The Works of Theophile Gautier, Volume 5

Each band numbered not less than two hundred men, but the storm of sound produced by the bugles, drums, sistra, and tambourines, which would have been deafening within the palace, was in no wise too loud or too tremendous under the vast cupola of the heavens, in the centre of that immense space, amid buzzing multitudes, at the head of an army which baffles enumeration and which was advancing with the roar of great waters. Besides, were eight hundred musicians too many to precede the Pharaoh, beloved of Ammon Ra, represented by colossi of basalt and granite sixty cubits high, whose name was written on the cartouches of imperishable monuments, and whose story was carved and painted upon the walls of the hypostyle halls, on the sides of pillars, in endless bassi-relievi and innumerable frescoes? Was it too much indeed for a king who dragged a hundred conquered nations by their hair, and from the height of his throne ruled the nations with his whip? For the living Sun that flamed on dazzled eyes? For one who, save that he did not possess eternal life, was a god?

Behind the music came the captive barbarians, strange to look at, with bestial faces, black skins, woolly hair, as much like monkeys as men, and dressed in the costume of their country, – a skirt just above the hips held by a single brace, embroidered with ornaments in divers colours. An ingenious cruelty had directed the binding together of the prisoners. Some were bound by the elbows behind the back; others by their hands raised above their head, in the most uncomfortable position; others again had their wrists caught in stocks; others with their neck in an iron collar or held by a rope which fastened a whole file of them, with a loop for each victim. It seemed as if the object sought had been to thwart as much as possible natural attitudes in the fettering of these poor wretches, who marched before their conqueror awkwardly and with difficulty, rolling their big eyes and twisting and writhing in pain. Guards marched at their side, striking them with sticks to make them keep time.

Next came, bowed with shame, exposed in their wretched, deformed nudity, dark-complexioned women, with long hanging tresses, carrying their children in a piece of stuff fastened around their brow, – a vile herd intended for the meanest uses. Others, young, handsome and fairer, their arms adorned with broad bracelets of ivory, their ears pulled down by great metal discs, wrapped themselves in long, wide-sleeved tunics embroidered around the neck and falling in fine, close folds down to their ankles, on which rattled anklets, – poor girls, snatched from their country, their parents, their lovers perhaps; yet they smiled through their tears, for the power of beauty is boundless, strangeness gives birth to caprice, and perhaps the royal favour awaited some of these barbaric captives in the secret depths of the harem. Soldiers accompanied them and kept the multitude from crowding upon them.

The standard-bearers followed, bearing on high the golden staff of their ensigns, which represented mystic baris, sacred hawks, heads of Hathor surmounted by ostrich-plumes, winged ibex, cartouches bearing the king's name, crocodiles, and other warlike or religious symbols. Long white streamers spotted with black spots were tied to these standards, and fluttered gracefully on the march.

At the sight of the standards which announced the arrival of the Pharaoh, the deputations of priests and notables stretched out their hands in supplication towards him, or let them fall on their knees, the palms turned up. Some even prostrated themselves, their knees close to the body, their faces in the dust, in an attitude of absolute submission and deep adoration, while the spectators waved great palm-branches.

A herald or reader, holding in his hand a roll covered with hieroglyphic signs, marched along between the standard-bearers and the incense-burners, who preceded the king's litter. He shouted, in a loud voice as sonorous as a brazen trumpet, the victories of the Pharaoh; he related the fortunes of the Pharaoh's battles, announced the number of captives and of war chariots taken from the enemy, the amount of the booty, the measures of gold-dust, the elephants' tusks, the ostrich-plumes, the quantities of balsamic gum, the giraffes, lions, panthers, and other rare animals. He named the barbaric chiefs who had been slain by the javelins of His Majesty the Almighty Aroëris, favourite of the gods. At each proclamation the people uttered a mighty shout, and from the top of the revetment banks threw down upon the conqueror's pathway long, green palm-branches.

At last the Pharaoh appeared. Priests, who turned and faced him at regular intervals, swung their censers, after having cast incense upon the coals lighted in a little bronze cup which was held by a hand at the end of a sort of sceptre topped by a sacred animal's head. They marched respectfully backwards while the scented blue smoke rose to the nostrils of the triumphant sovereign, apparently as indifferent to these honours as if he were a god of bronze or basalt.

Twelve oëris, or military chiefs, their heads covered with a light helmet surmounted by an ostrich-plume, bare to the belt, their loins wrapped in a loin cloth of stiff folds, wearing their buckler hanging from their belt, supported a sort of dais on which rested the throne of the Pharaoh. This was a chair with feet and arms formed of lions, with a high back provided with a cushion that fell over it, and adorned on its sides with a network of rose and blue flowers. The feet, the arms, and the edges of the throne were gilded, while brilliant colours filled the places left empty. On either side of the litter four fan-bearers waved huge feather fans, semicircular in form, carried at the end of long, gilded handles. Two priests bore a huge cornucopia richly ornamented, whence fell quantities of giant lotus-flowers.

The Pharaoh wore a helmet shaped like a mitre and cut out around the ears, where it fell over the neck by way of a protection. On the blue ground of the helmet sparkled innumerable dots like birds' eyes, formed of three circles, black, white, and red. It was adorned with scarlet and yellow lines, and the symbolic uræus snake, twisting its golden scales on the fore part, rose and swelled above the royal brow. Two long, purple, fluted lappets fell upon his shoulders and completed this majestic head-dress.

A broad necklace, of seven rows of enamels, gems, and golden beads, swelled on the Pharaoh's breast and shone in the sun. His upper garment was a sort of close-fitting jacket, of rose and black checkers, the ends of which, shaped like narrow bands, were twisted tightly several times around the bust. The sleeves, which came down to the biceps and were edged with transverse lines of gold, red, and blue, showed round, firm arms, the left provided with a broad wristlet of metal intended to protect it from the switch of the cord when the Pharaoh shot an arrow from his triangular bow. His right arm was adorned with a bracelet formed of a serpent twisted several times on itself, and in his hand he held a long golden sceptre ending in a lotus-bud. The rest of the body was enveloped in the finest linen cloth with innumerable folds, held to the hips by a girdle inlaid with plates of enamel and gold. Between the jacket and the belt, the torso showed, shining and polished like rose granite worked by a skilful workman. Sandals with pointed upturned toes protected his long narrow feet, which were held close to one another like the feet of the gods on the walls of the temples. His smooth, beardless face with its great, regular features, which it seemed impossible for any human emotion to alter, and which the blood of vulgar life did not colour, with its deathlike pallor, its closed lips, its great eyes made larger still by black lines, the eyelids of which never closed any more than did those of the sacred hawk, – inspired through its very immobility respect and awe. It seemed as though those fixed eyes gazed upon eternity and the infinite only; surrounding objects did not appear to be reflected in them. The satiety of enjoyment, of will satisfied the moment it was expressed, the isolation of a demigod who has no fellow among mortals, the disgust of worship, and the weariness of triumph had forever marked that face, implacably sweet and of granite-like serenity. Not even Osiris judging the souls of the dead could look more majestic and more calm. A great tame lion, lying by his side upon the litter, stretched out its enormous paws like a sphinx upon a pedestal, and winked its yellow eyes. A rope fixed to the litter, fastened to the Pharaoh the chariots of the conquered chiefs. He dragged them behind him like animals in a leash. These vanquished chiefs, in gloomy, fierce attitudes, whose elbows, drawn together by their points, formed an ugly angle, staggered awkwardly as they were dragged by the cars driven by Egyptian coachmen.

Next came the war chariots of the young princes of the royal family, drawn by pairs of thorough-bred horses of noble and elegant shape, with slender legs and muscular quarters, their manes cut close and short, shaking their heads adorned with red plumes, frontlets, and headgear of metal bosses. A curved pole, adorned with scarlet squares, pressed down on their withers, and supported two small saddles surmounted with balls of polished brass held together by a light yoke, with curved ends. Girths and breast-harnesses richly embroidered, and superb housings rayed with blue or red and fringed with tufts, completed their strong, graceful, and light harness.

The body of the car, painted red and green, and ornamented with plates and bosses of bronze like the boss on the bucklers, had on either side two great quivers placed diagonally in opposite directions, the one containing javelins, and the other arrows. On either side a carved and gilded lion, its face wrinkled with a dreadful grin, seemed to roar, and to be about to spring at the foe.

The young princes wore for a head-dress a narrow band which bound their hair and in which twisted, as it swelled its hood, the royal asp. For dress they wore a tunic embroidered around the neck and the sleeves with brilliant embroidery and bound at the waist with a leather belt fastened with a metal plate on which were engraved hieroglyphs. Through the belt was passed a long, triangular, brazen-bladed poniard, the handle of which, fluted transversely, ended in a hawk's-head. On the car, by the side of each prince, stood the driver, whose business it was to drive during the battle, and the equerry charged with warding off with a buckler the blows directed at the fighter, while he himself shot his arrows or hurled the javelins which he took from the quivers at the sides.

Behind the princes came the chariots which formed the Egyptian cavalry, to the number of twenty thousand, each drawn by two horses and carrying three men. These chariots came ten abreast, with wheels almost touching yet never meeting, so skilful were the drivers. Some lighter cars, intended for skirmishes and reconnaissances came foremost, bearing a single warrior, who in order to have his hands free while fighting, passed the reins around his body. By leaning to the right, to the left or backwards, he directed and stopped his horses, and it was truly marvellous to see these noble animals, which seemed left to themselves, guided by imperceptible movements and preserving an unchangingly regular gait.

On one of these chariots the elegant Ahmosis, Nofré's protégé, showed his tall figure and cast his glance over the multitude, trying to make out Tahoser.

The trampling of the horses held in with difficulty, the thunder of the bronze-bound wheels, the metallic justling of weapons, imparted to the procession an imposing and formidable character well calculated to strike terror into the bravest souls. Helmets, plumes, corselets covered with green, red, and yellow scales, gilded bows, brazen swords, flashed and gleamed fiercely in the sun shining in the heavens above the Libyan chain like a great Osiris eye, and one felt that the charge of such an army must necessarily sweep the nations before it even as the storm drives the light straw. Under these numberless wheels the earth resounded and trembled as if in the throes of an earthquake.

Next to the chariots came the infantry battalions marching in order, the men carrying their shields on the left arm, and a lance, a javelin, a bow, a sling, or an axe in the right hand. The soldiers wore helmets adorned with two horse-hair tails. Their bodies were protected by a cuirass of crocodile-skin; their impassible look, the perfect regularity of their motions, their coppery complexion, deepened still more by the recent expedition to the burning regions of Upper Egypt, the desert dust which lay upon their clothes, inspired admiration for their discipline and courage. With such soldiers Egypt could conquer the world.

Then came the troops of the allies, easily known by the barbarous shape of their helmets, like mitres cut off, or else surmounted with a crescent stuck on a point. Their broad-bladed swords, their saw-edged axes, must have inflicted incurable wounds.

Slaves carried the booty announced by the herald on their shoulders or on stretchers, and belluaria led panthers, wild-cats, crawling as if they sought to hide themselves, ostriches flapping their wings, giraffes overtopping the crowd with their long necks, and even brown bears taken, it was said, in the Mountains of the Moon.

The King had long since entered his palace, yet the defile was still proceeding. As he passed the revetment on which stood Tahoser and Nofré, the Pharaoh, whose litter, borne upon the shoulders of oëris, placed him above the crowd on a level with the young girl, had slowly fixed upon her his dark glance. He had not turned his head, not a muscle of his face had moved, and his features had remained as motionless as the golden mask of a mummy, yet his eyes had turned between his painted eyelids towards Tahoser, and a flash of desire had lighted up their sombre discs, an effect as terrific as if the granite eyes of a divine simulacrum, suddenly lighted up, were to express a human thought. He had half raised one of his hands from the arm of his throne, a gesture imperceptible to every one, but which one of the servants marching near the litter noticed, and at once looked towards the daughter of Petamounoph.

Meanwhile night had suddenly fallen, for there is no twilight in Egypt, – night, or rather a blue day, treading close upon the yellow day. In the azure of infinite transparency gleamed unnumbered stars, their twinkling light reflected confusedly in the waters of the Nile, which was stirred by the boats that brought back to the other shore the population of Thebes; and the last cohorts of the army were still tramping across the plain, like a gigantic serpent, when the barge landed Tahoser at the gate of her palace.

IV

The Pharaoh reached his palace, situated a short distance from the parade ground on the left bank of the Nile. In the bluish transparency of the night the mighty edifice loomed more colossal still, and its huge outlines stood out with terrifying and sombre vigour against the purple background of the Libyan chain. The feeling of absolute power was conveyed by that mighty, immovable mass, upon which eternity itself could make no more impression than a drop of water on marble. A vast court surrounded by thick walls, adorned at their summits with deeply cut mouldings, lay in front of the palace. At the end of the court rose two high columns with palm-leaf capitals, marking the entrance to a second court. Behind these columns rose a giant pylon, consisting of two huge masses enclosing a monumental gate, intended rather for colossi of granite than for mere flesh and blood. Beyond these propylæa, and filling the end of a third court, the palace proper appeared in its formidable majesty. Two buildings projected squarely forward, like the bastions of a fortress, exhibiting on their faces low bassi-relievi of vast size, which represented, in the consecrated manner, the victorious Pharaoh scourging his enemies and trampling them under foot; immense pages of history carved with a chisel on colossal stone books which the most distant posterity was yet to read. These buildings rose much higher than the pylons. The cornices, curving outwards and topped with great stones so arranged as to form battlements, showed superbly against the crest of the Libyan Mountains, which formed the background of the picture.

The façade of the palace connected these buildings and filled up the whole of the intervening space. Above its giant gateway, flanked with sphinxes, showed three rows of square windows, through which streamed the light from the interior and which formed upon the dark wall a sort of luminous checker-board. From the first story projected balconies, supported by statues of crouching prisoners.

The officers of the king's household, the eunuchs, the servants, and the slaves, informed of the approach of His Majesty by the blare of the trumpets and the roll of the drums, had proceeded to meet him, and waited, kneeling and prostrate, in the court paved with great stone slabs. Captives, of the despised race of Scheto, bore urns filled with salt and olive oil, in which was dipped a wick, the flame of which crackled bright and clear. These men stood ranged in line from the basalt gate to the entrance of the first court, motionless like bronze lamp-bearers.

Soon the head of the procession entered the pylon and the bugles and the drums sounded with a din which, repeated by the echoes, drove the sleeping ibises from the entablatures. The bearers stopped at the gate in the façade between the two pavilions; slaves brought a footstool with several steps and placed it by the side of the litter. The Pharaoh rose with majestic slowness and stood for a few moments perfectly motionless. Thus standing on a pedestal of shoulders, he soared above all heads and appeared to be twelve cubits high. Strangely lighted, half by the rising moon, half by the light of the lamps, in a costume in which gold and enamels sparkled intermittently, he resembled Osiris, or Typhon rather. He descended the steps as if he were a statue, and at last entered the palace.

A first inner court, framed in by a row of huge pillars covered with hieroglyphs, that bore a frieze ending in volutes, was slowly crossed by the Pharaoh in the midst of a crowd of prostrate slaves and maids.

Then appeared another court surrounded by a covered cloister, and short columns, the capitals of which were formed of a cube of hard sandstone, on which rested the massive architrave. The imprint of indestructibility marked the straight lines and the geometric forms of this architecture built with pieces of mountains. The pillars and the columns seemed to strike firmly into the ground in order to upbear the weight of the mighty stones placed on the cubes of their capitals, the walls to slope inwards so as to have a firmer foundation, and the stones to join together so as to form but one block; but polychromous decorations and bassi-relievi hollowed out and enriched with more brilliant tints added, in the daytime, lightness and richness to these vast masses, which when night had fallen, recovered all their imposing effect.

Under the cornice, in the Egyptian style, the unchanging lines of which formed against the sky a vast parallelogram of deep azure, quivered, in the intermittent breath of the breeze, lighted lamps placed at short distances apart. The fish-pond in the centre of the court mingled, as it reflected them, their red flashes with the blue gleams of the moon. Rows of shrubs planted around the basin gave out a faint, sweet perfume. At the back opened the gate of the harem and of the private apartments, which were decorated with peculiar magnificence.

Below the ceiling ran a frieze of uræus snakes, standing on their tails and swelling their hoods. On the entablature of the door, in the hollow of the cornice, the mystic globe outspread its vast, imbricated wings; pillars ranged in symmetrical lines supported heavy sandstone blocks forming soffits, the blue ground of which was studded with golden stars. On the walls vast pictures, carved in low, flat relief and coloured with the most brilliant tints, represented the usual scenes of the harem and of home life. The Pharaoh was seen on his throne, gravely playing at draughts with one of his women who stood nude before him, her head bound with a broad band from which rose a mass of lotus flowers. In another the Pharaoh, without parting with any of his sovereign and sacerdotal impassibility, stretched out his hand and touched the chin of a young maid dressed in a collar and bracelet, who held out to him a bouquet of flowers. Elsewhere he was seen undecided and smiling, as if he had slyly put off making a choice, in the midst of the young queens, who strove to overcome his gravity by all sorts of caressing and graceful coquetries.

Other panels represented female musicians and dancers, women bathing, flooded with perfumes and massaged by slaves, – the poses so elegant, the forms so youthfully suave, and the outlines so pure, that no art has ever surpassed them.

Rich and complicated ornamental designs, admirably carried out in harmonious green, blue, red, yellow, and white, covered the spaces left empty. On cartouches and bands in the shape of stelæ were inscribed the titles of the Pharaoh and inscriptions in his honour.

On the shafts of the huge columns were decorative or symbolical figures wearing the pschent, armed with the tau, following each other in procession, and whose eyes, showing full upon a side face, seemed to look inquisitively into the hall. Lines of perpendicular hieroglyphs separated the zones of personages. Among the green leaves carved on the drum of the capital, buds and lotus flowers stood out in their natural colours, imitating baskets of bloom.

Between each pair of columns an elegant table of cedar bore on its platform a bronze cup filled with scented oil, from which the cotton wicks drew an odoriferous light. Groups of tall vases, bound together with wreaths, alternated with the lamps and held at the foot of each pillar sheaves of golden grain mingled with field grasses and balsamic plants.

In the centre of the hall a round porphyry table, the disc of which was supported by the statue of a captive, disappeared under heaped-up urns, vases, flagons, and pots, whence rose a forest of gigantic artificial flowers; for real flowers would have appeared mean in the centre of that vast hall, and nature had to be proportioned to the mighty work of man. These enormous calyxes were of the most brilliant golden yellow, azure, and purple.

At the back rose the throne, or chair, of the Pharaoh, the feet of which, curiously crossed and bound by encircling ribbing, had in their re-entering angles four statuettes of barbaric Asiatic or African prisoners recognisable by their beards and their dress. These figures, their elbows tied behind their backs, and kneeling in constrained attitudes, their bodies bowed, bore upon their humbled heads the cushion, checkered with gold, red, and black, on which sat their conqueror. Faces of chimerical animals from whose mouths fell, instead of a tongue, a long red tuft, adorned the crossbars of the throne.

On either side of it were ranged, for the princes, less splendid, though still extremely elegant and charmingly fanciful chairs; for the Egyptians are no less clever at carving cedar, cypress, and sycamore wood, in gilding, colouring, and inlaying it with enamels, than in cutting in the Philoe or Syêné quarries monstrous granite blocks for the palaces of the Pharaohs and the sanctuaries of the gods.

The King crossed the hall with a slow, majestic step, without his painted eyelids having once moved; nothing indicated that he heard the cries of love that welcomed him, or that he perceived the human beings kneeling or prostrate, whose brows were touched by the folds of the calasiris that fell around his feet. He sat down, placing his ankles close together and his hands on his knees in the solemn attitude of the gods.

The young princes, handsome as women, took their seats to the right and left of their father. The servants took off their enamelled necklaces, their belts, and their swords, poured flagons of scent upon their hair, rubbed their arms with aromatic oils, and presented them with wreaths of flowers, cool, perfumed collars, odorous luxuries better suited to the festival than the heavy richness of gold, of precious stones and pearls, which, for the matter of that, harmonise admirably with flowers.

Lovely nude slaves, whose slender forms showed the graceful transition from childhood to youth, their hips circled with a narrow belt that concealed none of their charms, lotus flowers in their hair, flagons of wavy alabaster in their hands, timidly pressed around the Pharaoh and poured palm oil over his shoulders, his arms, and his torso, polished like jasper. Other maids waved around his head broad fans of painted ostrich-feathers on long ivory or sandal-wood handles, that, as they were warmed by their small hands, gave forth a delightful odour. Others placed before the Pharaoh stalks of nymphœa that bloomed like the cup of the censers. All these attentions were rendered with a deep devotion, and a sort of respectful awe, as if to a divine, immortal personage, called down by pity from the superior zones to the vile tribe of men; for the king is the Son of the gods, the favoured of Phré, the protégé of Ammon Ra.

The women of the harem had risen from their prostrate attitude, and seated themselves on superb, carved and gilded chairs, with red-leather cushions filled with thistle-down. Thus ranged, they formed a line of graceful, smiling heads which a painter would have loved to reproduce. Some were dressed in tunics of white gauze with stripes alternately opaque and transparent, the narrow sleeves of which left bare the delicate, round arms covered with bracelets from the wrist to the elbow: others, bare to the waist, wore a skirt of pale lilac rayed with darker stripes, and covered with a fillet of little rose beads which showed in the diaper the cartouche of the Pharaoh traced on the stuff; others wore red skirts with black-pearl fillets; others again, draped in a tissue as light as woven air, as transparent as glass, wound the folds around them, and managed to show off coquettishly the shape of their lovely bosoms; others were enclosed in a sheath covered with blue, green, or red scales which moulded their forms accurately; and others again had their shoulders covered with a sort of pleated cape, and their fringed skirts were fastened below the breast with a scarf with long, floating ends.

The head-dresses were no less varied. Sometimes the plaited hair was spun out into curls; sometimes it was divided into three parts, one of which fell down the back and the other two on either side of the cheeks. Huge periwigs, closely curled, with numberless cords maintained transversely by golden threads, rows of enamels, or pearls, were put on like helmets over young and lovely faces, which sought of art an aid which their beauty did not need.

All these women held in their hands a flower of the blue or white lotus, and breathed amorously, with a fluttering of their nostrils, the penetrating odour which the broad calyx exhaled. A stalk of the same flower, springing from the back of their necks, bowed over their heads and showed its bud between their eyebrows darkened with antimony.

In front of them black or white slaves, with no other garment than a waist girdle, held out to them necklaces of flowers made of crocuses, the blooms of which, white outside, are yellow inside, purple safflowers, golden-yellow chrysanthemums, red-berried nightshade, myosotis whose flowers seemed made of blue enamel of the statues of Isis, and nepenthes whose intoxicating odour makes one forget everything, even the far-distant home.

These slaves were followed by others, who on the upturned palm of their right hands bore cups of silver or bronze full of wine, and in the left held napkins with which the guests wiped their lips.

The wines were drawn from amphoræ of clay, glass, or metal held in elegant woven baskets placed on four-footed pedestals made of a light, supple wood interlaced in ingenious fashion. The baskets contained seven sorts of wines: date wine, palm wine, and wine of the grape, white, red, and green wines, new wine, Phoenician and Greek wines, and white Mareotis wine with a bouquet of violets.

The Pharaoh also took a cup from the hands of his cup-bearer standing near his throne, and put to his royal lips the strengthening drink.

Then sounded the harps, the lyres, the double flutes, the lutes, accompanying a song of triumph which choristers, ranged opposite the throne, one knee on the ground, accentuated as they beat time with the palms of their hands.

The repast began. The dishes, brought by Ethiopians from the vast kitchens of the palace, where a thousand slaves were busy preparing the feast in a fiery atmosphere, were placed on tables close by the guests. The dishes, of scented wood admirably carved, of bronze, of earthenware or porcelain enamelled in brilliant colours, held large pieces of beef, antelope legs, trussed geese, siluras from the Nile, dough drawn out into long tubes and rolled, cakes of sesamum and honey, green watermelons with rosy meat, pomegranates full of rubies, grapes the colour of amber or of amethyst. Wreaths of papyrus crowned these dishes with their green foliage. The cups were also wreathed in flowers, and in the centre of the table, amid a vast heap of golden-coloured bread stamped with designs and marked with hieroglyphs, rose a tall vase whence emerged, spraying as it fell, a vast sheaf of persolutas, myrtles, pomegranates, convolvulus, chrysanthemums, heliotropes, seriphiums, and periplocas, a mingling of colours and of scents. Under the tables, around the supporting pillar, were arranged pots of lotus. Flowers, flowers everywhere, even under the seats of the guests! The women wore them on their arms, round their necks, on their heads in the shape of bracelets, necklaces, and crowns; the lamps burned amid huge bouquets, the dishes disappeared under leaves, the wines sparkled amid violets and roses. It was a most characteristic, gigantic debauch of flowers, a colossal orgy of scents, unknown to other nations.

Slaves constantly brought from the gardens, which they plundered without diminishing their wealth, armfuls of rose laurel, of pomegranate, of lotus, to renew the flowers which had faded, while servants cast grains of nard and cinnamon upon the red-hot coals of the censers.