A Little World

“And now, then, gentlemen,” he said, “preliminaries being adjusted, and matters in train, we will proceed to the organ.”

“We” meant the candidates; for the vicar took possession of a pew, where he looked very much out of place, seeing that reading-desk and pulpit were both empty; and then there was a little bustle and confusion in the old church, as Jared slowly, and with sinking heart, followed the great musicians to the organ loft, from whence he could see Monsieur Canau taking snuff furiously, and Mrs Pellet, Patty, and a pew full of little Pellets anxiously waiting “to hear father play.”

“Ten minutes each, gentlemen,” said the vicar loudly from below, when, the Oxford doctor’s name being first upon the list, he took his seat.

Ichabod Gunnis loudly moistened his hands, and bent to his task, pulling up the bellows beam, and then sprawling across it to bear it down again with his own weight. While unrolling a piece of music, the doctor informed those around that it was his own composition, and played it through in a most admirable manner.

But the effect of the doctor’s composition was spoiled, for just in the midst of the finest forte Ichabod Gunnis had fished a “boxer” top from the pocket of his yellow leather tights, and, lost in admiration of its peg, forgotten his task and slackened his efforts, so that the wind failed in the chest, and in place of a series of grand chords there came from the old organ such doleful howls, as of a dying tune, that the organist thrust the fingers that should have been upon the keys into his hair, and grinned at himself in the reflector like a musical fiend.

“Try again,” whispered a competitor, loftily, and the Oxford man re-played his piece; but though he got through it this time without mishap, the doctor felt that unless his testimonials told strongly in his favour, his had been but a fruitless journey that day.

Next came the Cambridge doctor, with a noble march, which brought forth murmured applause from those who listened. Then followed Handel Smith, who confined himself to the works of his great namesake, and now won plaudits, softly given, for his masterly performance of the great “Hallelujah Chorus.”

As this last performer left his seat, Jared glanced down into the church, where, amidst the fast increasing audience, and occupying the most prominent place he could secure, stood Richard Pellet, with his thumbs in the arm-holes of his white vest, as he leaned back in portly guise against the pew front, and frowned acceptance of the last man’s musical incense, which he seemed to consider entirely in his own honour. But now he caught sight of brother Jared, and as eye met eye, Richard’s frown deepened, and his bottom lip protruded, as he appeared contemptuously to say, “Some people are such fools.”

At all events, Jared Pellet seemed to feel the words, and to think them true. He glanced round the church, as if seeking an opportunity to escape from the moral custody in which he found himself; but there was refreshment for him in the bright eyes of Patty, and an encouraging smile from Mrs Pellet at her side.

The competition progressed. Mr Timson gave vent to his opinion that Herr Schtopffz – a gentleman who appeared to be all fair hair, cheeks, and spectacles – almost made the organ speak; while in their turns the other competitors played admirably. A buzz of conversation ensued, as people warmly discussed the merits of the various performers; the churchwardens looked at one another, as if to say, “What next?” and Mrs Pellet and her daughter began to fidget in their seats, both impatient for Jared to begin, since it had been their decided opinion that he should have been the first to play.

But the buzz of conversation suddenly ceased, for the vicar rose in his pew and exclaimed loudly —

“Another candidate yet, gentlemen – Mr Jared Pellet.”

Volume One – Chapter Four.

Jared’s Piece

For the last half hour Jared had been wishing himself in Duplex Street, and for the last five minutes he had indulged in a hope that he would be passed over and forgotten. But as his name was uttered, he started and mechanically left his seat, while Patty turned pale, and Mrs Pellet had what she afterwards described as a rising sensation in her throat.

Anything but a formidable competitor seemed Jared Pellet as he rose from his seat, gazing with a lost and wandering look round the old church, and wiping the perspiration from his brow, till what with abject air, want of confidence, and his anything but bright costume, poor Jared’s aspect was pitiable to an extent that made one of his brother’s feet work as if it wanted something to kick.

After the first glance, the audience resumed their conversation, and the rival candidates, making common cause against their opponent, raised their brows, tightened their lips, and shrugged their shoulders, especially Herr Schtopffz, who quite covered his ears as he took a pinch of snuff.

Jared gave one more glance round the church, as if he expected a miracle to be performed in his favour, and that one of the stone angels by a neighbouring tablet would suddenly whisk him off. He then stepped slowly towards the vacant seat, rubbing his long bony fingers together so that they crackled again.

The appearance of the organ was enough to make Jared approach it reverently; and he shuffled on to the long stool, pressing down the lowest pedal key as he passed, so that it gave forth a deep shuddering rumble. This mishap seemed to add to his confusion, which, however, culminated as he felt in his pocket for the roll of music from which he was to have played. He felt in the next pocket, then in his breast, and lastly looked in his hat, as if expecting to see it there. Then he gazed in the faces of his fellow-candidates, as if to say, “What’s become of it?” But the roll was not forthcoming; and in despair, he now glanced at himself in the glass reflector above the key-board. But nothing was to be seen there but a doleful, hopeless-looking face, seeming to tell him that every chance of success was gone.

But as Jared sat there, in full view of the whole church, he felt a slight vibration in his seat, and heard the air rushing into the wind-chest as the boy toiled on at his task to keep it filled and make no more mistakes, for already, in anticipation, he was suffering from a cut or two of Beadle Purkis’s cane.

Jared gazed up at the towering pipes above his head, down at the keys and stops on either side; and then seemed to come over him the recollection of many a pleasant practice in a dim old church, where he had forgotten the troubles of the present in the concord of sweet sounds he had drawn from the instrument. He grew more agitated, his hands trembled, his cheeks flushed, and his eyes brightened – his whole form seemed to dilate, and he thrust his long fingers through his hair, as if seeking to add to the oddity of his appearance, while the audience ceased their murmuring hum of conversation as they witnessed his strange gestures.

He pulled out a stop here and a stop there, tenderly, as if caressing something he loved. Then pushing off his boots, he thrust in every stop, seized them sharply to draw nearly all out, and struck so wild and thrilling a chord, that his hearers started and craned forward to catch the next notes.

Now there was silence, save the dying vibrations of the chord heard in the distant corners and groinings of the roof, for not a whisper was audible amongst the many listeners assembled.

Still silence, as Jared Pellet sat motionless before the great instrument while you might have counted thirty, for the player was lost in the crowd of recollections the sounds had evoked from the past Competition, the audience, all had faded from his mental vision as once more he leaned forward; and fingers were held up to command silence.

“He’s a lunatic, sir,” said one of the listeners to Mr Timson, as Jared Pellet again bent over the keys.

“Then I should like to be at a concert of such lunatics, sir,” answered Mr Timson, who then gave forth an audible “Hush!” as, in a rapid rolling passage, the huge pedal pipes thundered forth a majestic introduction; when again for a few moments there was a pause, and the organist’s fingers were held crooked in mid-air, till with a spasmodic effort he brought them down upon the keys, to pour forth crashing volley after volley of wondrous chords, from end to end of the key-board, and with the full power of the mighty pipes.

Again a rest, and again crashing forth with wondrous rapidity came the spirit-thrilling passages, till, with suppressed breath, the listeners leaned forward as though overpowered; while, after another slight pause, came wailing and sobbing forth so sweetly mournful, so heavenly a strain, that there were some present who were moved to tears, and two, seated in a pew surrounded by children, joined hands and listened with bended head. So sweet an air had never before pealed through the old aisles of St Runwald’s, and made to tremble the woodwork of the great pews with which it was disfigured; for now the melody was wild and piercing – now subdued and plaintive, to rise soon to the jubilant and hopeful: it was the soul of the true musician pouring forth through the medium of the divine art its every thought and feeling.

Again a pause, and the seven rivals, with parted lips, eagerly clustered round the man who saw them not, who ignored church, audience, self, everything but the majestic instrument before which he was seated; and again and again, although the ten minutes had long expired, the audience listened to the bursts of harmony which swayed them as one man, floating around until the air seemed quivering and vibrating with the songs of a multitude of heaven’s own choristers. Louder and louder, chords grander and more majestic, then softly sweet and dying away, while, after one sweeping crescendo passage, Jared ended with a mighty chord which no other man could have grasped, and the audience seemed to be released from the spell which had bound them, as, stop by stop and interval by interval, the chord was diminished, until the pedal key-note alone vibrated shudderingly through the church.

“Rather warm work that, sir,” said the little churchwarden, leaning over into the vicar’s pew.

“Hush, Timson,” said the vicar; “he has not done.”

But he had, though for a few minutes there was a silence that no one cared to break, till, forgetful of place – everything but the strains they had heard – from the vicar downwards, all joined in one loud burst of applause; while, dull, lustreless, spiritless, Jared Pellet responded to the congratulations of his rivals – one and all too true lovers of their art to withhold the palm where they felt it to be well deserved.

Down in the nave, too, there was a pompous, bustling man, talking loudly to those around, giving people to understand that the performer was his brother – the man who, without hesitation, was elected to the post – and for once in a way, Richard Pellet went and shook hands with Jared, and, as he warmly asked him to dinner, forgot to tell him that he was a fool.

Volume One – Chapter Five.

Saint Runwald’s

There were grand rejoicings in Duplex Street when Jared obtained official announcement, under the hand and seal of Mr Timson the tea-dealer, of his appointment to the post of organist of St Runwald’s, with a salary of fifty pounds a year. To be sure, it was settled before; but Mrs Jared said they might run back, and, after the many disappointments they had had during their married life, it was dangerous to reckon on too much. But now that there was an official appointment in Mr Timson’s round, neat calligraphy, she had no words to say, save those of thankfulness.

Proud! Ay, he was proud, was Jared, for that was an organ to be proud of. It was none of your grand new instruments, full of stops bearing a score of unaccountable names, miserably naked, skeleton-looking affairs, like a conglomeration of Pandean pipes grown out of knowledge, and too big for the society of their old friend the big drum – beggarly painted things, with pipes in blue and red and white, after the fashion of peppermint sticks of the good old times. Why, I hardly believe that Jared, unless prompted thereto by the wolf Poverty, would have struck one of his mighty chords upon them.

But there would have been nothing surprising in Jared’s refusal, since the instrument now placed under his charge was a noble organ in a dark wood case, one which grew richer of tone year by year, while the carved fruit and flowers that clustered around pipes, reflector, music-stand – in fact, wherever a scrap of carving could be placed – were worthy of inspection, without taking into account the shiny Ethiopie cherubs that perched upon their chins, and spread their wings at every available corner.

No; Jared’s was no common organ, as would be declared by any one who had seen the great pipes towering up into the gloom of the roof, and their gilding shedding a rich sunset hue into the farthest corners of the old church. People came miles to hear that organ as soon as Jared became its ruling spirit, and Mrs Nimmer grew hot on Sunday mornings in her endeavours to find sittings for the strangers who flocked in. But the old vicar, the Rev. John Grey, used to chuckle, and think that all was due to his sermons, and wonder whether there could ever be a second St Chrysostom, the golden-mouthed.

Purkis, the beadle, used to wink – that is to say, he would draw a heavy lid over one of his lobster eyes – and say, “I know!” For Jared, in spite of his poverty and large family, had commenced his musical reign by a “donus” of three half-crowns to the beadle, who would boast that he (the beadle) could give people a better service than they could get in any other church in London; and “as to the orgin, why they’d better come and see, that’s all.”

And truly it seemed that Jared could make that instrument thrill beneath his touch, till every passion of the human heart had its representative amongst those notes. You might hear it sob, and wail, and moan in the most piteous manner, whisper and die away in sweet sighing melodies amongst the old pillars, or far up in the carven corners of the chancel, where the notes made the glass to tremble in the lead as they seemed striving to pass through the painted windows. Hear it thunder too, like a young earthquake, and rage, and roar, and growl, till the very pew doors rattled and chattered; and however thick and soft your cushion, you could feel the deep-toned diapasons shuddering up and down your spine. There were love sighs, joy, rage, contending armies, the warring elements, with the rolling billow and crashing thunder, all to be heard from those organ-pipes when Jared Pellet touched the keys; and matters grew to such a pitch, that, partly out of pity for Ichabod Gunnis, and partly because people would not be played out, Mr Timson limited Jared’s voluntaries to a duration of ten minutes.

Mr Purkis’s dinner grew cold; but he did not mind it, for he loved music, and would sit with mouth open and eyes upturned, swallowing the sweet sounds which floated in the air; but Mrs Nimmer, who was not musical, and who, alternately with Mr Purkis, locked up the church, did mind. Hints were of no use; the people would stop, while Ichabod Gunnis heartily wished that he might do the same, for it was a close and confined space where he laboured at the handle of his wind pump, until Jared’s afflatus had been dispersed.

Mr Timson stopped all this with his ten minutes’ law – ample time as he said; and as Jared Pellet never thought of opposing anybody, the voluntaries were reluctantly brought to an end. For Jared’s behaviour at the competition was but a sample of his future proceedings, and when once he began to play, and the organ was in full burst, there was no Jared there, only his body see-sawing from side to side, with shoeless feet working at the pedals, and fingers, bony almost as the keys themselves, nimbly running from flat to natural and sharp, and back again. Jared was not there, he was in the spirit soaring far away upon musical pinions, and in another state of existence, wherein he was freed from the cares and troubles of this life, and felt them only indirectly, as they affected others with whom he seemed to weep or smile, as the character of the music was grave or gay.

Jared Pellet had just finished a morning practice, for he had had to work hard to reduce his wild, semi-extemporised style to the requirements of a regular choir. He had pushed in the last stop, and left his long stool, closing the organ with a sigh, before opening the locker in his seat and depositing therein his book and manuscript. He had drawn the red curtains along the rod when he had entered, and on leaving drew them back again, so that he stood confessed before Ichabod Gunnis; and for a stranger to see Jared Pellet stand confessed after one of his ethereal musical flights, was like taking him from the seventh heaven and putting him under the pump. It was worse than going right into fairyland at the back of the stage on pantomime night, and staring dismayed at the dauby paint, canvas, and confusion.

Ichabod and the organist stood face to face, and whatever the failings of the latter, the former was no pattern of personal beauty; for as to his appearance, he had been rightly named, had there ever been any glory to depart; but the sole reason for the boy bearing his quaint cognomen was, that at the workhouse where he received his early gruel, the authorities had worn out the twelve patriarchs and the twelve apostles, while the number of Abels, Davids, Solomons, and Jonathans who had left their walls was something startling, so they had tried Ichabod for a change, the Gunnis being an after addition.

Ichabod’s leather garments have already been delicately hinted at, but it has not been said that they badly fitted his fourteen year old limbs, neither have his blue bob-tail coat and his vest, ornamented with pewter buttons, been mentioned – buttons bearing a large capital “G.” There was no star of merit upon the left breast of Ichabod, but a pewter plate was stitched on, close to his heart, to keep him from being smitten by the pity of those who saw his absurd garments, and also to act as a label, and to show that he was number fifty-five in the list of scholars belonging to that most excellent gift of charity – Gunnis’s, which, every one who knows London will tell you, is a school where so many boys are educated, and made moral scarecrows; and Ichabod being a “fondling” – as he was called by the workhouse nurse – was entered at last, to the freedom of his parish, already overburdened, and became one of Gunnis’s boys.

“Six o’clock, Ichabod,” said Jared, “and don’t be late.”

“No, sir,” said ’Bod, as he was familiarly termed; and then he began to spin his muffin cap by the tuft of coloured wool on the top.

“Don’t do that, my boy, or you’ll pull off the tassel,” said Jared, as he prepared to descend the stairs, while the young gentleman addressed, evidently perceiving how disfigured his worsted cap would be without its red tuft, tossed it high in the air, to nimbly catch it again upon his head, though rather too far over his eyes for comfort in wearing. Then listening to the descending footsteps, he threw off his coat, and went down upon the boards in a sitting posture, but not of the common kind; for, though one leg was down in a normal position, the other was stretched out far behind, so that it appeared as if the joint had been reversed.

Up again; and now one leg was thrust over his head, to the great danger of his leather pants; then the other leg was tucked over, and the boy down prostrate upon his chest, so that he wore the appearance of a dislocated frog, though his countenance beamed with satisfaction.

“Ichabod!” cried Jared from below.