12.

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[ See Dodwell’s “Tour through Greece,” Gell’s “Itinerary.”

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[ “Called by some Laurion Oros, or Mount Laurion.” Gell’s Itinerary.

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[ Boeckh’s Dissert. on the Silver Mines of Laurium.

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[ Boeckh’s Dissert. on the Silver Mines of Laurium.

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[ On this point, see Boeckh. Dissert. on the Silver Mines of Laurion, in reference to the account of Diodorus.

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[ If we except the death of his brother, in the Cambyses of Ctesias, we find none of the crimes of the Cambyses of Herodotus—and even that fratricide loses its harsher aspect in the account of Ctesias, and Cambyses is represented as betrayed into the crime by a sincere belief in his brother’s treason.

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[ The account of this conspiracy in Ctesias seems more improbable than that afforded to us by Herodotus. But in both the most extraordinary features of the plot are the same, viz., the striking likeness between the impostor and the dead prince, and the complete success which, for a time, attended the fraud. In both narrations, too, we can perceive, behind the main personages ostensibly brought forward, the outline of a profound device of the magi to win back from the Persian conquerors, and to secure to a Mede, the empire of the East.

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[ Herodotus says it was resolved that the king could only marry into the family of one of the conspirators; but Darius married two daughters and one grand-daughter of Cyrus. It is more consonant with eastern manners to suppose that it was arranged that the king should give his own daughters in marriage to members of these six houses. It would have been scarcely possible to claim the monopoly of the royal seraglio, whether its tenants were wives or concubines, and in all probability the king’s choice was only limited (nor that very rigidly) to the family of Cyrus, and the numerous and privileged race of the Achaemenids.

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[ Besides the regular subsidies, we gather from Herodotus, I. c. 92, that the general population was obliged to find subsistence for the king and his armies. Babylon raised a supply for four months, the resources of that satrapy being adequate to a third part of Asia.

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[ That comparatively small and frontier part of India known to Darius.

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[ Forming a revenue of more than 100,000l. sterling.—Heeren’s Persians, chap. ii.

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