Four Short Stories By Emile Zola

“Oh, my dear, you’ve no idea!” she cried, almost throwing herself into Rose’s arms. “Come and see it.”

All the women had to follow her. She took their hands coaxingly and drew them along with her willy-nilly, accompanying her action with so frank an outburst of mirth that they all of them began laughing on trust. The band vanished and returned after standing breathlessly for a second or two round Bordenave’s lordly, outstretched form. And then there was a burst of laughter, and when one of them told the rest to be quiet Bordenave’s distant snorings became audible.

It was close on four o’clock. In the dining room a card table had just been set out, at which Vandeuvres, Steiner, Mignon and Labordette had taken their seats. Behind them Lucy and Caroline stood making bets, while Blanche, nodding with sleep and dissatisfied about her night, kept asking Vandeuvres at intervals of five minutes if they weren’t going soon. In the drawing room there was an attempt at dancing. Daguenet was at the piano or “chest of drawers,” as Nana called it. She did not want a “thumper,” for Mimi would play as many waltzes and polkas as the company desired. But the dance was languishing, and the ladies were chatting drowsily together in the corners of sofas. Suddenly, however, there was an outburst of noise. A band of eleven young men had arrived and were laughing loudly in the anteroom and crowding to the drawing room. They had just come from the ball at the Ministry of the Interior and were in evening dress and wore various unknown orders. Nana was annoyed at this riotous entry, called to the waiters who still remained in the kitchen and ordered them to throw these individuals out of doors. She vowed that she had never seen any of them before. Fauchery, Labordette, Daguenet and the rest of the men had all come forward in order to enforce respectful behavior toward their hostess. Big words flew about; arms were outstretched, and for some seconds a general exchange of fisticuffs was imminent. Notwithstanding this, however, a little sickly looking light-haired man kept insistently repeating:

“Come, come, Nana, you saw us the other evening at Peters’ in the great red saloon! Pray remember, you invited us.”

The other evening at Peters’? She did not remember it all. To begin with, what evening?

And when the little light-haired man had mentioned the day, which was Wednesday, she distinctly remembered having supped at Peters’ on the Wednesday, but she had given no invitation to anyone; she was almost sure of that.

“However, suppose you HAVE invited them, my good girl,” murmured Labordette, who was beginning to have his doubts. “Perhaps you were a little elevated.”

Then Nana fell a-laughing. It was quite possible; she really didn’t know. So then, since these gentlemen were on the spot, they had her leave to come in. Everything was quietly arranged; several of the newcomers found friends in the drawing room, and the scene ended in handshakings. The little sickly looking light-haired man bore one of the greatest names in France. Furthermore, the eleven announced that others were to follow them, and, in fact, the door opened every few moments, and men in white gloves and official garb presented themselves. They were still coming from the ball at the Ministry. Fauchery jestingly inquired whether the minister was not coming, too, but Nana answered in a huff that the minister went to the houses of people she didn’t care a pin for. What she did not say was that she was possessed with a hope of seeing Count Muffat enter her room among all that stream of people. He might quite have reconsidered his decision, and so while talking to Rose she kept a sharp eye on the door.

Five o’clock struck. The dancing had ceased, and the cardplayers alone persisted in their game. Labordette had vacated his seat, and the women had returned into the drawing room. The air there was heavy with the somnolence which accompanies a long vigil, and the lamps cast a wavering light while their burned-out wicks glowed red within their globes. The ladies had reached that vaguely melancholy hour when they felt it necessary to tell each other their histories. Blanche de Sivry spoke of her grandfather, the general, while Clarisse invented a romantic story about a duke seducing her at her uncle’s house, whither he used to come for the boar hunting. Both women, looking different ways, kept shrugging their shoulders and asking themselves how the deuce the other could tell such whoppers! As to Lucy Stewart, she quietly confessed to her origin and of her own accord spoke of her childhood and of the days when her father, the wheel greaser at the Northern Railway Terminus, used to treat her to an apple puff on Sundays.

“Oh, I must tell you about it!” cried the little Maria Blond abruptly. “Opposite to me there lives a gentleman, a Russian, an awfully rich man! Well, just fancy, yesterday I received a basket of fruit – oh, it just was a basket! Enormous peaches, grapes as big as that, simply wonderful for the time of year! And in the middle of them six thousand-franc notes! It was the Russian’s doing. Of course I sent the whole thing back again, but I must say my heart ached a little – when I thought of the fruit!”

The ladies looked at one another and pursed up their lips. At her age little Maria Blond had a pretty cheek! Besides, to think that such things should happen to trollops like her! Infinite was their contempt for her among themselves. It was Lucy of whom they were particularly jealous, for they were beside themselves at the thought of her three princes. Since Lucy had begun taking a daily morning ride in the Bois they all had become Amazons, as though a mania possessed them.

Day was about to dawn, and Nana turned her eyes away from the door, for she was relinquishing all hope. The company were bored to distraction. Rose Mignon had refused to sing the “Slipper” and sat huddled up on a sofa, chatting in a low voice with Fauchery and waiting for Mignon, who had by now won some fifty louis from Vandeuvres. A fat gentleman with a decoration and a serious cast of countenance had certainly given a recitation in Alsatian accents of “Abraham’s Sacrifice,” a piece in which the Almighty says, “By My blasted Name” when He swears, and Isaac always answers with a “Yes, Papa!” Nobody, however, understood what it was all about, and the piece had been voted stupid. People were at their wits’ end how to make merry and to finish the night with fitting hilarity. For a moment or two Labordette conceived the idea of denouncing different women in a whisper to La Faloise, who still went prowling round each individual lady, looking to see if she were hiding his handkerchief in her bosom. Soon, as there were still some bottles of champagne on the sideboard, the young men again fell to drinking. They shouted to one another; they stirred each other up, but a dreary species of intoxication, which was stupid enough to drive one to despair, began to overcome the company beyond hope of recovery. Then the little fair-haired fellow, the man who bore one of the greatest names in France and had reached his wit’s end and was desperate at the thought that he could not hit upon something really funny, conceived a brilliant notion: he snatched up his bottle of champagne and poured its contents into the piano. His allies were convulsed with laughter.

“La now! Why’s he putting champagne into the piano?” asked Tatan Nene in great astonishment as she caught sight of him.

“What, my lass, you don’t know why he’s doing that?” replied Labordette solemnly. “There’s nothing so good as champagne for pianos. It gives ‘em tone.”

“Ah,” murmured Tatan Nene with conviction.

And when the rest began laughing at her she grew angry. How should she know? They were always confusing her.

Decidedly the evening was becoming a big failure. The night threatened to end in the unloveliest way. In a corner by themselves Maria Blond and Lea de Horn had begun squabbling at close quarters, the former accusing the latter of consorting with people of insufficient wealth. They were getting vastly abusive over it, their chief stumbling block being the good looks of the men in question. Lucy, who was plain, got them to hold their tongues. Good looks were nothing, according to her; good figures were what was wanted. Farther off, on a sofa, an attache had slipped his arm round Simonne’s waist and was trying to kiss her neck, but Simonne, sullen and thoroughly out of sorts, pushed him away at every fresh attempt with cries of “You’re pestering me!” and sound slaps of the fan across his face. For the matter of that, not one of the ladies allowed herself to be touched. Did people take them for light women? Gaga, in the meantime, had once more caught La Faloise and had almost hoisted him upon her knees while Clarisse was disappearing from view between two gentlemen, shaking with nervous laughter as women will when they are tickled. Round about the piano they were still busy with their little game, for they were suffering from a fit of stupid imbecility, which caused each man to jostle his fellow in his frantic desire to empty his bottle into the instrument. It was a simple process and a charming one.

“Now then, old boy, drink a glass! Devil take it, he’s a thirsty piano! Hi! ‘Tenshun! Here’s another bottle! You mustn’t lose a drop!”

Nana’s back was turned, and she did not see them. Emphatically she was now falling back on the bulky Steiner, who was seated next to her. So much the worse! It was all on account of that Muffat, who had refused what was offered him. Sitting there in her white foulard dress, which was as light and full of folds as a shift, sitting there with drooped eyelids and cheeks pale with the touch of intoxication from which she was suffering, she offered herself to him with that quiet expression which is peculiar to a good-natured courtesan. The roses in her hair and at her throat had lost their leaves, and their stalks alone remained. Presently Steiner withdrew his hand quickly from the folds of her skirt, where he had come in contact with the pins that Georges had stuck there. Some drops of blood appeared on his fingers, and one fell on Nana’s dress and stained it.

“Now the bargain’s struck,” said Nana gravely.

The day was breaking apace. An uncertain glimmer of light, fraught with a poignant melancholy, came stealing through the windows. And with that the guests began to take their departure. It was a most sour and uncomfortable retreat. Caroline Hequet, annoyed at the loss of her night, announced that it was high time to be off unless you were anxious to assist at some pretty scenes. Rose pouted as if her womanly character had been compromised. It was always so with these girls; they didn’t know how to behave and were guilty of disgusting conduct when they made their first appearance in society! And Mignon having cleaned Vandeuvres out completely, the family took their departure. They did not trouble about Steiner but renewed their invitation for tomorrow to Fauchery. Lucy thereupon refused the journalist’s escort home and sent him back shrilly to his “strolling actress.” At this Rose turned round immediately and hissed out a “Dirty sow” by way of answer. But Mignon, who in feminine quarrels was always paternal, for his experience was a long one and rendered him superior to them, had already pushed her out of the house, telling her at the same time to have done. Lucy came downstairs in solitary state behind them. After which Gaga had to carry off La Faloise, ill, sobbing like a child, calling after Clarisse, who had long since gone off with her two gentlemen. Simonne, too, had vanished. Indeed, none remained save Tatan, Lea and Maria, whom Labordette complaisantly took under his charge.

“Oh, but I don’t the least bit want to go to bed!” said Nana. “One ought to find something to do.”

She looked at the sky through the windowpanes. It was a livid sky, and sooty clouds were scudding across it. It was six o’clock in the morning. Over the way, on the opposite side of the Boulevard Haussmann, the glistening roofs of the still-slumbering houses were sharply outlined against the twilight sky while along the deserted roadway a gang of street sweepers passed with a clatter of wooden shoes. As she viewed Paris thus grimly awakening, she was overcome by tender, girlish feelings, by a yearning for the country, for idyllic scenes, for things soft and white.

“Now guess what you’re to do,” she said, coming back to Steiner. “You’re going to take me to the Bois de Boulogne, and we’ll drink milk there.”

She clapped her hands in childish glee. Without waiting for the banker’s reply – he naturally consented, though he was really rather bored and inclined to think of other things – she ran off to throw a pelisse over her shoulders. In the drawing room there was now no one with Steiner save the band of young men. These had by this time dropped the very dregs of their glasses into the piano and were talking of going, when one of their number ran in triumphantly. He held in his hands a last remaining bottle, which he had brought back with him from the pantry.

“Wait a minute, wait a minute!” he shouted. “Here’s a bottle of chartreuse; that’ll pick him up! And now, my young friends, let’s hook it. We’re blooming idiots.”

In the dressing room Nana was compelled to wake up Zoe, who had dozed off on a chair. The gas was still alight, and Zoe shivered as she helped her mistress on with her hat and pelisse.

“Well, it’s over; I’ve done what you wanted me to,” said Nana, speaking familiarly to the maid in a sudden burst of expansive confidence and much relieved at the thought that she had at last made her election. “You were quite right; the banker’s as good as another.”

The maid was cross, for she was still heavy with sleep. She grumbled something to the effect that Madame ought to have come to a decision the first evening. Then following her into the bedroom, she asked what she was going to do with “those two,” meaning Bordenave, who was snoring away as usual, and Georges, who had slipped in slyly, buried his head in a pillow and, finally falling asleep there, was now breathing as lightly and regularly as a cherub. Nana in reply told her that she was to let them sleep on. But seeing Daguenet come into the room, she again grew tender. He had been watching her from the kitchen and was looking very wretched.

“Come, my sweetie, be reasonable,” she said, taking him in her arms and kissing him with all sorts of little wheedling caresses. “Nothing’s changed; you know that it’s sweetie whom I always adore! Eh, dear? I had to do it. Why, I swear to you we shall have even nicer times now. Come tomorrow, and we’ll arrange about hours. Now be quick, kiss and hug me as you love me. Oh, tighter, tighter than that!”

And she escaped and rejoined Steiner, feeling happy and once more possessed with the idea of drinking milk. In the empty room the Count de Vandeuvres was left alone with the “decorated” man who had recited “Abraham’s Sacrifice.” Both seemed glued to the card table; they had lost count of their whereabouts and never once noticed the broad light of day without, while Blanche had made bold to put her feet up on a sofa in order to try and get a little sleep.

“Oh, Blanche is with them!” cried Nana. “We are going to drink milk, dear. Do come; you’ll find Vandeuvres here when we return.”

Blanche got up lazily. This time the banker’s fiery face grew white with annoyance at the idea of having to take that big wench with him too. She was certain to bore him. But the two women had already got him by the arms and were reiterating:

“We want them to milk the cow before our eyes, you know.”

CHAPTER V

At the Varietes they were giving the thirty-fourth performance of the Blonde Venus. The first act had just finished, and in the greenroom Simonne, dressed as the little laundress, was standing in front of a console table, surmounted by a looking glass and situated between the two corner doors which opened obliquely on the end of the dressing-room passage. No one was with her, and she was scrutinizing her face and rubbing her finger up and down below her eyes with a view to putting the finishing touches to her make-up. The gas jets on either side of the mirror flooded her with warm, crude light.

“Has he arrived?” asked Prulliere, entering the room in his Alpine admiral’s costume, which was set off by a big sword, enormous top boots and a vast tuft of plumes.

“Who d’you mean?” said Simonne, taking no notice of him and laughing into the mirror in order to see how her lips looked.

“The prince.”

“I don’t know; I’ve just come down. Oh, he’s certainly due here tonight; he comes every time!”

Prulliere had drawn near the hearth opposite the console table, where a coke fire was blazing and two more gas jets were flaring brightly. He lifted his eyes and looked at the clock and the barometer on his right hand and on his left. They had gilded sphinxes by way of adornment in the style of the First Empire. Then he stretched himself out in a huge armchair with ears, the green velvet of which had been so worn by four generations of comedians that it looked yellow in places, and there he stayed, with moveless limbs and vacant eyes, in that weary and resigned attitude peculiar to actors who are used to long waits before their turn for going on the stage.

Old Bosc, too, had just made his appearance. He came in dragging one foot behind the other and coughing. He was wrapped in an old box coat, part of which had slipped from his shoulder in such a way as to uncover the gold-laced cloak of King Dagobert. He put his crown on the piano and for a moment or two stood moodily stamping his feet. His hands were trembling slightly with the first beginnings of alcoholism, but he looked a sterling old fellow for all that, and a long white beard lent that fiery tippler’s face of his a truly venerable appearance. Then in the silence of the room, while the shower of hail was whipping the panes of the great window that looked out on the courtyard, he shook himself disgustedly.

“What filthy weather!” he growled.

Simonne and Prulliere did not move. Four or five pictures – a landscape, a portrait of the actor Vernet – hung yellowing in the hot glare of the gas, and a bust of Potier, one of the bygone glories of the Varietes, stood gazing vacant-eyed from its pedestal. But just then there was a burst of voices outside. It was Fontan, dressed for the second act. He was a young dandy, and his habiliments, even to his gloves, were entirely yellow.

“Now say you don’t know!” he shouted, gesticulating. “Today’s my patron saint’s day!”

“What?” asked Simonne, coming up smilingly, as though attracted by the huge nose and the vast, comic mouth of the man. “D’you answer to the name of Achille?”

“Exactly so! And I’m going to get ‘em to tell Madame Bron to send up champagne after the second act.”

For some seconds a bell had been ringing in the distance. The long-drawn sound grew fainter, then louder, and when the bell ceased a shout ran up the stair and down it till it was lost along the passages. “All on the stage for the second act! All on the stage for the second act!” The sound drew near, and a little pale-faced man passed by the greenroom doors, outside each of which he yelled at the top of his shrill voice, “On the stage for the second act!”

“The deuce, it’s champagne!” said Prulliere without appearing to hear the din. “You’re prospering!”

“If I were you I should have it in from the cafe,” old Bosc slowly announced. He was sitting on a bench covered with green velvet, with his head against the wall.