The Letters of Henry James. Vol. I

    Berne, June 22d [1873].

My veritably dear Howells,

Your letter of May 12th came to me a week ago (after a journey to Florence and back) and gave me exquisite pleasure. I found it in the Montreux post-office and wandered further till I found the edge of an open vineyard by the lake, and there I sat down with my legs hanging over the azure flood and broke the seal. Thank you for everything; for liking my writing and for being glad I like yours. Your letter made me homesick, and when you told of the orchards by Fresh Pond I hung my head for melancholy. What is the meaning of this destiny of desolate exile—this dreary necessity of having month after month to do without our friends for the sake of this arrogant old Europe which so little befriends us? This is a hot Sunday afternoon: from my window I look out across the rushing Aar at some beautiful undivided meadows backed by black pine woods and blue mountains: but I would rather be taking up my hat and stick and going to invite myself to tea with you. I left Italy a couple of weeks since, and since then have been taking gloomy views of things. I feel as if I had left my "genius" behind in Rome. But I suppose I am well away from Rome just now; the Roman (and even the Florentine) lotus had become, with the warm weather, an indigestible diet. I heard from my mother a day or two since that your book is having a sale—bless it! I haven't yet seen the last part and should like to get the volume as a whole. Would it trouble you to have it sent by post to Brown, Shipley & Co., London? Your fifth part I extremely relished; it was admirably touched. I wished the talk in which the offer was made had been given (instead of the mere résumé), but I suppose you had good and sufficient reasons for doing as you did. But your work is a success and Kitty a creation. I have envied you greatly, as I read, the delight of feeling her grow so real and complete, so true and charming. I think, in bringing her through with such unerring felicity, your imagination has fait ses preuves.... I should like to tell you a vast deal about myself, and I believe you would like to hear it. But as far as vastness goes I should have to invent it, and it's too hot for such work. I send you another (and for the present last) travelling piece—about Perugia etc. It goes with this, in another cover: a safe journey to it. I hope you may squeeze it in this year. It has numbers (in pages) more than you desire; but I think it is within bounds, as you will see there is an elision of several. I have done in all these months since I've been abroad less writing than I hoped. Rome, for direct working, was not good—too many distractions and a languefying atmosphere. But for "impressions" it was priceless, and I've got a lot duskily garnered away somewhere under my waning (that's an n, not a v) chevelure which some day may make some figure. I shall make the coming year more productive or retire from business altogether. Believe in me yet awhile longer and I shall reward your faith by dribblings somewhat less meagre.... I say nothing about the Fire. I can't trouble you with ejaculations and inquiries which my letters from home will probably already have answered. At this rate, apparently, the Lord loveth Boston immeasurably. But what a grim old Jehovah it is!…

My blessing, dear Howells, on all your affections, labours and desires. Write me a word when you can (B. & S., London) and believe me always faithfully yours,

    H. JAMES jr.

To Miss Grace Norton

    Florence, Jan. 14th, '74.

Dear Grace,

I have been jerked away from Rome, where I had been expecting to spend this winter, just as I was warming to the feast, and Florence, tho' very well in itself, doesn't go so far as it might as a substitute for Rome. It's like having a great plum-pudding set down on the table before you, and then seeing it whisked away and finding yourself served with wholesome tapioca. My brother, after a month of great enjoyment and prosperity at Rome, had a stroke of malaria (happily quite light) which made it necessary for him to depart, and I am here charitably to keep him company. I oughtn't to speak light words of Florence to you, who know it so well, and with reason love it so well: and they are really words from my pen's end simply and not from my heart. I have an inextinguishable relish for Florence, and now that I have been back here a fortnight this early love is beginning to shake off timidly the ponderous shadow of Rome.... Just as I was leaving Rome came to me Charles's letter of Dec. 5th, for which pray thank him warmly. I gather from it that he is, in vulgar parlance, taking America rather hard, and I suppose your feelings and Jane's on the matter resemble his own. But it's not for me to blame him, for I take it hard enough even here in Florence, and though I have a vague theory that there is a way of being contented there, I am afraid that when I go back I shall need all my ingenuity to put it into practice. What Charles says about our civilization seems to me perfectly true, but practically I don't feel as if the facts were so melancholy. The great fact for us all there is that, relish Europe as we may, we belong much more to that than to this, and stand in a much less factitious and artificial relation to it. I feel forever how Europe keeps holding one at arm's length, and condemning one to a meagre scraping of the surface. I have been nearly a year in Italy and have hardly spoken to an Italian creature save washerwomen and waiters. This, you'll say, is my own stupidity; but granting this gladly, it proves that even a creature addicted as much to sentimentalizing as I am over the whole mise en scène of Italian life, doesn't find an easy initiation into what lies behind it. Sometimes I am overwhelmed with the pitifulness of this absurd want of reciprocity between Italy itself and all my rhapsodies about it. There is certainly, however, terribly little doubt that, practically, for those who have been happy in Europe even Cambridge the Brilliant is not an easy place to live in. When I saw you in London, plunged up to your necks in that full, rich, abundant, various London life, I knew that a day of reckoning was coming and I heaved a secret prophetic sigh. I can well understand Charles's saying that the memory of these and kindred things is a perpetual private [? pang]. But pity our poor bare country and don't revile. England and Italy, with their countless helps to life and pleasure, are the lands for happiness and self-oblivion. It would seem that in our great unendowed, unfurnished, unentertained and unentertaining continent, where we all sit sniffing, as it were, the very earth of our foundations, we ought to have leisure to turn out something handsome from the very heart of simple human nature. But after I have been at home a couple of months I will tell you what I think. Meanwhile I aspire to linger on here in Italy and make the most of it—even in poor little overshadowed Florence and in a society limited to waiters and washerwomen. In your letter of last summer you amiably reproach me with not giving you personal tidings, and warn me in my letters against mistaking you for the Nation. Heaven forbid! But I have no nouvelles intimes and in this solitary way of life I don't ever feel especially like a person. I write more or less in the mornings, walk about in the afternoons, and doze over a book in the evenings. You can do as well as that in Cambridge....

To His Mother

    Florence,
    May 17th, 1874.

Dearest Mother,

The days pass evenly and rapidly here in my comfortable little dwelling on this lively (and also dusty) old Piazza Sta. Maria Novella. (The centre of the square is not paved and the dust hovers over it in clouds which compel one to live with closed windows. But I remove to my bedroom, which is on a side-street and very cool and clean.) Nothing particular happens to me and my time is passed between sleeping and scribbling (both of which I do very well,) lunching and dining, walking, and conversing with my small circle of acquaintance.... Tell Willy I thank him greatly for setting before me so vividly the question of my going home or staying. I feel equally with him the importance of the decision. I have been meaning, as you know, for some time past to return in the autumn, and I see as yet no sufficient reason for changing my plan. I shall go with the full prevision that I shall not find life at home simpatico, but rather painfully, and, as regards literary work, obstructively the reverse, and not even with the expectation that time will make it easier; but simply on sternly practical grounds; i.e. because I can find more abundant literary occupation by being on the premises and relieve you and father of your burdensome financial interposition. But I shrink from Willy's apparent assumption that going now is to pledge myself to stay forever. I feel as if my three years in Europe (with much of them so maladif) were a very moderate allowance for one who gets so much out of it as I do; and I don't think I could really hold up my head if I didn't hope to eat a bigger slice of the pudding (with a few more social plums in it, especially) at some future time. If at the end of a period at home I don't feel an overwhelming desire to come back, it will be so much gained; but I should prepare myself for great deceptions if I didn't take the possibility of such desire into account. One oughtn't, I suppose, to bother too much about the future, but arrange as best one can with the present; and the present bids me go home and try and get more things published. What makes the question particularly difficult to decide is that though I should make more money at home, American prices would devour it twice as fast; but even allowing for this, I should keep ahead of my expenses better than here. I know that when the time comes it will be unutterably hard to leave and I shall be wondering whether, if I were to stay another year, I shouldn't propitiate the Minotaur and return more resignedly. But to this I shall answer that a year wouldn't be a tenth part enough and that besides, as things stand, I should be perplexed where to spend it. Florence, fond as I have grown of it, is worth far too little to me, socially, for me to think complacently of another winter here. Here have I been living (in these rooms) for five weeks—and not a creature, save Gryzanowski, has crossed my threshold—counting out my little Italian, who comes twice a week, and whom I have to pay for his conversation! If I knew any one in England I should be tempted to go there for a year, for there I could work to advantage—i.e. get hold of new books to review. But I can't face, as it is, a year of British solitude. What I desire now more than anything else, and what would do me more good, is a régal of intelligent and suggestive society, especially male. But I don't know how or where to find it. It exists, I suppose, in Paris and London, but I can't get at it. I chiefly desire it because it would, I am sure, increase my powers of work. These are going very well, however, as it is, and I have for the present an absorbing task in my novel. Consider then that if nothing extremely unexpected turns up, I shall depart in the autumn. I have no present plans for the summer beyond ending my month in my rooms—on the 11th of June. I hope, dearest mammy, that you will be able to devise some agreeable plan for your own summer, and will spend it in repose and comfort.... Has the trunk reached Quincy St.? Pray guard jealously my few clothes—a summer suit and a coat, and two white waistcoats that I would give much for here, now. But don't let Father and Willy wear them out, as they will serve me still. Farewell, sweet mother. I must close. I wrote last asking you to have my credit renewed. I suppose it has been done. Love abounding to all. I will write soon to Willy. I wrote lately to A.

    Yours ever,
    H.

II

PARIS AND LONDON

(1875-1881)

AFTER another uneventful American year at Cambridge (1874-5,) during which Roderick Hudson was running its course in the Atlantic Monthly, Henry James came to Europe again with the clear intention of staying for good. His first idea was to settle in Paris. There he would find the literary world with which he had the strongest affinity, and it does not seem to have occurred to him at the time to seek a European home anywhere else. His knowledge of England was still very slight, and he needed something more substantial to live and work upon than the romance of Italy. In Paris he settled therefore, in the autumn of 1875, taking rooms at 29 Rue du Luxembourg. He began to write The American, to contribute Parisian Letters to the New York Tribune, and to frequent the society of a few of his compatriots. He made the valued acquaintance of Ivan Turgenev, and through him of the group which surrounded Gustave Flaubert—Edmond de Goncourt, Alphonse Daudet, Guy de Maupassant, Zola and others. But the letters which follow will shew the kind of doubts that began to arise after a winter in Paris—doubts of the possibility of Paris as a place where an American imagination could really take root and flourish. He found the circle of literature tightly closed to outside influences; it seemed to exclude all culture but its own after a fashion that aroused his opposition; he speaks sarcastically on one occasion of having watched Turgenev and Flaubert seriously discussing Daudet's Jack, while he reflected that none of the three had read, or knew English enough to read, Daniel Deronda. During a summer stay at Etretat these doubts increased, and when he went back to Paris in the autumn of 1876 he had already begun to feel the tug of an inclination towards London. His brother William seems to have given the final impulse which sent him over, and before the end of the year he was in London at last.

He took rooms at 3 Bolton Street, just off Piccadilly, and at first found the change from 'glittering, charming, civilised Paris' rather rude. But within a few weeks he was deep in London, with doors unnumbered opening to him and a general welcome for the rising young novelist from America. Letter after letter was sent home with accounts of the visits and dinner-parties which were soon his habitual round. He quickly discovered that this was his appointed home and set himself deliberately to cultivate it. But his relief at finding a place of which he could really take possession was entirely compatible with candid criticism. Letter after letter, too, is filled with caustic reflections on the minds and manners of the English; and as the following pages contain not a few of these, so it should here be pointed out that his correspondence was the only outlet open to these irrepressible sentiments, and that they must be seen in due proportion with the perfect courtesy of appreciation that he always shewed to his well-meaning hosts. He was very much alone in his observing detachment during these years. 'I wish greatly,' he writes to Miss Norton about this time, 'you and Charles were here, so that I might have some one to say the things that are in me too; I mean the things about England and the English—the feelings, impressions, judgments, emotions of every kind that are being perpetually generated, and that I can't utter to a single Briton of them all with the smallest chance of being understood.... The absence of a sympathetic, compatriotic, intelligent spirit, like yours, is my greatest deprivation here, and everything is corked up.'

But whatever the shortcomings of the English might be, London life closed round him and held him fast. He would break away for an occasional excursion abroad, or he would carry his work into seaside lodgings for the end of the summer. Otherwise he clung to London, with such country visits as sprang naturally from his numerous relations with the town and were simply an extension of these. During the years covered by the present section he spent some weeks in Rome towards the end of 1877, three months in Paris in the autumn of 1879, and two in Italy again, at Florence and Naples, in the following spring. By 1881 he was sufficiently acclimatised in London to feel the need of escaping from the 'season,' then so much more organised and exacting an institution than it has since become; he went to Venice in March and did not return till July. But these were the only variations from the life of a 'cockney convaincu,' as he admitted himself to be. The wonder is that he found time under such conditions to accomplish the large amount of work he still put forth year by year. In spite of health that continued somewhat uncertain, he was able to concentrate upon his writing in the midst of all distractions. Daisy Miller, The Europeans, Confidence, Washington Square, and the Portrait of a Lady, all belong to the first five years of his London life, besides an unbroken stream of shorter pieces—fiction, picturesque sketches, reviews of books—contributed to several English and American periodicals. Time slipped by, and he began to wait upon the right opportunity for a long visit to his own country. It was not indeed that he felt himself to be losing touch with it; his appetite for American news was unassuageable, and by means of a correspondence as copious as ever he jealously preserved and cherished every possible tie with his old home. But he turned to his own family, then as always afterwards, with an affection stimulated by his unfathered state in England. His parents were growing old, his elder brother (who had married in 1878) was beginning to enjoy and exhibit the maturity of his genius, and it was more than time for a renewal of associations on the spot. By the autumn of 1881 he had finished The Portrait of a Lady, the longest and in every way the most important of his works hitherto, and he could also feel that his grounding in London, so to call it, was solid and secure. After six years of absence he then saw America again.

To his Father

    29 Rue du Luxembourg.
    April 11th [1876].

Dear Father,

The slender thread of my few personal relations hangs on, without snapping, but it doesn't grow very stout. You crave chiefly news, I suppose, about Ivan Sergeitch [Turgenev], whom I have lately seen several times. I spent a couple of hours with him at his room, some time since, and I have seen him otherwise at Mme. Viardot's. The latter has invited me to her musical parties (Thursdays) and to her Sundays en famille. I have been to a couple of the former and (as yet only) one of the latter. She herself is a most fascinating and interesting woman, ugly, yet also very handsome or, in the French sense, très-belle. Her musical parties are rigidly musical and to me, therefore, rigidly boresome, especially as she herself sings very little. I stood the other night on my legs for three hours (from 11 till 2) in a suffocating room, listening to an interminable fiddling, with the only consolation that Gustave Doré, standing beside me, seemed as bored as myself. But when Mme. Viardot does sing, it is superb. She sang last time a scene from Gluck's Alcestis, which was the finest piece of musical declamation, of a grandly tragic sort, that I can conceive. Her Sundays seem rather dingy and calculated to remind one of Concord 'historical games' etc. But it was both strange and sweet to see poor Turgenev acting charades of the most extravagant description, dressed out in old shawls and masks, going on all fours etc. The charades are their usual Sunday evening occupation and the good faith with which Turgenev, at his age and with his glories, can go into them is a striking example of that spontaneity which Europeans have and we have not. Fancy Longfellow, Lowell, or Charles Norton doing the like, and every Sunday evening! I am likewise gorged with music at Mme. de Blocqueville's, where I continue to meet Emile Montégut, whom I don't like so well as his writing, and don't forgive for having, à l'avenir, spoiled his writing a little for me. Calling the other day on Mme. de B. I found with her M. Caro, the philosopher, a man in the expression of whose mouth you would discover depths of dishonesty, but a most witty and agreeable personage. I had also the other day a very pleasant call upon Flaubert, whom I like personally more and more each time I see him. But I think I easily—more than easily—see all round him intellectually. There is something wonderfully simple, honest, kindly, and touchingly inarticulate about him. He talked of many things, of Théo. Gautier among others, who was his intimate friend. He said nothing new or rare about him, except that he thought him after the Père Hugo the greatest of French poets, much above Alfred de Musset; but Gautier in his extreme perfection was unique. And he recited some of his sonnets in a way to make them seem the most beautiful things in the world. Find in especial (in the volume I left at home) one called Les Portraits Ovales.... I went down to Chartres the other day and had a charming time—but I won't speak of it as I have done it in the Tribune. The American papers over here are accablants, and the vulgarity and repulsiveness of the Tribune, whenever I see it, strikes me so violently that I feel tempted to stop my letter. But I shall not, though of late there has been a painful dearth of topics to write about. But soon comes the Salon.... I am very glad indeed that Howells is pleased with my new tale; I am now actively at work upon it. I am well pleased that the Atlantic has obtained it. His own novel I have not read, but he is to send it to me.

Your home news has all been duly digested. Tell Willy that I will answer his most interesting letter specifically; and say to my dearest sister that if she will tell me which—black or white—she prefers I will send her gratis a fichu of écru lace, which I am told is the proper thing for her to have.

Ever, dearest daddy, your loving son,

H. JAMES jr.

To W. D. Howells

The 'story' was The American, which began to appear in The Atlantic Monthly in June, 1876.

    29 Rue du Luxembourg, Paris.
    May 28th [1876].

Dear Howells,

I have just received (an hour ago) your letter of May 14th. I shall be very glad to do my best to divide my story so that it will make twelve numbers, and I think I shall probably succeed. Of course 26 pp. is an impossible instalment for the magazine. I had no idea the second number would make so much, though I half expected your remonstrance. I shall endeavour to give you about 14 pp., and to keep doing it for seven or eight months more. I sent you the other day a fourth part, a portion of which, I suppose, you will allot to the fifth.

My heart was touched by your regret that I hadn't given you "a great deal of my news"—though my reason suggested that I could not have given you what there was not to give. "La plus belle fille du monde ne peut donner que ce qu'elle a." I turn out news in very small quantities—it is impossible to imagine an existence less pervaded with any sort of chiaroscuro. I am turning into an old, and very contented, Parisian: I feel as if I had struck roots into the Parisian soil, and were likely to let them grow tangled and tenacious there. It is a very comfortable and profitable place, on the whole—I mean, especially, on its general and cosmopolitan side. Of pure Parisianism I see absolutely nothing. The great merit of the place is that one can arrange one's life here exactly as one pleases—that there are facilities for every kind of habit and taste, and that everything is accepted and understood. Paris itself meanwhile is a sort of painted background which keeps shifting and changing, and which is always there, to be looked at when you please, and to be most easily and comfortably ignored when you don't. All this, if you were only here, you would feel much better than I can tell you—and you would write some happy piece of your prose about it which would make me feel it better, afresh. Ergo, come—when you can! I shall probably be here still. Of course every good thing is still better in spring, and in spite of much mean weather I have been liking Paris these last weeks more than ever. In fact I have accepted destiny here, under the vernal influence. If you sometimes read my poor letters in the Tribune, you get a notion of some of the things I see and do. I suppose also you get some gossip about me from Quincy St. Besides this there is not a great deal to tell. I have seen a certain number of people all winter who have helped to pass the time, but I have formed but one or two relations of permanent value, and which I desire to perpetuate. I have seen almost nothing of the literary fraternity, and there are fifty reasons why I should not become intimate with them. I don't like their wares, and they don't like any others; and besides, they are not accueillants. Turgenev is worth the whole heap of them, and yet he himself swallows them down in a manner that excites my extreme wonder. But he is the most loveable of men and takes all things easily. He is so pure and strong a genius that he doesn't need to be on the defensive as regards his opinions and enjoyments. The mistakes he may make don't hurt him. His modesty and naïveté are simply infantine. I gave him some time since the message you sent him, and he bade me to thank you very kindly and to say that he had the most agreeable memory of your two books. He has just gone to Russia to bury himself for two or three months on his estate, and try and finish a long novel he has for three or four years been working upon. I hope to heaven he may. I suspect he works little here.

I interrupted this a couple of hours since to go out and pay a visit to Gustave Flaubert, it being his time of receiving, and his last Sunday in Paris, and I owing him a farewell. He is a very fine old fellow, and the most interesting man and strongest artist of his circle. I had him for an hour alone, and then came in his "following," talking much of Emile Zola's catastrophe—Zola having just had a serial novel for which he was handsomely paid interrupted on account of protests from provincial subscribers against its indecency. The opinion apparently was that it was a bore, but that it could only do the book good on its appearance in a volume. Among your tribulations as editor, I take it that this particular one is not in store for you. On my way down from Flaubert's I met poor Zola climbing the staircase, looking very pale and sombre, and I saluted him with the flourish natural to a contributor who has just been invited to make his novel last longer yet....

Your inquiry "Why I don't go to Spain?" is sublime—is what Philip van Artevelde says of the Lake of Como, "softly sublime, profusely fair!" I shall spend my summer in the most tranquil and frugal hole I can unearth in France, and I have no prospect of travelling for some time to come. The Waverley Oaks seem strangely far away—yet I remember them well, and the day we went there. I am sorry I am not to see your novel sooner, but I applaud your energy in proposing to change it. The printed thing always seems to me dead and done with. I suppose you will write something about Philadelphia—I hope so, as otherwise I am afraid I shall know nothing about it. I salute your wife and children a thousand times and wish you an easy and happy summer and abundant inspiration.

    Yours very faithfully,
    H. JAMES, jr.

To William James

    Etretat,
    July 29th [1876].

Dear Wm.

I have little to tell you of myself. I shall be here till August 15-20, and shall then go and spend the rest of the month with the Childes, near Orléans (an ugly country, I believe,) and after that try to devise some frugal scheme for keeping out of Paris till as late as possible in the autumn. The winter there always begins soon enough. I am much obliged to you for your literary encouragement and advice—glad especially you like my novel. I can't judge it. Your remarks on my French tricks in my letters are doubtless most just, and shall be heeded. But it's an odd thing that such tricks should grow at a time when my last layers of resistance to a long-encroaching weariness and satiety with the French mind and its utterance has fallen from me like a garment. I have done with 'em, forever, and am turning English all over. I desire only to feed on English life and the contact of English minds—I wish greatly I knew some. Easy and smooth-flowing as life is in Paris, I would throw it over tomorrow for an even very small chance to plant myself for a while in England. If I had but a single good friend in London I would go thither. I have got nothing important out of Paris nor am likely to. My life there makes a much more succulent figure in your letters, my mention of its thin ingredients as it comes back to me, than in my own consciousness. A good deal of Boulevard and third-rate Americanism: few retributive relations otherwise. I know the Théâtre Français by heart!

Daniel Deronda (Dan'l himself) is indeed a dead, though amiable, failure. But the book is a large affair; I shall write an article of some sort about it. All desire is dead within me to produce something on George Sand; though perhaps I shall, all the same, mercenarily and mechanically—though only if I am forced. Please make a point of mentioning, by the way, whether a letter of mine, upon her, exclusively, did appear lately in the Tribune. I don't see the T. regularly and have missed it. They misprint sadly. I never said, e.g., in announcing her death, that she was 'fearfully shy': I used no such vile adverb, but another—I forget which.

I am hoping from day to day for another letter from home, as the period has come round.... I hope your own plans for the summer will prosper, and health and happiness be your portion. Give much love to Father, and to the ladies.

    Yours always,
    H. JAMES jr.

To William James

H. J. had by this time been settled in London for some three months

    Athenaeum Club, Pall Mall.
    March 29th, '77.