Lieut. Jean du Breuil de St. Germain, distinguished cavalry officer, sociologist, traveller, was killed in action near Arras, February 22, 1915.
21 Carlyle Mansions,
Cheyne Walk, S.W.
April 3rd, 1915.
Dearest Edith,
Bounties unacknowledged and unmeasured continue to flow in from you, for this a.m., after your beautiful letter enclosing your copy of M. Séguier's so extraordinarily fine and touching one, arrive your two livraisons of the Revue containing the Dixmude of which you wrote me. It is quite heartbreakingly noble of you to find initiative for the rendering and the remembering of such services and such assurances, for I myself gaze at almost any display of initiative as I should stare at a passing charge of cavalry down the Brompton Road—where we haven't come to that yet, though we may for one reason and another indeed soon have to. One is surrounded in fact here with more affirmations of energy than you might gather from some of the accounts of matters that appear in the Times, and yet the paralysis of my own power to do anything but increasingly and inordinately feel, feel in a way to make communication with almost all others impossible, they living and thinking in such different terms—and yet that paralysis, dis-je, more and more swallows up everything but the sore and sterile unresting imagination. I can't proceed upon it after your sublime fashion—and in fact its aching life is a practical destruction of every other sort, which is why I call it sterile. But the extent, all the same, to which one will have inwardly and darkly and drearily and dreadfully lived!—with those victims of nervous horror in the ambulance-church, the little chanting country church of the deadly serried beds of your Verdun letter, and those others, the lacerated and untended in the "fetid stable-heat" of the other place and the second letter—all of whom live with me and haunt and "inhibit" me. And so does your friend du Breuil, and his friend your admirable correspondent (in what a nobleness and blest adequacy of expression their feeling finds relief)—and this in spite of my having neither known nor seen either of them; Séguier creating in one to positive sickness the personal pang about your friend and his, and his letter making me feel the horror it does himself, even as if my affection had something at stake in that. But I don't know why I treat you thus to the detail of one's perpetually-renewed waste. You will have plenty of detail of your own, little waste as I see you allowing yourself.
I haven't yet had the hour of reading your Dixmudes, which I am momentarily reserving, under some other pressure, but they shall not miss my fond care—so little has any face of the nightmare been reflected for me in any form of beauty as yet; your Verdun letter excepted. This keeps making mere blue-books and yellow-books and rapports the only reading that isn't, or that hasn't been, below the level; through their not pretending to express but only giving one the material. As it happens, when your Revues came I was reading Georges Ohnet and in one of the three fascicules of his Bourgeois de Paris that have alone, as yet, turned up here! and reading him, ma foi, with deep submission to his spell! Funny enough to be redevable at this time of day to that genius, who has come down from the cross where poor vanquished Jules Lemaître long ago nailed him up, as if to work fresh miracles, dancing for it on Jules's very grave. But he is in fact extraordinarily vivid and candid and amusing, with the force of an angry little hunchback and a perfect and quite gratifying vulgarity of passion; also, probably, with a perfect enormity of vente—in which one takes pleasure.
Easter has operated to clear London in something like the fine old way—we would really seem to stick so much to our fine old ways. I don't truly know what to make of some of them—and yet don't let yourself suppose from some of such appearances that the stiffness and toughness of the country isn't on the whole deeper than anything else. Such at least is my own indefeasible conviction—or impression. It's the queerest of peoples—with its merits and defects so extraordinarily parts of each other; its wantonness of refusals—in some of these present ways—such a part of its attachment to freedom, of the individualism which makes its force that of a collection of individuals and its voluntaryism of such a strong quality. But it won't be the defects, it will be the merits, I believe, that will have the last word. Strange that the country should need a still bigger convulsion—for itself; it does, however, and it will get it—and will act under it. France has had hers in the form of invasion—and I don't know of what form ours will yet have to be. But it will come—and then we shall—damp and dense, but not vicious, not vicious enough, and immensely capable if we can once get dry. Voilà that I am, however; yet with it so yours,
H. J.
To Edward Marsh
Rupert Brooke died on a French hospital-ship in the Aegean Sea, April 28, 1915, while serving with the Royal Naval Division.
21 Carlyle Mansions,
Cheyne Walk, S.W.
April 24th, 1915.
My dear dear Eddie,
This is too horrible and heart-breaking. If there was a stupid and hideous disfigurement of life and outrage to beauty left for our awful conditions to perpetrate, those things have been now supremely achieved, and no other brutal blow in the private sphere can better them for making one just stare through one's tears. One had thought of one's self as advised and stiffened as to what was possible, but one sees (or at least I feel) how sneakingly one had clung to the idea of the happy, the favouring, hazard, the dream of what still might be for the days to come. But why do I speak of my pang, as if it had a right to breathe in presence of yours?—which makes me think of you with the last tenderness of understanding. I value extraordinarily having seen him here in the happiest way (in Downing St., &c.) two or three times before he left England, and I measure by that the treasure of your own memories and the dead weight of your own loss. What a price and a refinement of beauty and poetry it gives to those splendid sonnets—which will enrich our whole collective consciousness. We must speak further and better, but meanwhile all my impulse is to tell you to entertain the pang and taste the bitterness for all they are "worth"—to know to the fullest extent what has happened to you and not miss one of the hard ways in which it will come home. You won't have again any relation of that beauty, won't know again that mixture of the elements that made him. And he was the breathing beneficent man—and now turned to this! But there's something to keep too—his legend and his image will hold. Believe by how much I am, my dear Eddie, more than ever yours,
HENRY JAMES.
To G. W. Prothero
21 Carlyle Mansions,
Cheyne Walk, S.W.
April 24th, 1915.
Dear George,
I can't not thank you for your interesting remittances, the one about the Salubrity of the Soldier perhaps in particular. That paper is indeed an admirable statement of what one is mainly struck with—the only at all consoling thing in all the actual horror, namely: the splendid personal condition of the khaki-clad as they overflow the town. It represents a kind of physical redemption—and that is something, is much, so long as the individual case of it lasts.
As for the President, he is really looking up. I feel as if it kind of made everything else do so! It does at any rate your all-faithful old
HENRY JAMES.
To Wilfred Sheridan
21 Carlyle Mansions,
Cheyne Walk, S.W.
May 31st, 1915.
My dear dear Wilfred,
I have been hearing from Clare and Margaret, and writing to them—with the effect on my feelings so great that even if I hadn't got their leave to address you thus directly, and their impression that you would probably have patience with me, I should still be perpetrating this act, from the simple force of—well, let me say of fond affection and have done with it. I really take as much interest in your movements and doings, in all your conditions, as if I were Margaret herself—such great analogies prevail between the heavy uncle and the infant daughter when following their object up is concerned. I haven't kept my thoughts off you at all—not indeed that I have tried!—since those days early in the winter, in that little London house, where you were so admirably interesting and vivid about your first initiations and impressions and I pressed you so hard over the whole ground, and didn't know whether most to feel your acute intelligence at play or your kindness to your poor old gaping visitor. I've neglected no opportunity of news of you since then, though I've picked the article up in every and any way save by writing to you—which my respect for your worried attention and general overstrain forbade me to regard as a decent act. At the same time, when I heard of your having, at Crowborough or wherever, a sharp illness of some duration, I turned really sick myself for sympathy—I couldn't see the faintest propriety in that. And now my sentiments hover about you with the closest fidelity, and when I think of the stiff experience and all the strange initiations (so to express my sense of them) that must have crowded upon you, I am lost in awe at the vision. For you're the kind of defender of his country to whom I take off my hat most abjectly and utterly—the thinking, feeling, refining hero, who knows and compares, and winces and overcomes, and on whose lips I promise myself one of these days to hang again with a gape even beyond that of last winter. I wish to goodness I could do something more and better for you than merely address you these vain words; however, they won't hurt you at least, for they carry with them an intensity of good will. I won't pretend to give you any news, for it's you who make all ours—and we are now really in the way, I think, of doing everything conceivable to back you up in that, and thereby become worthy of you. America, my huge queer country, is being flouted by Germany in a manner that looks more and more like a malignant design, and if this should (very soon) truly appear, and that weight of consequent prodigious resentment should be able to do nothing else than throw itself into the scale, then we should be backing you up to some purpose. The weight would in one way and another be overwhelming. But these are vast issues, and I have only wanted to give you for the moment my devotedest personal blessing. Think of me as in the closest sustaining communion with Clare, and don't for a moment dream that I propose—I mean presume—to lay upon you the smallest burden of notice of the present beyond just letting it remind you of the fond faith of yours, my dear Wilfred, all affectionately,
HENRY JAMES.
To Edward Marsh
The volume sent by Mr. Marsh was Rupert Brooke's 1914 and other Poems.
21 Carlyle Mansions,
Cheyne Walk, S.W.
June 6th, 1915.
Dearest Eddie,
I thank you ever so kindly for this advance copy of Rupert's volume, which you were right (and blest!) in feeling that I should intensely prize. I have been spending unspeakable hours over it—heart-breaking ones, under the sense of the stupid extinction of so exquisite an instrument and so exquisite a being. Immense the generosity of his response to life and the beauty and variety of the forms in which it broke out, and of which these further things are such an enriching exhibition. His place is now very high and very safe—even though one walks round and round it with the aching soreness of having to take the monument for the man. It's so wretched talking, really, of any "place" but his place with us, and in our eyes and affection most of all, the other being such as could wait, and grow with all confidence and power while waiting. He has something, at any rate, one feels in this volume, that puts him singularly apart even in his eminence—the fact that, member of the true high company as he is and poet of the strong wings (for he seems to me extraordinarily strong,) he has charm in a way of a kind that belong to none of the others, who have their beauty and abundance, their distinction and force and grace, whatever it may be, but haven't that particular thing as he has it and as he was going to keep on having it, since it was of his very nature—by which I mean that of his genius. The point is that I think he would still have had it even if he had grown bigger and bigger, and stronger and stronger (for this is what he would have done,) and thereby been almost alone in this idiosyncrasy. Even of Keats I don't feel myself saying that he had charm—it's all lost in the degree of beauty, which somehow allows it no chance. But in Rupert (not that I match them!) there is the beauty, so great, and then the charm, different and playing beside it and savouring of the very quality of the man. What it comes to, I suppose, is that he touches me most when he is whimsical and personal, even at the poetic pitch, or in the poetic purity, as he perpetually is. And he penetrates me most when he is most hauntingly (or hauntedly) English—he draws such a real magic from his conscious reference to it. He is extraordinarily so even in the War sonnets—not that that isn't highly natural too; and the reading of these higher things over now, which one had first read while he was still there to be exquisitely at stake in them, so to speak, is a sort of refinement both of admiration and of anguish. The present gives them such sincerity—as if they had wanted it! I adore the ironic and familiar things, the most intimately English—the Chilterns and the Great Lover (towards the close of which I recognise the misprint you speak of, but fortunately so obvious a one—the more flagrant the better—that you needn't worry:) and the Funeral of Youth, awfully charming; and of course Grantchester, which is booked for immortality. I revel in Grantchester—and how it would have made one love him if one hadn't known him. As it is it wrings the heart! And yet after all what do they do, all of them together, but again express how life had been wonderful and crowded and fortunate and exquisite for him?—with his sensibilities all so exposed, really exposed, and yet never taking the least real harm. He seems to me to have had in his short life so much that one may almost call it everything. And he isn't tragic now—he has only stopped. It's we who are tragic—you and his mother especially, and whatever others; for we can't stop, and we wish we could. The portrait has extreme beauty, but is somehow disconnected. However, great beauty does disconnect! But good-night—with the lively sense that I must see you again before I leave town—which won't be, though, before early in July. I hope you are having less particular strain and stress and am yours all faithfully,
HENRY JAMES.
To Edward Marsh
This refers to a photograph of Rupert Brooke, sent by Mr. Marsh, and to the death of his friend Denis Browne, who was with R. B. when he died. A letter from Browne, describing Rupert Brooke's burial on the island of Scyros, had been read to H. J. by Mr. Marsh the day before the following was written.
21 Carlyle Mansions,
Cheyne Walk, S.W.
June 13th, 1915.
Dearest Eddie,
The photograph is wonderful and beautiful—and a mockery! I mean encompassed with such an ache and such a pang that it sets up for one's vision a regularly accepted, unabated pain. And now you have another of like sort, the fruit of this horrible time—which I presume almost to share with you, as a sign of the tenderness I bear you. I wish indeed that for this I might once have seen D. B., kind brothering D. B., the reading by you of whose letter last night, under the pang of his extinction, the ghost telling of the ghost, moved me more than I could find words for. He brothered you almost as much as he had brothered Rupert—and I could almost feel that he practically a little brothered poor old me, for which I so thank his spirit! And this now the end of his brothering! Of anything more in his later letter that had any relation you will perhaps still some day tell me....
Yours all faithfully,
HENRY JAMES.
To Compton Mackenzie
Mr. Mackenzie was at this time attached to Sir Ian Hamilton's headquarters with the Dardanelles Expeditionary Force.
21 Carlyle Mansions,
Cheyne Walk, S.W.
June 18th, 1915.
My dear Monty,
All this while have I remained shamefully in your debt for interesting news, and I am plunged deeper into that condition by your admirable report from the Dardanelles in this a.m.'s Times. I am a backward being, alas, in these days when so much is forward; our public anxieties somehow strike for me at the roots of letter-writing, and I remain too often dumb, not because I am not thinking and feeling a thousand things, but exactly because I am doing so to such intensity. You wrote me weeks ago that you had finished your new novel—which information took my breath away (I mean by its windlike rush)—and now has come thus much of the remainder of the adventure for which that so grandly liberated you and which I follow with the liveliest participation in all your splendid sense of it and profit of it. I confess I take an enormous pleasure in the fact of the exposure of the sensitive plate of your imagination, your tremendous attention, to all these wonderful and terrible things. What impressions you are getting, verily—and what a breach must it all not make with the course of history you are practising up to the very eve. I rejoice that you finished and snipped off, or tucked in and wound up, something self-contained there—for how could you ever go back to it if you hadn't?—under that violence of rupture with the past which makes me ask myself what will have become of all that material we were taking for granted, and which now lies there behind us like some vast damaged cargo dumped upon a dock and unfit for human purchase or consumption. I seem to fear that I shall find myself seeing your recently concluded novel as through a glass darkly—which, however, will not prevent my immediately falling upon it when it appears; as I assume, however, that it is not now likely to do before the summer's end—by which time God knows what other monstrous chapters of history won't have been perpetrated! What I most want to say to you, I think, is that I rejoice for you with all my heart in that assurance of health which has enabled you so to gird yourself and go forth. If the torrid south has always been good for you there must be no amount of it that you are now not getting—though I am naturally reduced, you see, to quite abjectly helpless and incompetent supposition. I hang about you at any rate with all sorts of vows and benedictions. I feel that I mustn't make remarks about the colossal undertaking you are engaged in beyond saying that I believe with all my heart in the final power of your push. As for our news here the gist of that is that we are living with our eyes on you and more and more materially backing you. My comment on you is feeble, but my faith absolute, and I am, my dear Monty, your more than ever faithful old
HENRY JAMES.
P.S. I have your address, of many integuments, from your mother, but feel rather that my mountain of envelopes should give birth to a livelier mouse!