The Wings of the Dove, Volume I

But ah, the inquiry had only to be made to bring the rare colour with fine inconsequence, to her face. "Not, really, the least little bit!" And, quickly feeling the need to abound in this sense, she was on the point, to cut short, of declaring that she cared, after all, no scrap how much she obliged. Only she felt at this instant too the intervention of still other things. Mrs. Lowder was, in the first place, already beforehand, already affected as by the sudden vision of her having herself pushed too far. Milly could never judge from her face of her uppermost motive—it was so little, in its hard, smooth sheen, that kind of human countenance. She looked hard when she spoke fair; the only thing was that when she spoke hard she likewise didn't look soft. Something, none the less, had arisen in her now—a full appreciable tide, entering by the rupture of some bar. She announced that if what she had asked was to prove in the least a bore her young friend was not to dream of it; making her young friend at the same time, by the change in her tone, dream on the spot more profusely. She spoke with a belated light, Milly could apprehend—she could always apprehend—from pity; and the result of that perception, for the girl, was singular: it proved to her as quickly that Kate, keeping her secret, had been straight with her. From Kate distinctly then, as to why she was to be pitied, Aunt Maud knew nothing, and was thereby simply putting in evidence the fine side of her own character. This fine side was that she could almost at any hour, by a kindled preference or a diverted energy, glow for another interest than her own. She exclaimed as well, at this moment, that Milly must have been thinking, round the case, much more than she had supposed; and this remark could, at once, affect the girl as sharply as any other form of the charge of weakness. It was what everyone, if she didn't look out, would soon be saying—"There's something the matter with you!" What one was therefore one's self concerned immediately to establish was that there was nothing at all. "I shall like to help you; I shall like, so far as that goes, to help Kate herself," she made such haste as she could to declare; her eyes wandering meanwhile across the width of the room to that dusk of the balcony in which their companion perhaps a little unaccountably lingered. She suggested hereby her impatience to begin; she almost overtly wondered at the length of the opportunity this friend was giving them—referring it, however, so far as words went, to the other friend, breaking off with an amused: "How tremendously Susie must be beautifying!"

It only marked Aunt Maud, none the less, as too preoccupied for her allusion. The onyx eyes were fixed upon her with a polished pressure that must signify some enriched benevolence. "Let it go, my dear. We shall, after all, soon enough see."

"If he has come back we shall certainly see," Milly after a moment replied; "for he'll probably feel that he can't quite civilly not come to see me. Then there," she remarked, "we shall be. It wouldn't then, you see, come through Kate at all—it would come through him. Except," she wound up with a smile, "that he won't find me."

She had the most extraordinary sense of interesting her interlocutress, in spite of herself, more than she wanted; it was as if her doom so floated her on that she couldn't stop—by very much the same trick it had played her with her doctor. "Shall you run away from him?"

She neglected the question, wanting only now to get off. "Then," she went on, "you'll deal with Kate directly."

"Shall you run away from her?" Mrs. Lowder profoundly inquired, while they became aware of Susie's return through the room, opening out behind them, in which they had dined.

This affected Milly as giving her but an instant; and suddenly, with it, everything she felt in the connection rose to her lips in a question that, even as she put it, she knew she was failing to keep colourless. "Is it your own belief that he is with her?"

Aunt Maud took it in—took in, that is, everything of the tone that she just wanted her not to; and the result for some seconds, was but to make their eyes meet in silence. Mrs. Stringham had rejoined them and was asking if Kate had gone—an inquiry at once answered by this young lady's reappearance. They saw her again in the open window, where, looking at them, she had paused—producing thus, on Aunt Maud's part, almost too impressive a "Hush!" Mrs. Lowder indeed, without loss of time, smothered any danger in a sweeping retreat with Susie; but Milly's words to her, just uttered, about dealing with her niece directly, struck our young woman as already recoiling on herself. Directness, however evaded, would be, fully, for her; nothing in fact would ever have been for her so direct as the evasion. Kate had remained in the window, very handsome and upright, the outer dark framing in a highly favourable way her summery simplicities and lightnesses of dress. Milly had, given the relation of space, no real fear she had heard their talk; only she hovered there as with conscious eyes and some added advantage. Then indeed, with small delay, her friend sufficiently saw. The conscious eyes, the added advantage were but those she had now always at command—those proper to the person Milly knew as known to Merton Densher. It was for several seconds again as if the total of her identity had been that of the person known to him—a determination having for result another sharpness of its own. Kate had positively but to be there just as she was to tell her he had come back. It seemed to pass between them, in fine, without a word, that he was in London, that he was perhaps only round the corner; and surely therefore no dealing of Milly's with her would yet have been so direct.

XV

It was doubtless because this queer form of directness had in itself, for the hour, seemed so sufficient that Milly was afterwards aware of having really, all the while—during the strange, indescribable session before the return of their companions—done nothing to intensify it. If she was most aware only afterwards, under the long, discurtained ordeal of the morrow's dawn, that was because she had really, till their evening's end came, ceased, after a little, to miss anything from their ostensible comfort. What was behind showed but in gleams and glimpses; what was in front never at all confessed to not holding the stage. Three minutes had not passed before Milly quite knew she should have done nothing Aunt Maud had just asked her. She knew it moreover by much the same light that had acted for her with that lady and with Sir Luke Strett. It pressed upon her then and there that she was still in a current determined, through her indifference, timidity, bravery, generosity—she scarce could say which—by others; that not she but the current acted, and that somebody else, always, was the keeper of the lock or the dam. Kate for example had but to open the flood-gate: the current moved in its mass—the current, as it had been, of her doing as Kate wanted. What, somehow, in the most extraordinary way in the world, had Kate wanted but to be, of a sudden, more interesting than she had ever been? Milly, for their evening then, quite held her breath with the appreciation of it. If she hadn't been sure her companion would have had nothing, from her moments with Mrs. Lowder, to go by, she would almost have seen the admirable creature "cutting in" to anticipate a danger. This fantasy indeed, while they sat together, dropped after a little; even if only because other fantasies multiplied and clustered, making fairly, for our young woman, the buoyant medium in which her friend talked and moved. They sat together, I say, but Kate moved as much as she talked; she figured there, restless and charming, just perhaps a shade perfunctory, repeatedly quitting her place, taking slowly, to and fro, in the trailing folds of her light dress, the length of the room, and almost avowedly performing for the pleasure of her hostess.

Mrs. Lowder had said to Milly at Matcham that she and her niece, as allies, could practically conquer the world; but though it was a speech about which there had even then been a vague, grand glamour, the girl read into it at present more of an approach to a meaning. Kate, for that matter, by herself, could conquer anything, and she, Milly Theale, was probably concerned with the "world" only as the small scrap of it that most impinged on her and that was therefore first to be dealt with. On this basis of being dealt with she would doubtless herself do her share of the conquering: she would have something to supply, Kate something to take—each of them thus, to that tune, something for squaring with Aunt Maud's ideal. This in short was what it came to now—that the occasion, in the quiet late lamplight, had the quality of a rough rehearsal of the possible big drama. Milly knew herself dealt with—handsomely, completely: she surrendered to the knowledge, for so it was, she felt, that she supplied her helpful force. And what Kate had to take Kate took as freely and, to all appearance, as gratefully; accepting afresh, with each of her long, slow walks, the relation between them so established and consecrating her companion's surrender simply by the interest she gave it. The interest to Milly herself we naturally mean; the interest to Kate Milly felt as probably inferior. It easily and largely came for their present talk, for the quick flight of the hour before the breach of the spell—it all came, when considered, from the circumstance, not in the least abnormal, that the handsome girl was in extraordinary "form." Milly remembered her having said that she was at her best late at night; remembered it by its having, with its fine assurance, made her wonder when she was at her best and how happy people must be who had such a fixed time. She had no time at all; she was never at her best—unless indeed it were exactly, as now, in listening, watching, admiring, collapsing. If Kate moreover, quite mercilessly, had never been so good, the beauty and the marvel of it was that she had never really been so frank; being a person of such a calibre, as Milly would have said, that, even while "dealing" with you and thereby, as it were, picking her steps, she could let herself go, could, in irony, in confidence, in extravagance, tell you things she had never told before. That was the impression—that she was telling things, and quite conceivably for her own relief as well; almost as if the errors of vision, the mistakes of proportion, the residuary innocence of spirit still to be remedied on the part of her auditor had their moments of proving too much for her nerves. She went at them just now, these sources of irritation, with an amused energy that it would have been open to Milly to regard as cynical and that was nevertheless called for—as to this the other was distinct—by the way that in certain connections the American mind broke down. It seemed at least—the American mind as sitting there thrilled and dazzled in Milly—not to understand English society without a separate confrontation with all the cases. It couldn't proceed by—there was some technical term she lacked until Milly suggested both analogy and induction, and then, differently, instinct, none of which were right: it had to be led up and introduced to each aspect of the monster, enabled to walk all round it, whether for the consequent exaggerated ecstasy or for the still more as appeared to this critic disproportionate shock. It might, the monster, Kate conceded, loom large for those born amid forms less developed and therefore no doubt less amusing; it might on some sides be a strange and dreadful monster, calculated to devour the unwary, to abase the proud, to scandalize the good; but if one had to live with it one must, not to be for ever sitting up, learn how: which was virtually in short to-night what the handsome girl showed herself as teaching.

She gave away publicly, in this process, Lancaster Gate and everything it contained; she gave away, hand over hand, Milly's thrill continued to note, Aunt Maud and Aunt Maud's glories and Aunt Maud's complacencies; she gave herself away most of all, and it was naturally what most contributed to her candour. She didn't speak to her friend once more, in Aunt Maud's strain, of how they could scale the skies; she spoke, by her bright, perverse preference on this occasion, of the need, in the first place, of being neither stupid nor vulgar. It might have been a lesson, for our young American, in the art of seeing things as they were—a lesson so various and so sustained that the pupil had, as we have shown, but receptively to gape. The odd thing furthermore was that it could serve its purpose while explicitly disavowing every personal bias. It wasn't that she disliked Aunt Maud, who was everything she had on other occasions declared; but the dear woman, ineffaceably stamped by inscrutable nature and a dreadful art, wasn't—how could she be?—what she wasn't. She wasn't any one. She wasn't anything. She wasn't anywhere. Milly mustn't think it—one couldn't, as a good friend, let her. Those hours at Matcham were inespérées, were pure manna from heaven; or if not wholly that perhaps, with humbugging old Lord Mark as a backer, were vain as a ground for hopes and calculations. Lord Mark was very well, but he wasn't the cleverest creature in England, and even if he had been he still wouldn't have been the most obliging. He weighed it out in ounces, and indeed each of the pair was really waiting for what the other would put down.

"She has put down you." said Milly, attached to the subject still; "and I think what you mean is that, on the counter, she still keeps hold of you."

"Lest"—Kate took it up—"he should suddenly grab me and run? Oh, as he isn't ready to run, he's much less ready, naturally, to grab. I am—you're so far right as that—on the counter, when I'm not in the shop-window; in and out of which I'm thus conveniently, commercially whisked: the essence, all of it, of my position, and the price, as properly, of my aunt's protection." Lord Mark was substantially what she had begun with as soon as they were alone; the impression was even yet with Milly of her having sounded his name, having imposed it, as a topic, in direct opposition to the other name that Mrs. Lowder had left in the air and that all her own look, as we have seen, kept there at first for her companion. The immediate strange effect had been that of her consciously needing, as it were, an alibi—which, successfully, she so found. She had worked it to the end, ridden it to and fro across the course marked for Milly by Aunt Maud, and now she had quite, so to speak, broken it in. "The bore is that if she wants him so much—wants him, heaven forgive her! for me—he has put us all out, since your arrival, by wanting somebody else. I don't mean somebody else than you."

Milly threw off the charm sufficiently to shake her head. "Then I haven't made out who it is. If I'm any part of his alternative he had better stop where he is."

"Truly, truly?—always, always?"

Milly tried to insist with an equal gaiety. "Would you like me to swear?"

Kate appeared for a moment—though that was doubtless but gaiety too—to think. "Haven't we been swearing enough?"

"You have perhaps, but I haven't, and I ought to give you the equivalent. At any rate there it is. Truly, truly as you say—'always, always.' So I'm not in the way."

"Thanks," said Kate—"but that doesn't help me."

"Oh, it's as simplifying for him that I speak of it."

"The difficulty really is that he's a person with so many ideas that it's particularly hard to simplify for him. That's exactly of course what Aunt Maud has been trying. He won't," Kate firmly continued, "make up his mind about me."

"Well," Milly smiled, "give him time."

Her friend met it in perfection. "One is doing that—one is. But one remains, all the same, but one of his ideas."

"There's no harm in that," Milly returned, "if you come out in the end as the best of them. What's a man," she pursued, "especially an ambitious one, without a variety of ideas?"

"No doubt. The more the merrier." And Kate looked at her grandly. "One can but hope to come out, and do nothing to prevent it."

All of which made for the impression, fantastic or not, of the alibi. The splendour, the grandeur were, for Milly, the bold ironic spirit behind it, so interesting too in itself. What, moreover, was not less interesting was the fact, as our young woman noted it, that Kate confined her point to the difficulties, so far as she was concerned, raised only by Lord Mark. She referred now to none that her own taste might present; which circumstance again played its little part. She was doing what she liked in respect to another person, but she was in no way committed to the other person, and her furthermore talking of Lord Mark as not young and not true were only the signs of her clear self-consciousness, were all in the line of her slightly hard, but scarce the less graceful extravagance. She didn't wish to show too much her consent to be arranged for, but that was a different thing from not wishing sufficiently to give it. There was something moreover, on it all, that Milly still found occasion to say, "If your aunt has been, as you tell me, put out by me, I feel that she has remained remarkably kind."

"Oh, but she has—whatever might have happened in that respect—plenty of use for you! You put her in, my dear, more than you put her out. You don't half see it, but she has clutched your petticoat. You can do anything—you can do, I mean, lots that we can't. You're an outsider, independent and standing by yourself; you're not hideously relative to tiers and tiers of others." And Kate, facing in that direction, went further and further; wound up, while Milly gaped, with extraordinary words. "We're of no use to you—it's decent to tell you. You'd be of use to us, but that's a different matter. My honest advice to you would be—" she went indeed all lengths—"to drop us while you can. It would be funny if you didn't soon see how awfully better you can do. We've not really done for you the least thing worth speaking of—nothing you mightn't easily have had in some other way. Therefore you're under no obligation. You won't want us next year; we shall only continue to want you. But that's no reason for you, and you mustn't pay too dreadfully for poor Mrs. Stringham's having let you in. She has the best conscience in the world; she's enchanted with what she has done; but you shouldn't take your people from her. It has been quite awful to see you do it."

Milly tried to be amused, so as not—it was too absurd—to be fairly frightened. Strange enough indeed—if not natural enough—that, late at night thus, in a mere mercenary house, with Susie away, a want of confidence should possess her. She recalled, with all the rest of it, the next day, piecing things together in the dawn, that she had felt herself alone with a creature who paced like a panther. That was a violent image, but it made her a little less ashamed of having been scared. For all her scare, none the less, she had now the sense to find words. "And yet without Susie I shouldn't have had you."

It had been at this point, however, that Kate flickered highest. "Oh, you may very well loathe me yet!"

Really at last, thus, it had been too much; as, with her own least feeble flare, after a wondering watch, Milly had shown. She hadn't cared; she had too much wanted to know; and, though a small solemnity of reproach, a sombre strain, had broken into her tone, it was to figure as her nearest approach to serving Mrs. Lowder. "Why do you say such things to me?"

This unexpectedly had acted, by a sudden turn of Kate's attitude, as a happy speech. She had risen as she spoke, and Kate had stopped before her, shining at her instantly with a softer brightness. Poor Milly hereby enjoyed one of her views of how people, wincing oddly, were often touched by her. "Because you're a dove." With which she felt herself ever so delicately, so considerately, embraced; not with familiarity or as a liberty taken, but almost ceremonially and in the manner of an accolade; partly as if, though a dove who could perch on a finger, one were also a princess with whom forms were to be observed. It even came to her, through the touch of her companion's lips, that this form, this cool pressure, fairly sealed the sense of what Kate had just said. It was moreover, for the girl, like an inspiration: she found herself accepting as the right one, while she caught her breath with relief, the name so given her. She met it on the instant as she would have met the revealed truth; it lighted up the strange dusk in which she lately had walked. That was what was the matter with her. She was a dove. Oh, wasn't she?—it echoed within her as she became aware of the sound, outside, of the return of their friends. There was, the next thing, little enough doubt about it after Aunt Maud had been two minutes in the room. She had come up, Mrs. Lowder, with Susan—which she needn't have done, at that hour, instead of letting Kate come down to her; so that Milly could be quite sure it was to catch hold, in some way, of the loose end they had left. Well, the way she did catch was simply to make the point that it didn't now in the least matter. She had mounted the stairs for this, and she had her moment again with her younger hostess while Kate, on the spot, as the latter at the time noted, gave Susan Shepherd unwonted opportunities. Kate was in other words, as Aunt Maud engaged her friend, listening with the handsomest response to Mrs. Stringham's impression of the scene they had just quitted. It was in the tone of the fondest indulgence—almost, really, that of dove cooing to dove—that Mrs. Lowder expressed to Milly the hope that it had all gone beautifully. Her "all" had an ample benevolence; it soothed and simplified; she spoke as if it were the two young women, not she and her comrade, who had been facing the town together. But Milly's answer had prepared itself while Aunt Maud was on the stair; she had felt in a rush all the reasons that would make it the most dovelike; and she gave it, while she was about it, as earnest, as candid. "I don't think, dear lady, he's here."

It gave her straightway the measure of the success she could have as a dove: that was recorded in the long look of deep criticism, a look without a word, that Mrs. Lowder poured forth. And the word, presently, bettered it still. "Oh, you exquisite thing!" The luscious innuendo of it, almost startling, lingered in the room, after the visitors had gone, like an oversweet fragrance. But left alone with Mrs. Stringham Milly continued to breathe it: she studied again the dovelike and so set her companion to mere rich reporting that she averted all inquiry into her own case.

That, with the new day, was once more her law—though she saw before her, of course, as something of a complication, her need, each time, to decide. She should have to be clear as to how a dove would act. She settled it, she thought, well enough this morning by quite readopting her plan in respect to Sir Luke Strett. That, she was pleased to reflect, had originally been pitched in the key of a merely iridescent drab; and although Mrs. Stringham, after breakfast, began by staring at it as if it had been a priceless Persian carpet suddenly unrolled at her feet, she had no scruple, at the end of five minutes, in leaving her to make the best of it. "Sir Luke Strett comes, by appointment, to see me at eleven, but I'm going out on purpose. He's to be told, please, deceptively, that I'm at home, and, you, as my representative, when he comes up, are to see him instead. He will like that, this time, better. So do be nice to him." It had taken, naturally, more explanation, and the mention, above all, of the fact that the visitor was the greatest of doctors; yet when once the key had been offered Susie slipped it on her bunch, and her young friend could again feel her lovely imagination operate. It operated in truth very much as Mrs. Lowder's, at the last, had done the night before: it made the air heavy once more with the extravagance of assent. It might, afresh, almost have frightened our young woman to see how people rushed to meet her: had she then so little time to live that the road must always be spared her? It was as if they were helping her to take it out on the spot. Susie—she couldn't deny, and didn't pretend to—might, of a truth, on her side, have treated such news as a flash merely lurid; as to which, to do Susie justice, the pain of it was all there. But, none the less, the margin always allowed her young friend was all there as well; and the proposal now made her what was it in short but Byzantine? The vision of Milly's perception of the propriety of the matter had, at any rate, quickly engulfed, so far as her attitude was concerned, any surprise and any shock; so that she only desired, the next thing, perfectly to possess the facts. Milly could easily speak, on this, as if there were only one: she made nothing of such another as that she had felt herself menaced. The great fact, in fine, was that she knew him to desire just now, more than anything else, to meet, quite apart, some one interested in her. Who therefore so interested as her faithful Susan? The only other circumstance that, by the time she had quitted her friend, she had treated as worth mentioning was the circumstance of her having at first intended to keep quiet. She had originally best seen herself as sweetly secretive. As to that she had changed, and her present request was the result. She didn't say why she had changed, but she trusted her faithful Susan. Their visitor would trust her not less, and she herself would adore their visitor. Moreover he wouldn't—the girl felt sure—tell her anything dreadful. The worst would be that he was in love and that he needed a confidant to work it. And now she was going to the National Gallery.

XVI

The idea of the National Gallery had been with her from the moment of her hearing from Sir Luke Strett about his hour of coming. It had been in her mind as a place so meagrely visited, as one of the places that had seemed at home one of the attractions of Europe and one of its highest aids to culture, but that—the old story—the typical frivolous always ended by sacrificing to vulgar pleasures. She had had perfectly, at those whimsical moments on the Brünig, the half-shamed sense of turning her back on such opportunities for real improvement as had figured to her, from of old, in connection with the continental tour, under the general head of "pictures and things"; and now she knew for what she had done so. The plea had been explicit—she had done so for life, as opposed to learning; the upshot of which had been that life was now beautifully provided for. In spite of those few dips and dashes into the many-coloured stream of history for which of late Kate Croy had helped her to find time, there were possible great chances she had neglected, possible great moments she should, save for to-day, have all but missed. She might still, she had felt, overtake one or two of them among the Titians and the Turners; she had been honestly nursing the hour, and, once she was in the benignant halls, her faith knew itself justified. It was the air she wanted and the world she would now exclusively choose; the quiet chambers, nobly overwhelming, rich but slightly veiled, opened out round her and made her presently say "If I could lose myself here!" There were people, people in plenty, but, admirably, no personal question. It was immense, outside, the personal question; but she had blissfully left it outside, and the nearest it came, for a quarter of an hour, to glimmering again into sight was when she watched for a little one of the more earnest of the lady-copyists. Two or three in particular, spectacled, aproned, absorbed, engaged her sympathy to an absurd extent, seemed to show her for the time the right way to live. She should have been a lady copyist—it met so the case. The case was the case of escape, of living under water, of being at once impersonal and firm. There it was before one—one had only to stick and stick.

Milly yielded to this charm till she was almost ashamed; she watched the lady-copyists till she found herself wondering what would be thought by others of a young woman, of adequate aspect, who should appear to regard them as the pride of the place. She would have liked to talk to them, to get, as it figured to her, into their lives, and was deterred but by the fact that she didn't quite see herself as purchasing imitations and yet feared she might excite the expectation of purchase. She really knew before long that what held her was the mere refuge, that something within her was after all too weak for the Turners and Titians. They joined hands about her in a circle too vast, though a circle that a year before she would only have desired to trace. They were truly for the larger, not for the smaller life, the life of which the actual pitch, for example, was an interest, the interest of compassion, in misguided efforts. She marked absurdly her little stations, blinking, in her shrinkage of curiosity, at the glorious walls, yet keeping an eye on vistas and approaches, so that she shouldn't be flagrantly caught. The vistas and approaches drew her in this way from room to room, and she had been through many parts of the show, as she supposed, when she sat down to rest. There were chairs in scant clusters, places from which one could gaze. Milly indeed at present fixed her eyes more than elsewhere on the appearance, first, that she couldn't quite, after all, have accounted to an examiner for the order of her "schools," and then on that of her being more tired than she had meant, in spite of her having been so much less intelligent. They found, her eyes, it should be added, other occupation as well, which she let them freely follow: they rested largely, in her vagueness, on the vagueness of other visitors; they attached themselves in especial, with mixed results, to the surprising stream of her compatriots. She was struck with the circumstance that the great museum, early in August, was haunted with these pilgrims, as also with that of her knowing them from afar, marking them easily, each and all, and recognising not less promptly that they had ever new lights for her—new lights on their own darkness. She gave herself up at last, and it was a consummation like another: what she should have come to the National Gallery for to-day would be to watch the copyists and reckon the Baedekers. That perhaps was the moral of a menaced state of health—that one would sit in public places and count the Americans. It passed the time in a manner; but it seemed already the second line of defence, and this notwithstanding the pattern, so unmistakable, of her country-folk. They were cut out as by scissors, coloured, labelled, mounted; but their relation to her failed to act—they somehow did nothing for her. Partly, no doubt, they didn't so much as notice or know her, didn't even recognise their community of collapse with her, the sign on her, as she sat there, that for her too Europe was "tough." It came to her idly thus—for her humour could still play—that she didn't seem then the same success with them as with the inhabitants of London, who had taken her up on scarce more of an acquaintance. She could wonder if they would be different should she go back with that glamour attached; and she could also wonder, if it came to that, whether she should ever go back. Her friends straggled past, at any rate, in all the vividness of their absent criticism, and she had even at last the sense of taking a mean advantage. There was a finer instant, however, at which three ladies, clearly a mother and daughters, had paused before her under compulsion of a comment apparently just uttered by one of them and referring to some object on the other side of the room. Milly had her back to the object, but her face very much to her young compatriot, the one who had spoken and in whose look she perceived a certain gloom of recognition. Recognition, for that matter, sat confessedly in her own eyes: she knew the three, generically, as easily as a schoolboy with a crib in his lap would know the answer in class; she felt, like the schoolboy, guilty enough—questioned, as honour went, as to her right so to possess, to dispossess, people who hadn't consciously provoked her. She would have been able to say where they lived, and how, had the place and the way been but amenable to the positive; she bent tenderly, in imagination, over marital, paternal Mr. Whatever-he-was, at home, eternally named, with all the honours and placidities, but eternally unseen and existing only as some one who could be financially heard from. The mother, the puffed and composed whiteness of whose hair had no relation to her apparent age, showed a countenance almost chemically clean and dry; her companions wore an air of vague resentment humanised by fatigue; and the three were equally adorned with short cloaks of coloured cloth surmounted by little tartan hoods. The tartans were doubtless conceivable as different, but the cloaks, curiously, only thinkable as one. "Handsome? Well, if you choose to say so." It was the mother who had spoken, who herself added, after a pause during which Milly took the reference as to a picture: "In the English style." The three pair of eyes had converged, and their possessors had for an instant rested, with the effect of a drop of the subject, on this last characterisation—with that, too, of a gloom not less mute in one of the daughters than murmured in the other. Milly's heart went out to them while they turned their backs; she said to herself that they ought to have known her, that there was something between them they might have beautifully put together. But she had lost them also—they were cold; they left her in her weak wonder as to what they had been looking at. The "handsome" disposed her to turn—all the more that the "English style" would be the English school, which she liked; only she saw, before moving, by the array on the side facing her, that she was in fact among small Dutch pictures. The action of this was again appreciable—the dim surmise that it wouldn't then be by a picture that the spring in the three ladies had been pressed. It was at all events time she should go, and she turned as she got on her feet. She had had behind her one of the entrances and various visitors who had come in while she sat, visitors single and in pairs—by one of the former of whom she felt her eyes suddenly held.

This was a gentleman in the middle of the place, a gentleman who had removed his hat and was for a moment, while he glanced, absently, as she could see, at the top tier of the collection, tapping his forehead with his pocket-handkerchief. The occupation held him long enough to give Milly time to take for granted—and a few seconds sufficed—that his face was the object just observed by her friends. This could only have been because she concurred in their tribute, even qualified, and indeed "the English style" of the gentleman—perhaps by instant contrast to the American—was what had had the arresting power. This arresting power, at the same time—and that was the marvel—had already sharpened almost to pain, for in the very act of judging the bared head with detachment she felt herself shaken by a knowledge of it. It was Merton Densher's own, and he was standing there, standing long enough unconscious for her to fix him and then hesitate. These successions were swift, so that she could still ask herself in freedom if she had best let him see her. She could still reply to that that she shouldn't like him to catch her in the effort to prevent this; and she might further have decided that he was too preoccupied to see anything had not a perception intervened that surpassed the first in violence. She was unable to think afterwards how long she had looked at him before knowing herself as otherwise looked at; all she was coherently to put together was that she had had a second recognition without his having noticed her. The source of this latter shock was nobody less than Kate Croy—Kate Croy who was suddenly also in the line of vision and whose eyes met her eyes at their next movement. Kate was but two yards off—Mr. Densher wasn't alone. Kate's face specifically said so, for after a stare as blank at first as Milly's it broke into a far smile. That was what, wonderfully—in addition to the marvel of their meeting—passed from her for Milly; the instant reduction to easy terms of the fact of their being there, the two young women, together. It was perhaps only afterwards that the girl fully felt the connection between this touch and her already established conviction that Kate was a prodigious person; yet on the spot she none the less, in a degree, knew herself handled and again, as she had been the night before, dealt with—absolutely even dealt with for her greater pleasure. A minute in fine hadn't elapsed before Kate had somehow made her provisionally take everything as natural. The provisional was just the charm—acquiring that character from one moment to the other; it represented happily so much that Kate would explain on the very first chance. This left moreover—and that was the greatest wonder—all due margin for amusement at the way things happened, the monstrous oddity of their turning up in such a place on the very heels of their having separated without allusion to it. The handsome girl was thus literally in control of the scene by the time Merton Densher was ready to exclaim with a high flush, or a vivid blush—one didn't distinguish the embarrassment from the joy—"Why, Miss Theale: fancy!" and "Why, Miss Theale: what luck!"

Miss Theale had meanwhile the sense that for him too, on Kate's part, something wonderful and unspoken was determinant; and this although, distinctly, his companion had no more looked at him with a hint than he had looked at her with a question. He had looked and he was looking only at Milly herself, ever so pleasantly and considerately—she scarce knew what to call it; but without prejudice to her consciousness, all the same, that women got out of predicaments better than men. The predicament of course wasn't definite or phraseable—and the way they let all phrasing pass was presently to recur to our young woman as a characteristic triumph of the civilised state; but she took it for granted, insistently, with a small private flare of passion, because the one thing she could think of to do for him was to show him how she eased him off. She would really, tired and nervous, have been much disconcerted, were it not that the opportunity in question had saved her. It was what had saved her most, what had made her, after the first few seconds, almost as brave for Kate as Kate was for her, had made her only ask herself what their friend would like of her. That he was at the end of three minutes, without the least complicated reference, so smoothly "their" friend was just the effect of their all being sublimely civilised. The flash in which he saw this was, for Milly, fairly inspiring—to that degree in fact that she was even now, on such a plane, yearning to be supreme. It took, no doubt, a big dose of inspiration to treat as not funny—or at least as not unpleasant—the anomaly, for Kate, that she knew their gentleman, and for herself, that Kate was spending the morning with him; but everything continued to make for this after Milly had tasted of her draught. She was to wonder in subsequent reflection what in the world they had actually said, since they had made such a success of what they didn't say; the sweetness of the draught for the time, at any rate, was to feel success assured. What depended on this for Mr. Densher was all obscurity to her, and she perhaps but invented the image of his need as a short cut to service. Whatever were the facts, their perfect manners, all round, saw them through. The finest part of Milly's own inspiration, it may further be mentioned, was the quick perception that what would be of most service was, so to speak, her own native wood-note. She had long been conscious with shame for her thin blood, or at least for her poor economy, of her unused margin as an American girl—closely indeed as, in English air, the text might appear to cover the page. She still had reserves of spontaneity, if not of comicality; so that all this cash in hand could now find employment. She became as spontaneous as possible and as American as it might conveniently appeal to Mr. Densher, after his travels, to find her. She said things in the air, and yet flattered herself that she struck him as saying them not in the tone of agitation but in the tone of New York. In the tone of New York agitation was beautifully discounted, and she had now a sufficient view of how much it might accordingly help her.

The help was fairly rendered before they left the place; when her friends presently accepted her invitation to adjourn with her to luncheon at her hotel, it was in the Fifth Avenue that the meal might have waited. Kate had never been there so straight, but Milly was at present taking her; and if Mr. Densher had been he had at least never had to come so fast. She proposed it as the natural thing—proposed it as the American girl; and she saw herself quickly justified by the pace at which she was followed. The beauty of the case was that to do it all she had only to appear to take Kate's hint. This had said, in its fine first smile, "Oh yes, our look is queer—but give me time;" and the American girl could give time as nobody else could. What Milly thus gave she therefore made them take—even if, as they might surmise, it was rather more than they wanted. In the porch of the museum she expressed her preference for a four-wheeler; they would take their course in that guise precisely to multiply the minutes. She was more than ever justified by the positive charm that her spirit imparted even to their use of this conveyance; and she touched her highest point—that is, certainly, for herself—as she ushered her companions into the presence of Susie. Susie was there with luncheon, with her return, in prospect; and nothing could now have filled her own consciousness more to the brim than to see this good friend take in how little she was abjectly anxious. The cup itself actually offered to this good friend might in truth well be startling, for it was composed beyond question of ingredients oddly mixed. She caught Susie fairly looking at her as if to know whether she had brought in guests to hear Sir Luke Strett's report. Well, it was better her companion should have too much than too little to wonder about; she had come out "anyway," as they said at home, for the interest of the thing; and interest truly sat in her eyes. Milly was none the less, at the sharpest crisis, a little sorry for her; she could of necessity extract from the odd scene so comparatively little of a soothing secret. She saw Mr. Densher suddenly popping up, but she saw nothing else that had happened. She saw in the same way her young friend indifferent to her young friend's doom, and she lacked what would explain it. The only thing to keep her in patience was the way, after luncheon, Kate almost, as might be said, made up to her. This was actually perhaps as well what most kept Milly herself in patience. It had in fact for our young woman a positive beauty—was so marked as a deviation from the handsome girl's previous courses. Susie had been a bore to the handsome girl, and the change was now suggestive. The two sat together, after they had risen from table, in the apartment in which they had lunched, making it thus easy for the other guest and his entertainer to sit in the room adjacent. This, for the latter personage, was the beauty; it was almost, on Kate's part, like a prayer to be relieved. If she honestly liked better to be "thrown with" Susan Shepherd than with their other friend, why that said practically everything. It didn't perhaps altogether say why she had gone out with him for the morning, but it said, as one thought, about as much as she could say to his face.

Little by little indeed, under the vividness of Kate's behaviour, the probabilities fell back into their order. Merton Densher was in love, and Kate couldn't help it—could only be sorry and kind: wouldn't that, without wild flurries, cover everything? Milly at all events tried it as a cover, tried it hard, for the time; pulled it over her, in the front, the larger room, drew it up to her chin with energy. If it didn't, so treated, do everything for her, it did so much that she could herself supply the rest. She made that up by the interest of her great question, the question of whether, seeing him once more, with all that, as she called it to herself, had come and gone, her impression of him would be different from the impression received in New York. That had held her from the moment of their leaving the museum; it kept her company through their drive and during luncheon; and now that she was a quarter of an hour alone with him it became acute. She was to feel at this crisis that no clear, no common answer, no direct satisfaction on this point, was to reach her; she was to see her question itself simply go to pieces. She couldn't tell if he were different or not, and she didn't know nor care if she were: these things had ceased to matter in the light of the only thing she did know. This was that she liked him, as she put it to herself, as much as ever; and if that were to amount to liking a new person the amusement would be but the greater. She had thought him at first very quiet, in spite of recovery from his original confusion; though even the shade of bewilderment, she yet perceived, had not been due to such vagueness on the subject of her reintensified identity as the probable sight, over there, of many thousands of her kind would sufficiently have justified. No, he was quiet, inevitably, for the first half of the time, because Milly's own lively line—the line of spontaneity—made everything else relative; and because too, so far as Kate was spontaneous, it was ever so finely in the air among them that the normal pitch must be kept. Afterwards, when they had got a little more used, as it were, to each other's separate felicity, he had begun to talk more, clearly bethought himself, at a given moment, of what his natural lively line would be. It would be to take for granted she must wish to hear of the States, and to give her, in its order, everything he had seen and done there. He abounded, of a sudden he almost insisted; he returned, after breaks, to the charge; and the effect was perhaps the more odd as he gave no clue whatever to what he had admired, as he went, or to what he hadn't. He simply drenched her with his sociable story—especially during the time they were away from the others. She had stopped then being American—all to let him be English; a permission of which he took, she could feel, both immense and unconscious advantage. She had really never cared less for the "States" than at this moment; but that had nothing to do with the matter. It would have been the occasion of her life to learn about them, for nothing could put him off, and he ventured on no reference to what had happened for herself. It might have been almost as if he had known that the greatest of all these adventures was her doing just what she did then.

It was at this point that she saw the smash of her great question as complete, saw that all she had to do with was the sense of being there with him. And there was no chill for this in what she also presently saw—that, however he had begun, he was now acting from a particular desire, determined either by new facts or new fancies, to be like everyone else, simplifyingly "kind" to her. He had caught on already as to manner—fallen into line with everyone else; and if his spirits verily had gone up it might well be that he had thus felt himself lighting on the remedy for all awkwardness. Whatever he did or he didn't, Milly knew she should still like him—there was no alternative to that; but her heart could none the less sink a little on feeling how much his view of her was destined to have in common with—as she now sighed over it—the view. She could have dreamed of his not having the view, of his having something or other, if need be quite viewless, of his own; but he might have what he could with least trouble, and the view wouldn't be, after all, a positive bar to her seeing him. The defect of it in general—if she might so ungraciously criticise—was that, by its sweet universality, it made relations rather prosaically a matter of course. It anticipated and superseded the—likewise sweet—operation of real affinities. It was this that was doubtless marked in her power to keep him now—this and her glassy lustre of attention to his pleasantness about the scenery in the Rockies. She was in truth a little measuring her success in detaining him by Kate's success in "standing" Susan. It would not be, if she could help it, Mr. Densher who should first break down. Such at least was one of the forms of the girl's inward tension; but beneath even this deep reason was a motive still finer. What she had left at home on going out to give it a chance was meanwhile still, was more sharply and actively, there. What had been at the top of her mind about it and then been violently pushed down—this quantity was again working up. As soon as their friends should go Susie would break out, and what she would break out upon wouldn't be—interested in that gentleman as she had more than once shown herself—the personal fact of Mr. Densher. Milly had found in her face at luncheon a feverish glitter, and it told what she was full of. She didn't care now for Mr. Densher's personal fact. Mr. Densher had risen before her only to find his proper place in her imagination already, of a sudden, occupied. His personal fact failed, so far as she was concerned, to be personal, and her companion noted the failure. This could only mean that she was full to the brim, of Sir Luke Strett, and of what she had had from him. What had she had from him? It was indeed now working upward again that Milly would do well to know, though knowledge looked stiff in the light of Susie's glitter. It was therefore, on the whole, because Densher's young hostess was divided from it by so thin a partition that she continued to cling to the Rockies.