Weighed and Wanting

"Do let me see them!" said Hester, hiding none of the interest she felt, though fearing a little she might not have to praise them so much as she would like.

He took the song from his pocket, and smoothed it out before her on the piano.

"Read it to me, please," said Hester.

"No; excuse me," he answered with a little shyness, the rarest of phenomena in his spiritual atmosphere; "I could not read it aloud. But do not let it bore you if—"

He did not finish his sentence, and Hester was already busy with his manuscript.

Here is the song:

If thou lov'st I dare not ask thee,
Lest thou say, "Not thee;"
Prythee, then, in coldness mask thee,
That it may be me.

If thou lov'st me do not tell me,
Joy would make me rave,
And the bells of gladness knell me
To the silent grave.

If thou lovest not thy lover,
Neither veil thine eyes,
Nor to his poor heart discover
What behind them lies.

Be not cruel, be not tender;
Grant me twilight hope;
Neither would I die of splendor,
Nor in darkness mope.

I entreat thee for no favor,
Smallest nothingness;
I will hoard thy dropt glove's savor,
Wafture of thy dress.

So my love shall daring linger!
Moth-like round thy flame;
Move not, pray, forbidden finger—
Death to me thy blame.

Vavasor had gone half-way towards Mrs. Raymount, then turned, and now stood watching Hester. So long was her head bent over his paper that he grew uncomfortably anxious. At length, without lifting her eyes, she placed it on the stand before her, and began to try its music. Then Vavasor went to her hurriedly, for he felt convinced that if she was not quite pleased with the verses, it would fare worse with the music, and begged she would not trouble herself with anything so childish. Even now he knew less about music than poetry, he said.

"I wanted you to see the verses, and the manuscript being almost illegible I had to copy it; so, in a mechanical mood, I copied the music also. Please let me have them again. I feared they were not worth your notice! I know it now."

Hester, however, would not yield the paper, but began again to read it: Vavasor's writing, out of the bank, was one of those irritating hands that wrong not only with the absence of legibility but with the show of its presence, and she had not yet got so clear a notion of his verses as a mere glance of them in print would have given her. Why she did not quite like them she did not yet know, and was anxious not to be unfair. That they were clever she did not doubt; they had for one thing his own air of unassumed ease, and she could not but feel they had some claim to literary art. This added a little to her hesitation, not in pronouncing on them—she was far from that yet—but in recognizing what she felt about them. Had she had a suspicion of the lie he had told her, and that they were the work of yesterday, it would at once have put leagues between them, and made the verses hateful to her. As it was, the more she read and thought, the farther she seemed from a conclusion, and the time Vavasor stood there waiting, appeared to both of them three times as long as it really was. At last he felt he was pounded and must try back.

"You have discovered," he said, "that the song is an imitation of Sir John Suckling!"

He had never thought of the man while writing it.

"I don't know anything of him," answered Hester, looking up.

Vavasor knew nothing was more unlikely than that she should know anything of him.

"When did he write?" she asked.

"In the reign of Charles I., I believe," he answered.

"But tell me," said Hester, "where is the good of imitating anyone—even the best of writers. Our own original, however poor, must be the thing for us! To imitate is to repudiate our own being."

"That I admit," answered Vavasor, who never did anything original except when he followed his instincts; "but for a mere trial of skill an imitation is admissible—don't you think?"

"Oh, surely," replied Hester; "only it seems to me a waste of time—especially with such a gift as you have of your own!"

"At all events," said Vavasor, hiding his gratification with false humility, "there was no great presumption in a shy at Suckling!"

"There may have been the more waste," returned Hester. "I would sooner imitate Bach or even Handel than Verdi."

Vavasor could stand a good deal of censure if mingled with some praise—which he called appreciation. Of this Hester had given him enough to restore his spirits, and had also suggested a subject on which he found he could talk.

"But," he said, "how can it be worse for me to imitate this or that writer, than for you to play over and over music you could easily excel."

"I never practice music," answered Hester, "not infinitely better than I could write myself. But playing is a different thing altogether from writing. I play as I eat my dinner—because I am hungry. My hunger I could never satisfy with any amount of composition or extemporization of my own. My land would not grow corn enough, or good enough for my necessity. My playing merely corresponds to your reading of your favorite poets—especially if you have the habit of reading aloud like my father."

"They do not seem to me quite parallel," rejoined Vavasor, who had learned that he lost nothing with Hester by opposing her—so long as no moral difference was involved. In questions of right and wrong he always agreed with her so far as he dared expression where he understood so little, and for that very reason, in dread of seeming to have no opinion of his own, made a point of differing from her where he had a safe chance. "One may read both poetry and music at sight, but you would never count such reading of music a reproduction of it. That requires study and labor, as well as genius and an art like those which produce it."

"I am equally sure you can never read anything worth reading," returned Hester, "as it ought to be read, until you understand it at least as well as the poet himself. To do a poem justice, the reader must so have pondered phrase and word as to reproduce meaning and music in all the inextricable play of their lights and shades. I never came near doing the kind of thing I mean with any music till I had first learned it thoroughly by heart. And that too is the only way in which I can get to understand some poetry!"

"But is it not one of the excellences of poetry to be easy?"

"Yes, surely, when what the poet has to say is easy. But what if the thoughts themselves be of a kind hard to put into shape? There's Browning!"

Of Browning Vavasor knew only that in his circle he was laughed at—for in it a man who had made a feeble attempt or two to understand him, and had failed as he deserved, was the sole representative of his readers. That he was hard to understand Hester knew, for she understood enough of him to believe that where she did not understand him he was perhaps only the better worth understanding. She knew how, lover of music as she was, she did not at first care for Bach; and how in the process of learning to play what he wrote she came to understand him.

To her reference to Browning then, Vavasor did not venture a reply. None of the poetry indeed by him cultivated was of any sort requiring study. The difficulty Hester found in his song came of her trying to see more than was there; her eyes made holes in it, and saw the less. Vavasor's mental condition was much like that of one living in a vacuum or sphere of nothing, in which the sole objects must be such as he was creator enough to project from himself. He had no feeling that he was in the heart of a crowded universe, between all whose great verities moved countless small and smaller truths. Little notion had he that to learn these after the measure of their importance, was his business, with eternity to do it in! He made of himself but a cock, set for a while on the world's heap to scratch and pick.

When he was gone, leaving his manuscript behind him, Hester set to it again, and trying the music over, was by it so far enlightened that she despaired of finding anything in it, and felt a good deal disappointed.

For she was continuing to gather interest in Vavasor, though slowly, as was natural with a girl of her character. But she had no suspicion how empty he was, for it was scarcely possible for her to imagine a person indifferent to the truth of things, or without interest in his own character and its growth. Being all of a piece herself, she had no conception of a nature all in pieces—with no unity but that of selfishness. Her nature did now and then receive from his a jar and shock, but she generally succeeded in accounting for such as arising from his lack of development—a development which her influence over him would favor. If she felt some special pleasure in the possession of that influence, who will blame her for the weakness?

Women are being constantly misled by the fancy and hope of being the saviours of men! It is natural to goodness and innocence, but not the less is the error a disastrous one. There ought surely at least to be of success some probability as well founded as rare, to justify the sacrifices involved. Is it well that a life of supreme suffering should be gone through for nothing but an increase of guilt? It will be said that patience reaps its reward; but I fear too many patiences fail, and the number of resultant saints is small. The thing once done, the step no longer retrievable, fresh duty is born, and divine good will result from what suffering may arise in the fulfillment of the same. The conceit or ambition itself which led to the fault, may have to be cured by its consequences. But it may well be that a woman does more to redeem a man by declining than by encouraging his attentions. I dare not say how much a woman is not to do for the redemption of a man; but I think one who obeys God will scarcely imagine herself free to lay her person in the arms, and her happiness in the bosom of a man whose being is a denial of him. Good Christians not Christians enough to understand this, may have to be taught by the change of what they took for love into what they know to be disgust. It is very hard for the woman to know whether her influence has any real power over the man. It is very hard for the man himself to know; for the passion having in itself a betterment, may deceive him as well as her. It might be well that a woman asked herself whether moral laxity or genuine self-devotion was the more persuasive in her to the sacrifice. If her best hope be to restrain the man within certain bounds, she is not one to imagine capable of any noble anxiety. God cares nothing about keeping a man respectable; he will give his very self to make of him a true man. But that needs God; a woman is not enough for it. This cannot be God's way of saving bad men.

CHAPTER XV.

A SMALL FAILURE

Vavasor at length found he must not continue to visit Hester so often, while not ready to go further; and that, much as he was in love—proportionately, that is, to his faculty for loving—he dare not do. But for the unconventionality of the Raymounts he would have reached the point long before. He began, therefore, to lessen the number, and shorten the length of his appearances in Addison Square.