Jim Spencer got up too.
"Will you give me a lift?" he asked. "I am going to Eaton Place also."
"Certainly. Good-night, Mildred. Yes, I know my carriage is here. They told me half an hour ago. Jack is stopping to play, I suppose. Please tell him I have taken the carriage."
The two went out, and Mrs. Brereton and Naseby stood still looking at them. When they had disappeared they looked at each other.
"Dear Marie!" said that lady effusively, "how delighted she evidently is to see Jim Spencer again! Oh, dear, yes, they were very great friends in the old days, very great friends indeed. Come, Arthur, they are waiting for us."
"You always have such delightful people at your house," said Arthur, "and you always have something interesting to say about them. And that stiff young man is very rich, is he not?"
"Beyond the dreams," said Mrs. Brereton. "I wonder whom he will find to make his money fly for him?"
"One can never tell. He looks to me as if he might spend it on Corots or charity or something of that imperishable kind. Doesn't it strike you as odd that whereas the perishable nature of money is always dinned into one, yet one can apparently purchase imperishable treasure by being charitable with it? No, I can't imagine any one making his money fly. Some one might make it march away, very solemnly and in good order, but not fly. He is a little stiff, is he not?"
"Perhaps a little reserved. But when reserve breaks down, it is so very unreserved. I like seeing a reserved person having a real holiday."
"How many days would you say it was to the holidays?" asked Arthur, in a low voice, as they reached the card-table where Jack and another were waiting.
"I can't tell. I shouldn't wonder – no, I can't tell."
Marie and Jim Spencer meantime were driving down from Grosvenor Square towards the Park. The night was warm, and hosts of stars burned very large and luminous in a sky that was beyond the usual London measure of clearness. After the heat of the rooms, in particular after a certain feverishness of atmosphere, not physical so much as moral, a sense of extreme hurry and pressure, the night air and the cool steadiness of the stars were refreshing, not only physically but morally. Perhaps from their years of early companionship and intimacy, perhaps from a certain more deeply seated sympathy of mind, each was very conscious of the thoughts of the other, and the swift silent motion through the glare of the streets seemed to isolate them from the world. It was with something of this in her mind that Lady Alston spoke to the other.
"Yes, put down my window, Jim," she said, "and your own, too, if you are not afraid of catching cold. We are both outdoor people, I think."
"We used to be," said he.
"Do you mean you have changed? Or do you find I have?"
"I find you have. But I am quite willing to believe that it may be some change in myself that makes me think so."
Marie unwound the light shawl which she had thrown over her head, and undid the fastening of her gold-thread cloak, so as to let the air play on her uncovered neck. In another woman, he felt, this might have indicated some suspicion of coquetry, but he did her the justice to feel that no such imputation was possible.
"No, if you feel that you are probably right," she said, "for you do not seem to me to have changed at all. We both agree, in fact, about you. There remains then me. How have I changed?"
He looked at her in the dusk of the carriage for a moment without replying.
"You seemed so much in harmony with those people," he said. "I felt that you felt yourself to be one of them. But I, obviously, I am afraid, felt that I was not. That is how I think you have changed; in the old days you would have appeared to yourself as alien to them as I do."
She gave him one glance.
"Ah, the old days!" she said with some impatience. "It is absurd and ridiculous to want to remain as one was. Indeed, not to change shows that one has a nature incapable of development. It implies a sort of moral torpor, an atrophy of one's nature not to get older as one gets older. And one of the biggest, and perhaps best effects of age is to give one tolerance, to make one realize that it takes all sorts to make a world."
He laughed.
"Why this sudden vehemence?" he asked.
"Oh, for a variety of reasons! One is because you judge me correctly, another because you judge me incorrectly. You are perfectly right to say that I have changed, but perfectly wrong to imply, even tacitly, that one is the worse for changing. And you do me the grossest injustice when you suppose that I am in harmony with those people. I am not any more than I ever was. But it is absurd to coil one's self up like a hedgehog, and run your spines into everything you come across. As a matter of fact I often do, but it is a mistake."
They drove on some way in silence. At last she spoke again.
"Many of the people with whom I appear to you to be in harmony I consider wicked," she said; "and many of them, I am sure, are vulgar in the largest sense of that wonderful term. England is a plutocracy, let me tell you, Jim. It worships wealth. It will certainly worship you. How will you like it? It will really be very interesting to see how you behave. It is an awful position for you: if you refuse to smile on your worshippers, they will write you down a miser; if you do smile on them, you will make yourself as vulgar as they."
He laughed.
"You frighten me," he said. "Is there no place in London for a quiet millionaire?"
She leaned forward with a sudden eagerness.
"Ah, Jim, make one, make one!" she said. "That is the root of the matter. Try if you can spend your money without encouraging either vice or vulgarity. It is worth an effort."
She leaned back again, laughing lightly, and drew her cloak round her again.
"Dear me, I have been vehement," she said; "but don't be afraid; I will treat you to no more outbursts. Only this afternoon my husband told me how absurd they were."
"Well, reserve them for me," he said; "I rather like them. You are an inspiring person, Marie. You know I always found you inspiring."
"Many thanks. But no inspiration will make any one do anything. One's motive has to come from within, not without, if it is worth anything."
"I am not so sure of that."
They stopped at Lady Devereux's house in Eaton Place, and until the bell was answered sat silent. Then, as the footman opened the carriage-door, "I am delighted you have come back, Jim," she said – "I really am delighted. Come and see me often. Come to lunch to-morrow, for instance. Yes! That is right. Thirty-one, you know, and lunch at one-thirty."
CHAPTER III
Jim Spencer woke next morning with that thrill of quickened anticipation which serves to remind us even before full consciousness has returned, that something new and exciting has come into our lives. He needed but little thought to remember what it was, and as he lay watching with idle but wide-awake eyes his man putting his clothes out, he told over and over again in his mind, like the beads of a rosary, the events of the evening before, always finishing with the pendant, so to speak, the fact that in a few hours he was going to see her again. Frankly and honestly he reminded himself that all romance was over: to begin with, and also to end with, she was another man's wife, and that was sufficient for him, as no doubt it was sufficient for her. Three years ago he had left England because he desired in every fibre of his being to marry her, and since that was impossible, because he entirely refused to waste his life in purposeless dangling after what he could not get. And in this spirit, which is more instinct with manliness than any sacrifice of years and youth to the mere watching of the unattainable shadow on the blind, he had gone out to the Transvaal, farmed there with the same fervour as that which he had thrown into his love-making, and subsequently, by the discovery of the reef on his land, had become, if not one of the richest men who had found colossal fortunes as sheep-farmers, at any rate one of the second rank-millionaire, if not multi-millionaire. But at that point a certain sobriety of nature had reasserted itself; he had not mistaken that full meal of gold for the hors d'œuvre, nor sought to duplicate it and reduplicate it. He had not lost sight of the fact that he had enough, but recognising it with all the thankfulness that plenitude gives, and not with the false appetite of the habitual glutton, he had, so to speak, said grace and retired from the dinner-table.
So now, at the age of thirty, he was temporarily, at any rate, without employment, even as he had been, temporarily also, without employment when Marie decided to marry, not him, but Jack Alston. True, he had plenty of artistic tastes; in music and pictures he could easily have passed the remainder of his life, however long, just as, without ever being bored, he could have shot all the autumn, hunted all the winter, and dozed and dined all the spring and summer, according to the traditional method of the English gentleman, whose obituary notice eventually teems with encomium on his useful and simple life, which means that he has been a J. P. But to pass one's life merely in hearing music and looking at or buying pictures seemed to him as unworthy of a person who called himself a man, as did the recognised round of shooting and hunting appear to him unworthy of a rational being at all. But as to what this temporary abandonment of employment should terminate in, he, as he lay in bed this morning, had no present idea. Anyhow, he was to see Marie again, and he deliberately quenched further reflection.
The morning had not been foresworn, but fulfilled with liberal generosity the promise of the last few days, and when Mildred Brereton reached the Row on a black mare, which had been behaving itself as might a crab on hot plates, and would have tried any but the most masterly seat and hands, the broad brown expanse of the Ladies' Mile was plentifully dotted with riders. The little green seats, too, by the side were in high request, and she walked, or rather danced, very slowly up for a hundred yards or so, before letting her chafing mount have a canter, noting with her quick eye a hundred things and people which would have escaped one less trained and less naturally gifted to observe combinations of interest. Jack Alston had joined her, and she kept up a running comment.
"There's Pagani with that absurd Italian woman," she said. "Why must a man of that kind do that when Guardina is sure to be here? There, I told you so! what a row there will be! She has the temper of a fiend, like me. Jack, if you ever flirt with another woman on the sly, and I see you, there'll be the deuce to pay. Come and tell me frankly if you are going to do that sort of thing. Dear Madame Guardina, how are you? Do walk a little way with us. No, there's not a soul here this morning, is there? I've seen no one, not even the most constant habitués like Pagani. And you sang Lucia last night, I hear, too divinely, and I had some stupid people to dinner and couldn't come. Yes, Lord Alston was one of them; he was the cleverest there. Judge of the rest!"
The prima donna, a good-natured soul, who had the most perfect vocal chords in the world, absolutely no artistic sense, a passion for Pagani, and an adoration for the particular set to which Mrs. Brereton belonged, was delighted to be seen talking to her, and, turning back, walked along the rails in the opposite direction to that in which Pagani sat.
"Well, I must say you missed something," she said with engaging frankness, "for I never was in better voice. And on Saturday I sing La Tosca. With the open mouth, too, as I've no other engagement for a fortnight."
"What are you going to do?"
"Go to my house on the river and throw sticks for my dogs. You've never been there yet, Mrs. Brereton. Do come down sometimes. I shall drive there on Saturday night after the opera."
Mrs. Brereton made a short calculation.
"I will; I should love to," she said. "I hear it is charming."
"A dozen basket chairs and two dozen dogs," said Madame Guardina.
"I adore dogs. Are you off? Good-bye. About the middle of next week?"