Gutta-Percha Willie

"Sit down there, then, Willie," he said; adding, as he handed him the calf-skin, "There's your leather, and my tools are at your service. Make your shoes, and welcome. I shall be glad of your company."

Having thus spoken, he sat down again, caught up his boot hurriedly, and began stitching away as if for bare life.

Willie took the calf-skin on his lap, somewhat bewildered. If he had been asked to cut out a pair of seven-leagued boots for the ogre, there would have seemed to his eyes enough of leather for them in that one skin. But how ever was he to find two pieces small enough for doll's shoes in such an ocean of leather? He began to turn it round and round, looking at it all along the edge, while Hector was casting sidelong glances at him in the midst of his busyness, with a curiosity on his face which his desire to conceal it caused to look grim instead of amused.

Willie, although he had never yet considered how shoes are made, had seen at once that nothing could be done until he had got the command of a manageable bit of leather; he found too much only a shade better than too little; and he saw that it wouldn't be wise to cut a piece out anywhere, for that might spoil what would serve for a large pair of shoes or even boots. Therefore he kept turning the skin round until he came to a small projecting piece. This he contemplated for some time, trying to recall the size of Dolly's feet, and to make up his mind whether it would not be large enough for one or even for both shoes. A smile passed over Hector's face—a smile of satisfaction.

"That's it!" he said at last. "I think you'll do. That's the first thing—to consider your stuff, and see how much you can make of it. Waste is a thing that no good shoemaker ever yet could endure. It's bad in itself, and so unworkmanlike! Yes, I think that corner will do. Shall I cut it off for you?"

"No, thank you—not yet, please. I think I must go and look at her feet, for I can't recollect quite how big they are. I'll just run home and look."

"Do you think you will be able to carry the exact size in your head, and bring it back with you?"

"Yes, I think I shall."

"I don't. I never could trust myself so far as that, nearly. You might be pretty nigh it one way and all wrong another, for you have to consider length and breadth and roundabout. I will tell you the best way for you to do. Set the doll standing on a bit of paper, and draw a pencil all round her foot with the point close to it on the paper. Both feet will be better, for it would be a mistake to suppose they must be of the same size. That will give you the size of the sole. Then take a strip of paper and see how long a piece it takes to go round the thickest part of the foot, and cut it off to that length. That will be sufficient measurement for a doll's shoe, for even if it should not fit exactly, she won't mind either being pinched a little or having to walk a little loose."

Willie got up at once to go and do as Hector had told him; but Hector was not willing to part with him so soon, for it was not often he had anybody to talk to while he went on with his work. Therefore he said—

"But don't you think, Willie, before you set about it, you had better see how I do? It would be a pity to spend your labour in finding out for yourself what shoemakers have known for hundreds of years, and which you could learn so easily by letting me show you."

"Thank you," said Willie, sitting down again.

"I should like that very much. I will sit and look at you. I know what you are doing. You are fastening on the sole of a boot."

"Yes. Do you see how it's done?"

"I'm not sure. I don't see yet quite. Of course I see you are sewing the one to the other. I've often wondered how you could manage with small shoes like mine to get in your hand to pull the needle through; but I see you don't use a needle, and I see that you are sewing it all on the outside of the boot, and don't put your hand inside at all. I can't get to understand it."

"You will in a minute. You see how, all round the edge of the upper, as we call it, I have sewn on a strong narrow strip, so that one edge of the strip sticks out all round, while the other is inside. To the edge that sticks out I sew on the sole, drawing my threads so tight that when I pare the edges off smooth, it will look like one piece, and puzzle anybody who did not know how it was done."

"I think I understand. But how do you get your thread so sharp and stiff as to go through the holes you make? I find it hard enough sometimes to get a thread through the eye of a needle; for though the thread is ever so much smaller than yours, I have to sharpen and sharpen it often before I can get it through. But yours, though it is so thick, keeps so sharp that it goes through the holes at once—two threads at once—one from each side!"

"Ah! but I don't sharpen my thread; I put a point upon it."

"Doesn't that mean the same thing?"

"Well, it may generally; but I don't mean the same thing by it. Look here."

"I see!" cried Willie; "there is a long bit of something else, not thread, upon it. What is it? It looks like a hair, only thicker, and it is so sharp at the point!"

"Can't you guess?"

"No; I can't."

"Then I will tell you. It is a bristle out of a hog's back. I don't know what a shoemaker would do without them. Look, here's a little bunch of them."

"That's a very clever use to put them to," said Willie.

"Do you go and pluck them out of the pigs?"

"No; we buy them at the shop. We want a good many, for they wear out. They get too soft, and though they don't break right off, they double up in places, so that they won't go through."

"How do you fasten them to the thread?"

"Look here," said Hector.

He took several strands of thread together, and drew them through and through a piece of cobbler's wax, then took a bristle and put it in at the end cunningly, in a way Willie couldn't quite follow; and then rolled and rolled threads and all over and over between his hand and his leather apron, till it seemed like a single dark-coloured cord.

"There, you see, is my needle and thread all in one."

"And what is the good of rubbing it so much with the cobbler's wax?"

"There are several good reasons for doing that. In the first place, it makes all the threads into one by sticking them together. Next it would be worn out before I had drawn it many times through but for the wax, which keeps the rubbing from wearing it. The wax also protects it afterwards, and keeps the wet from rotting it. The waxed thread fills the hole better too, and what is of as much consequence as anything, it sticks so that the last stitch doesn't slacken before the next comes, but holds so tight that, although the leather is very springy, it cannot make it slip. The two pieces are thus got so close together that they are like one piece, as you will see when I pare the joined edges."

I should tire my reader if I were to recount all the professional talk that followed; for although Willie found it most interesting, and began to feel as if he should soon be able to make a shoe himself, it is a very different thing merely to read about it—the man's voice not in your ears, and the work not going on before your eyes. But the shoemaker cared for other things besides shoemaking, and after a while he happened to make a remark which led to the following question from Willie:—