The Master of the Ceremonies

So Cora took her drives as of old, found that she was very much noticed by the gentlemen, very little by the ladies, but waited her time.

The Deans lodged at one of the best houses in the Parade – a large, double-fronted place facing the sea, with spacious balcony and open hall door, and porch ornamented with flowers.

The little groom sprang down and ran to the ponies’ heads as his mistress alighted, and after sweeping her rich dress aside, held out her hand for her mother, who got out of the carriage slowly, and in what was meant for a very stately style, her quick beady eyes having shown her that the windows on either side of the front door were wide open, while her sharp ears and her nose had already given her notice that the lodgers were at home – a low buzzing mellow hum with a wild refrain in high notes, announcing that old Mr Linnell was at work with his violoncello to his son’s violin, and a faint penetrating perfume – or smell, according to taste – suggesting that Colonel Mellersh was indulging in a cigar.

Mrs Dean’s daughter was quite as quick in detecting these signs, and, raising her head and half closing her eyes, she swept gracefully into the house, unconscious of the fact that Richard Linnell drew back a little from the window on one side of the door, and that Colonel Mellersh showed his teeth as he lay back in his chair beside a small table, on which was a dealt-out pack of cards.

“I should like to poison that old woman,” said the Colonel, gathering together the cards.

“I wish Mr Barclay had let the first floor to some one else, Richard,” said a low pleasant voice from the back of the room. P-r-r-rm, Pr-um!

The speaker did not say Pr-r-rm, Pr-um! That sound was produced by an up and down draw of the bow across the fourth string of the old violoncello he held between his legs, letting the neck of the instrument with its pegs fall directly after into the hollow of his arm, as he picked up a cake of amber-hued transparent rosin from the edge of a music stand, and began thoughtfully to rub it up and down the horse-hair of the bow.

The speaker’s was a pleasant handsome face of a man approaching sixty; but though his hair was very grey, he was remarkably well-preserved. His well-cut rather effeminate face showed but few lines, and there was just a tinge of colour in his cheeks, such as good port wine might have produced: but in this case it was a consequence of a calm, peaceful, seaside life. He was evidently slight and tall, but bent, and in his blue eyes there was a dreamy look, while a curious twitch came over his face from time to time as if he suffered pain.

“It would have been better, father,” said Richard Linnell, turning over the leaves of a music-book with his violin bow, “but we can’t pick and choose whom one is to sit next in this world.”

“No, no, we can’t, my son.”

“And I don’t think that we ought to trouble ourselves about our neighbours, so long as they behave themselves decorously here.”

“No, no, my son,” said Linnell, senior, thoughtfully. “There’s a deal of wickedness in this world, but I suppose we mustn’t go about throwing stones.”

“I’m not going to, father, and I’m sure you wouldn’t throw one at a mad dog.”

“Don’t you think I would, Dick?” with a very sweet smile; and the eyes brightened and looked pleased. “Well, perhaps you are right. Poor brute! Why should I add to its agony?”

“So long as it didn’t bite, eh, father?”

“To be sure, Dick; so long as it didn’t bite. I should like to run through that adagio again, Dick, but not if you’re tired, my boy, not if you’re tired.”

“Tired? No!” cried the young man. “I could keep on all day.”

“That’s right. I’m glad I taught you. There’s something so soul-refreshing in a bit of music, especially when you are low-spirited.”

“Which you never are, now.”

“N-no, not often, say not often, say not often. It makes me a little low-spirited though about that woman and her mother, Dick.”

“I don’t see why it should.”

“But it does. Such a noble-looking beautiful creature, and such a hard, vulgar, worldly mother. Ah, Dick, beautiful women are to be pitied.”

“No, no: to be admired,” said Richard, laughing.

“Pitied, my boy, pitied,” said the elder, making curves in the air with his bow, while the fingers of his left hand – long, thin, white, delicate fingers – stopped the strings, as if he were playing the bars of some composition. “Your plain women scout their beautiful sisters, and trample upon them, but it is in ignorance. They don’t know the temptations that assail one who is born to good looks.”

“Why, father, this is quite a homily.”

“Ah, yes, Dick,” he said, laughing. “I ought to have been a preacher, I think, I am always prosing. Poor things – poor things! A lovely face is often a curse.”

“Oh, don’t say that.”

“But I do say it, Dick. It is a curse to that woman upstairs. Never marry a beautiful woman, Dick.”

“But you did, father.”

The old man started violently and changed colour, but recovered himself on the instant.

“Yes, yes. She was very beautiful. And she died, Dick; she died.”

He bent his head over his music, and Richard crossed and laid his hand upon his shoulder.

“I am sorry I spoke so thoughtlessly.”

“Oh, no, my boy; oh, no. It was quite right. She was a very beautiful woman. That miniature does not do her justice. But – but don’t marry a beautiful woman, Dick,” he continued, gazing wistfully into his son’s face. “Now that adagio. It is a favourite bit of mine.”

Richard Linnell looked as if he would have liked to speak, and there was a troubled expression on his face as he thought of Claire Denville’s sweet candid eyes; but he shrank from any avowal. For how dare he, when she had given him but little thought, and – well, she was a beautiful woman, one of those against whom he had been warned.

He looked up and found his father watching him keenly, when both assumed ignorance of any other matter than the adagio movement, the sweet notes of which, produced by the thrilling strings, floated out through the open window, and up and in that of the drawing-room floor overhead, where on a luxurious couch Mrs Dean had thrown herself, while her daughter was slowly pacing the room with the air of a tragedy queen.

“Buzz-buzz; boom-boom! Oh, those horrid fiddlers!” cried Mrs Dean, bouncing up and crossing to the fireplace, where she caught up the poker; but only to have her hand seized by her daughter, who took the poker away, and replaced it in the fender.

“What are you going to do?”

“What am I going to do? Why thump on the floor to make them quiet. Do you suppose I’m going to sit here and be driven mad with their scraping! This isn’t a playhouse!”

“You will do nothing of the sort, mother.”

“Oh, won’t I? Do you think I’m going to pay old Barclay all that money for these rooms, and not have any peace? Pray who are you talking to?”

“To you, mother,” said Cora sternly; and the stoutly-built, brazen-looking virago shrank from her daughter’s fierce gaze. “You must not forget yourself here, among all these respectable people.”

“And pray who’s going to? But I don’t know so much about your respectability. That Colonel, with his queer looks like the devil in ‘Dr Faustus,’ is no better than he should be.”

“The Colonel is a man of the world like the rest,” said Cora coldly.

“Yes, and a nice man of the world, too. And that old Linnell’s living apart from his wife. I know though – ”

“Silence!”

“Now look here, Betsy, I won’t have you say silence to me like that. This here isn’t the stage, and we aren’t playing parts. Just you speak to me proper, madam.”

“Mother, I will not have you speak of Mr Linnell like that.”

“Ho, indeed! And why not, pray? Now, look here, Betsy,” she cried, holding up a warning finger, “I won’t have no nonsense there. I’m not a fool. I know the world. I’ve seen you sighing and looking soft when we’ve passed that young fellow downstairs.”

Cora’s eyes seemed to burn as she fixedly returned her mother’s look.