The Carlovingian Coins; Or, The Daughters of Charlemagne

CHAPTER III.

IN THE GALLERIES OF THE PALACE

Amael and his grandson were lodged in one of the upper chambers of the palace, whither they were conducted by Hildebrad to rest after the fatigue of their recent journey. Supper was served to them and they were left to retire for the night.

At break of day the next morning, Octave knocked at the door of the two Bretons and informed them that the Emperor wished to see them. The Roman urged Vortigern to clothe himself at his best. The Breton lad had not much to choose from. He had with him only two suits of clothes, the one he wore on the journey, another, green of color and embroidered with orange wool. This notwithstanding, thanks to the fresh and new clothes, in which the colors were harmoniously blended and which enhanced the attractiveness of the charming face as well as the gracefulness of his supple stature, Vortigern seemed to the critical eyes of Octave worthy of making an honorable appearance before the mightiest Emperor in the world. The centenarian could not restrain a smile at hearing the praises bestowed upon the figure of his grandson by the young Roman, who advised him to draw tighter the belt of his sword, claiming that, if one's figure is good, it was but right to exhibit it. While giving his advices to Vortigern in his wonted good humor, Octave whispered in his friend's ear:

"Did you notice yesterday the nose-gays that fell at the feet of your horse? Did you notice who the girls were from whom the bouquets came?"

"I think I did," stammered the young Breton in answer, and he blushed to the roots of his hair, while despite himself, his thoughts flew to the charming young blonde. "It seems to me," he added, "that I saw the two bouquets fall."

"Oh, it seems to you, hypocrite! Nevertheless, it was my whip that brought down the two bouquets! And do you know what imperial hands it was that threw them down in homage to your address and courage?"

"Were the bouquets thrown down by imperial hands?"

"Yes, indeed, seeing that Thetralde, the timid blonde child and Hildrude, the tall and bold brunette, are both daughters of Charles. One of them was dressed in a green robe of the color of your blouse, the other in orange of the color of your embroidery. By Venus! Are you not a favored mortal? Two conquests at one clap!"

Engaged at the other end of the chamber, Amael did not overhear the words of Octave that were turning Vortigern's face as scarlet as the color of his chaperon's cloak. The preparations for the presentation being concluded, the two hostages followed their guide to appear before the Emperor. After crossing an infinite number of passages and mounting and descending an equal number of stairs, in all of which they encountered more women than men, the number of women lodged in the Imperial Palace being prodigious, the Bretons were led through vast halls. To describe the sumptuous magnificence of these galleries would be no less impossible than to enumerate the pictures with which their halls were ornamented. Artisans, brought from Constantinople, where, at the time, the school of Byzantine painting flourished, had covered the walls with gigantic designs. In one place the conquests of Cyrus over the Persians were displayed; at another, the atrocities of the tyrant Phalaris, witnessing the agonies of his victims, who were led to be burned alive in a brass caldron red with heat; at still another place, the founding of Rome by Romulus and Remus was reproduced; the conquests of Alexander and Hannibal, and many other heroic subjects. One of the galleries of the palace was consecrated wholly to the battles of Charles Martel. He was seen triumphing over Saxons and Arabs, who, chained at his feet, implored his clemency. So striking was the resemblance that while crossing the hall Amael cried out:

"It is he! Those are his features! That was his bearing! He lives again! It is Charles!"

"One would think you recognize an old acquaintance," observed the young Roman, smiling. "Are you renewing your acquaintance with Charles Martel?"

"Octave," answered the old man melancholically, "I am one hundred years old – I fought at the battle of Poitiers against the Arabs."

"Among the troops of Charles Martel?"

"I saved his life," answered Amael, contemplating the gigantic picture; and speaking to himself, he proceeded with a sigh: "Oh, how many recollections, sweet and sad, do not those days bring back to me! My beloved mother, my sweet Septimine!"

Octave regarded the old man with increasing astonishment, but, suddenly collecting himself, he grew pensive and hastened his steps, followed by the two hostages. Dazzled by the sights before him Vortigern examined with the curiosity of his age the riches of all kinds that were heaped up all around him. He could not refrain from stopping before two objects that attracted his attention above all others. The first was a piece of furniture of precious wood enriched with gilt mouldings. Pipes of copper, brass and tin, of different thicknesses rose above each other in tiers on one side of the wooden structure. "Octave," asked the young Breton, "what kind of furniture is this?"

"It is a Greek organ that was recently sent to Charles by the Emperor of Constantinople. The instrument is truly marvelous. With the aid of brass vessels and of bellows made of ox-hides, which are concealed from view, the air enters these tubes, and, when they are played upon, one time you think you hear the rumbling of thunder, another time, the gentle notes of the lyre or of cymbals. But look yonder, near that large table of massive gold where the city of Constantinople is drawn in relief, there you see no less ingenious an object. It is a Persian clock, sent to the Emperor only four years ago by Abdhallah, the King of Persia." Saying this, Octave pointed out to the young Breton and his grandfather, who became no less interested than Vortigern himself, a large time-piece of gilt bronze. Figures denoting the twelve hours surrounded the dial, which was placed in the centre of a miniature palace made of bronze, and likewise gilt. Twelve gates built in arcades were seen at the foot of the monumental imitation. "When the hour strikes," Octave explained to the Bretons, "a certain number of brass balls, equal in number to the hour, drop upon a little cymbal. At the same moment, these gates fly open, as many of them as the corresponding hour, and out of each a cavalier, armed with lance and shield, rides forth. If it strikes one, two or three o'clock, one, two or three gates open, the cavaliers ride out, salute with their lances, return within, and the gates close upon them."

"This is truly a marvelous contrivance!" exclaimed Amael. "And are the names of the men known who fashioned these prodigies around us, these magnificent paintings, that gold table where a whole city is reproduced in relief, this organ, this clock, in short, all these marvels! Surely their authors must have been glorified!"

"By Bacchus, Amael, your question is droll," answered Octave smiling. "Who cares for the names of the obscure slaves who have produced these articles?"

"But the names of Clovis, of Brunhild, of Clotaire, of Charles Martel will survive the ages!" murmured the centenarian bitterly to himself, while the young Roman remarked to Vortigern:

"Let us hurry; the Emperor is waiting for us. It will take whole days, months and years to admire in detail the treasures that this palace is full of. It is the favorite resort of the Emperor. And yet, as much as his residence at Aix-la-Chapelle, he loves his old castle of Heristal, the cradle of his mighty stock of mayors of the palace, where he has heaped miracles of art."

CHAPTER IV.

CHARLEMAGNE

Following their guide, the two hostages left the sumptuous and vast galleries, and ascended, closely behind Octave, a spiral staircase that led to the private apartment of the Emperor, the apartment around which wound the balcony that served as observatory to Charles. Two richly dressed chamberlains stood in the outer vestibule. "Stay for me here," Octave said to the Bretons; "I shall notify the Emperor that you await his pleasure, and learn whether he wishes to receive you at this moment."

Despite his race and family hatred for the Frankish Kings or Emperors, the conquerors and oppressors of Gaul, Vortigern experienced a thrill of emotion at the thought of finding himself face to face with the mighty Charles, the sovereign of almost all Europe. This first emotion was speedily joined by a second – that mighty Emperor was the father of Thetralde, the entrancing maid, who, the evening before, had thrown her bouquet to the youth. Vortigern's thoughts never a moment fell upon the brunette Hildrude. An instant later Octave reappeared and beckoned to Amael and his grandson to step in, while in an undertone he warned them: "Crook your knees low before the Emperor; it is the custom."

The centenarian cast a look at Vortigern with a negative sign of the head. The youth understood, and the Bretons stepped into the bed-chamber of Charles, whom they found in the company of his favorite Eginhard, the archchaplain whom Imma had one night bravely carried on her back. A servitor of the imperial chamber awaited the orders of his master.

When the two hostages entered the room, the monarch, whose stature, though now unarmed, preserved its colossal dimensions, was seated on the edge of his couch clad only in a shirt and hose that set off the pre-eminence of his paunch. He had just put on one shoe and held the other in his hand. His hair was almost white, his eyes were large and sparkling, his nose was long, his neck short and thick like a bull's. His physiognomy, of an open cast and instinct with joviality, recalled the features of his grandfather, Charles Martel. At the sight of the two Bretons the Emperor rose from the edge of the couch, and keeping his one shoe in his hand, took two steps forward, limping on his left foot. As he thus approached Amael he seemed a prey to a concealed emotion somewhat mingled with a lively curiosity.

"Old man!" cried out Charles in his shrill voice that contrasted so singularly with his giant stature, "Octave tells me you fought under Charles Martel, my grandfather, nearly eighty years ago, and that you saved his life at the battle of Poitiers."

"It is true," and carrying his hand to his forehead where the traces of a deep wound were still visible, the aged Breton added: "I received this wound at the battle of Poitiers."

The Emperor sat down again on the edge of his bed, put on the other shoe and said to his archchaplain: "Eginhard, you who compiled in your chronicle the history and acts of my grandfather, you whose memory is ever faithful, do you remember ever to have heard told what the old man says?"

Eginhard remained thoughtful for a moment, and then answered slowly: "I remember to have read in some parchment scrolls, inscribed by the hand of the glorious Charles and now preserved in your august archives, that, indeed, at the battle of Poitiers" – but interrupting himself and turning to the centenarian he asked: "Your name? How are you called?"

"Amael is my name."

The archchaplain reflected for a moment, and shaking his head observed: "While I can not now recall it, that was not the name of the warrior who saved the life of Charles Martel at the battle of Poitiers – it was a Frankish name, it is not the name which you mentioned."

"That name," rejoined the aged Amael, "was Berthoald."

"Yes!" put in Eginhard quickly. "That is the name – Berthoald. And in a few lines written in his own hand, the glorious Charles Martel commended the said Berthoald to his children; he wrote that he owed him his life and recommended him to their gratitude if he ever should turn to them."

During the exchange of these words between the aged Breton and the archchaplain, the Emperor had continued and finished his toilet with the aid of his servitor of the chamber. His costume, the old Frankish costume to which Charles remained faithful, consisted in the first place of a pair of leggings made of thick linen material closely fastened to the nether limbs by means of red wool bandelets that wound criss-cross from below upwards; next of a tunic of Frisian cloth, sapphire-blue, and held together by a silk belt. In the winter and the fall of the year the Emperor also wore over his shoulders a heavy and large otter or lamb-skin coat. Thus clad, Charles sat down in a large armchair placed near a curtain that was meant to conceal one of the doors that opened upon the balcony which served him for observatory. At a sign from Charles the servitor stepped out of the chamber. Left alone with Eginhard, Vortigern, Amael and Octave, Charles said to the elder Breton: "Old man, if I understood my chaplain correctly, a Frank named Berthoald saved my grandfather's life. How does it happen that the said Berthoald and you are the same personage?"

"When fifteen years of age, driven by the spirit of adventure, I ran away from my family of the Gallic race, and then located in Burgundy. After many untoward events, I joined a band of determined men. I then was twenty years of age. I took a Frankish name and claimed to be of that race in order to secure the protection of Charles Martel.[2 - For Amael's story, see "The Abbatial Crosier," the preceding book of the series.] To the end of interesting him all the more in my lot I offered him my own sword and the swords of all my men, just a few days before the battle of Poitiers. At that battle I saved his life. After that, loaded with his favors, I fought under his orders five years longer."

"And what happened then?"

"Then – ashamed of my imposition, and still more ashamed of fighting on the side of the Franks, I left Charles Martel to return into Brittany, the cradle of my family. There I became a field laborer."

"By the cape of St. Martin, you then turned rebel!" exclaimed the Emperor in his squeaky voice, which then assumed the tone of a penetrating treble. "I now see the wisdom of those who chose you for an hostage, you, the instigator and the soul of the uprisings and even wars that broke out in Brittany during the reign of Pepin, my father, and even under my own reign, when your devil-possessed countrymen decimated my veteran bands!"

"I fought as well as I could in our wars."

"Traitor! Loaded with favors by my grandfather, yet were you not afraid to rise in arms against his son and me?"

"I felt remorse for only one thing – and that was to have merited the favor of your grandfather. I shall ever reproach myself for having fought on his side instead of against him."

"Old man," cried the Emperor, purple with rage, "you have even more audacity than years!"

"Charles – let us stop here. You look upon yourself as the sovereign of Gaul. We Bretons do not recognize your claims. These claims you hold, like all other conquerors, from force. To you might means right – "

"I hold them from God!" again cried the Emperor, this time stamping the floor with his foot and breaking in upon Amael. "Yes! I hold my rights over Gaul from God, and from my good sword."

"From your sword, from violence, yes, indeed. From God, not at all. God does not consecrate theft, whether a purse or an empire be involved. Clovis captured Gaul. Your father and grandfather plundered of his crown the last scion of that Clovis. Little does that matter to us, Bretons, who refuse to obey either the stock of Clovis or that of Charles Martel. You dispose over an innumerable army; already have you ravished and vanquished Brittany. You may ravage and vanquish her over again – but subjugate her, never. And now, Charles, I have spoken. You shall hear not another word from me on that subject. I am your prisoner, your hostage. Dispose of me."

The Emperor, who more than once was on the point of allowing his indignation to break loose, turned to Eginhard and, after a moment of silence, said to him in a calm voice: "You, who are engaged in writing the history and deeds of Charles, the august Emperor of Gaul, Caesar of Germany, Patrician of Rome, Protector of the Suevians, the Bulgarians and the Hungarians, I command you to write down that an old man held to Charles a language of unheard-of audacity, and that Charles could not prevent himself from esteeming the frankness and the courage of the man who had thus spoken to him." And suddenly changing his tone, the Emperor, whose features, for a moment stern in anger, now assumed an expression of joviality shaded with shrewdness, said to Amael: "So, then, Breton seigneurs of Armorica, whatever I may do, you want none of me at any price for your Emperor. Do you so much as know me?"

"Charles, we know you in Brittany by the unjust wars that your father and yourself have waged against us."

"So that, to you, gentlemen of Armorica, Charles is only a man of conquest, of violence, and of battle?"