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Sons and Fathers

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Год написания книги
2017
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"A little. The same old pain."

"Mamma," she explained to Morgan, "has lost the sight of one eye by neuralgia, tho you would never suspect it. She still suffers dreadfully at times from the same trouble."

Presently the elder lady excused herself, the daughter watching her anxiously as she slowly disappeared.

It was nearly noon when Norton Montjoy and Edward Morgan reached the law office of Ellison Eldridge. As they entered Morgan saw a clean-shaven man of frank, open expression. Norton spoke:

"Judge, this is Mr. Edward Morgan – you have corresponded with him." Morgan felt the sudden penetrating look of the lawyer. Montjoy was already saying au revoir and hastening out, waving off Edward's thanks as he went.

"Will see you later," he called back from the stairway, "and don't forget your promise to the old folks."

"You got my letter, Mr. Morgan? Please be seated."

"Yes; three days since, in New York, through Fuller & Fuller. You have, I believe, the will of the late John Morgan."

"A copy of it. The will is already probated." He went to his safe and returned with a document and a bunch of keys. "Shall I read it to you?"

"If you please."

The lawyer read, after the usual recitation that begins such documents, as follows: "Do create, name and declare Edward Morgan of the city of New York my lawful heir to all property, real and personal, of which I may die possessed. And I hereby name as executor of this my last will and testament, Ellison Eldridge of – state afore-said, relieving said Ellison Eldridge of bond as executor and giving him full power to wind up my estate, pay all debts and settle with the heir as named, without the order of or returns to any court, and for his services in this connection a lien of $10,000 in his favor is hereby created upon said estate, to be paid in full when the residue of property is transferred to the said Edward Morgan," etc.

"The property, aside from Ilexhurst, his late home," continued Judge Eldridge, "consists of $630,000 in government bonds. These I have in a safety-deposit company. I see the amount surprises you."

"Yes," said the young man; "I am surprised by the amount." He gave himself up to thought for a few moments.

"The keys," said Eldridge, "he gave me a few days before his death, stating that they were for you only, and that the desk in his room at home, which they fitted, contained no property."

"You knew Mr. Morgan well, I presume?" said the young man.

"Yes, and no. I have seen him frequently for a great many years, but no man knew him intimately. He was eccentric, but a fine lawyer and a very able man. One day he came in here to execute this will and left it with me. He referred to it again but once and that was when he came to bring your address and photograph."

"Was there – anything marked – or strange – in his life?"

"Nothing beyond what I have outlined. He was a bachelor, and beyond an occasional party to gentlemen in his house, when he spared no expense, and regular attendance upon the theater, he had few amusements. He inherited some money; the balance he accumulated in his practice and by speculation, I suppose. The amount is several times larger than I suspected. His one great vice was drink. He would get on his sprees two or three times a year, but always at home. There he would shut himself up and drink until his housekeeper called in the doctors." Morgan waited in silence; there was nothing else and he rose abruptly.

"Judge, we will wind up this matter in a few days. Here are your letters, and John Morgan's to me, and letters from Fuller & Fuller, who have known me for many years and have acted as agents for both Col. Morgan and myself. If more proof is desired – "

"These are sufficient. Your photograph is accurate. May I ask how you are related to Col. Morgan?"

"Distantly only. The fact is I am almost as nearly alone in the world as he was. I must have your advice touching other matters. I shall return, very likely, in the morning."

Upon the street Edward Morgan walked as in a dream. Strange to say, the information imparted to him had been depressing. He called a carriage.

"Take me out to John Morgan's," he said, briefly.

"De colonel's done dead, sah!"

"I know, but the house is still there, is it not?"

The driver conveyed the rebuke to his bony horse, in the shape of a sharp lash, and secured a reasonably fair gait. Once or twice he ventured observations upon the character of the deceased.

"Col. Morgan's never asked nobody 'how much' when dey drive 'im; he des fling down half er doller an' go long 'bout es business. Look to me, young marster, like you sorter got de Morgan's eye. Is you kinned to 'im?"

"I employed you to drive, not to talk," said Edward, sharply.

"Dere now, dat's des what Col. Morgan say!"

The negro gave vent to a little pacifying laugh and was silent. The shadow on the young man's face was almost black when he got out of the hack in front of the Morgan house and tossed the old negro a dollar.

"Oom-hoo!" said that worthy, significantly. "Oo-hoo! What I tole you?"

CHAPTER IV

THE MOTHER'S ROOM

The house before which Morgan stood overlooked the city two miles away and was the center of a vast estate now run to weeds. It was a fine example of the old style of southern architecture. The spacious roof, embattled, but unbroken by gable or tower, was supported in front by eight massive columns that were intended to be Ionic. The space between them and the house constituted the veranda, and opening from the center of the house upon this was a great doorway, flanked by windows. This arrangement was repeated in the story above, a balcony taking the place of the door. The veranda and columns were reproduced on both sides of the house, running back to two one-story wings. The house was of slight elevation and entered in front by six marble steps, flanked by carved newel posts and curved rails; the front grounds were a hundred yards wide and fifty deep, inclosed by a heavy railing of iron. These details came to him afterward; he did not even see at that time the magnolias and roses that grew in profusion, nor the once trim boxwood hedges and once active fountain. He sounded loudly upon the front door with the knocker.

At length a woman came around the wing room and approached him. She was middle-aged and wore a colored turban, a white apron hiding her dress. The face was that of an octoroon; her figure tall and full of dignity. She did not betray the mixed blood in speech or manner, but her form of address proclaimed her at once a servant. The voice was low and musical as she said, "Good-morning, sir," and waited.

Morgan studied her in silence a moment; his steady glance seemed to alarm her, for she drew back a step and placed her hand on the rail.

"I want to see the people who have charge of this house," said the young man. She now approached nearer and looked anxiously into his face.

"I have the care of it," she answered.

"Well," said he, "I am Edward Morgan, the new owner. Let me have the keys."

"Edward Morgan!" She repeated the name unconsciously.

"Come, my good woman, what is it? Where are the keys?" She bowed her head. "I will get them for you, sir." She went to the rear again, and presently the great doors swung apart and he entered.

The hallway was wide and opened through massive folding doors into the dining-room in the rear, and this dining-room, by means of other folding doors, entering the wing-rooms, could be enlarged into a princely salon. The hall floor was of marble and a heavy frieze and centerpiece decorated walls and ceiling. A gilt chandelier hung from the center. Antique oak chairs flanked this hallway, which boasted also a hatrack, with looking-glass six feet wide. A semicircular stairway, guarded by a carved oak rail, a newel post and a knight in armor, led to apartments above. A musty odor pervaded the place.

"Open the house," said Edward; "I must have better air."

And while this was being done he passed through the rooms into which now streamed light and fresh air. On the right was parlor and guest chamber, the hangings and carpets unchanged in nearly half a century. On the left was a more cheerful living-room, with piano and a rack of yellow sheet music, and the library, with an enormous collection of books. There were also cane furniture, floor matting and easy-chairs.

In all these rooms spacious effects were not lessened by bric-a-brac and collections. A few portraits and landscapes, a candelabra or two, a pair of brass fire dogs, one or two large and exquisitely painted vases made up the ornamental features. The dining-room proper differed in that its furnishings were newer and more elaborate. The wing-rooms were evidently intended for cards and billiards. Behind was the southern back porch closed in with large green blinds. Over all was the chill of isolation and disuse.

Edward made his way upstairs among the sleeping apartments, full of old and clumsy furniture, the bedding having been removed. Two rooms only were of interest; to the right and rear a small apartment connected with the larger one in front by a door then locked. This small room seemed to have been a boy's. There were bows and arrows, an old muzzle-loading gun, a boat paddle, a dip net, stag horns, some stuffed birds and small animals, the latter sadly dilapidated, a few game pictures, boots, shoes and spurs – even toys. A small bed ready for occupancy stood in one corner and in another a little desk with drop lid. On the hearth were iron fire dogs and ashes, the latter holding fragments of charred paper.

For the first time since entering the house Edward felt a human presence; it was a bright sunny room opening to the western breeze and the berries of a friendly china tree tapped upon the window as he approached it. He placed his hand upon the knob of the door, leading forward, and tried to open it; it was locked.

"That," said the woman's low voice, "is Col. Morgan's mother's room, sir, and nobody ever goes in there. No one has entered that room but him since she died, I reckon more than forty years ago."

Edward had started violently; he turned to find the sad, changeless face of the octoroon at his side.

"And this room?"
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