The Tiger Lily

Without a word he took a square of brown paper, gummed it, and covered the face; then in perfect silence he went on painting, deeply interested in his work as his sketch took softer form and grew rapidly beneath his brush.

But the work did not progress so fast as on the previous day: he was painting well, but the black head, so incongruous and weird of aspect, posed upon the beautiful female form he was transferring to canvas, irritated him, and as he looked at his model from time to time, he could see that a pair of piercing eyes were watching him.

Half-an-hour had passed, when there was a low, weary sigh.

“We will rest a little,” he said quietly, and pointing to a chair and the screen, he devoted himself to an unimportant part of the work for some ten minutes, but to be brought back to his model by her words —

“I am waiting, monsieur.”

He started and resumed his work, remembering to pause for his patient model to rest twice over, and then to continue, and grow so excited over his efforts – painting so rapidly – that when he heard another weary sigh he glanced at the clock, and found that he had kept his model quite a quarter of an hour over her time.

“I beg your pardon, mademoiselle,” he said. “You must be very weary.”

“Yes, very weary,” she said sadly, as she moved towards the door, glancing over her right shoulder at the picture. “It is better now. I can look at your work; the dreadful face makes me too much alarmed.”

“A strange sitting,” he said. “Two veiled faces.” There was a quick look through the thick veil, but she walked on into the room, and in due time passed him on her way, bowed distantly, and went out, leaving Dale motionless by his canvas, gazing after her at the door, and conjuring up in his mind the figure he had so lately had before him.

He recovered himself with a start, and raised one hand to his forehead.

Chapter Fourteen.

Life’s Fever

It was with a novel feeling of anxiety that Dale waited for the coming of his model. A peculiar feverish desire to know more of her position had come over him, and he made up his mind to question her about her father and the cause of his exile. Jaggs had said that he had had to flee for life and liberty, and if he questioned her about these she would, foreigner-like, become communicative.

It was nothing to him, of course. This woman – lady perhaps, for her words bespoke refinement – would answer his purpose till the picture was finished. She was paid for her services, and when she was no longer required, there was an end of the visits to his studio.

He told himself all this as he sat before his great canvas, working patiently, filling up portions, and preparing for his model’s coming. And as he worked on, with the figure as strongly marked as the model, the softly rounded contour of the graceful form began to glow in imagination with life, and at last Dale sprang from his seat, threw down palette and brushes, and shook his head as if to clear it from some strange confusion of intellect.

“How absurd!” he said aloud, and trying to turn the current of his thoughts, they drifted back at once to his model, and he gazed at his work, wondering which of his ideas was correct about her persistently keeping her face covered.

“She cannot be disfigured,” he muttered. “It must be for reasons of her own. – She is, as I thought, forced to undertake a task that must be hateful to her. – I wonder whether her face is beautiful too?”

“Bah! what is it to me?” he muttered angrily. “I do not want to paint her face, and yet she must be very beautiful.”

He sat down again before his canvas, thoughtful and dreamy, picturing to himself what her face might be, and the next minute he had seized a drawing-board upon which grey paper was already stretched, picked up a crayon, and with great rapidity sketched in memories of dark aquiline faces that he had studied in Home and Paris, with one of later time – one of the women of the Italian colony which lives by the patronage of artists.

These soon covered the paper, and he sat gazing at them, wondering which would be suited to the figure he was painting.

Then, throwing the board aside, he began to pace the studio impatiently.

“What nonsense!” he muttered. “What craze is this! Her face is nothing to me. I’m overwrought. Worry and work are having their effect. I have had no exercise either lately. Yes: that’s it: I’m overdone.”

He stood hesitating for a few moments, and then thrust his hand into his pocket, and drew out five shillings.

“I’ll rout out Pacey and Leronde, and we’ll go up the river for a row.”

He rang the bell and waited, giving one more glance at his picture, and then turning it face to the wall, with the curtain drawn.

He had hardly finished when Keren-Happuch’s step was heard at the door, and she knocked and entered.

“You ring, please, sir?”

“Yes. Take this money. No – no – stop a moment. She would be hurt,” he muttered, and, hastily wrapping it in a sheet of note-paper at the side table, he thrust the packet into an envelope, fastened it down, and directed it to La Signora Azacci.

“There, Keren-Happuch,” he said.

“Don’t call me that now, please, Mr Dale, sir. I likes the other best, ’cause you don’t do it to tease me, like Mr Pacey.”

“Well then, Miranda, my little child of toil,” he said merrily, “I have wrapped up this money because the young lady might not like it given to her loose. It isn’t that I don’t trust you.”

The girl laughed.

“Zif I didn’t know that, sir. Why, you give me a fi’ pun’ note to get changed once.”

“So I did, Miranda, and will again.”

“And sovrins lots o’ times. I don’t mind.”

“Give this to the Italian lady.”

“Is she a lady, sir? I think she is sometimes, and sometimes I don’t, ’cause she’s so shabby. Why, some o’ them models as comes could buy her up out and out.”

“Yes, Miranda; but don’t be so loquacious.”

“No, sir, I won’t,” said Keren-Happuch, wondering the while what the word meant.

“Tell her that I’m not well this morning, and have gone into the country for a day, but I hope to see her at the same time to-morrow morning.”

“There, I knowed you wasn’t well, sir,” cried the girl eagerly.

“Pooh! only a little seedy.”

“But was she to come at the reg’lar time this morning, sir?”

“Yes, of course.”

“Then she ain’t comin’, sir, for it’s nearly an hour behind by the kitchen clock.”

Dale glanced at his watch in astonishment, then at the clock on the mantelpiece.

Keren-Happuch was quite correct in every respect, for the model did not come, and Dale felt so startled by this that he did not leave the studio all day, but spent it with a growing feeling of trouble.

That night, to get rid of the anxiety which kept his brain working, he sought out his two friends and dined with them at one of the cafés, eating little, drinking a good deal, and sitting at last smoking, morose and silent, listening to Leronde’s excited disquisitions on art, and Pacey’s bantering of the Frenchman, till it was time to return to his studio, which he entered with a shudder, to cross to his room.

Keren-Happuch had been up and lit the gas, leaving one jet burning with a ghastly blue flame, and when this was turned up, the place seemed to be full of shadows, out of which the various casts and busts looked at him weirdly.

“Phew! how hot and stuffy the place is,” he muttered. “Am I going to be ill – sickening for a fever? Bah! Rubbish! I drank too much of that Chianti.”