He wondered. "What do you call the most?"
"Well, she did it originally—she began the vicious circle. For that—though you make round eyes at my associating her with 'vice'—is simply what it has been. It's their mutual consideration, all round, that has made it the bottomless gulf; and they're really so embroiled but because, in their way, they've been so improbably GOOD."
"In their way—yes!" the Colonel grinned.
"Which was, above all, Maggie's way." No flicker of his ribaldry was anything to her now. "Maggie had in the first place to make up to her father for her having suffered herself to become—poor little dear, as she believed—so intensely married. Then she had to make up to her husband for taking so much of the time they might otherwise have spent together to make this reparation to Mr. Verver perfect. And her way to do this, precisely, was by allowing the Prince the use, the enjoyment, whatever you may call it, of Charlotte to cheer his path—by instalments, as it were— in proportion as she herself, making sure her father was all right, might be missed from his side. By so much, at the same time, however," Mrs. Assingham further explained, "by so much as she took her young stepmother, for this purpose, away from Mr. Verver, by just so much did this too strike her as something again to be made up for. It has saddled her, you will easily see, with a positively new obligation to her father, an obligation created and aggravated by her unfortunate, even if quite heroic, little sense of justice. She began with wanting to show him that his marriage could never, under whatever temptation of her own bliss with the Prince, become for her a pretext for deserting or neglecting HIM. Then that, in its order, entailed her wanting to show the Prince that she recognised how the other desire—this wish to remain, intensely, the same passionate little daughter she had always been—involved in some degree, and just for the present, so to speak, her neglecting and deserting him. I quite hold," Fanny with characteristic amplitude parenthesised, "that a person can mostly feel but one passion—one TENDER passion, that is—at a time. Only, that doesn't hold good for our primary and instinctive attachments, the 'voice of blood,' such as one's feeling for a parent or a brother. Those may be intense and yet not prevent other intensities—as you will recognise, my dear, when you remember how I continued, tout betement, to adore my mother, whom you didn't adore, for years after I had begun to adore you. Well, Maggie"—she kept it up—"is in the same situation as I was, PLUS complications from which I was, thank heaven, exempt: PLUS the complication, above all, of not having in the least begun with the sense for complications that I should have had. Before she knew it, at any rate, her little scruples and her little lucidities, which were really so divinely blind— her feverish little sense of justice, as I say—had brought the two others together as her grossest misconduct couldn't have done. And now she knows something or other has happened—yet hasn't heretofore known what. She has only piled up her remedy, poor child—something that she has earnestly but confusedly seen as her necessary policy; piled it on top of the policy, on top of the remedy, that she at first thought out for herself, and that would really have needed, since then, so much modification. Her only modification has been the growth of her necessity to prevent her father's wondering if all, in their life in common, MAY be so certainly for the best. She has now as never before to keep him unconscious that, peculiar, if he makes a point of it, as their situation is, there's anything in it all uncomfortable or disagreeable, anything morally the least out of the way. She has to keep touching it up to make it, each day, each month, look natural and normal to him; so that—God forgive me the comparison!—she's like an old woman who has taken to 'painting' and who has to lay it on thicker, to carry it off with a greater audacity, with a greater impudence even, the older she grows." And Fanny stood a moment captivated with the image she had thrown off. "I like the idea of Maggie audacious and impudent—learning to be so to gloss things over. She could—she even will, yet, I believe—learn it, for that sacred purpose, consummately, diabolically. For from the moment the dear man should see it's all rouge—!" She paused, staring at the vision.
It imparted itself even to Bob. "Then the fun would begin?" As it but made her look at him hard, however, he amended the form of his inquiry. "You mean that in that case she WILL, charming creature, be lost?"
She was silent a moment more. "As I've told you before, she won't be lost if her father's saved. She'll see that as salvation enough."
The Colonel took it in. "Then she's a little heroine."
"Rather—she's a little heroine. But it's his innocence, above all," Mrs. Assingham added, "that will pull them through."
Her companion, at this, focussed again Mr. Verver's innocence."It's awfully quaint."
"Of course it's awfully quaint! That it's awfully quaint, that the pair are awfully quaint, quaint with all our dear old quaintness—by which I don't mean yours and mine, but that of my own sweet countrypeople, from whom I've so deplorably degenerated—that," Mrs. Assingham declared, "was originally the head and front of their appeal to me and of my interest in them. And of course I shall feel them quainter still," she rather ruefully subjoined, "before they've done with me!"
This might be, but it wasn't what most stood in the Colonel's way. "You believe so in Mr. Verver's innocence after two years of Charlotte?"
She stared. "But the whole point is just that two years of Charlotte are what he hasn't really—or what you may call undividedly—had."
"Any more than Maggie, by your theory, eh, has 'really or undividedly,' had four of the Prince? It takes all she hasn't had," the Colonel conceded, "to account for the innocence that in her, too, so leaves us in admiration."
So far as it might be ribald again she let this pass. "It takes a great many things to account for Maggie. What is definite, at all events, is that—strange though this be—her effort for her father has, up to now, sufficiently succeeded. She has made him, she makes him, accept the tolerably obvious oddity of their relation, all round, for part of the game. Behind her there, protected and amused and, as it were, exquisitely humbugged—the Principino, in whom he delights, always aiding—he has safely and serenely enough suffered the conditions of his life to pass for those he had sublimely projected. He hadn't worked them out in detail—any more than I had, heaven pity me!—and the queerness has been, exactly, in the detail. This, for him, is what it was to have married Charlotte. And they both," she neatly wound up, 'help.'"
"'Both'—?"
"I mean that if Maggie, always in the breach, makes it seem to him all so flourishingly to fit, Charlotte does her part not less. And her part is very large. Charlotte," Fanny declared, "works like a horse."
So there it all was, and her husband looked at her a minute across it. "And what does the Prince work like?"
She fixed him in return. "Like a Prince!" Whereupon, breaking short off, to ascend to her room, she presented her highly— decorated back—in which, in odd places, controlling the complications of its aspect, the ruby or the garnet, the turquoise and the topaz, gleamed like faint symbols of the wit that pinned together the satin patches of her argument.
He watched her as if she left him positively under the impression of her mastery of her subject; yes, as if the real upshot of the drama before them was but that he had, when it came to the tight places of life—as life had shrunk for him now—the most luminous of wives. He turned off, in this view of her majestic retreat, the comparatively faint little electric lamp which had presided over their talk; then he went up as immediately behind her as the billows of her amber train allowed, making out how all the clearness they had conquered was even for herself a relief—how at last the sense of the amplitude of her exposition sustained and floated her. Joining her, however, on the landing above, where she had already touched a metallic point into light, he found she had done perhaps even more to create than to extinguish in him the germ of a curiosity. He held her a minute longer —there was another plum in the pie. "What did you mean some minutes ago by his not caring for Charlotte?"
"The Prince's? By his not 'really' caring?" She recalled, after a little, benevolently enough. "I mean that men don't, when it has all been too easy. That's how, in nine cases out of ten, a woman is treated who has risked her life. You asked me just now how he works," she added; "but you might better perhaps have asked me how he plays."
Well, he made it up. "Like a Prince?"
"Like a Prince. He is, profoundly, a Prince. For that," she said with expression, "he's—beautifully—a case. They're far rarer, even in the 'highest circles,' than they pretend to be—and that's what makes so much of his value. He's perhaps one of the very last—the last of the real ones. So it is we must take him. We must take him all round."
The Colonel considered. "And how must Charlotte—if anything happens—take him?"
The question held her a minute, and while she waited, with her eyes on him, she put out a grasping hand to his arm, in the flesh of which he felt her answer distinctly enough registered. Thus she gave him, standing off a little, the firmest, longest, deepest injunction he had ever received from her. "Nothing —in spite of everything—WILL happen. Nothing HAS happened. Nothing IS happening."
He looked a trifle disappointed. "I see. For US."
"For us. For whom else?" And he was to feel indeed how she wished him to understand it. "We know nothing on earth—!" It was an undertaking he must sign.
So he wrote, as it were, his name. "We know nothing on earth." It was like the soldiers' watchword at night.
"We're as innocent," she went on in the same way, "as babes."
"Why not rather say," he asked, "as innocent as they themselves are?"
"Oh, for the best of reasons! Because we're much more so."
He wondered. "But how can we be more—?"
"For them? Oh, easily! We can be anything."
"Absolute idiots then?"
"Absolute idiots. And oh," Fanny breathed, "the way it will rest us!"
Well, he looked as if there were something in that. "But won't they know we're not?"
She barely hesitated. "Charlotte and the Prince think we are— which is so much gained. Mr. Verver believes in our intelligence—but he doesn't matter."
"And Maggie? Doesn't SHE know—?"
"That we see before our noses?" Yes, this indeed took longer. "Oh, so far as she may guess it she'll give no sign. So it comes to the same thing."
He raised his eyebrows. "Comes to our not being able to help her?"
"That's the way we SHALL help her."
"By looking like fools?"
She threw up her hands. "She only wants, herself, to look like a bigger! So there we are!" With which she brushed it away—his conformity was promised. Something, however, still held her; it broke, to her own vision, as a last wave of clearness. "Moreover NOW," she said, "I see! I mean," she added,—what you were asking me: how I knew to-day, in Eaton Square, that Maggie's awake." And she had indeed visibly got it. "It was by seeing them together."
"Seeing her with her father?" He fell behind again. "But you've seen her often enough before."
"Never with my present eyes. For nothing like such a test—that of this length of the others' absence together—has hitherto occurred."
"Possibly! But if she and Mr. Verver insisted upon it—?"
"Why is it such a test? Because it has become one without their intending it. It has spoiled, so to speak, on their hands."
"It has soured, eh?" the Colonel said.
"The word's horrible—say rather it has 'changed.' Perhaps," Fanny went on, "she did wish to see how much she can bear. In that case she HAS seen. Only it was she alone who—about the visit—insisted. Her father insists on nothing. And she watches him do it."
Her husband looked impressed. "Watches him?"
"For the first faint sign. I mean of his noticing. It doesn't, as I tell you, come. But she's there for it to see. And I felt," she continued, "HOW she's there; I caught her, as it were, in the fact. She couldn't keep it from me—though she left her post on purpose—came home with me to throw dust in my eyes. I took it all—her dust; but it was what showed me." With which supreme lucidity she reached the door of her room. "Luckily it showed me also how she has succeeded. Nothing—from him—HAS come."