Christine

To-morrow the Klosters come over, and are going to stay the night, and to-morrow I may play my fiddle again. I've faithfully kept my promise and not touched it. Really, as it's a quarter to twelve now and at midnight my week's fasting will be over, I might begin and play it quite soon. I wonder what would happen if I sat on my window-sill and played Ravel to the larkspurs and the stars! I believe it would make even the Graf say something. But I won't do anything so unlike, as Frau Bornsted would say, what a junges Madchen generally does, but go to bed instead, into the prettiest bed I've slept in since I had a frilly cot in the nursery,—all pink silk coverlet and lace-edged sheets. The room is just like an English country-house bedroom; in fact the Grafin told me she got all her chintzes in London! It's so funny after my room at Frau Berg's, and my little unpainted wooden attic at the Oberforsterei.

Good night, my blessed mother. There are two owls somewhere calling to each other in the forest. Not another sound. Such utter peace.

Your Chris.

Koseritz, Sunday evening, July 19, 1914

My own darling mother,

I don't know what you'll say, but I'm engaged to Bernd. That's Herr von Inster. You know his name is Bernd? I don't know what to say to it myself. I can't quite believe it. This time last night I was writing to you in this very room, with no thought of anything in the world but just ordinary happiness with kind friends and one specially kind and understanding friend, and here I am twenty-four hours later done with ordinary happiness, taken into my lover's heart for ever.

It was so strange. I don't believe any girl ever got engaged in quite that way before. I'm sure everybody thinks we're insane, except Kloster. Kloster doesn't. He understands.

It was after supper. Only three hours ago. I wonder if it wasn't a dream. We were all on the terrace, as we were last night. The Klosters had come early in the afternoon. There wasn't a leaf stirring, and not a sound except that lapping water against the bottom of the wall where the larkspurs are. You know how sometimes when everybody has been talking together without stopping there's a sudden hush. That happened to-night, and after what seemed a long while of silence the Grafin said to Kloster, "I suppose, Master, it would be too much to ask you to play to us?"

"Here?" he said. "Out here?"

"Why not?" she said.

I hung breathless on what he would say. Suppose he played, out there in the dusk, with the stars and the water and the forest all round us, what would it be like?

He got up without a word and went indoors.

The Grafin looked uneasy. "I hope," she said to Frau Kloster, "my asking has not offended him?"

But Bernd knew—Bernd, still at that moment only Herr von Inster for me. "He is going to play," he said.

And presently he came out again with his Strad, and standing on the step outside the drawingroom window he played.

I thought, This is the most wonderful moment of my life. But it wasn't; there was a more wonderful one coming.

We sat there in the great brooding night, and the music told us the things about love and God that we know but can never say. When he had done nobody spoke. He stood on the step for a minute in silence, then he came down to where I was sitting on the low wall by the water and put the Strad into my hands. "Now you," he said.

Nobody spoke. I felt as though I were asleep.

He took my hand and made me stand up. "Play what you like," he said; and left me there, and went and sat down again on the steps by the window.

I don't know what I played. It was the violin that played while I held it and listened. I forgot everybody,—forgot Kloster critically noting what I did wrong, and forgot, so completely that I might have been unconscious, myself. I was listening; and what I heard were secrets, secrets strange and exquisite; noble, and so courageous that suffering didn't matter, didn't touch,—all the secrets of life. I can't explain. It wasn't like anything one knows really. It was like something very important, very beautiful that one used to know, but has forgotten.

Presently the sounds left off. I didn't feel as though I had had anything to do with their leaving off. There was dead silence. I stood wondering rather confusedly, as one wonders when first one wakes from a dream and sees familiar things again and doesn't quite understand.

Kloster got up and came and took the Strad from me. I could see his face in the dusk, and thought it looked queer. He lifted up my hands one after the other, and kissed them.

But Bernd got up from where he was sitting away from the others, and took me in his arms and kissed my eyes.

And that's how we were engaged. I think they said something. I don't know what it was, but there was a murmur, but I seemed very far away and very safe; and he turned round when they murmured, and took my hand, and said, "This is my wife." And he looked at me and said, "Is it not so?" And I said "Yes." And I don't remember what happened next, and perhaps it was all a dream. I'm so tired,—so tired and heavy with happiness that I could drop in a heap on the floor and go to sleep like that. Beloved mother—bless your Chris.

Koseritz, Monday, July 20

My own darling mother,

I'm too happy,—too happy to write, or think, or remember, or do anything except be happy. You'll forgive me, my own ever-understanding mother, because the minutes I have to take for other things seem so snatched away and lost, snatched from the real thing, the one real thing, which is my lover. Oh, I expect I'm shameless, and I don't care. Ought I to simper, and pretend I don't feel particularly much? Be ladylike, and hide how I adore him? Telegraph to me—telegraph your blessing. I must be blessed by you. Till I have been, it's like not having had my crown put on, and standing waiting, all ready in my beautiful clothes of happiness except for that. I don't care if I'm silly. I don't care about anything. I don't know what they think of our engagement here. I imagine they deplore it on Bernd's account,—he's an officer and a Junker and an only son and a person of promise, and altogether heaps of important things besides the important thing, which is that he's Bernd. And you see, little mother, I'm only a woman who is going to have a profession, and that's an impossible thing from the Junker point of view. It's queer how nothing matters, no criticism or disapproval, how one can't be touched directly one loves somebody and is loved back. It is like being inside a magic ring of safety. Why, I don't think that there's anything that could hurt me so long as we love each other. We've had a wonderful morning walking in the forest. It's all quite true what happened last night. It wasn't a dream. We are engaged. I've hardly seen the others. They congratulated us quite politely. Kloster was very kind, but anxious lest I should let love, as he says, spoil art. We laughed at that. Bernd, who would have been a musician but for his family and his obligations, is going to be it vicariously through me. I shall work all the harder with him to help me. How right you were about a lover being the best of all things in the world! I don't know how anybody gets on without one. I can't think how I did. It amazes me to remember that I used to think I was happy. Bless me, little mother—bless us. Send a telegram. I can't wait.

Your Chris.

Koseritz, Thursday, July 23

My own mother,

Thank you so much for your telegram of blessing, darling one, which I have just had. It seems to set the seal of happiness on me. I know you will love Bernd, and understand directly you see him why I do. We are so placid here these beautiful summer days. Everybody accepts us now resignedly as a fait accompli, and though they remain unenthusiastic they are polite and tolerant. And whenever I play to them they all grow kind. It's rather like being Orpheus with his lute, and they the mountain tops that freeze. I've discovered I can melt them by just making music. Helena really does love music. It was quite true what her mother said. Since I played that first wonderful night of my engagement she has been quite different to me. She still is silent, because that's her nature, and she still stares; but now she stares in a sort of surprise, with a question in her eyes. And wherever she may be in the house or garden, if she hears me beginning to play she creeps near on tiptoe and listens.

Kloster has gone. He and his wife were both very kind to us, but Kloster is worried because I've fallen in love. I'm not to go back to Berlin till Monday, as Bernd can stay on here till then, and there's no point in spending a Sunday in Berlin unless one has to. Kloster is going to give me three lessons a week instead of two, and I shall work now with such renewed delight! He says I won't, but I know better. Everything I do seems to be touched now with delight. How funny that room at Frau Berg's will look and feel after being here. But I don't mind going back to it one little half a scrap. Bernd will be in Berlin; he'll be writing to me, seeing me, walking with me. With him there it will be, every bit of it, perfect.

"When I come back to town in October," the Grafin said to me, "you must stay with us. It is not fitting that Bernd's betrothed should live in that boarding-house of Frau Berg's. Will not your mother soon join you?"

It is very kind of her, I think. It appears that a girl who is engaged has to be chaperoned even more than a girl who isn't. What funny ancient stuff these conventions are. I wonder how long more we shall have of them. Of course Frau Berg and her boarders are to the Junker dreadful beyond words.

But her question about you set me thinking. Won't you come, little mother? As it is such an unusual and never-to-be-repeated occurrence in our family that its one and only child should be going to marry? And yet I can't quite see you in August in lodgings in Berlin, come down from your beautiful mountain, away from your beautiful lake. After all, I've only got four more months of it, and then I'm finished and can go back to you. What is going to happen then, exactly, I don't know. Bernd says, Marry, and that you'll come and live with us in Germany. That's all very well, but what about, if I marry so soon, starting my public career, which was to have begun this next winter? Kloster says impatiently. Oh marry, and get done with it, and that then | I'll be sensible again and able to arrange my debut as a violinist with the calm, I gather he thinks, of the disillusioned.

"I'm perfectly sensible," I said.

"You are not. You are in love. A woman should never be an artist. Again I say, Mees Chrees, what I have said to you before, that it is sheer malice on the part of Providence to have taken you, a woman, as the vessel which is to carry this great gift about the world. A man, gifted to the extent you so unluckily are, falls in love and is inspired by it. Indeed, it is in that condition that he does his best work; which is why the man artist is so seldom a faithful husband, for the faithful husband is precluded from being in love."

"Why can't he be in love?" I asked, husbands now having become very interesting to me.

"Because he is a faithful husband."

"But he can be in love with his wife."

"No," said Kloster, "he cannot. And he cannot for the same reason that no man can go on wanting his dinner who has had it. Whereas," he went on louder, because I had opened my mouth and was going to say something, "a woman artist who falls in love neglects everything and merely loves. Merely loves," he repeated, looking me up and down with great severity and disfavour.

"You'll see how I'll work," I said.

"Nonsense," he said, waving that aside impatiently. "Which is why," he continued, "I urge you to marry quickly. Then the woman, so unfortunately singled out by Providence to be something she is not fitted for, having married and secured her husband, prey, victim. Or whatever you prefer to call him—"

"I prefer to call him husband," I said.

"—if she succeeds in steering clear of detaining and delaying objects like cradles, is cured and can go back with proper serenity to that which alone matters. Art and the work necessary to produce it. But she will have wasted time," he said, shaking his head. "She will most sadly have wasted time."

In my turn I said Nonsense, and laughed with that heavenly, glorious security one has when one has a lover.

I expect there are some people who may be as Kloster says, but we're not like them, Bernd and I. We're not going to waste a minute. He adores my music, and his pride in it inspires me and makes me glow with longing to do better and better for his sake, so as to see him moved, to see him with that dear look of happy triumph in his eyes. Why, I feel lifted high up above any sort of difficulty or obstacle life can try to put in my way. I'm going to work when I get to Berlin as I never did before.

I said something like this to Kloster, who replied with great tartness that I oughtn't to want to do anything for the sake of producing a certain look in somebody's eyes. "That is not Art, Mees Chrees. That is nothing that will ever be any good. You are, you see, just the veriest woman; and here—" he almost cried—"is this gift, this precious immortal gift, placed in such shaky small hands as yours."

"I'm very sorry," I said, feeling quite ashamed that I had it, he was so much annoyed.

"No, no," he said, relenting a little, "do not be sorry—marry. Marry quickly. Then there may be recovery."