She sat down by his side, still holding one hand firmly, and softly detaining the other.
"Oh, my friend! may I believe you? May I speak to you?" She leaned close to him. "You know my heart. I have no better ambition than to be your friend. Surely I divide your grief, and may I not claim your confidence? Who has wept more over your great and dreadful sorrows? I would not have come to you, but I do believe that sorrow shared relieves the burden, and it is now that you may feel a woman's aid, and something of what a woman could be to you…."
"Be assured," he gravely said, "I thank you, Emmeline, for your intentions."
"No, no! not for my intentions! And do not thank me. Think of him…think of your dear boy… Our Richard, as we have called him.—Oh! do not think it a foolish superstition of mine, but I have had a thought this night that has kept me in torment till I rose to speak to you… Tell me first you have forgiven him."
"A father bears no malice to his son, Emmeline."
"Your heart has forgiven him?"
My heart has taken what he gave."
"And quite forgiven him?"
"You will hear no complaints of mine."
The lady paused despondingly, and looked at him in a wistful manner, saying with a sigh, "Yes! I know how noble you are, and different from others!"
He drew one of his hands from her relaxed hold.
"You ought to be in bed, Emmeline."
"I cannot sleep."
"Go, and talk to me another time."
"No, it must be now. You have helped me when I struggled to rise into a clearer world, and I think, humble as I am, I can help you now. I have had a thought this night that if you do not pray for him and bless him…it will end miserably. My friend, have you done so?"
He was stung and offended, and could hardly help showing it in spite of his mask.
"Have you done so, Austin?"
"This is assuredly a new way of committing fathers to the follies of their sons, Emmeline!"
"No, not that. But will you pray for your boy, and bless him, before the day comes?"
He restrained himself to pronounce his words calmly:—"And I must do this, or it will end in misery? How else can it end? Can I save him from the seed he has sown? Consider, Emmeline, what you say. He has repeated his cousin's sin. You see the end of that."
"Oh, so different! This young person is not, is not of the class poor Austin Wentworth allied himself to. Indeed it is different. And he—be just and admit his nobleness. I fancied you did. This young person has great beauty, she has the elements of good breeding, she—indeed I think, had she been in another position, you would not have looked upon her unfavourably."
"She may be too good for my son!" The baronet spoke with sublime bitterness.
"No woman is too good for Richard, and you know it."
"Pass her."
"Yes, I will speak only of him. He met her by a fatal accident. We thought his love dead, and so did he till he saw her again. He met her, he thought we were plotting against him, he thought he should lose her for ever, and is the madness of an hour he did this…."
"My Emmeline pleads bravely for clandestine matches."
"Ah! do not trifle, my friend. Say: would you have had him act as young men in his position generally do to young women beneath them?"
Sir Austin did not like the question. It probed him very severely.
"You mean," he said, "that fathers must fold their arms, and either submit to infamous marriages, or have these creatures ruined."
"I do not mean that," exclaimed the lady, striving for what she did mean, and how to express it. "I mean that he loved her. Is it not a madness at his age? But what I chiefly mean is—save him from the consequences. No, you shall not withdraw your hand. Think of his pride, his sensitiveness, his great wild nature—wild when he is set wrong: think how intense it is, set upon love; think, my friend, do not forget his love for you."
Sir Austin smiled an admirable smile of pity.
"That I should save him, or any one, from consequences, is asking more than the order of things will allow to you, Emmeline, and is not in the disposition of this world. I cannot. Consequences are the natural offspring of acts. My child, you are talking sentiment, which is the distraction of our modern age in everything—a phantasmal vapour distorting the image of the life we live. You ask me to give him a golden age in spite of himself. All that could be done, by keeping him in the paths of virtue and truth, I did. He is become a man, and as a man he must reap his own sowing."
The baffled lady sighed. He sat so rigid: he spoke so securely, as if wisdom were to him more than the love of his son. And yet he did love his son. Feeling sure that he loved his son while he spoke so loftily, she reverenced him still, baffled as she was, and sensible that she had been quibbled with.
"All I ask of you is to open your heart to him," she said.
He kept silent.
"Call him a man,—he is, and must ever be the child of your education, my friend."
"You would console me, Emmeline, with the prospect that, if he ruins himself, he spares the world of young women. Yes, that is something!"
Closely she scanned the mask. It was impenetrable. He could meet her eyes, and respond to the pressure of her hand, and smile, and not show what he felt. Nor did he deem it hypocritical to seek to maintain his elevation in her soft soul, by simulating supreme philosophy over offended love. Nor did he know that he had an angel with him then: a blind angel, and a weak one, but one who struck upon his chance.
"Am I pardoned for coming to you?" she said, after a pause.
"Surely I can read my Emmeline's intentions," he gently replied.
"Very poor ones. I feel my weakness. I cannot utter half I have been thinking. Oh, if I could!"
"You speak very well, Emmeline."
"At least, I am pardoned!"
"Surely so."
"And before I leave you, dear friend, shall I be forgiven?—may I beg it?—will you bless him?"
He was again silent.
"Pray for him, Austin! pray for him ere the night is over."
As she spoke she slid down to his feet and pressed his hand to her bosom.
The baronet was startled. In very dread of the soft fit that wooed him, he pushed back his chair, and rose, and went to the window.
"It's day already!" he said with assumed vivacity, throwing open the shutters, and displaying the young light on the lawn.