The Octopus : A Story of California

“The great poem of the West. It’s that which I want to write. Oh, to put it all into hexameters; strike the great iron note; sing the vast, terrible song; the song of the People; the forerunners of empire!”

Vanamee understood him perfectly. He nodded gravely.

“Yes, it is there. It is Life, the primitive, simple, direct Life, passionate, tumultuous. Yes, there is an epic there.”

Presley caught at the word. It had never before occurred to him.

“Epic, yes, that’s it. It is the epic I’m searching for. And HOW I search for it. You don’t know. It is sometimes almost an agony. Often and often I can feel it right there, there, at my finger-tips, but I never quite catch it. It always eludes me. I was born too late. Ah, to get back to that first clear-eyed view of things, to see as Homer saw, as Beowulf saw, as the Nibelungen poets saw. The life is here, the same as then; the Poem is here; my West is here; the primeval, epic life is here, here under our hands, in the desert, in the mountain, on the ranch, all over here, from Winnipeg to Guadalupe. It is the man who is lacking, the poet; we have been educated away from it all. We are out of touch. We are out of tune.”

Vanamee heard him to the end, his grave, sad face thoughtful and attentive. Then he rose.

“I am going over to the Mission,” he said, “to see Father Sarria. I have not seen him yet.”

“How about the sheep?”

“The dogs will keep them in hand, and I shall not be gone long. Besides that, I have a boy here to help. He is over yonder on the other side of the herd. We can’t see him from here.”

Presley wondered at the heedlessness of leaving the sheep so slightly guarded, but made no comment, and the two started off across the field in the direction of the Mission church.

“Well, yes, it is there—your epic,” observed Vanamee, as they went along. “But why write? Why not LIVE in it? Steep oneself in the heat of the desert, the glory of the sunset, the blue haze of the mesa and the canyon.”

“As you have done, for instance?”

Vanamee nodded.

“No, I could not do that,” declared Presley; “I want to go back, but not so far as you. I feel that I must compromise. I must find expression. I could not lose myself like that in your desert. When its vastness overwhelmed me, or its beauty dazzled me, or its loneliness weighed down upon me, I should have to record my impressions. Otherwise, I should suffocate.”

“Each to his own life,” observed Vanamee.

The Mission of San Juan, built of brown ‘dobe blocks, covered with yellow plaster, that at many points had dropped away from the walls, stood on the crest of a low rise of the ground, facing to the south. A covered colonnade, paved with round, worn bricks, from whence opened the doors of the abandoned cells, once used by the monks, adjoined it on the left. The roof was of tiled half-cylinders, split longitudinally, and laid in alternate rows, now concave, now convex. The main body of the church itself was at right angles to the colonnade, and at the point of intersection rose the belfry tower, an ancient campanile, where swung the three cracked bells, the gift of the King of Spain. Beyond the church was the Mission garden and the graveyard that overlooked the Seed ranch in a little hollow beyond.

Presley and Vanamee went down the long colonnade to the last door next the belfry tower, and Vanamee pulled the leather thong that hung from a hole in the door, setting a little bell jangling somewhere in the interior. The place, but for this noise, was shrouded in a Sunday stillness, an absolute repose. Only at intervals, one heard the trickle of the unseen fountain, and the liquid cooing of doves in the garden.

Father Sarria opened the door. He was a small man, somewhat stout, with a smooth and shiny face. He wore a frock coat that was rather dirty, slippers, and an old yachting cap of blue cloth, with a broken leather vizor. He was smoking a cheap cigar, very fat and black.

But instantly he recognised Vanamee. His face went all alight with pleasure and astonishment. It seemed as if he would never have finished shaking both his hands; and, as it was, he released but one of them, patting him affectionately on the shoulder with the other. He was voluble in his welcome, talking partly in Spanish, partly in English. So he had come back again, this great fellow, tanned as an Indian, lean as an Indian, with an Indian’s long, black hair. But he had not changed, not in the very least. His beard had not grown an inch. Aha! The rascal, never to give warning, to drop down, as it were, from out the sky. Such a hermit! To live in the desert! A veritable Saint Jerome. Did a lion feed him down there in Arizona, or was it a raven, like Elijah? The good God had not fattened him, at any rate, and, apropos, he was just about to dine himself. He had made a salad from his own lettuce. The two would dine with him, eh? For this, my son, that was lost is found again.

But Presley excused himself. Instinctively, he felt that Sarria and Vanamee wanted to talk of things concerning which he was an outsider. It was not at all unlikely that Vanamee would spend half the night before the high altar in the church.

He took himself away, his mind still busy with Vanamee’s extraordinary life and character. But, as he descended the hill, he was startled by a prolonged and raucous cry, discordant, very harsh, thrice repeated at exact intervals, and, looking up, he saw one of Father Sarria’s peacocks balancing himself upon the topmost wire of the fence, his long tail trailing, his neck outstretched, filling the air with his stupid outcry, for no reason than the desire to make a noise.

About an hour later, toward four in the afternoon, Presley reached the spring at the head of the little canyon in the northeast corner of the Quien Sabe ranch, the point toward which he had been travelling since early in the forenoon. The place was not without its charm. Innumerable live-oaks overhung the canyon, and Broderson Creek—there a mere rivulet, running down from the spring—gave a certain coolness to the air. It was one of the few spots thereabouts that had survived the dry season of the last year. Nearly all the other springs had dried completely, while Mission Creek on Derrick’s ranch was nothing better than a dusty cutting in the ground, filled with brittle, concave flakes of dried and sun-cracked mud.

Presley climbed to the summit of one of the hills—the highest—that rose out of the canyon, from the crest of which he could see for thirty, fifty, sixty miles down the valley, and, filling his pipe, smoked lazily for upwards of an hour, his head empty of thought, allowing himself to succumb to a pleasant, gentle inanition, a little drowsy comfortable in his place, prone upon the ground, warmed just enough by such sunlight as filtered through the live-oaks, soothed by the good tobacco and the prolonged murmur of the spring and creek. By degrees, the sense of his own personality became blunted, the little wheels and cogs of thought moved slower and slower; consciousness dwindled to a point, the animal in him stretched itself, purring. A delightful numbness invaded his mind and his body. He was not asleep, he was not awake, stupefied merely, lapsing back to the state of the faun, the satyr.

After a while, rousing himself a little, he shifted his position and, drawing from the pocket of his shooting coat his little tree-calf edition of the Odyssey, read far into the twenty-first book, where, after the failure of all the suitors to bend Ulysses’s bow, it is finally put, with mockery, into his own hands. Abruptly the drama of the story roused him from all his languor. In an instant he was the poet again, his nerves tingling, alive to every sensation, responsive to every impression. The desire of creation, of composition, grew big within him. Hexameters of his own clamoured, tumultuous, in his brain. Not for a long time had he “felt his poem,” as he called this sensation, so poignantly. For an instant he told himself that he actually held it.

It was, no doubt, Vanamee’s talk that had stimulated him to this point. The story of the Long Trail, with its desert and mountain, its cliff-dwellers, its Aztec ruins, its colour, movement, and romance, filled his mind with picture after picture. The epic defiled before his vision like a pageant. Once more, he shot a glance about him, as if in search of the inspiration, and this time he all but found it. He rose to his feet, looking out and off below him.

As from a pinnacle, Presley, from where he now stood, dominated the entire country. The sun had begun to set, everything in the range of his vision was overlaid with a sheen of gold.

First, close at hand, it was the Seed ranch, carpeting the little hollow behind the Mission with a spread of greens, some dark, some vivid, some pale almost to yellowness. Beyond that was the Mission itself, its venerable campanile, in whose arches hung the Spanish King’s bells, already glowing ruddy in the sunset. Farther on, he could make out Annixter’s ranch house, marked by the skeleton-like tower of the artesian well, and, a little farther to the east, the huddled, tiled roofs of Guadalajara. Far to the west and north, he saw Bonneville very plain, and the dome of the courthouse, a purple silhouette against the glare of the sky. Other points detached themselves, swimming in a golden mist, projecting blue shadows far before them; the mammoth live-oak by Hooven’s, towering superb and magnificent; the line of eucalyptus trees, behind which he knew was the Los Muertos ranch house—his home; the watering-tank, the great iron-hooped tower of wood that stood at the joining of the Lower Road and the County Road; the long wind-break of poplar trees and the white walls of Caraher’s saloon on the County Road.

But all this seemed to be only foreground, a mere array of accessories—a mass of irrelevant details. Beyond Annixter’s, beyond Guadalajara, beyond the Lower Road, beyond Broderson Creek, on to the south and west, infinite, illimitable, stretching out there under the sheen of the sunset forever and forever, flat, vast, unbroken, a huge scroll, unrolling between the horizons, spread the great stretches of the ranch of Los Muertos, bare of crops, shaved close in the recent harvest. Near at hand were hills, but on that far southern horizon only the curve of the great earth itself checked the view. Adjoining Los Muertos, and widening to the west, opened the Broderson ranch. The Osterman ranch to the northwest carried on the great sweep of landscape; ranch after ranch. Then, as the imagination itself expanded under the stimulus of that measureless range of vision, even those great ranches resolved themselves into mere foreground, mere accessories, irrelevant details. Beyond the fine line of the horizons, over the curve of the globe, the shoulder of the earth, were other ranches, equally vast, and beyond these, others, and beyond these, still others, the immensities multiplying, lengthening out vaster and vaster. The whole gigantic sweep of the San Joaquin expanded, Titanic, before the eye of the mind, flagellated with heat, quivering and shimmering under the sun’s red eye. At long intervals, a faint breath of wind out of the south passed slowly over the levels of the baked and empty earth, accentuating the silence, marking off the stillness. It seemed to exhale from the land itself, a prolonged sigh as of deep fatigue. It was the season after the harvest, and the great earth, the mother, after its period of reproduction, its pains of labour, delivered of the fruit of its loins, slept the sleep of exhaustion, the infinite repose of the colossus, benignant, eternal, strong, the nourisher of nations, the feeder of an entire world. Ha! there it was, his epic, his inspiration, his West, his thundering progression of hexameters. A sudden uplift, a sense of exhilaration, of physical exaltation appeared abruptly to sweep Presley from his feet. As from a point high above the world, he seemed to dominate a universe, a whole order of things. He was dizzied, stunned, stupefied, his morbid supersensitive mind reeling, drunk with the intoxication of mere immensity. Stupendous ideas for which there were no names drove headlong through his brain. Terrible, formless shapes, vague figures, gigantic, monstrous, distorted, whirled at a gallop through his imagination.

He started homeward, still in his dream, descending from the hill, emerging from the canyon, and took the short cut straight across the Quien Sabe ranch, leaving Guadalajara far to his left. He tramped steadily on through the wheat stubble, walking fast, his head in a whirl.

Never had he so nearly grasped his inspiration as at that moment on the hilltop. Even now, though the sunset was fading, though the wide reach of valley was shut from sight, it still kept him company. Now the details came thronging back—the component parts of his poem, the signs and symbols of the West. It was there, close at hand, he had been in touch with it all day. It was in the centenarian’s vividly coloured reminiscences—De La Cuesta, holding his grant from the Spanish crown, with his power of life and death; the romance of his marriage; the white horse with its pillion of red leather and silver bridle mountings; the bull-fights in the Plaza; the gifts of gold dust, and horses and tallow. It was in Vanamee’s strange history, the tragedy of his love; Angele Varian, with her marvellous loveliness; the Egyptian fulness of her lips, the perplexing upward slant of her violet eyes, bizarre, oriental; her white forehead made three cornered by her plaits of gold hair; the mystery of the Other; her death at the moment of her child’s birth. It was in Vanamee’s flight into the wilderness; the story of the Long Trail, the sunsets behind the altar-like mesas, the baking desolation of the deserts; the strenuous, fierce life of forgotten towns, down there, far off, lost below the horizons of the southwest; the sonorous music of unfamiliar names—Quijotoa, Uintah, Sonora, Laredo, Uncompahgre. It was in the Mission, with its cracked bells, its decaying walls, its venerable sun dial, its fountain and old garden, and in the Mission Fathers themselves, the priests, the padres, planting the first wheat and oil and wine to produce the elements of the Sacrament—a trinity of great industries, taking their rise in a religious rite.

Abruptly, as if in confirmation, Presley heard the sound of a bell from the direction of the Mission itself. It was the de Profundis, a note of the Old World; of the ancient regime, an echo from the hillsides of mediaeval Europe, sounding there in this new land, unfamiliar and strange at this end-of-the-century time.

By now, however, it was dark. Presley hurried forward. He came to the line fence of the Quien Sabe ranch. Everything was very still. The stars were all out. There was not a sound other than the de Profundis, still sounding from very far away. At long intervals the great earth sighed dreamily in its sleep. All about, the feeling of absolute peace and quiet and security and untroubled happiness and content seemed descending from the stars like a benediction. The beauty of his poem, its idyl, came to him like a caress; that alone had been lacking. It was that, perhaps, which had left it hitherto incomplete. At last he was to grasp his song in all its entity. But suddenly there was an interruption. Presley had climbed the fence at the limit of the Quien Sabe ranch. Beyond was Los Muertos, but between the two ran the railroad. He had only time to jump back upon the embankment when, with a quivering of all the earth, a locomotive, single, unattached, shot by him with a roar, filling the air with the reek of hot oil, vomiting smoke and sparks; its enormous eye, cyclopean, red, throwing a glare far in advance, shooting by in a sudden crash of confused thunder; filling the night with the terrific clamour of its iron hoofs.

Abruptly Presley remembered. This must be the crack passenger engine of which Dyke had told him, the one delayed by the accident on the Bakersfield division and for whose passage the track had been opened all the way to Fresno.

Before Presley could recover from the shock of the irruption, while the earth was still vibrating, the rails still humming, the engine was far away, flinging the echo of its frantic gallop over all the valley. For a brief instant it roared with a hollow diapason on the Long Trestle over Broderson Creek, then plunged into a cutting farther on, the quivering glare of its fires losing itself in the night, its thunder abruptly diminishing to a subdued and distant humming. All at once this ceased. The engine was gone.

But the moment the noise of the engine lapsed, Presley—about to start forward again—was conscious of a confusion of lamentable sounds that rose into the night from out the engine’s wake. Prolonged cries of agony, sobbing wails of infinite pain, heart-rending, pitiful.

The noises came from a little distance. He ran down the track, crossing the culvert, over the irrigating ditch, and at the head of the long reach of track—between the culvert and the Long Trestle—paused abruptly, held immovable at the sight of the ground and rails all about him.

In some way, the herd of sheep—Vanamee’s herd—had found a breach in the wire fence by the right of way and had wandered out upon the tracks. A band had been crossing just at the moment of the engine’s passage. The pathos of it was beyond expression. It was a slaughter, a massacre of innocents. The iron monster had charged full into the midst, merciless, inexorable. To the right and left, all the width of the right of way, the little bodies had been flung; backs were snapped against the fence posts; brains knocked out. Caught in the barbs of the wire, wedged in, the bodies hung suspended. Under foot it was terrible. The black blood, winking in the starlight, seeped down into the clinkers between the ties with a prolonged sucking murmur.

Presley turned away, horror-struck, sick at heart, overwhelmed with a quick burst of irresistible compassion for this brute agony he could not relieve. The sweetness was gone from the evening, the sense of peace, of security, and placid contentment was stricken from the landscape. The hideous ruin in the engine’s path drove all thought of his poem from his mind. The inspiration vanished like a mist. The de Profundis had ceased to ring.

He hurried on across the Los Muertos ranch, almost running, even putting his hands over his ears till he was out of hearing distance of that all but human distress. Not until he was beyond ear-shot did he pause, looking back, listening. The night had shut down again. For a moment the silence was profound, unbroken.

Then, faint and prolonged, across the levels of the ranch, he heard the engine whistling for Bonneville. Again and again, at rapid intervals in its flying course, it whistled for road crossings, for sharp curves, for trestles; ominous notes, hoarse, bellowing, ringing with the accents of menace and defiance; and abruptly Presley saw again, in his imagination, the galloping monster, the terror of steel and steam, with its single eye, cyclopean, red, shooting from horizon to horizon; but saw it now as the symbol of a vast power, huge, terrible, flinging the echo of its thunder over all the reaches of the valley, leaving blood and destruction in its path; the leviathan, with tentacles of steel clutching into the soil, the soulless Force, the iron-hearted Power, the monster, the Colossus, the Octopus.

CHAPTER II

On the following morning, Harran Derrick was up and about by a little after six o’clock, and a quarter of an hour later had breakfast in the kitchen of the ranch house, preferring not to wait until the Chinese cook laid the table in the regular dining-room. He scented a hard day’s work ahead of him, and was anxious to be at it betimes. He was practically the manager of Los Muertos, and, with the aid of his foreman and three division superintendents, carried forward nearly the entire direction of the ranch, occupying himself with the details of his father’s plans, executing his orders, signing contracts, paying bills, and keeping the books.

For the last three weeks little had been done. The crop—such as it was—had been harvested and sold, and there had been a general relaxation of activity for upwards of a month. Now, however, the fall was coming on, the dry season was about at its end; any time after the twentieth of the month the first rains might be expected, softening the ground, putting it into condition for the plough. Two days before this, Harran had notified his superintendents on Three and Four to send in such grain as they had reserved for seed. On Two the wheat had not even shown itself above the ground, while on One, the Home ranch, which was under his own immediate supervision, the seed had already been graded and selected.

It was Harran’s intention to commence blue-stoning his seed that day, a delicate and important process which prevented rust and smut appearing in the crop when the wheat should come up. But, furthermore, he wanted to find time to go to Guadalajara to meet the Governor on the morning train. His day promised to be busy.

But as Harran was finishing his last cup of coffee, Phelps, the foreman on the Home ranch, who also looked after the storage barns where the seed was kept, presented himself, cap in hand, on the back porch by the kitchen door.

“I thought I’d speak to you about the seed from Four, sir,” he said. “That hasn’t been brought in yet.”

Harran nodded.

“I’ll see about it. You’ve got all the blue-stone you want, have you, Phelps?” and without waiting for an answer he added, “Tell the stableman I shall want the team about nine o’clock to go to Guadalajara. Put them in the buggy. The bays, you understand.” When the other had gone, Harran drank off the rest of his coffee, and, rising, passed through the dining-room and across a stone-paved hallway with a glass roof into the office just beyond.

The office was the nerve-centre of the entire ten thousand acres of Los Muertos, but its appearance and furnishings were not in the least suggestive of a farm. It was divided at about its middle by a wire railing, painted green and gold, and behind this railing were the high desks where the books were kept, the safe, the letter-press and letter-files, and Harran’s typewriting machine. A great map of Los Muertos with every water-course, depression, and elevation, together with indications of the varying depths of the clays and loams in the soil, accurately plotted, hung against the wall between the windows, while near at hand by the safe was the telephone.

But, no doubt, the most significant object in the office was the ticker. This was an innovation in the San Joaquin, an idea of shrewd, quick-witted young Annixter, which Harran and Magnus Derrick had been quick to adopt, and after them Broderson and Osterman, and many others of the wheat growers of the county. The offices of the ranches were thus connected by wire with San Francisco, and through that city with Minneapolis, Duluth, Chicago, New York, and at last, and most important of all, with Liverpool. Fluctuations in the price of the world’s crop during and after the harvest thrilled straight to the office of Los Muertos, to that of the Quien Sabe, to Osterman’s, and to Broderson’s. During a flurry in the Chicago wheat pits in the August of that year, which had affected even the San Francisco market, Harran and Magnus had sat up nearly half of one night watching the strip of white tape jerking unsteadily from the reel. At such moments they no longer felt their individuality. The ranch became merely the part of an enormous whole, a unit in the vast agglomeration of wheat land the whole world round, feeling the effects of causes thousands of miles distant—a drought on the prairies of Dakota, a rain on the plains of India, a frost on the Russian steppes, a hot wind on the llanos of the Argentine.