L'Assommoir

"Say!" cried Coupeau in a fury, as he took his pipe out of his black mouth. "Can't you apologize? And you play the disgusted one? Just because a fellow wears a blouse!"

The young man turned round and looked at the zinc-worker from head to foot.

"I'll just teach you, you scraggy young scamp," continued Coupeau, "that the blouse is the finest garment out; yes! the garment of work. I'll wipe you if you like with my fists. Did one ever hear of such a thing – a ne'er-do-well insulting a workman!"

Gervaise tried to calm him, but in vain. He drew himself up in his rags, in full view, and struck his blouse, roaring: "There's a man's chest under that!"

Thereupon the young man dived into the midst of the crowd, muttering: "What a dirty blackguard!"

Coupeau wanted to follow and catch him. He wasn't going to let himself be insulted by a fellow with a coat on. Probably it wasn't even paid for! Some second-hand toggery to impress a girl with, without having to fork out a centime. If he caught the chap again, he'd bring him down on his knees and make him bow to the blouse. But the crush was too great; there was no means of walking. He and Gervaise turned slowly round the dancers; there were three rows of sightseers packed close together, whose faces lighted up whenever any of the dancers showed off. As Coupeau and Gervaise were both short, they raised themselves up on tiptoe, trying to see something besides the chignons and hats that were bobbing about. The cracked brass instruments of the orchestra were furiously thundering a quadrille, a perfect tempest which made the hall shake; while the dancers, striking the floor with their feet, raised a cloud of dust which dimmed the brightness of the gas. The heat was unbearable.

"Look there," said Gervaise suddenly.

"Look at what?"

"Why, at that velvet hat over there."

They raised themselves up on tiptoe. On the left hand there was an old black velvet hat trimmed with ragged feathers bobbing about – regular hearse's plumes. It was dancing a devil of a dance, this hat – bouncing and whirling round, diving down and then springing up again. Coupeau and Gervaise lost sight of it as the people round about moved their heads, but then suddenly they saw it again, swaying farther off with such droll effrontery that folks laughed merely at the sight of this dancing hat, without knowing what was underneath it.

"Well?" asked Coupeau.

"Don't you recognize that head of hair?" muttered Gervaise in a stifled voice. "May my head be cut off if it isn't her."

With one shove the zinc-worker made his way through the crowd. Mon Dieu! yes, it was Nana! And in a nice pickle too! She had nothing on her back but an old silk dress, all stained and sticky from having wiped the tables of boozing dens, and with its flounces so torn that they fell in tatters round about. Not even a bit of a shawl over her shoulders. And to think that the hussy had had such an attentive, loving gentleman, and had yet fallen to this condition, merely for the sake of following some rascal who had beaten her, no doubt! Nevertheless she had remained fresh and insolent, with her hair as frizzy as a poodle's, and her mouth bright pink under that rascally hat of hers.

"Just wait a bit, I'll make her dance!" resumed Coupeau.

Naturally enough, Nana was not on her guard. You should have seen how she wriggled about! She twisted to the right and to the left, bending double as if she were going to break herself in two, and kicking her feet as high as her partner's face. A circle had formed about her and this excited her even more. She raised her skirts to her knees and really let herself go in a wild dance, whirling and turning, dropping to the floor in splits, and then jigging and bouncing.

Coupeau was trying to force his way through the dancers and was disrupting the quadrille.

"I tell you, it's my daughter!" he cried; "let me pass."

Nana was now dancing backwards, sweeping the floor with her flounces, rounding her figure and wriggling it, so as to look all the more tempting. She suddenly received a masterly blow just on the right cheek. She raised herself up and turned quite pale on recognizing her father and mother. Bad luck and no mistake.

"Turn him out!" howled the dancers.

But Coupeau, who had just recognized his daughter's cavalier as the scraggy young man in the coat, did not care a fig for what the people said.

"Yes, it's us," he roared. "Eh? You didn't expect it. So we catch you here, and with a whipper-snapper, too, who insulted me a little while ago!"

Gervaise, whose teeth were tight set, pushed him aside, exclaiming, "Shut up. There's no need of so much explanation."

And, stepping forward, she dealt Nana a couple of hearty cuffs. The first knocked the feathered hat on one side, and the second left a red mark on the girl's white cheek. Nana was too stupefied either to cry or resist. The orchestra continued playing, the crowd grew angry and repeated savagely, "Turn them out! Turn them out!"

"Come, make haste!" resumed Gervaise. "Just walk in front, and don't try to run off. You shall sleep in prison if you do."

The scraggy young man had prudently disappeared. Nana walked ahead, very stiff and still stupefied by her bad luck. Whenever she showed the lest unwillingness, a cuff from behind brought her back to the direction of the door. And thus they went out, all three of them, amid the jeers and banter of the spectators, whilst the orchestra finished playing the finale with such thunder that the trombones seemed to be spitting bullets.

The old life began again. After sleeping for twelve hours in her closet, Nana behaved very well for a week or so. She had patched herself a modest little dress, and wore a cap with the strings tied under her chignon. Seized indeed with remarkable fervor, she declared she would work at home, where one could earn what one liked without hearing any nasty work-room talk; and she procured some work and installed herself at a table, getting up at five o'clock in the morning on the first few days to roll her sprigs of violets. But when she had delivered a few gross, she stretched her arms and yawned over her work, with her hands cramped, for she had lost her knack of stem-rolling, and suffocated, shut up like this at home after allowing herself so much open air freedom during the last six months. Then the glue dried, the petals and the green paper got stained with grease, and the flower-dealer came three times in person to make a row and claim his spoiled materials.

Nana idled along, constantly getting a hiding from her father, and wrangling with her mother morning and night – quarrels in which the two women flung horrible words at each other's head. It couldn't last; the twelfth day she took herself off, with no more luggage than her modest dress on her back and her cap perched over one ear. The Lorilleuxs, who had pursed their lips on hearing of her return and repentance, nearly died of laughter now. Second performance, eclipse number two, all aboard for the train for Saint-Lazare, the prison-hospital for streetwalkers! No, it was really too comical. Nana took herself off in such an amusing style. Well, if the Coupeaus wanted to keep her in the future, they must shut her up in a cage.

In the presence of other people the Coupeaus pretended they were very glad to be rid of the girl, though in reality they were enraged. However, rage can't last forever, and soon they heard without even blinking that Nana was seen in the neighborhood. Gervaise, who accused her of doing it to enrage them, set herself above the scandal; she might meet her daughter on the street, she said; she wouldn't even dirty her hand to cuff her; yes, it was all over; she might have seen her lying in the gutter, dying on the pavement, and she would have passed by without even admitting that such a hussy was her own child.

Nana meanwhile was enlivening the dancing halls of the neighborhood. She was known from the "Ball of Queen Blanche" to the "Great Hall of Folly." When she entered the "Elysee-Montmartre," folks climbed onto the tables to see her do the "sniffling crawfish" during the pastourelle. As she had twice been turned out of the "Chateau Rouge" hall, she walked outside the door waiting for someone she knew to escort her inside. The "Black Ball" on the outer Boulevard and the "Grand Turk" in the Rue des Poissonniers, were respectable places where she only went when she had some fine dress on. Of all the jumping places of the neighborhood, however, those she most preferred were the "Hermitage Ball" in a damp courtyard and "Robert's Ball" in the Impasse du Cadran, two dirty little halls, lighted up with a half dozen oil lamps, and kept very informally, everyone pleased and everyone free, so much so that the men and their girls kissed each other at their ease, in the dances, without being disturbed. Nana had ups and downs, perfect transformations, now tricked out like a stylish woman and now all dirt. Ah! she had a fine life.

On several occasions the Coupeaus fancied they saw her in some shady dive. They turned their backs and decamped in another direction so as not to be obliged to recognize her. They didn't care to be laughed at by a whole dancing hall again for the sake of bringing such a dolt home. One night as they were going to bed, however, someone knocked at the door. It was Nana who matter-of-factly came to ask for a bed; and in what a state. Mon Dieu! her head was bare, her dress in tatters, and her boots full of holes – such a toilet as might have led the police to run her in, and take her off to the Depot. Naturally enough she received a hiding, and then she gluttonously fell on a crust of stale bread and went to sleep, worn out, with the last mouthful between her teeth.

Then this sort of life continued. As soon as she was somewhat recovered she would go off and not a sight or sound of her. Weeks or months would pass and she would suddenly appear with no explanation. The Coupeaus got used to these comings and goings. Well, as long as she didn't leave the door open. What could you expect?

There was only one thing that really bothered Gervaise. This was to see her daughter come home in a dress with a train and a hat covered with feathers. No, she couldn't stomach this display. Nana might indulge in riotous living if she chose, but when she came home to her mother's she ought to dress like a workgirl. The dresses with trains caused quite a sensation in the house; the Lorilleuxs sneered; Lantier, whose mouth sneered, turned the girl round to sniff at her delicious aroma; the Boches had forbidden Pauline to associate with this baggage in her frippery. And Gervaise was also angered by Nana's exhausted slumber, when after one of her adventures, she slept till noon, with her chignon undone and still full of hair pins, looking so white and breathing so feebly that she seemed to be dead. Her mother shook her five or six times in the course of the morning, threatening to throw a jugful of water over her. The sight of this handsome lazy girl, half naked and besotted with wine, exasperated her, as she saw her lying there. Sometimes Nana opened an eye, closed it again, and then stretched herself out all the more.

One day after reproaching her with the life she led and asking her if she had taken on an entire battalion of soldiers, Gervaise put her threat into execution to the extent of shaking her dripping hand over Nana's body. Quite infuriated, the girl pulled herself up in the sheet, and cried out:

"That's enough, mamma. It would be better not to talk of men. You did as you liked, and now I do the same!"

"What! What!" stammered the mother.

"Yes, I never spoke to you about it, for it didn't concern me; but you didn't used to be very fussy. I often saw you when we lived at the shop sneaking off as soon as papa started snoring. So just shut up; you shouldn't have set me the example."

Gervaise remained pale, with trembling hands, turning round without knowing what she was about, whilst Nana, flattened on her breast, embraced her pillow with both arms and subsided into the torpor of her leaden slumber.

Coupeau growled, no longer sane enough to think of launching out a whack. He was altogether losing his mind. And really there was no need to call him an unprincipled father, for liquor had deprived him of all consciousness of good and evil.

Now it was a settled thing. He wasn't sober once in six months; then he was laid up and had to go into the Sainte-Anne hospital; a pleasure trip for him. The Lorilleuxs said that the Duke of Bowel-Twister had gone to visit his estates. At the end of a few weeks he left the asylum, repaired and set together again, and then he began to pull himself to bits once more, till he was down on his back and needed another mending. In three years he went seven times to Sainte-Anne in this fashion. The neighborhood said that his cell was kept ready for him. But the worst of the matter was that this obstinate tippler demolished himself more and more each time so that from relapse to relapse one could foresee the final tumble, the last cracking of this shaky cask, all the hoops of which were breaking away, one after the other.

At the same time, he forgot to improve in appearance; a perfect ghost to look at! The poison was having terrible effects. By dint of imbibing alcohol, his body shrunk up like the embryos displayed in glass jars in chemical laboratories. When he approached a window you could see through his ribs, so skinny had he become. Those who knew his age, only forty years just gone, shuddered when he passed by, bent and unsteady, looking as old as the streets themselves. And the trembling of his hands increased, the right one danced to such an extent, that sometimes he had to take his glass between both fists to carry it to his lips. Oh! that cursed trembling! It was the only thing that worried his addled brains. You could hear him growling ferocious insults against those hands of his.

This last summer, during which Nana usually came home to spend her nights, after she had finished knocking about, was especially bad for Coupeau. His voice changed entirely as if liquor had set a new music in his throat. He became deaf in one ear. Then in a few days his sight grew dim, and he had to clutch hold of the stair railings to prevent himself from falling. As for his health, he had abominable headaches and dizziness. All on a sudden he was seized with acute pains in his arms and legs; he turned pale; was obliged to sit down, and remained on a chair witless for hours; indeed, after one such attack, his arm remained paralyzed for the whole day. He took to his bed several times; he rolled himself up and hid himself under the sheet, breathing hard and continuously like a suffering animal. Then the strange scenes of Sainte-Anne began again. Suspicious and nervous, worried with a burning fever, he rolled about in a mad rage, tearing his blouse and biting the furniture with his convulsed jaws; or else he sank into a great state of emotion, complaining like a child, sobbing and lamenting because nobody loved him. One night when Gervaise and Nana returned home together they were surprised not to find him in his bed. He had laid the bolster in his place. And when they discovered him, hiding between the bed and the wall, his teeth were chattering, and he related that some men had come to murder him. The two women were obliged to put him to bed again and quiet him like a child.

Coupeau knew only one remedy, to toss down a pint of spirits; a whack in his stomach, which set him on his feet again. This was how he doctored his gripes of a morning. His memory had left him long ago, his brain was empty; and he no sooner found himself on his feet than he poked fun at illness. He had never been ill. Yes, he had got to the point when a fellow kicks the bucket declaring that he's quite well. And his wits were going a-wool-gathering in other respects too. When Nana came home after gadding about for six weeks or so he seemed to fancy she had returned from doing some errand in the neighborhood. Often when she was hanging on an acquaintance's arm she met him and laughed at him without his recognizing her. In short, he no longer counted for anything; she might have sat down on him if she had been at a loss for a chair.

When the first frosts came Nana took herself off once more under the pretence of going to the fruiterer's to see if there were any baked pears. She scented winter and didn't care to let her teeth chatter in front of the fireless stove. The Coupeaus had called her no good because they had waited for the pears. No doubt she would come back again. The other winter she had stayed away three weeks to fetch her father two sous' worth of tobacco. But the months went by and the girl did not show herself. This time she must have indulged in a hard gallop. When June arrived she did not even turn up with the sunshine. Evidently it was all over, she had found a new meal ticket somewhere or other. One day when the Coupeaus were totally broke they sold Nana's iron bedstead for six francs, which they drank together at Saint-Ouen. The bedstead had been in their way.

One morning in July Virginie called to Gervaise, who was passing by, and asked her to lend a hand in washing up, for Lantier had entertained a couple of friends on the day before. And while Gervaise was cleaning up the plates and dishes, greasy with the traces of the spread, the hatter, who was still digesting in the shop, suddenly called out:

"Say, I saw Nana the other day."

Virginie, who was seated at the counter looking very careworn in front of the jars and drawers which were already three parts emptied, jerked her head furiously. She restrained herself so as not to say too much, but really it was angering her. Lantier was seeing Nana often. Oh! she was by no means sure of him; he was a man to do much worse than that, when a fancy for a woman came into his head. Madame Lerat, very intimate just then with Virginie, who confided in her, had that moment entered the shop, and hearing Lantier's remark, she pouted ridiculously, and asked:

"What do you mean, you saw her?"

"Oh, in the street here," answered the hatter, who felt highly flattered, and began to laugh and twirl his moustaches. "She was in a carriage and I was floundering on the pavement. Really it was so, I swear it! There's no use denying it, the young fellows of position who are on friendly terms with her are terribly lucky!"

His eyes had brightened and he turned towards Gervaise who was standing in the rear of the shop wiping a dish.

"Yes, she was in a carriage, and wore such a stylish dress! I didn't recognise her, she looked so much like a lady of the upper set, with her white teeth and her face as fresh as a flower. It was she who waved her glove to me. She has caught a count, I believe. Oh! she's launched for good. She can afford to do without any of us; she's head over heels in happiness, the little beggar! What a love of a little kitten! No, you've no idea what a little kitten she is!"