Coelebs: The Love Story of a Bachelor

“The present schools are a feature of the place,” she said. “No one would care to have them done away with. They are picturesque.”

“Yes; they are,” Mrs Chadwick admitted readily. “That is what distresses me in old places – their beauty. One hates to demolish the beautiful. But healthy children are more beautiful than old buildings; and the modern buildings, with up-to-date construction, are healthier for small people.”

“I think our village children are remarkably healthy,” Miss Simpson protested.

“Do you? Half the school, I observed, had colds. Healthy children should not be susceptible to chills. If they worked in properly ventilated rooms they would not be. The lungs of the young have immense powers of resistance, but we weaken these powers with our foolish indifference to overheating and overcrowding. It is little short of criminal to study the picturesque in preference to the well-being of the rising generation.”

“I think we should study both,” Mrs Sommers intervened, with a view to soothing the ruffled feelings of her visitor, who was chafing visibly under this downright attack. “The schools are certainly charming. I should hate to see them pulled down myself. We will have to effect some compromise.”

Compromise, in Mrs Chadwick’s opinion, was as ineffectual as patching a worn-out garment; the worn-out garment could but fulfil its destiny, and become rags. But she let the subject drop. It could be revived at some future date. The schools were being slowly drawn into the network of her revolutionary schemes for the modernising of Moresby.

Miss Simpson, less diplomatic, and more assertive than Mrs Sommers, showed her disapproval by abruptly changing the subject, and introducing an entirely new, and, in Mrs Chadwick’s opinion, distinctly quaint topic of conversation. She referred with considerable vim to certain matters of local importance which had been given prominence in the pages of the current number of the Parish Magazine. Mrs Chadwick betrayed such absorbed interest in these matters that Miss Simpson was beguiled into inquiring whether she had seen the current number of the Parish Magazine. She spoke of the magazine as a lover of the poets might speak of the works of Shakespeare, with a certain reverential awe for the importance of proved literary merit. Mrs Chadwick wore the vaguely distressed look that a well-read woman wears on discovering an unsuspected limitation in her literary attainments. She had not even heard before of the Parish Magazine.

“I am afraid I don’t know it,” she answered. “There are such a number of magazines, aren’t there? And so many new ones always coming out. One can’t keep pace with these things. I stick to the old magazines, like the Century, and the Strand, and the Contemporary Review. If one ought to read the Parish Magazine, of course I should wish to.”

Miss Simpson stared, and Mrs Sommers laughed softly, albeit she did not consider this quizzing altogether fair.

“The publications you refer to are not of the same nature as the Parish Magazine,” the visitor observed crushingly. “Our magazine is a purely local pamphlet for local circulation. It deals solely with parish matters.”

Mrs Chadwick considered this dull, but she did not say so. She appeared politely impressed.

“That must be very interesting to – to Moresby inhabitants,” she said gravely.

“That is its object,” Miss Simpson returned. “Most parishes have their magazines. The people like to know what takes place locally; and they find it all noted down.”

She spoke with the laboured forbearance of one who seeks to instruct a very ignorant person on a subject which should not have required explanation.

“Our magazine is a new venture,” she added, with the conscious pride of the literary aspirant. “I started it last year. I edit it.”

“Indeed!” Mrs Chadwick’s tone expressed admiration. “Please put me down as an annual subscriber.”

Miss Simpson unbent.

“I shall be delighted. It is a monthly pamphlet, issued at one penny.”

“That is not ruinous,” murmured the prospective subscriber.

“The village people could not afford more,” Miss Simpson explained patiently. “They all like to read it. Occasionally some of their names are mentioned. They expect that.”

“I should be afraid,” Mrs Chadwick remarked, surveying the editress seriously, “of letting myself in for a libel action in your place. It is so difficult to be personal without the sacrifice of truth, and refrain from giving offence. I am inclined to think a parish magazine must be a dangerous publication.”

“You haven’t got the idea at all,” Miss Simpson said acidly. “We only mention the things which reflect to the credit of the persons concerned, such as any little gift to the parish, or the participation in local entertainments, and such matters; and, of course, work done on committees. Mr Musgrave’s name appears in its columns frequently.”

“Belle,” said Mrs Chadwick, with one of her radiant smiles, “I insist upon seeing the Parish Magazine. How is it you have kept these things from me? It would amuse me immensely to read of Mr Musgrave’s doings. He is so reticent about such things himself.”

The entrance of Mr Musgrave created a diversion. He came in in advance of Eliza with the tea; and Mrs Chadwick, watching with mercilessly observant glance, noted the fluttering agitation of the visitor, whose austere manner changed as surprisingly as the colour of the chameleon, and became immediately gracious, and demurely coy. Mr Musgrave’s manner was not responsive. It suggested to Mrs Chadwick his attitude towards herself.

“I have just been hearing terrible tales of the things you do, which gain you notoriety in the columns of the Parish Magazine,” she said wickedly. “I am going to read up all the back numbers.”

John Musgrave did not smile. He crossed the room deliberately, and closed the window and fastened it – an act Miss Simpson witnessed with satisfaction.

“So thoughtless of me,” said Mrs Chadwick apologetically. “I always forget your dislike for fresh air.”

“I do not dislike fresh air,” he returned gravely, “in its proper place.”

“What would you describe as its proper place?” she asked.

“Out of doors,” he answered, surprised that a clever woman should ask so obvious a question.

Then, while the three women sat and watched him, he made the tea, taking from the caddy a spoonful for each guest, and an additional spoonful for the requisite strength, according to custom. Mr Musgrave had made his own tea for many years; he saw no reason now for discontinuing this practice, though one person present – the one with the least right – would gladly have relieved him of the task. It was so pathetic, she reflected, to see a man making the tea; it was significant of his lonely state. Clearly a man needed a wife to perform this homely office, a wife of a suitable age, with similar tastes, who would never distress him with any display of unwomanly traits.

“I always think that no one makes tea quite like you do,” she murmured sweetly, as she received her cup from John Musgrave’s hand.

Which speech, in its ambiguity, Mrs Chadwick considered extremely diplomatic.

Chapter Seven

“I have,” said Mrs Chadwick dramatically that same evening to Mrs Sommers, “been exactly a week in Moresby, and I have made two enemies. What will be the result when I have lived here a year?”

This question opened up ground for reflection. Belle reflected. She did it, as she did most things, quickly.

“You will possibly overcome their prejudices, and make them love you.”

“That is a charming answer,” Mrs Chadwick replied. “But I am not sure that their love would not prove equally embarrassing. I would prefer to win their regard.”

“It is merely another term for the same emotion,” Mrs Sommers insisted.

They were seated before the fire in Mrs Chadwick’s bedroom, having a last chat before retiring. Though women live together in the same house, and part, possibly for the first time for the day, outside their bedroom doors, a last chat is a privileged necessity – that is, when women are companions; when the last chat ceases to be a necessity it is a proof of mutual boredom. Mrs Chadwick and Belle Sommers were a long way off the point of boredom.

Belle had begun going to Mrs Chadwick’s bedroom in her capacity of pseudo hostess, thinking that possibly Mrs Chadwick, who had come without a maid in deference to a hint from her friend that strange servants would be unwelcome in Mr Musgrave’s household, might find herself at a loss. But Mrs Chadwick was seldom at a loss in the matter of helping herself; a maid was a luxury, not an essential, in her train of accessories. The pekinese alone was indispensable. She had conceded the point about the maid, but she had refused to be separated from the pekinese. It is conjectural whether Mr Musgrave did not object more to the pekinese than he would have to the maid; but Belle, like Mrs Chadwick, did not consider it wise to humour all his little prejudices.

“I think,” observed Mrs Chadwick, after a pause, during which they had both been gazing reflectively into the fire, “that I have settled everything that was immediately pressing, and can now relieve your brother of the strain of my presence. I cannot begin anything until we are established at the Hall.”

Mrs Sommers looked amused.

“I believe,” she said, “that John is frightening you away.”

“He is,” Mrs Chadwick admitted. “I am afraid of John. His inextinguishable courtesy chills me. How come you and John to be the children of the same parents? I don’t believe you are. I believe that John is a changeling.”

Belle laughed.

“He is our father reproduced,” she said.

“That disposes of my theory. Then you must be the changeling. Plainly, Miss Simpson ought to have been his sister.”

“She would prefer to stand in a closer relationship,” Mrs Sommers said.

“Yes; that’s obvious. But she hasn’t the ghost of a chance. She is an old maid.”