The Emperor. Complete

“Do you lift the top, I will pull here,” and a moment later the young Roman stood face to face with the caricature which Hadrian had moulded on the previous evening, in all its grimacing ugliness. She recognized herself in it at once, and at the first moment, laughed loudly, but the longer she looked at the disfigured likeness, the more vexed, annoyed and angry she became. She knew her own face, feature for feature, all that was pretty in it, and all that was plain, but this likeness ignored everything in her face that was not unpleasing, and this it emphasized ruthlessly, and exaggerated with a refinement of spitefulness. The head was hideous, horrible, and yet it was hers. As she studied it in profile, she remembered what Pollux had declared he could read in her features, and deep indignation rose up in her soul.

Her great inexhaustible riches, which allowed her the reckless gratification of every whim, and secured consideration, even for her follies, had not availed to preserve her from many disappointments which other girls, in more modest circumstances, would have been spared. Her kind heart and open hand had often been abused, even by artists, and it was self-evident to her, that the man who could make this caricature, who had so enjoyed exaggerating all that was unlovely in her face, had wished to exercise his art on her features, not for her own sake, but for that of the high price she might be inclined to pay for a flattering likeness. She had found much to please her in the young sculptor’s fresh and happy artist nature, in his frank demeanor and his honest way of speech. She felt convinced that Pollux, more readily than anybody else, would understand what it was that lent a charm to her face, which was in no way strictly beautiful, a charm which could not be disputed in spite of the coarse caricature which stood before her.

She felt herself the richer by a painful experience, indignant, and offended. Accustomed as she was to give prompt utterance even to her displeasure, she exclaimed hotly, and with tears in her eyes:

“It is shameful, it is base. Give me my wraps Claudia. I will not stay an instant longer to be the butt of this man’s coarse and spiteful jesting.”

“It is unworthy,” cried the matron, “so to insult a person of your position. It is to be hoped our litters are waiting outside.”

Pontius had overheard Balbilla’s last words. He had come into the work-place without Pollux, who was still speaking to the prefect, and he said gravely as he approached Balbilla:

“You have every reason to be angry, noble lady. This thing is an insult in clay, malicious, and at the same time coarse in every detail; but it was not Pollux who did it, and it is not right to condemn without a trial.”

“You take your friend’s part!” exclaimed Balbilla. “I would not tell a lie for my own brother.”

“You know how to give your words the aspect of an honorable meaning in serious matters, as he does in jest.”

“You are angry and unaccustomed to bridle your tongue,” replied the architect. “Pollux, I repeat it, did not perpetrate the caricature, but a sculptor from Rome.”

“Which of them? I know them all.”

“I may not name him.”

“There—you see.—Come away Claudia.”

“Stay,” said Pontius, decisively. “If you were any one but yourself, I would let you go at once in your anger, and with the double charge on your conscience of doing an injustice to two well-meaning men. But as you are the granddaughter of Claudius Balbillus, I feel it to be due to myself to say, that if Pollux had really made this monstrous bust he would not be in this palace now, for I should have turned him out and thrown the horrid object after him. You look surprised—you do not know who I am that can address you so.”

“Yes, yes,” cried Balbilla, much mollified, for she felt assured that the man who stood before her, as unflinching as if he were cast in bronze, and with an earnest frown, was speaking the truth, and that he must have some right to speak to her with such unwonted decision. “Yes indeed, you are the principal architect of the city; Titianus, from whom we have heard of you, has told us great things of you; but how am I to account for your special interest in me?”

“It is my duty to serve you—if necessary, even with my life.”

“You,” said Balbilla, puzzled. “But I never saw you till yesterday.”

“And yet you may freely dispose of all that I have and am, for my grandfather was your grandfather’s slave.”

“I did not know”—said Balbilla, with increasing confusion.

“Is it possible that your noble grandfather’s instructor, the venerable Sophinus, is altogether forgotten. Sophinus, whom your grandfather freed, and who continued to teach your father also.”

“Certainly not—of course not,” cried Balbilla. “He must have been a splendid man, and very learned besides.”

“He was my father’s father,” said Pontius.

“Then you belong to our family,” exclaimed Balbilla, offering him a friendly hand.

“I thank you for those words,” answered Pontius. “Now, once more, Pollux had nothing to do with that image.”

“Take my cloak, Claudia,” said the girl. “I will sit again to the young man.”

“Not to-day—it would spoil his work,” replied Pontius. “I beg of you to go, and let the annoyance you so vehemently expressed die out some where else. The young sculptor must not know that you have seen this caricature, it would occasion him much embarrassment. But if you can return to-morrow in a calmer and more happy humor, with your lively spirit tuned to a softer key, then Pollux will be able to make a likeness which may satisfy the granddaughter of Claudius Balbillus.”

“And, let us hope, the grandson of his learned teacher also,” answered Balbilla, with a kindly farewell greeting, as she went with her companion towards the door of the hall of the Muses, where her slaves were waiting. Pontius escorted her so far in silence, then he returned to the work-place, and safely wrapped the caricature up again in its cloths.

As he went out into the hall again, Pollux hurried up to meet him, exclaiming:

“The Roman architect wants to speak to you, he is a grand man!”

“Balbilla was called away, and bid me greet you,” replied Pontius. “Take that thing away for fear she should see it. It is coarse and hideous.”

A few moments later he stood in the presence of the Emperor, who expressed the wish to play the part of listener while Balbilla was sitting. When the architect, after begging him not to let Pollux know of the incident, told him of what had occurred in the screened-off studio, and how angry the young Roman lady had been at the caricature, which was certainly very offensive, Hadrian rubbed his hands and laughed aloud with delight. Pontius ground his teeth, and then said very earnestly:

“Balbilla seems to me a merry-hearted girl, but of a noble nature. I see no reason to laugh at her.” Hadrian looked keenly into the daring architect’s eyes, laid his hand on his shoulder, and replied with a certain threatening accent in his deep voice:

“It would be an evil moment for you, or for any one, who should do so in my presence. But age may venture to play with edged tools, which children may not even touch.”

CHAPTER XVIII

Selene entered the gate-way in the endlessly-long walk of sun-dried bricks which enclosed the wide space where stood the court-yards, water-tanks and huts, belonging to the great papyrus manufactory of Plutarch, where she and her sister were accustomed to work. She could generally reach it in a quarter of an hour, but to-day it had taken more than four times as long and she herself did not know how she had managed to hold herself up, and to walk-limp-stumble along, in spite of the acute pain she was suffering. She would willingly have clung to every passer-by, have held on to every slow passing vehicle, to every beast of burden that overtook her—but man and beast mercilessly went on their way, without paying any heed to her. She got many a push from those who were hurrying by and who scarcely turned round to look at her, when from time to time she stopped to sink for a moment on to the nearest door-step, or some low cornice or bale of goods; to dry her eyes, or press her hand to her foot, which was now swollen to a great size, hoping, as she did so, to be able to forget, under the sense of a new form of pain, the other unceasing and unendurable torment, at least for a few minutes.

The street boys who had run after her, and laughed at her, ceased pursuing her when they found that she constantly stopped to rest. A woman with a child in her arms once asked her, as she stopped to rest a minute on a threshold, whether she wanted anything, but walked on when Selene shook her head and made no other answer.

Once she thought she must give up altogether, when suddenly the street was filled with jeering boys and inquisitive men and women—for Verus, the superb Verus, came by in his chariot, and what a chariot! The Alexandrian populace were accustomed to see much that was strange in the busy streets of their crowded city; but this vehicle attracted every eye, and excited astonishment, admiration and mirth, wherever it appeared, and not unfrequently the bitterest ridicule. The handsome Roman stood in the middle of his gilt chariot, and himself drove the four white horses, harnessed abreast; on his head he wore a wreath, and across his breast, from one shoulder, a garland of roses. On the foot-board of the quadriga sat two children, dressed as Cupids; their little legs dangled in the air, and they each held, attached by a long gilt wire, a white dove which fluttered in front of Verus.

The dense and hurrying crowd, crushed Selene remorselessly against the wall; instead of looking at the wonderful sight she covered her face with her hands to hide the distortion of pain in her features; still she just saw the splendid chariot, the gold harness on the horses, and the figure of the insolent owner glide past her, as if in a dream that was blurred by pain, and the sight infused into her soul, that was already harassed by pain and anxiety, a feeling of bitter aversion, and the envious thought that the mere trappings of the horses of this extravagant prodigal would suffice to keep her and her family above misery for a whole year.

By the time the chariot had turned the next corner, and the crowd had followed it, she had almost fallen to the ground. She could not take another step, and looked round for a litter, but, while generally there was no lack of them, in this spot, to-day there was not one to be seen. The factory was only a few hundred steps farther, but in her fancy they seemed like so many stadia. Presently some of the workmen and women from the factory came by, laughing and showing each other their wages, so the payment must be now going on. A glance at the sun showed her how long she had already been on her way, and remind her of the purpose of her walk.

With the exertion of all her strength, she dragged herself a few steps farther; then, just as her courage was again beginning to fail, a little girl came running towards her who was accustomed to wait upon the workers at the table where Selene and Arsinoe were employed, and who held in her hand a pitcher. She called the dusky little Egyptian, and said:

“Hathor, pray come back to the factory with me. I cannot walk any farther, my foot is so dreadfully painful; but if I lean a little on your shoulder, I shall get on better.”

“I cannot,” said the child. “If I make haste home I shall have some dates,” and she ran on.

Selene looked after her, and an inward voice, against which she had had to rebel before to-day, asked her why she of all people must be a sufferer for others, when they thought only of themselves, and with a heavy sigh, she made a fresh attempt to proceed on her way.

When she had gone a few steps, neither seeing not hearing anything that passed her, a girl came up to her, and asked her timidly, but kindly, what was the matter. It was a leaf-joiner who sat opposite to her at the works, a poor, deformed creature, who, nevertheless, plied her nimble fingers contentedly and silently, and who at first had taught Selene and Arsinoe many useful tricks of working. The girl offered her crooked shoulder unasked as a support to Selene, and measured her step; to those of the sufferer with as much nicety as if she felt everything that Selene herself did; thus, without speaking, they reached the door of the factory; there, in the first court-yard the little hunchback made Selene sit down on one of the bundles of papyrus-stems which lay all about the place, by the side of the tanks in which the plants were dipped to freshen them, and arranged in order, built up into high heaps, according to the localities whence they were brought. After a short rest, they went on through the hall in which the triangular green stems were sorted, according to the quality of the white pith they contained. The next rooms, in which men stripped the green sheath from the pith, and the long galleries where the more skilled hands split the pith with sharp knives into long moist strips about a finger wide, and of different degrees of fineness, seemed to Selene to grow longer the farther she went, and to be absolutely interminable.

Generally the pith-splitters sat here in long rows, each at his own little table, on each side of a gangway left for the slaves, who carried the prepared material to the drying-house; but, to-day, most of them had left their places and stood chatting together and packing up their wooden clips, knives, and sharpening-stones. Half way down this room Selene’s hand fell from her companion’s shoulder, she turned giddy, and said in a low tone:

“I can go no farther—”

The little hunchback held her up as well as she could, and though she herself was far from strong, she succeeded in dragging, rather than carrying, Selene to an empty couch and in laying her upon it. A few workmen gathered around the senseless girl, and brought some water, then when she opened her eyes again, and they found that she belonged to the rooms where the prepared papyrus-leaves were gummed together, some of them offered to carry her thither, and before Selene could consent they had taken up the bench and lifted it with its light burden. Her damaged foot hung down, and gave the poor girl such pain that she cried out, and tried to raise the injured limb and hold her ankle in her band; her comrade helped by taking the poor little foot in her own hand, and supporting it with tender and cautious care.

As she thus went by, carried, as it were, in triumph by the men, and borne high in the air, everyone turned to look at her, and the suffering girl felt this rather as if she were some criminal being carried through the streets to exhibit her disgrace to the citizens. But when she found herself in the large rooms where, in one place men, and in another the most skilled of the women and girls were employed in laying the narrow strips of papyrus crosswise over each other, and gumming them together, she had recovered strength enough to pull her veil over her face which she held down. Arsinoe, and she herself, in order to remain unrecognized had always been accustomed to walk through these rooms closely veiled, and not to lay their wraps aside till they reached the little room where they sat with about twenty other women to glue the sheets together.

Every one looked at her with curious enquiry. Her foot certainly hurt her, the cut in her head was burning, and she felt altogether intensely miserable; still there was room and to spare in her soul for the false pride that she inherited from her father, and for the humiliating consciousness that she was regarded by these people as one of themselves.

In the room in which she worked, none but free women were employed, but more than a thousand slaves worked in the factory and she would as soon have eaten with beasts without plate or spoon, as have shared a meal with them. At one time, when every thing in their house seemed going to ruin, it was her own father who had suggested the papyrus factory to her attention, by telling her, with indignation, that the daughter of an impoverished citizen had degraded herself and her whole class by devoting herself to working in the papyrus factory to earn money. She was pretty well paid, to be sure, and in answer to Selene’s enquiry, he had stated the amount she earned and mentioned the name of the rich manufacturer to whom she had sold her social standing for gold.