Records of a Girlhood

Friday, 14th.—Went over my part for to-night.... Victoire came with me to the theater instead of Dall, whose whole time is taken up attending on my father. The house was bad, and I thought I acted very ill, though Victoire and John, who was in the front, said I did not. Henry Greville was in the boxes, and to my surprise went from them to the pit, though I ought not to have been surprised, for, for such a fine gentleman, he is a very sensible man. Colonel and Lady C. Cavendish were in the orchestra, and how I did wish them further. I do so wonder, in the middle of my stage despair, what business my drawing-room acquaintances have sitting staring at it. My dress was beautiful. As for the audience, I do not know what ailed them, but they seemed to have agreed together only to applaud at the end of the scenes, so that I got no resting interruptions, and was half dead with fatigue at the end of the play. I read Daru's "Venice" between the scenes, and saw my father for a few minutes after I came home.

Thursday, 15th.—Had a delightful long letter from H–, who is a poet without the jingle.... Another physician is to be called in for my father. Oh, my dear father! Mr. Bartley was with him about this horrible theater business.... My mother went in the evening with John to hear Miss Sheriff in Polly. It is her first night in "The Beggar's Opera," and my father wished to know how it went. I stayed at home with poor Henry, and after tea sat with my father till bedtime.

Friday, 16th.—Went to the theater at eleven, and rehearsed Isabella in the saloon, the stage being occupied with a rehearsal of the pantomime. When my rehearsal was over, the carriage not being come, I went down to see what they were doing. There was poor Farleigh, nose and all (a worthy, amiable man, and excellent comic character, with a huge excrescence of a nose), qui se déménait like one frantic; huge Mr. Stansbury, with a fiddle in his hand, dancing, singing, prompting, and swearing; the whole corps de ballet attitudinizing in muddy shoes and poke-bonnets, and the columbine, in dirty stockings and a mob-cap, ogling the harlequin in a striped shirt and dusty trousers. What a wrong side to the show the audience will see!

My father is better, thank God! After dinner sat with poor Henry till time to go to the theater. Played Isabella. House bad. I played well; I always do to an empty house (this was my invariable experience both in my acting and reading performances, and I came to the conclusion that as my spirits were not affected by a small audience, they, on the contrary, were exhilarated by the effect upon my lungs and voice of a comparatively cool and free atmosphere). I read Daru between my scenes; I find it immensely interesting.... I read Niccolini's "Giovanni di Procida," but did not like it very much; I thought it dull and heavy, and not up to the mark of such a very fine subject.

Saturday, 17th.– … My father, thank God, appears much better.... I have christened the pretty mare I have bought "Donna Sol," in honor of my part in "Hernani." In the evening I read Daru, and wrote a few lines of "The Star of Seville;" but I hate it, and the whole thing is as dead as ditch-water.

Sunday, 18th.—To church.... After I came home I went and sat with my father. Poor fellow! he is really better; I thank God inexpressibly!

    Great Russell Street, December 18.

Dear H–,

I have had time to write neither long nor short letters for the last week; Mr. Young's engagement being at an end, I have been called back to my work, and have had to rehearse, and to act, and to be much too busy to write to you until to-day, when I have caught up all my arrears.

My father, thank God, is once more recovering, but we have twice been alarmed at such sudden relapses that we hardly dare venture to hope he is really convalescent. Inflammation on the lungs has, it seems, been going on for a considerable time, and though they think now that it has entirely subsided, yet, as the least exertion or exposure may bring it on again, we are watching him like the apples of our eyes. He has not yet left his bed, to which he has now been confined more than a month....

The exertion I have been obliged to make when leaving him to go and act, was so full of misery and dread lest I should find him worse, perhaps dead, on my return, that no words can describe what I have suffered at that dreadful theater. Thank God, however, he is now certainly better, out of present danger, and I trust and pray will soon be beyond any danger of a relapse. Anything like Dall's incessant and unwearied care and tenderness you cannot imagine. Night and day she has watched and waited on him, and I think she must have sunk under all the fatigue she has undergone but for the untiring goodness and kindness of heart that has supported her under it all. She is invaluable to us all, and every day adds to her claims upon our love and gratitude....

In the passage you quote from Godwin, he seems to think a friend of more use in reproving what is evil in us than I believe is really the case. Do you think our faults and follies can ever be more effectually sifted, analyzed, and condemned by another than by our own conscience? I do not think if one could put one's heart into one's friends' hand that they could detect one defect or evil quality that had not been marked and acknowledged in the depths of one's own consciousness. Do you suppose people shrink more from the censure of others than from self-condemnation? I find it difficult to think so.... You appear to me always to wish to submit your faith to a process which invariably breaks your apparatus and leaves you very much dissatisfied, with your faith still a simple element in you, in spite of your endeavors to analyze or decompose it. Are not, after all, our convictions our only steadfastly grounded faith? I do not mean conviction wrought out in the loom of logical argument, where one's understanding must have shuttled backward and forward through every thread a thousand times before the woof is completed, but the spiritual convictions, the intuitions of our souls, that lie upon their surface like direct reflections from heaven, distinct and beautiful enough for reverent contemplation, but a curious search into whose nature would, at any rate temporarily, blur and dissipate and destroy....

The sense of power which man cannot control is one thing that makes the sea such a delightful object of contemplation; the huge white main, and deep, tremendous voice of the vast creature over which man's daring and his knowledge give him but such imperfect mastery, suggest images of strength which are full of sublime fascination as one stands on the shore, looking at the vasty deep, and remembers how precarious and uncertain is man's dominion over it, and how God alone rules and governs it. It is impossible not to rejoice in the great sense of its huge power and freedom, even though their manifestations toward men are so often terrible and destructive.... Oh yes, indeed, I, like Wallenstein, have faith in the "strong hours," and hold their influence the more efficacious that we seldom think of resisting it; or, if we do, are seldom successful in the attempt....

The theater is going on very ill, but negotiations are pending between the partners, which it is hoped may eventually terminate in some arrangement with the creditors about the property. I have been acting Bianca again; I certainly am not jealous, and cannot imagine being so, any more of my husband than of my friend. I doubt if I have the power of loving which produces jealousy, in spite of which that part tries me dreadfully. I can conceive no torment comparable to that passion, which, however, I think is foreign to my own nature. I am reading Daru's "History of Venice," and am rather disappointed in the entertainment I expected to derive from it. It is a pretty long undertaking, too.... Remember me to all your people; and since you will have it that I am twin-sister to a fountain, remember me to my cousin, the dear little spring in the dell, which I love the more that it sometimes reflects your face and figure, as well as the fairies who dance round it by night. Do you hear that poor Lord Grey is said to be haunted by a vision of Lord Castlereagh's head? It sounds like a temptation of the devil to scare him into cutting his throat. Lord Brougham and the Duke of Wellington seem to me the only two men likely to keep their heads in these times of infinite political perturbation; but the one is made of steel, and the other of india-rubber.

    Yours, dearest, always,
    F. A. K.

Monday, 19th.—Went to Fozzard's, and had a pleasant, gossiping ride with Lady Grey and Miss Cavendish. While I was still riding, the Duchess of Kent and our little queen that is to be came down into the school; I was presented to them at their desire, and thought Princess Victoria a very unaffected, bright-looking girl. Fozzard made me gallop round; I think he is rather proud of showing me off.... My father is not so well again to-day. How dreadful these alternations are! I read Daru all the afternoon, and then sang in my own room to amuse Henry, till dinner-time. Colonel Bailey sent me the mare's saddle and bridle, and after dinner the boys put them on a chair for me, and gave me an absurd make-believe ride.

Wednesday, 21st—Dear Mr. Harness called, and I received him. He tells me that at the theater they want to do his tragedy ("The Wife of Antwerp," was, I think, the name of the piece) without my father; but this seems to me really sheer madness. The play is a pretty, interesting, well-written piece, and, well propped and sustained, may perhaps succeed for a few nights, but as to throwing the whole weight, or rather weakness of it, upon my shoulders, or any one pair of shoulders, it is folly to think of it. It is not a powerful sort of monologue like "Fazio," where the interest centres in one person and one passion, and therefore if that character is well sustained the rest can shift for itself. It is no such matter; it is a play of incident and not of character, and must be played by people and not one person. What terrible bad management! But, poor people! what can they do, with my father lying disabled there? If it was not for their complete disregard for their own interest, I should be inclined to quarrel with them for the way in which they are ruining mine; and I sincerely hope, for the sake of everybody concerned, that Mr. Harness will resist this senseless proposition.

I went with John in the afternoon to Angerstein's Gallery (M. Angerstein's fine collection of pictures was not then incorporated in the National Gallery, of which it subsequently became so important a portion); there are some new pictures there. Unluckily, we had only an hour to stay, but I brought away a great deal with me for so short a time. Among the additions was a very singular old painting, "The Holy Family," by one of the earliest masters, whose name I forget, not being familiar with it. I looked long at the glorious Titian, the "Bacchus and Ariadne," which always reminds me of—

"Whence come ye, jolly Satyrs, whence come ye?
Like to a moving vintage down they came."

One of the most famous pictures here is "Our Saviour disputing with the Doctors," by Leonardo da Vinci. I hardly ever receive pleasure from his pictures; there is a mannerism in all that I have seen that is positively disagreeable to me. How the later artists lost the simple secret of earnest vigor of their predecessors, while gaining in everything that was not that! Grace, finish, refinement, accuracy of drawing, richness of coloring, all that merely tended towards perfection and execution, while the simplicity and single-heartedness of conception died away more and more. All art seems by degrees to outgrow its strength, and certainly in painting the archaic cradle touches one's imagination as neither the graceful youth nor mature manhood do. "Le mieux c'est l'ennemi du bien" in nothing more than the progress of art after a certain period of its development, and when its mere mechanism is best understood, and applied in the most masterly manner. The spirit has tarried behind, and we have to return to seek it among the earlier days, when the genius of man was like a giant, rude, naked, and savage, but vigorous and free—unadorned indeed, but also untrammeled. Only a certain proportion of excellence is allowed to our race, but that is granted; and let us stretch it, expand it, roll and beat it out as we will, it is still but the same square inch made thin to cover a greater surface. For one good we still must yield another; we have no gain that is not loss, no acquisition but surrender, "exchange" which may perhaps be "no robbery," though quantity does seem a poor substitute for quality in matters of beauty. I wish I had lived in the times when the ore lay in the ingot (and had been one of the few who owned a nugget), instead of in these times of universal gold-leaf, glitter without weight, and shining shallowness of mere surface. Vigor is better than refinement, and to create better than to improve, and to conceive better than to combine. I wonder if the world, or rather the human mind, will ever really grow decrepit, and the fountain of beauty in men's souls run dry to the dregs; or will the manifestations only change, and the eternal spirit reveal itself in other ways?…

On our way home I had a long and interesting talk with John about the different forms of religious faith into which the gradual development of the human mind has successively expanded; each, of course, being the result of that very development, acting on the original necessity to believe in and worship and obey something higher and better than itself, implanted in our nature. It seems strange that he has a leaning to Roman Catholicism, which I have not. Our Protestant profession appears to me the purest creed—form—that Christianity has yet arrived at; but, I suppose, a less spiritual one, or perhaps I should say external accompaniments, affecting more palpably the senses and imagination, are wholesome and necessary to the cultivation and preservation of the religious sentiment in some minds. Catholicism was the faith of the chivalrous times, of the poetical times, of times when the creative faculty of man poured forth in since unknown abundance masterpieces of every kind of beauty, as manifestations of the pious and devout enthusiasm. Protestantism is undoubtedly the faith of these times; a denying faith, a rejecting creed, a questioning belief, its evil seems essentially to coincide with the worst tendency of the present age, but its good seems to me positive and unconditional, independent of time or circumstance; the best, in that kind, that the believing necessity in our nature has yet attained. Rightly understood and lived up to, the only service of God which is intellectual freedom, as all His service, lived up to, under what creed soever, is moral freedom. And it is in some sort in spite of myself that I say this, for my fancy delights in all the devout and poetical legendary conceptions which the stern hand of reason has stripped from our altars.

I found a letter at home from Emily Fitzhugh; she writes me word she has been revising my aunt Siddons's letters; thence an endless discussion as to the nature of genius, what it is. I suppose really nothing but the creative power, and so it remains a question if the greatest actor can properly be said to possess it. Again, how far does the masterly filling out of an inferior conception by a superior execution of it, such as really great actors frequently present, fall short of creative power, properly so called? Is it a thing positive, of individual inherent quality, or comparative, and composed of mere respective quantity? Can its manifestation be partial, and restricted to one faculty, or must it be a pervading influence, permeating the whole mind? Certainly Mrs. Siddons was what we call a great dramatic genius, and off the stage gave not the slightest indication of unusual intellectual capacity of any sort. Kean, the only actor whose performances have ever realized to me my idea of the effect tragic acting ought to produce, acted part of his parts rather than ever a whole character, and a work of genius should at least show unity of conception. My father, whose fulfilling of a particular range of characters is as nearly as possible perfect, wants depth and power, and power seems to me the core, the very marrow, so to speak, of genius; and if it is not genius that gave incomparable majesty and terror to my aunt's Lady Macbeth, and to Kean's Othello incomparable pathos and passion, and to my father's Benedict incomparable spirit and grace, what is it? Mere talent carried beyond a certain point? If so, where does the one begin and the other end? Or is genius a precious, inconvertible, intellectual metal, of which some people have a grain and a half, and some only half a grain?… There is dreadful news from Spain, and I fear it is too true. Torrijos has made another attempt. Oh, how thankful we must be that John is returned to us!

    Great Russell Street, Monday, December 23.

Dear Mrs. Jameson,

I owe you many excuses for not having sooner acknowledged your letter, but you may have seen by the papers that we have been bringing out a new piece, and that is always, while it goes on, an engrossing of time and attention paramount to all other claims. It is a play of Lord Francis Leveson's, and I know you will be glad to hear that it has been successful and is likely to prove serviceable to the theater. Another reason, too, for my silence is, that I have been working very hard at "The Star of Seville," which, I am thankful to say, has at length reached its completion. I have sent it to the theater upon approbation, in the usual routine of business; and am waiting very patiently the decision of the management on its fitness or unfitness for their purposes.

I know not whether your party at Teddesley are good thermometers, by which to judge of the state of political feeling here in London, but at this moment the rumor is rife that the Ministry dare not make the new batch of Peers, cannot carry the Bill, and must resign. To whom? is the next question, and it seems a difficult one to answer. One hardly sees, looking round the political ranks, who are to be the men to come forward and take up this tangled skein effectually. I write with rather a sympathetic leaning toward the Tory side of this Reform question, and do not know whether in so doing I am affronting you or not. In any case, I imagine, there can be but one opinion as to the difficulty, and even danger, of the present position of public affairs and public temper with regard to them.

Do you not soon think of returning to Town? or are you so well pleased with your present abode as to prolong your visit? London is particularly full, I think, for the time of year, and people are meeting in smaller numbers and a more sociable and agreeable way than they do later in the season. I was at two parties last week, each time, I am ashamed to say, after acting. I can't say that I find society pleasant; it reminds me a good deal of a "Conversation Cards," the insipid flippancy, of whose questions and answers seems to me to survive in these meetings, miscalled occasionally conversaziones. Dancing appears to me rational, and indeed highly intellectual, in comparison with such talk; and that I am as fond of as ever, but that has not begun yet, and I find these soirées causantes drearily unedifying.

Talking of stupid parties, your beautiful little picture of me and my various costumes helped away two hours of such intolerably dull people here the other night; I assure you we all voted you devout thanks on the occasion.... We are all tolerably well; my father is gradually recovering his strength, and though after such an attack as his has been the progress must of necessity be slow, we are inclined to hope, from that very circumstance, that it will be the more sure.... If you do not return soon, perhaps I shall hear from you again; pray recollect that it will give me great pleasure to do so, and that I am very sincerely yours,

    F. A. K.

I dressed my Juliet the last time I acted it, exactly after your little sketch of her....

Thursday.—Worked at "The Star of Seville." In the evening the play was "Isabella;" the house very bad. I played very well. The Rajah Ramahun Roy was in the Duke of Devonshire's box, and went into fits of crying, poor man!

Friday, 23d.—It is all too true; John has had a letter from Spain; they have all been taken and shot. I felt frozen when I heard the terrible news. Poor Torrijos! And yet I suppose it is better so: he would only have lived to bitter disappointment, and the despairing conviction that the spirit he appealed to did not animate one human being in his deplorable and degenerate land. A young Englishman, of the name of Boyd, John's sometime friend and companion, was taken and shot with the rest: it choked me to think of his parents, his brothers and sisters. Surely God has been most merciful to us in sparing us such an anguish, and bringing our wanderer home before this day of doom. How I thought of Richard Trench and his people! John did not seem to me to be violently affected, though his first exclamation was one of sharp and bitter pain: I suppose he must, long ere this, have felt that there could be no other end to this utterly hopeless attempt.... In the afternoon I called on Mrs. Norton, who is always to me astonishingly beautiful. The baby was asleep, and so I could not see it, but Spencer has grown into a very fine child.

Monday, 26th.—Went to see how the pantomime did. I did not think it very amusing, but there was an enchanting little girl (Miss Poole) who did Tom Thumb, and whose attitudes in her armor were most of them copied from the antique, and really beautiful. Poor dear, bright little thing!

My father was in bed when we returned; I went and saw him for a minute, to tell him how the pantomime had succeeded; it ended with some wonderful tight-rope dancing by an exceedingly steady, graceful man; but it turned me perfectly sick, and I hate all those sort of things.

Thursday, 29th.—After dinner worked at "The Star of Seville." I really wonder I have the patience to go on with it, it is such heavy trash. After tea my father begged me to sing to him. I am always horribly frightened at singing before my mother; I cannot bear to distress her accurate ear with my unsteady intonation, and the more I think of it, the colder my hands grow and the hotter my face, the huskier my voice and the flatter my notes; I bungle over accompaniments that I have at my fingers' ends, and forget words I know as well as my alphabet; in short, I feel like a wretch, and I sing like a wretch, and I make wretched all my hearers. My mother's own nervous terror when she had to sing on the stage, as a young woman, was excessive, as she has often told me; and her mother repeatedly but vainly endeavored to bribe her with the promise of a guinea if she would sing as well in public any of the songs that she sang perfectly well at home. I sang for some time, and by degrees got more courage, till at last I managed to sing tolerably in tune. My mother says I have more voice than A–. I am sorry to hear her voice has grown thin—that sweet, melodious voice I did so love to listen to; but perhaps it will recover its tone.

Wednesday, 28th.—My dear, dear father came down to breakfast, looking horribly thin and pale, poor fellow! but, thank God, he was able to come once more among us. I am to act Euphrasia on Monday; how I do hate it! Monday week my father talks of resuming his work again with Mercutio. Dear me! how happy I shall be! once more speaking the love poetry of Juliet after all these "meaner beauties of the night" that I have been executing ever since he has been ill. Juliet did very right to die; she would have become Bianca when once she was Mrs. Romeo Montague.... I wrote to Lady Francis about "Katharine of Cleves," (Lord Francis's translation of "Henri Trois"), who is once more beginning to lift up her head. My father thinks it may be done on Wednesday week.... It is now determined that Henry should go into the army, and my mother wants me to besiege Sir John through Lady Macdonald (the general's general) about a commission for him. In the evening, not having to be anybody tragical or heroical, I indulged in my own character, and had a regular game of romps with the boys; my pensive public would not have believed its eyes if it could have seen me with my hair all disheveled, not because of my woes, but because of riotous fun, jumping over chairs and sofas, and dodging behind curtains and under tables to escape from my pursuers. "Is that Miss Kemble?" as poor Mr. Bacon involuntarily exclaimed the first time he saw me.

    Great Russell Street, December 29, 1831.

My dearest H–,

You shall not entreat in vain, neither shall you have a short answer because you have an immediate one.... I should not have answered you so instantaneously, but that my last account of my dear father was so bad that I cannot delay telling you how much better he is, and how grateful we all are for his restoration to health. He is released from his bed, of which he must be heartily sick, and comes down to breakfast at the usual time: of course he is still weak and low, and wretchedly thin, but we trust a little time will bring back good spirits and good looks, though after such a terrible attack I fear it will be long before his constitution recovers its former strength, if indeed it ever does. He talks of resuming his labors at the theater next Monday week. Oh! my dear H–, what a dreadful season of anxiety this has been! but, thank God, it is past.

I had intended that this letter should go to you to-day, but you will forgive the delay of a day in my finishing it when I tell you that I have some hope of its producing a commission for Henry. Sir John Macdonald, at whose house you dined in the summer with my mother, is now adjutant-general, and I know not what besides; and after my mother and myself had expended all our eloquence in winding up my father's mind to resolve upon the army as Henry's profession, she thought the next best thing I could do would be to attack Lady Macdonald and secure the general's interest. They happened to call this afternoon, and your letter, my dear H–, has been left unfinished till past post-time, while I was soliciting this favor, which I have every hope we shall obtain. Lady Macdonald is extremely kind and good-natured, and I am sure will exert herself to serve us, and if this can be accomplished I shall be haunted by one anxiety the less.

Henry is too young and too handsome to be doing nothing but lounging about the streets of London, and even if he should be ordered to the Indies, it is something to feel that he is no longer aimless and objectless in life—a mere squanderer of time, without interest, stake, or duty, in this existence. I am sure this news will pacify you, and atone for the day's delay in this letter reaching you.

[My youngest brother Henry had a passionate desire to be a sailor, and never exhibited the slightest inclination for any other career. Admiral Lake, who was a very kind friend of my father's and mother's, knowing this to be the lad's bent, offered, on one occasion, to take charge of him, and have him trained for his profession under his own supervision. Such, however, was my mother's horror of the sea, and dread of losing her darling, if she surrendered him to be carried from her to Nova Scotia, whither I think Admiral Lake was bound when he offered to take my brother with him, that she induced my father to decline this most friendly and advantageous offer. Henry never after that exhibited the slightest preference for any other profession, and always said, "They may put me at a plow-tail if they like." He went through Westminster School, after a previous training at Bury St. Edmunds, not otherwise than creditably; but a very modest estimate of his own capacity made him beg not to be sent to Cambridge, where he said he was sure he should only waste money, and do himself and us no credit. (The bitter disappointment of my brother John's failure there had made a deep impression upon him.) Finally it was decided that he should go into the army, and the friendly interest of Sir John Macdonald and the liberal price Mr. Murray gave me for my play of "Francis I." enabled me to get him a commission; it was the time when they were still purchasable. My poor mother, unable to refuse her consent to this second favorable opportunity of starting him in life, acquiesced in his military, though she had thwarted his naval, career, and was well content to see her boy-ensign sent over with his troops to Ireland. But from Ireland his regiment was ordered to the West Indies, and after his departure thither she never again saw him in her life.]

I think it would be a wise thing if I were to go to America and work till I have made 10,000l., then return to England and go the round of the provinces, and act for a few nights' leave-taking in London. Prudence would then, perhaps, find less difficulty in adjusting my plans for the future. That is what I think would be well for me to do, supposing all things remain as they are and God preserves my health and strength. It will not do to verify all Poitier's lugubrious congratulation to his children in the Vaudeville on their marriage:

"Ji! Ji! mariez-vous,
Mettez-vous dans la misère!
Ji! Ji! mariez-vous,
Mettez-vous la corde au cou."

… Jealousy, surely, is a disposition to suspect and take umbrage where there is no cause for suspicion or offense, which, to say the least of it, is very unreasonable; but that a woman should break her heart because her husband does love another woman better than her, seems to me natural enough, and with regard to Bianca, her provocations certainly warranted a very rational amount of misery; and though, had she not been a woman of violent passions and a jealous temperament, she probably would not have taken the means she did of resenting Fazio's treatment of her, it appears to me that nothing but divine assistance and the strongest religious principle could preserve one under such circumstances from despair, madness, suicide, perhaps; hardly, however, the murder of one's husband. But assassinating other people seems a much more common mode of relieving their feelings among Italians than destroying themselves, which is rather a northern way of meeting, I should say of avoiding, difficulties.

I have had a holiday this week, and every now and then have written a word or two of "La Estrella;" it will never be done, and when it is it will be the horridest trash that ever was done; but I will let you have the pleasure of reading it, I promise you. On Monday I play that favorite detestation of mine, Euphrasia; the Monday after that my father hopes to be able for Mercutio, and I return to Juliet. By the by, you say Bianca is my best part, and I think my Juliet is better; I am not sure that there is not some kindred in the characters. We are going to bring out a play of Lord Francis', translated from the French, a sort of melodrama in blank verse, in which I have to act a part that I cannot do the least in the world, but of course that doesn't signify.

["Katharine of Cleves," translated from the French play of "Henri Trois et sa Cour," and made the subject of one of Mr. Barham's inimitably comical poems in the "Ingoldsby Legends." Mdlle. Mars acted the part of the heroine in Paris, and it was one of several semi-tragical characters, in which, at the end of her great theatrical career, she reaped fresh laurels in an entirely new field, and showed the world that she might have been one of the best serious, not to say tragic, actresses of the French stage, as well as its one unrivaled female comedian.]

We have spent a wretched Christmas, as you may suppose; a house with its head sick all but to death, and all its members smitten with the direst anxiety, is not the place for a merry one. God bless you, my dear, and send you years of peace of mind and health of body! this is, I suppose, what we mean when we wish for happiness here, either for ourselves or others. Give my love and kindest good wishes to your people.