Призрак оперы / The Phantom of the Opera

“Yes, yes, we saw him—we saw him just now!” cried the girls. “He had his death’s head and his dress-coat[17 - dress-coat – фрак], just as when he appeared to Joseph Buquet!”

“And Gabriel saw him too!” said Jammes. “Only yesterday! Yesterday afternoon!”

“Gabriel, the chorus-master?”

“Why, yes, didn’t you know?”

“And he was wearing his dress-clothes, in broad daylight[18 - in broad daylight – средь бела дня]?”

“Who? Gabriel?”

“Why, no, the ghost!”

“Certainly! Gabriel told me so himself. That’s what he knew him by. Gabriel was in the stage-manager’s office. Suddenly the door opened and the Persian entered. You know the Persian has the evil eye.”

“Oh, yes!” answered the little ballet-girls in chorus.

“And you know how superstitious Gabriel is,” continued Jammes. “However, he is always polite. When he meets the Persian, he just puts his hand in his pocket and touches his keys. Well, the moment the Persian appeared in the doorway, Gabriel gave one jump from his chair to the lock of the cupboard. He rushed out of the office like a madman, slipped on the staircase and came down on his back. I was just passing with mother. We picked him up. He was covered with bruises and his face was all over blood. And he began to thank Providence that he had got off so cheaply. Then he told us what had frightened him. He had seen the ghost behind the Persian, the ghost with the death’s head just like Joseph Buquet’s description!”

A silence followed, while Sorelli polished her nails in great excitement. It was broken by Meg, who said:

“Joseph Buquet would do better to hold his tongue.”

“Why should he hold his tongue?” asked somebody.

“That’s mother’s opinion,” replied Meg, lowering her voice.

“And why is it your mother’s opinion?”

“Hush! Mother says the ghost doesn’t like being talked about.”

“And why does your mother say so?”

“Because—because—nothing.”

The young ladies crowded round little Meg.

“I swore not to tell!” gasped Meg.

But they promised to keep the secret, until Meg, wanting to say all she knew, began, with her eyes fixed on the door:

“Well, it’s because of the private box[19 - the private box – частная ложа].”

“What private box?”

“The ghost’s box!”

“Has the ghost a box? Oh, do tell us, do tell us!”

“Not so loud!” said Meg. “It’s Box Five, you know, the box on the grand tier[20 - the box on the grand tier – ложа первого яруса], next to the stage-box, on the left.”

“Oh, nonsense!”

“I tell you it is. But you swear you won’t say a word?”

“Of course, of course.”

“Well, that’s the ghost’s box. No one has had it for over a month, except the ghost, and orders have been given at the box-office that it must never be sold.”

“And does the ghost really come there?”

“Yes.”

“Then somebody does come?”

“Why, no! The ghost comes, but there is nobody there.”

The little ballet-girls exchanged glances. If the ghost came to the box, he must be seen, because he wore a dress-coat and a death’s head. But Meg replied:

“That’s just it! The ghost is not seen. And he has no dress-coat and no head! All that talk about his death’s head and his head of fire is nonsense! There’s nothing in it. You only hear him when he is in the box. Mother has never seen him, but she has heard him. Mother knows, because she gives him his program.”

Sorelli interfered.

“My dear, you’re laughing at us!”

Meg began to cry.

“I ought to have held my tongue—if mother ever came to know! But I was quite right, Joseph Buquet had no business to talk of things that don’t concern him—it will bring him bad luck—mother was saying so last night.”

There was a sound of hurried and heavy footsteps in the passage and a voice cried:

“My dear! Are you there?”

“It’s mother’s voice,” said Jammes. “What’s the matter?”

She opened the door. A respectable lady burst into the dressing-room and dropped into an arm-chair. Her eyes rolled madly.

“How awful!” she said. “How awful!”

“What? What?”

“Joseph Buquet!”

“What about him?”

“Joseph Buquet is dead!”

The room became filled with exclamations.