Dodo's Daughter: A Sequel to Dodo

"I don't agree. If you are not careful you can't talk nonsense. If you want to talk nonsense, you've not got to be not careful."

"There are too many 'nots,'" remarked Nadine.

"Not at all. If you are careless some sort of idea creeps into what you say, and it ceases to be nonsense. There are lots of creeping ideas about like microbes, any of which spoil it. Hardly anybody can be really meaningless for five minutes. That is why the Mad Tea Party is a supreme work of art: you can't attach the slightest sense to anything that is said in it."

"The question is what you mean by nonsense," said Nadine. "Is it what Mr. Bernard Shaw writes in his plays, or what Mrs. Humphry Ward writes in her books? They neither mean anything but they are not at all alike. In fact they are as completely opposed to each other as sense is to nonsense."

Berts threw himself back on the turf.

"True," he said. "But they are neither of them nonsense. The lame and the halt and the blind ideas creep into both. They both talk sense mortally wounded."

Esther gave her appreciative sigh.

"Oh, Berts, how true!" she said. "I went to a play by Mrs. Humphry Ward the other day, or else I read a book by Bernard Shaw, I forget which, and all the time I kept trying to see what the sense of it had been before it had its throat cut. But no one ever tried to see what Alice in Wonderland meant, or what Aunt Dodo means."

"Mama is wonderful," said Nadine. "She lives up to what she says, too. Her whole life has been complete nonsense. I do hope Jack will persuade her to do the most ridiculous thing of all, and marry him."

"Is that why he is coming?" asked Esther.

"Oh, I hope so. It would be the greatest and most absurd romance of the century."

Hugh was eating sugar meditatively out of the sugar basin.

"I don't see that you have any right to lay down the law about nonsense, Nadine," he said. "You are constantly reading Plato, and making arguments, which are meant to be consecutive."

"I do that to relax my mind," said Nadine. "Berts is quite right. Nonsense is not the absence of sense, but the negative of sense, just as sugar is the negative of salt. To get non-salt with your egg, you must eat sugar with it, not only abstain from salt."

"You will get a remarkably nasty taste," remarked John.

"Dear John, nobody ever wronged you so much as to suggest that you would like nonsense. When was Leonardo born? And how old was he when he died? And how many golden crowns did Francis of France give him for the 'Gioconda'? Your mind is full of interesting facts. That is why you are so tedious. You are like the sand they used to put on letters, which instantly made it dry."

Berts got up.

"We will go and bathe again," he said, "and John shall remain on the beach and look older than the rocks he sits among. The rocks by the way are old red sandstone. They will blossom as the rose when Granite John sits among them. His is the head on which all the beginnings of the world have come, and he is never weary. Dear me, if I was not a teetotaller I should imagine I was drunk. I think it is the sea. What a heavenly time the man who stole the 'Gioconda' must have had. He just took it away. I can imagine him going to the Abbey at the Coronation, and taking away the King's crown. There is genius, and it is also nonsense. It is pure nonsense to imagine going to the Louvre and taking 'la Gioconda' away."

"I wonder what he has done with it," said Nadine. "I think he must be a jig-saw puzzle maniac, and have felt compelled to cut it up. Probably the Louvre will receive bits of it by registered post. The nose will come, and then some rocks, and then a rather weary eyelid. I think John stole it: he was absorbed in jig-saw puzzles all morning. Now that seems to me nonsense."

"Wrong again," said Berts. "When it is put together it is sense. If people cut up the pictures and then threw the bits away, it might be nonsense. But they keep the pieces and these become the picture again."

"The process of cutting it up is nonsense," said Nadine.

"Yes, and the process of putting it together is nonsense," said Esther.

"And the two make sense," said Berts. "Let's go and bathe. Nadine, take down some proper book, and read to us in the intervals."

"'Pride and Prej?'" said Nadine.

"Oh, do you think so? Not good for the sea-shore. Why not 'Poems and Ballads'?"

"John will be shocked," said Nadine.

"Not at all. He will be old red sandstone. I know Aunt Dodo has a copy. I think Mr. Swinburne gave it her," said Esther.

"She may value it," said Nadine. "And it may fall into the sea."

"Not if you are careful. Besides, that would be rather suitable. Swinburne loved the sea, and also understood it. I think his spirit would like it, if a copy was drowned."

"But Mama's spirit wouldn't," said Nadine.

On the moment of her mentioned name Dodo appeared at the long window of the drawing-room that opened upon the lawn. Simultaneously there was heard the buzz of a motor-car stopping at the front door just round the corner.

"Oh, all you darlings," said Dodo, in the style of the 'Omnia opera,' "are you going to bathe, or have you bathed? Berts, dear, we know that above the knee comes the thigh, without your showing us. Surely there are bigger dressing-gowns somewhere? Of course it does not matter: don't bother, and you've got beautiful legs, Berts."

"Aren't they lovely?" said Esther. "They ought to be put in plaster of Paris."

"But if you have bathed, why not dress?" said Dodo; "and if you haven't, why undress at present?"

"Oh, but it's both," said Berts, "and so is Esther. We have bathed, and are going to do it again, as soon as we've eaten enough tea."

Dodo looked appreciatively round.

"You refreshing children!" she said. "If I bathed directly after tea I should turn blue and green like a bruise. I have wasted all afternoon in looking at a box of novels from Melland's. I don't know what has happened to the novelists: their only object seems to tell you about utterly dull and sordid people. There is no longer any vitality in them: they are like leaders in the papers, full of reliable information. One instance shocked me: the heroine in 'No. 11 Lambeth Walk' went to Birmingham by a train that left Euston at 2:30 p. m. and her ticket cost nine shillings and twopence halfpenny. An awful misgiving seized me that it was all true and I rang for an A.B.C. and looked out Birmingham. It was so: there was a train at that hour and the tickets cost exactly that."

"How wretched!" said Nadine in a pained voice.

"Darling, don't take it too much to heart. And one of those novels was about Home Rule and another about Soap, and another about Tariff Reform, and a fourth about Christianity, which was absolutely convincing. But one doesn't go to a novel in order to learn Christianity, or soap-making. One reads novels in order to be entertained and escape from real life into the society of imaginary and fiery people. Another one – "

Dodo stopped suddenly, as a man came out of the drawing-room window. Then she held both her hands out.

"Ah, Jack," she said. "Welcome, welcome!"

A very kind face, grizzled as to the hair and mustache, looked down on her from its great height, a face that was wonderfully patient and reasonable and trustworthy. Jack Chesterford wore his years well, but he wore them all; he did not look to be on the summer side of forty-five. He was spare still: life had not made him the unwilling recipient of the most voluminous and ironic of its burdens, obesity, but his movements were rather slow and deliberate, as if he was tired of the senseless repetition of the days. But there seemed to be no irritation mingled with his fatigue: he but yawned and smiled, and turned over fresh pages.

But at the moment, as he stood there with both Dodo's hands in his, there was no appearance of weariness, and indeed it would have been a man of dough who remained uninspired by the extraordinary perfection and cordiality of her greeting. It was almost as if she welcomed a lover: it was quite as if she welcomed the best of friends long absent. That she had thought out the manner of her salutation, said nothing against its genuineness, but she could have welcomed him quite as genuinely in other modes. She had thought indeed of putting pathos, penitence, and shamefacedness into her greeting: she could with real emotion to endorse it have just raised her eyes to his and let them fall again, as if conscious of the need of forgiveness. Or (with perhaps a little less genuineness) she could have adopted the matronly and 'too late' attitude; but this would have been less genuine because she did not feel at all matronly, or think that it was in the least 'too late.' But warm and unmixed cordiality, with no consciousness of things behind, was perhaps the most genuine and least complicated of all welcomes, and she gave it.

She did not hold his hands more than a second or two, for Nadine and others claimed them. But after a few minutes he and Dodo were alone again together, for Jack declined the invitation to join the bathers, on the plea of senility and feeling cold like David. Then when the noise of their laughter and talk had faded seawards, he dropped the trivialities that till now had engaged them, and turned to her.

"I have been a long time coming, Dodo," he said. "Indeed, I meant never to come at all. But I could not help it. I do not think I need explain either why I stopped away or why I have come now."

Apart from the perfectly authentic pleasure that Dodo felt in seeing her old friend again, there went through her a thrill of delight at Jack's implication of what she was to him. She loved to have that power over a man; she loved to know how potent over him still was the spell she wielded. In days gone by she had not behaved well to him; it would be truer to acknowledge that she had behaved just as outrageously as was possible for anybody not a pure-bred fiend. But he had come back. It was unnecessary to explain why.

And then suddenly with the rush of old memories revived, memories of his unfailing loyalty to her, his generosity, his unwearying loving-kindness, her eyes grew dim, and her hands caught his again.

"Jack dear," she said, "I want to say one thing. I am sorry for all I did, for my – my treachery, my – my damnedness. I was frightened: I have no other excuse. And, my dear, I have been punished. But I tell you, that what hurts most is your coming here – your forgiveness."

She had not meant to say any of this; it all belonged to one of the welcomes of him which she had rejected. But the impulse was not to be resisted.

"It is so," she said with mouth that quivered.