England's Antiphon

Thou too again, stupendous Mountain! thou
That, as I raise my head, awhile bowed low
In adoration—upward from thy base
Slow-travelling with dim eyes suffused with tears—
Solemnly seemest, like a vapoury cloud,
To rise before me! rise, O ever rise;
Rise like a cloud of incense from the earth!
Thou kingly spirit throned among the hills!
Thou dread ambassador from earth to heaven!
Great hierarch! tell thou the silent sky,
And tell the stars, and tell yon rising sun,
Earth, with her thousand voices, praises God.

Here is one little poem I think most valuable, both from its fulness of meaning, and the form, as clear as condensed, in which that is embodied.

ON AN INFANT

Which died before baptism.

"Be rather than be called a child of God,"
Death whispered. With assenting nod,
Its head upon its mother's breast
The baby bowed without demur—
Of the kingdom of the blest
Possessor, not inheritor.

Next the father let me place the gifted son, Hartley Coleridge. He was born in 1796, and died in 1849. Strange, wayward, and in one respect faulty, as his life was, his poetry—strange, and exceedingly wayward too—is often very lovely. The following sonnet is all I can find room for:—

"SHE LOVED MUCH."

She sat and wept beside his feet. The weight
Of sin oppressed her heart; for all the blame,
And the poor malice of the worldly shame,
To her was past, extinct, and out of date;
Only the sin remained—the leprous state.
She would be melted by the heat of love,
By fires far fiercer than are blown to prove
And purge the silver ore adulterate.
She sat and wept, and with her untressed hair
Still wiped the feet she was so blest to touch;
And he wiped off the soiling of despair
From her sweet soul, because she loved so much.
I am a sinner, full of doubts and fears:
Make me a humble thing of love and tears.

CHAPTER XXII

THE FERVOUR OF THE IMPLICIT. INSIGHT OF THE HEART.

The late Dean Milman, born in 1791, best known by his very valuable labours in history, may be taken as representing a class of writers in whom the poetic fire is ever on the point, and only on the point, of breaking into a flame. His composition is admirable—refined, scholarly, sometimes rich and even gorgeous in expression—yet lacking that radiance of the unutterable to which the loftiest words owe their grandest power. Perhaps the best representative of his style is the hymn on the Incarnation, in his dramatic poem, The Fall of Jerusulem. But as an extract it is tolerably known. I prefer giving one from his few Hymns for Church Service.

EIGHTEENTH SUNDAY AFTER TRINITY

When God came down from heaven—the living God—
What signs and wonders marked his stately way?
Brake out the winds in music where he trod?
Shone o'er the heavens a brighter, softer day?

The dumb began to speak, the blind to see,
And the lame leaped, and pain and paleness fled;
The mourner's sunken eye grew bright with glee,
And from the tomb awoke the wondering dead.

When God went back to heaven—the living God—
Rode he the heavens upon a fiery car?
Waved seraph-wings along his glorious road?
Stood still to wonder each bright wandering star?

Upon the cross he hung, and bowed his head,
And prayed for them that smote, and them that curst;
And, drop by drop, his slow life-blood was shed,
And his last hour of suffering was his worst.

The Christian Year of the Rev. John Keble (born in 1800) is perhaps better known in England than any other work of similar church character. I must confess I have never been able to enter into the enthusiasm of its admirers. Excellent, both in regard of their literary and religious merits, true in feeling and thorough in finish, the poems always remind me of Berlin work in iron—hard and delicate. Here is a portion of one of the best of them.

ST. MATTHEW

Ye hermits blest, ye holy maids,
The nearest heaven on earth,
Who talk with God in shadowy glades,
Free from rude care and mirth;
To whom some viewless teacher brings
The secret lore of rural things,
The moral of each fleeting cloud and gale,
The whispers from above, that haunt the twilight vale:

Say, when in pity ye have gazed
On the wreath'd smoke afar,
That o'er some town, like mist upraised,
Hung hiding sun and star;
Then as ye turned your weary eye
To the green earth and open sky,
Were ye not fain to doubt how Faith could dwell
Amid that dreary glare, in this world's citadel?

But Love's a flower that will not die
For lack of leafy screen,
And Christian Hope can cheer the eye
That ne'er saw vernal green:
Then be ye sure that Love can bless