From the Caves and Jungles of Hindostan

"Just let me finish," said Mr. Y–, "I have nearly done. Just an additional touch or two."

"Let us see your work. Hand it round!" insisted the colonel and Miss X–, who had just left her haven of refuge in the carriage, and joined us still half asleep.

Mr. Y– hurriedly added a few more touches to his drawing and rose to collect his brushes and pencils.

We glanced at his fresh wet picture and opened our eyes in astonishment. There was no lake on it, no woody shores, and no velvety evening mists that covered the distant island at this moment. Instead of all this we saw a charming sea view; thick clusters of shapely palm-trees scattered over the chalky cliffs of the littoral; a fortress-like bungalow with balconies and a flat roof, an elephant standing at its entrance, and a native boat on the crest of a foaming billow.

"Now what is this view, sir?" wondered the colonel. "As if it was worth your while to sit in the sun, and detain us all, to draw fancy pictures out of your own head!"

"What on earth are you talking about?" exclaimed Mr. Y–. "Do you mean to say you do not recognize the lake?"

"Listen to him—the lake! Where is the lake, if you please? Were you asleep, or what?"

By this time all our party gathered round the colonel, who held the drawing. Narayan uttered an exclamation, and stood still, the very image of bewilderment past description.

"I know the place!" said he, at last. "This is Dayri—Bol, the country house of the Takur-Sahib. I know it. Last year during the famine I lived there for two months."

I was the first to grasp the meaning of it all, but something prevented me from speaking at once.

At last Mr. Y– finished arranging and packing his things, and approached us in his usual lazy, careless way, but his face showed traces of vexation. He was evidently bored by our persistency in seeing a sea, where there was nothing but the corner of a lake. But, at the first sight of his unlucky sketch, his countenance suddenly changed. He grew so pale, and the expression of his face became so piteously distraught that it was painful to see. He turned and returned the piece of Bristol board, then rushed like a madman to his drawing portfolio and turned the whole contents out, ransacking and scattering over the sand hundreds of sketches and of loose papers. Evidently failing to find what he was looking for, he glanced again at his sea-view, and suddenly covering his face with his hands totally collapsed.

We all remained silent, exchanging glances of wonder and pity, and heedless of the Takur, who stood on the ferry boat, vainly calling to us to join him.

"Look here, Y–!" timidly spoke the kind-hearted colonel, as if addressing a sick child. "Are you sure you remember drawing this view?"

Mr. Y– did not give any answer, as if gathering strength and thinking it over. After a few moments he answered in hoarse and tremulous tones:

"Yes, I do remember. Of course I made this sketch, but I made it from nature. I painted only what I saw. And it is that very certainty that upsets me so."

"But why should you be upset, my dear fellow? Collect yourself! What happened to you is neither shameful nor dreadful. It is only the result of the temporary influence of one dominant will over another, less powerful. You simply acted under 'biological influence,' to use the expression of Dr. Carpenter."

"That is exactly what I am most afraid of.... I remember everything now. I have been busy over this view more than an hour. I saw it directly I chose the spot, and seeing it all the while on the opposite shore I could not suspect anything uncanny. I was perfectly conscious… or, shall I say, I fancied I was conscious of putting down on paper what everyone of you had before your eyes. I had lost every notion of the place as I saw it before I began my sketch, and as I see it now.... But how do you account for it? Good gracious! am I to believe that these confounded Hindus really possess the mystery of this trick? I tell you, colonel, I shall go mad if I don't understand it all!"

"No fear of that, Mr. Y–," said Narayan, with a triumphant twinkle in his eyes. "You will simply lose the right to deny Yoga-Vidya, the great ancient science of my country."

Mr. Y– did not answer him. He made an effort to calm his feelings, and bravely stepped on the ferry boat with firm foot. Then he sat down, apart from us all, obstinately looking at the large surface of water round us, and struggling to seem his usual self.

Miss X– was the first to interrupt the silence.

"Ma chere!" said she to me in a subdued, but triumphant voice. "Ma chere, Monsieur Y– devient vraiment un medium de premiere force!"

In moments of great excitement she always addressed me in French. But I also was too excited to control my feelings, and so I answered rather unkindly:

"Please stop this nonsense, Miss X–. You know I don't believe in spiritualism. Poor Mr. Y–, was not he upset?"

Receiving this rebuke and no sympathy from me, she could not think of anything better than drawing out the Babu, who, for a wonder, had managed to keep quiet till then.

"What do you say to all this? I for one am perfectly confident that no one but the disembodied soul of a great artist could have painted that lovely view. Who else is capable of such a wonderful achievement?"

"Why? The old gentleman in person. Confess that at the bottom of your soul you firmly believe that the Hindus worship devils. To be sure it is some deity of ours of this kind that had his august paw in the matter."

"Il est positivement malhonnete, ce Negre-la!" angrily muttered Miss X–, hurriedly withdrawing from him.

The island was a tiny one, and so overgrown with tall reeds that, from a distance, it looked like a pyramidal basket of verdure. With the exception of a colony of monkeys, who bustled away to a few mango trees at our approach, the place seemed uninhabited. In this virgin forest of thick grass there was no trace of human life. Seeing the word grass the reader must not forget that it is not the grass of Europe I mean; the grass under which we stood, like insects under a rhubarb leaf, waved its feathery many-colored plumes much above the head of Gulab-Sing (who stood six feet and a half in his stockings), and of Narayan, who measured hardly an inch less. From a distance it looked like a waving sea of black, yellow, blue, and especially of rose and green. On landing, we discovered that it consisted of separate thickets of bamboos, mixed up with the gigantic sirka reeds, which rose as high as the tops of the mangos.

It is impossible to imagine anything prettier and more graceful than the bamboos and sirka. The isolated tufts of bamboos show, in spite of their size, that they are nothing but grass, because the least gush of wind shakes them, and their green crests begin to nod like heads adorned with long ostrich plumes. There were some bamboos there fifty or sixty feet high. From time to time we heard a light metallic rustle in the reeds, but none of us paid much attention to it.

Whilst our coolies and servants were busy clearing a place for our tents, pitching them and preparing the supper, we went to pay our respects to the monkeys, the true hosts of the place. Without exaggeration there were at least two hundred. While preparing for their nightly rest the monkeys behaved like decorous and well-behaved people; every family chose a separate branch and defended it from the intrusion of strangers lodging on the same tree, but this defence never passed the limits of good manners, and generally took the shape of threatening grimaces. There were many mothers with babies in arms amongst them; some of them treated the children tenderly, and lifted them cautiously, with a perfectly human care; others, less thoughtful, ran up and down, heedless of the child hanging at their breasts, preoccupied with something, discussing something, and stopping every moment to quarrel with other monkey ladies—a true picture of chatty old gossips on a market day, repeated in the animal kingdom. The bachelors kept apart, absorbed in their athletic exercises, performed for the most part with the ends of their tails. One of them, especially, attracted our attention by dividing his amusement between sauts perilleux and teasing a respectable looking grandfather, who sat under a tree hugging two little monkeys. Swinging backward and forward from the branch, the bachelor jumped at him, bit his ear playfully and made faces at him, chattering all the time. We cautiously passed from one tree to another, afraid of frightening them away; but evidently the years spent by them with the fakirs, who left the island only a year ago, had accustomed them to human society. They were sacred monkeys, as we learned, and so they had nothing to fear from men. They showed no signs of alarm at our approach, and, having received our greeting, and some of them a piece of sugar-cane, they calmly stayed on their branch-thrones, crossing their arms, and looking at us with a good deal of dignified contempt in their intelligent hazel eyes.

The sun had set, and we were told that the supper was ready. We all turned "homewards," except the Babu. The main feature of his character, in the eyes of orthodox Hindus, being a tendency to blasphemy, he could never resist the temptation to justify their opinion of him. Climbing up a high branch he crouched there, imitating every gesture of the monkeys and answering their threatening grimaces by still uglier ones, to the unconcealed disgust of our pious coolies.

As the last golden ray disappeared on the horizon, a gauze-like veil of pale lilac fell over the world. But as every moment decreased the transparency of this tropical twilight, the tint gradually lost its softness and became darker and darker. It looked as if an invisible painter, unceasingly moving his gigantic brush, swiftly laid one coat of paint over the other, ever changing the exquisite background of our islet. The phosphoric candles of the fireflies began to twinkle here and there, shining brightly against the black trunks of the trees, and lost again on the silvery background of opalescent evening sky. But in a few minutes more thousands of these living sparks, precursors of Queen Night, played round us, pouring like a golden cascade over the trees, and dancing in the air above the grass and the dark lake.

And behold! here is the queen in person. Noiselessly descending upon earth, she reassumes her rights. With her approach, rest and peace spread over us; her cool breath calms the activities of day. Like a fond mother, she sings a lullaby to nature, lovingly wrapping her in her soft black mantle; and, when everything is asleep, she watches over nature's dozing powers till the first streaks of dawn.

Nature sleeps; but man is awake, to be witness to the beauties of this solemn evening hour. Sitting round the fire we talked, lowering our voices as if afraid of awaking night. We were only six; the colonel, the four Hindus and myself, because Mr. Y– and Miss X– could not resist the fatigue of the day and had gone to sleep directly after supper.

Snugly sheltered by the high "grass," we had not the heart to spend this magnificent night in prosaic sleeping. Besides, we were waiting for the "concert" which the Takur had promised us.

"Be patient," said he, "the musicians will not appear before the moon rises."

The fickle goddess was late; she kept us waiting till after ten o'clock. Just before her arrival, when the horizon began to grow perceptibly brighter, and the opposite shore to assume a milky, silvery tint, a sudden wind rose. The waves, that had gone quietly to sleep at the feet of gigantic reeds, awoke and tossed uneasily, till the reeds swayed their feathery heads and murmured to each other as if taking counsel together about some thing that was going to happen.... Suddenly, in the general stillness and silence, we heard again the same musical notes, which we had passed unheeded, when we first reached the island, as if a whole orchestra were trying their musical instruments before playing some great composition. All round us, and over our heads, vibrated strings of violins, and thrilled the separate notes of a flute. In a few moments came another gust of wind tearing through the reeds, and the whole island resounded with the strains of hundreds of Aeolian harps. And suddenly there began a wild unceasing symphony. It swelled in the surrounding woods, filling the air with an indescribable melody. Sad and solemn were its prolonged strains; they resounded like the arpeggios of some funeral march, then, changing into a trembling thrill, they shook the air like the song of a nightingale, and died away in a long sigh. They did not quite cease, but grew louder again, ringing like hundreds of silver bells, changing from the heartrending howl of a wolf, deprived of her young, to the precipitate rhythm of a gay tarantella, forgetful of every earthly sorrow; from the articulate song of a human voice, to the vague majestic accords of a violoncello, from merry child's laughter to angry sobbing. And all this was repeated in every direction by mocking echo, as if hundreds of fabulous forest maidens, disturbed in their green abodes, answered the appeal of the wild musical Saturnalia.

The colonel and I glanced at each other in our great astonishment.

"How delightful! What witchcraft is this?" we exclaimed at the same time.

The Hindus smiled, but did not answer us. The Takur smoked his gargari as peacefully as if he was deaf.

There was a short interval, after which the invisible orchestra started again with renewed energy. The sounds poured and rolled in unrestrainable, overwhelming waves. We had never heard anything like this inconceivable wonder. Listen! A storm in the open sea, the wind tearing through the rigging, the swish of the maddened waves rushing over each other, or the whirling snow wreaths on the silent steppes. Suddenly the vision is changed; now it is a stately cathedral and the thundering strains of an organ rising under its vaults. The powerful notes now rush together, now spread out through space, break off, intermingle, and become entangled, like the fantastic melody of a delirious fever, some musical phantasy born of the howling and whistling of the wind.

Alas! the charm of these sounds is soon exhausted, and you begin to feel that they cut like knives through your brain. A horrid fancy haunts our bewildered heads; we imagine that the invisible artists strain our own veins, and not the strings of imaginary violins; their cold breath freezes us, blowing their imaginary trumpets, shaking our nerves and impeding our breathing.

"For God's sake stop this, Takur! This is really too much," shouted the colonel, at the end of his patience, and covering his ears with his hands. "Gulab-Sing, I tell you you must stop this."

The three Hindus burst out laughing; and even the grave face of the Takur lit up with a merry smile. "Upon my word," said he, "do you really take me for the great Parabrahm? Do you think it is in my power to stop the wind, as if I were Marut, the lord of the storms, in person. Ask for something easier than the instantaneous uprooting of all these bamboos."

"I beg your pardon; I thought these strange sounds also were some kind of psychologic influence."

"So sorry to disappoint you, my dear colonel; but you really must think less of psychology and electrobiology. This develops into a mania with you. Don't you see that this wild music is a natural acoustic phenomenon? Each of the reeds around us—and there are thousands on this island—contains a natural musical instrument; and the musician, Wind, comes here daily to try his art after nightfall—especially during the last quarter of the moon."

"The wind!" murmured the colonel. "Oh, yes! But this music begins to change into a dreadful roar. Is there no way out of it?"

"I at least cannot help it. But keep up your patience, you will soon get accustomed to it. Besides, there will be intervals when the wind falls."

We were told that there are many such natural orchestras in India. The Brahmans know well their wonderful properties, and calling this kind of reed vina-devi, the lute of the gods, keep up the popular superstition and say the sounds are divine oracles. The sirka grass and the bamboos always shelter a number of tiny beetles, which make considerable holes in the hollow reeds. The fakirs of the idol-worshipping sects add art to this natural beginning and work the plants into musical instruments. The islet we visited bore one of the most celebrated vina-devis, and so, of course, was proclaimed sacred.

"Tomorrow morning," said the Takur, "you will see what deep knowledge of all the laws of acoustics was in the possession of the fakirs. They enlarged the holes made by the beetle according to the size of the reed, sometimes shaping it into a circle, sometimes into an oval. These reeds in their present state can be justly considered as the finest illustration of mechanism applied to acoustics. However, this is not to be wondered at, because some of the most ancient Sanskrit books about music minutely describe these laws, and mention many musical instruments which are not only forgotten, but totally incomprehensible in our days."