"'Write me down sixty-three," cries Kirby.'
I have always maintained that it was an understatement. We must remember, it was not Kirby speaking, but the song-writer. Kirby would not, in my opinion, have numbered years he was proud of below their due quantity. He was more, if he died at ninety-one; and Chillon Switzer John Kirby, born eleven months after the elopement, was, we know, twenty- three years old when the old man gave up the ghost and bequeathed him little besides a law-suit with the Austrian Government, and the care of Carinthia Jane, the second child of this extraordinary union; both children born in wedlock, as you will hear. Sixty-three, or sixty-seven, near upon seventy, when most men are reaping and stacking their sins with groans and weak knees, Kirby was a match for his juniors, which they discovered.
Captain John Peter Avason Kirby, son of a Lincolnshire squire of an ancient stock, was proud of his blood, and claimed descent from a chief of the Danish rovers.
'"What's rank to me!" cries Kirby;
"A titled lass let her be,
But unless my plans miscarry,
I'll show her when we marry;
As brave a pedigree," cries Kirby.'
That was the song-writer's answer to the charge that the countess had stooped to a degrading alliance.
John Peter was fourth of a family of seven children, all males, and hard at the bottle early in life: 'for want of proper occupation,' he says in his Memoirs, and applauds his brother Stanson, the clergyman, for being ahead of him in renouncing strong dunks, because he found that he 'cursed better upon water.' Water, however, helped Stanson Kirby to outlive his brothers and inherit the Lincolnshire property, and at the period of the great scandal in London he was palsied, and waited on by his grandson and heir Ralph Thorkill Kirby, the hero of an adventure celebrated in our Law courts and on the English stage; for he took possession of his coachman's wife, and was accused of compassing the death of the husband. He was not hanged for it, so we are bound to think him not guilty.
The stage-piece is called 'Saturday Night', and it had an astonishing run, but is only remembered now for the song of 'Saturday,' sung by the poor coachman and labourers at the village ale-house before he starts to capture his wife from the clutches of her seducer and meets his fate. Never was there a more popular song: you heard it everywhere. I recollect one verse:
'O Saturday money is slippery metal,
And Saturday ale it is tipsy stuff
At home the old woman is boiling her kettle,
She thinks we don't know when we've tippled enough.
We drink, and of never a man are we jealous,
And never a man against us will he speak
For who can be hard on a set of poor fellows
Who only see Saturday once a week!
You chorus the last two lines.
That was the very song the unfortunate coachman of Kirby Hall joined in singing before he went out to face his end for the woman he loved. He believed in her virtue to the very last.
'The ravished wife of my bosom,' he calls her all through the latter half of the play. It is a real tragedy. The songs of that day have lost their effect now, I suppose. They will ever remain pathetic to me; and to hear the poor coachman William Martin invoking the name of his dear stolen wife Elizabeth, jug in hand, so tearfully, while he joins the song of Saturday, was a most moving thing. You saw nothing but handkerchiefs out all over the theatre. What it is that has gone from our drama, I cannot tell: I am never affected now as I was then; and people in a low station of life could affect me then, without being flung at me, for I dislike an entire dish of them, I own. We were simpler in our habits and ways of thinking. Elizabeth Martin, according to report, was a woman to make better men than Ralph Thorkill act evilly—as to good looks, I mean. She was not entirely guiltless, I am afraid; though in the last scene, Mrs. Kempson, who played the part (as, alas, she could do to the very life!), so threw herself into the pathos of it that there were few to hold out against her, and we felt that Elizabeth had been misled. So much for morality in those days!
And now for the elopement.
CHAPTER II
MISTRESS GOSSIP TELLS OF THE ELOPEMENT OF THE COUNTESS OF CRESSETT WITH THE OLD BUCCANEER, AND OF CHARLES DUMP THE POSTILLION CONDUCTING THEM, AND OF A GREAT COUNTY FAMILY
The twenty-first of June was the day appointed by Captain Kirby to carry off Countess Fanny, and the time midnight: and ten minutes to the stroke of twelve, Countess Fanny, as if she scorned to conceal that she was in a conspiracy with her grey-haired lover, notwithstanding that she was watched and guarded, left the Marchioness of Arpington's ball-room and was escorted downstairs by her brother Lord Levellier, sworn to baffle Kirby. Present with him in the street and witness to the shutting of the carriage-door on Countess Fanny, were brother officers of his, General Abrane, Colonel Jack Potts, and Sir Upton Tomber.
The door fast shut, Countess Fanny kissed her hand to them and drew up the window, seeming merry, and as they had expected indignation and perhaps resistance, for she could be a spitfire in a temper and had no fear whatever of firearms, they were glad to have her safe on such good terms; and so General Abrane jumped up on the box beside the coachman, Jack Potts jumped up between the footmen, and Sir Upton Tomber and the one-armed lord, as soon as the carriage was disengaged from the ruck two deep, walked on each side of it in the road all the way to Lord Cressett's town house. No one thought of asking where that silly young man was—probably under some table.
Their numbers were swelled by quite a host going along, for heavy bets were on the affair, dozens having backed Kirby; and it must have appeared serious to them, with the lady in custody, and constables on the look- out, and Kirby and his men nowhere in sight. They expected an onslaught at some point of the procession, and it may be believed they wished it, if only that they might see something for their money. A beautiful bright moonlight night it happened to be. Arm in arm among them were Lord Pitscrew and Russett, Earl of Fleetwood, a great friend of Kirby's; for it was a device of the Old Buccaneer's that helped the earl to win the great Welsh heiress who made him, even before he took to hoarding and buying,—one of the wealthiest noblemen in England; but she was crazed by her marriage or the wild scenes leading to it; she never presented herself in society. She would sit on the top of Estlemont towers—as they formerly spelt it—all day and half the night in midwinter, often, looking for the mountains down in her native West country, covered with an old white flannel cloak, and on her head a tall hat of her Welsh women-folk; and she died of it, leaving a son in her likeness, of whom you will hear. Lord Fleetwood had lost none of his faith in Kirby, and went on booking bets giving him huge odds, thousands!
He accepted fifty to one when the carriage came to a stop at the steps of Lord Cressett's mansion; but he was anxious, and well he might be, seeing Countess Fanny alight and pass up between two lines of gentlemen all bowing low before her: not a sign of the Old Buccaneer anywhere to right or left! Heads were on the look out, and vows offered up for his appearance.
She was at the door and about to enter the house. Then it was; that with a shout of the name of some dreadful heathen god, Colonel Jack Potts roared out, 'She's half a foot short o' the mark!'
He was on the pavement, and it seems he measured her as she slipped by him, and one thing and another caused him to smell a cheat; and General Abrane, standing beside her near the door, cried: 'Where art flying now, Jack?' But Jack Potts grew more positive and bellowed, 'Peel her wig! we're done!'
And she did not speak a word, but stood huddled-up and hooded; and Lord Levellier caught her up by the arm as she was trying a dash into the hall, and Sir Upton Tomber plucked at her veil and raised it, and whistled:
'Phew!'—which struck the rabble below with awe of the cunning of the Old Buccaneer; and there was no need for them to hear General Abrane say:
'Right! Jack, we've a dead one in hand,' or Jack Potts reply:
'It's ten thousand pounds clean winged away from my pocket, like a string of wild geese!'
The excitement of the varletry in the square, they say, was fearful to hear. So the principal noblemen and gentlemen concerned thought it prudent to hurry the young woman into the house and bar the door; and there she was very soon stripped of veil and blonde false wig with long curls, the whole framing of her artificial resemblance to Countess Fanny, and she proved to be a good-looking foreign maid, a dark one, powdered, trembling very much, but not so frightened upon hearing that her penalty for the share she had taken in the horrid imposture practised upon them was to receive and return a salute from each of the gentlemen in rotation; which the hussy did with proper submission; and Jack Potts remarked, that 'it was an honest buss, but dear at ten thousand!'
When you have been the victim of a deceit, the explanation of the simplicity of the trick turns all the wonder upon yourself, you know, and the backers of the Old Buccaneer and the wagerers against him crowed and groaned in chorus at the maid's narrative of how the moment Countess Fanny had thrown up the window of her carriage, she sprang out to a carriage on the off side, containing Kirby, and how she, this little French jade, sprang in to take her place. One snap of the fingers and the transformation was accomplished. So for another kiss all round they let her go free, and she sat at the supper-table prepared for Countess Fanny and the party by order of Lord Levellier, and amused the gentlemen with stories of the ladies she had served, English and foreign. And that is how men are taught to think they know our sex and may despise it! I could preach them a lesson. Those men might as well not believe in the steadfastness of the very stars because one or two are reported lost out of the firmament, and now and then we behold a whole shower of fragments descending. The truth is, they have taken a stain from the life they lead, and are troubled puddles, incapable of clear reflection. To listen to the tattle of a chatting little slut, and condemn the whole sex upon her testimony, is a nice idea of justice. Many of the gentlemen present became notorious as woman-scorners, whether owing to Countess Fanny or other things. Lord Levellier was, and Lord Fleetwood, the wicked man! And certainly the hearing of naughty stories of us by the light of a grievous and vexatious instance of our misconduct must produce an impression. Countess Fanny's desperate passion for a man of the age of Kirby struck them as out of nature. They talked of it as if they could have pardoned her a younger lover.
All that Lord Cressett said, on the announcement of the flight of his wife, was: 'Ah! Fan! she never would run in my ribbons.'
He positively declined to persue. Lord Levellier would not attempt to follow her up without him, as it would have cost money, and he wanted all that he could spare for his telescopes and experiments. Who, then, was the gentleman who stopped the chariot, with his three mounted attendants, on the road to the sea, on the heath by the great Punch-Bowl?
That has been the question for now longer than half a century, in fact approaching seventy mortal years. No one has ever been able to say for certain.
It occurred at six o'clock on the summer morning. Countess Fanny must have known him,—and not once did she open her mouth to breathe his name. Yet she had no objection to talk of the adventure and how Simon Fettle, Captain Kirby's old ship's steward in South America, seeing horsemen stationed on the ascent of the high road bordering the Bowl, which is miles round and deep, made the postillion cease jogging, and sang out to his master for orders, and Kirby sang back to him to look to his priming, and then the postillion was bidden proceed, and he did not like it, but he had to deal with pistols behind, where men feel weak, and he went bobbing on the saddle in dejection, as if upon his very heart he jogged; and soon the fray commenced. There was very little parleying between determined men.
Simon Fettle was a plain kindly creature without a thought of malice, who kept his master's accounts. He fired the first shot at the foremost man, as he related in after days, 'to reduce the odds.' Kirby said to Countess Fanny, just to comfort her, never so much as imagining she would be afraid, 'The worst will be a bloody shirt for Simon to mangle,' for they had been arranging to live cheaply in a cottage on the Continent, and Simon Fettle to do the washing. She could not help laughing outright. But when the Old Buccaneer was down striding in the battle, she took a pistol and descended likewise; and she used it, too, and loaded again.
She had not to use it a second time. Kirby pulled the gentleman off his horse, wounded in the thigh, and while dragging him to Countess Fanny to crave her pardon, a shot intended for Kirby hit the poor gentleman in the breast, and Kirby stretched him at his length, and Simon and he disarmed the servant who had fired. One was insensible, one flying, and those two on the ground. All in broad daylight; but so lonely is that spot, nothing might have been heard of it, if at the end of the week the postillion who had been bribed and threatened with terrible threats to keep his tongue from wagging, had not begun to talk. So the scene of the encounter was examined, and on one spot, carefully earthed over, blood- marks were discovered in the green sand. People in the huts on the hill- top, a quarter of a mile distant, spoke of having heard sounds of firing while they were at breakfast, and a little boy named Tommy Wedger said he saw a dead body go by in an open coach that morning; all bloody and mournful. He had to appear before the magistrates, crying terribly, but did not know the nature of an oath, and was dismissed. Time came when the boy learned to swear, and he did, and that he had seen a beautiful lady firing and killing men like pigeons and partridges; but that was after Charles Dump, the postillion, had been telling the story.
Those who credited Charles Dump's veracity speculated on dozens of great noblemen—and gentlemen known to be dying in love with Countess Fanny. And this brings us to another family.
I do not say I know anything; I do but lay before you the evidence we have to fix suspicion upon a notorious character, perfectly capable of trying to thwart a man like Kirby, and with good reason to try, if she had bewitched him to a consuming passion, as we are told.
About eleven miles distant, as the crow flies and a bold huntsman will ride in that heath country, from the Punch-Bowl, right across the mounds and the broad water, lies the estate of the Fakenhams, who intermarried with the Coplestones of the iron mines, and were the wealthiest of the old county families until Curtis Fakenham entered upon his inheritance. Money with him was like the farm-wife's dish of grain she tosses in showers to her fowls. He was more than what you call a lady-killer, he was a woman-eater. His pride was in it as well as his taste, and when men are like that, indeed they are devourers!
Curtis was the elder brother of Commodore Baldwin Fakenham, whose offspring, like his own, were so strangely mixed up with Captain Kirby's children by Countess Fanny, as you will hear. And these two brothers were sons of Geoffrey Fakenham, celebrated for his devotion to the French Countess Jules d'Andreuze, or some such name, a courtly gentleman, who turned Papist on his death-bed in France, in Brittany somewhere, not to be separated from her in the next world, as he solemnly left word; wickedly, many think.
To show the oddness of things and how opposite to one another brothers may be, his elder, the uncle of Curtis, and Baldwin, was the renowned old Admiral Fakenham, better known along our sea-coasts and ports among sailors as 'Old Showery,' because of a remark he once made to his flag- captain, when cannon-balls were coming thick on them in a hard-fought action. 'Hot work, sir,' his captain said. 'Showery,' replied the admiral, as his cocked-hat was knocked off by the wind of a cannon-ball. He lost both legs before the war was over, and said merrily, 'Stumps for life'' while they were carrying him below to the cockpit. In my girlhood the boys were always bringing home anecdotes of old Admiral Showery: not all of them true ones, perhaps, but they fitted him. He was a rough seaman, fond, as they say, of his glass and his girl, and utterly despising his brother Geoffrey for the airs he gave himself, and crawling on his knees to a female Parleyvoo; and when Geoffrey died, the admiral drank to his rest in the grave: 'There's to my brother Jeff,' he said, and flinging away the dregs of his glass: 'There 's to the Frog!' and flinging away the glass to shivers: 'There's to the Turncoat!'
He salted his language in a manner I cannot repeat; no epithet ever stood by itself. When I was young the boys relished these dreadful words because they seemed to smell of tar and battle-smoke, when every English boy was for being a sailor and daring the Black Gentleman below. In all truth, the bad words came from him; though an excellent scholar has assured me they should be taken for aspirates, and mean no harm; and so it may be, but heartily do I rejoice that aspirates, have been dropped by people of birth; for you might once hear titled ladies guilty of them in polite society, I do assure you.
We have greatly improved in that respect. They say the admiral's reputation as a British sailor of the old school made him, rather his name, a great favourite at Court; but to Court he could not be got to go, and if the tale be true, their Majesties paid him a visit on board his ship, in harbour one day, and sailors tell you that Old Showery gave his liege lord and lady a common dish of boiled beef with carrots and turnips, and a plain dumpling, for their dinner, with ale and port wine, the merit of which he swore to; and he became so elate, that after the cloth was removed, he danced them a hornpipe on his pair of wooden legs, whistling his tune, and holding his full tumbler of hot grog in his hand all the while, without so much as the spilling of a drop!—so earnest was he in everything he did. They say his limit was two bottles of port wine at a sitting, with his glass of hot grog to follow, and not a soul could induce him to go beyond that. In addition to being a great seaman, he was a very religious man and a stout churchman.
Well, now, the Curtis Fakenham of Captain Kirby's day had a good deal of his uncle as well as his father in him, the spirit of one and the outside, of the other; and, favoured or not, he had been distinguished among Countess Fanny's adorers: she certainly chose to be silent about the name of the assailant. And it has been attested on oath that two days and a night subsequent to the date furnished by Charles Dump, Curtis Fakenham was brought to his house, Hollis Grange, lame of a leg, with a shot in his breast, that he carried to the family vault; and his head gamekeeper, John Wiltshire, a resolute fellow, was missing from that hour. Some said they had a quarrel, and Curtis was wounded and John Wiltshire killed. Curtis was known to have been extremely attached to the man. Yet when Wiltshire was inquired for, he let fall a word of 'having more of Wiltshire than was agreeable to Hampshire'—his county. People asked what that meant. Yet, according to the tale, it was the surviving servant, by whom he, or whoever it may have been, was accidentally shot.
We are in a perfect tangle. On the other hand, it was never denied that Curtis and John Wiltshire were in London together at the time of Countess Fanny's flight: and Curtis Fakenham was one of the procession of armed gentleman conducting her in her carriage, as they supposed; and he was known to have started off, on the discovery of the cheat, with horrible imprecations against Frenchwomen. It became known, too; that horses of his were standing saddled in his innyard at midnight. And more, Charles Dump the postillion was taken secretly to set eyes on him as they wheeled him in his garden-walk, and he vowed it was the identical gentleman. But this coming by and by to the ear of Curtis, he had Charles Dump fetched over to confront him; and then the man made oath that he had never seen Mr. Curtis Fakenham anywhere but there, in his own house at Hollis! One does not really know what, to think of it.
This postillion made a small fortune. He was everywhere in request. People were never tired of asking him how he behaved while the fight was going on, and he always answered that he sat as close to his horse as he could, and did not dream of dismounting; for, he said, 'he was a figure on a horse, and naught when off it.' His repetition of the story, with some adornments, and that same remark, made him the popular man of the county; people said he might enter Parliament, and I think at one time it was possible. But a great success is full of temptations. After being hired at inns to fill them with his account of the battle, and tipped by travellers from London to show the spot, he set up for himself as innkeeper, and would have flourished, only he had contracted habits on his rounds, and he fell to contradicting himself, so that he came to be called Lying Charley; and the people of the country said it was 'he who drained the Punch-Bowl, for though he helped to put the capital into it, he took all the interest out of it.'
Yet we have the doctor of the village of Ipley, Dr. Cawthorne, a noted botanist, assuring us of the absolute credibility of Charles Dump, whom he attended in the poor creature's last illness, when Charles Dump confessed he had lived in mortal terror of Squire Curtis, and had got the trick of lying, through fear of telling the truth. Hence his ruin.
So he died delirious and contrite. Cawthorne, the great Turf man, inherited a portrait of him from his father the doctor. It was often the occasion of the story being told over again, and used to hang in the patients' reception room, next to an oil-painting of the Punch-Bowl, an admired landscape picture by a local artist, highly-toned and true to every particular of the scene, with the bright yellow road winding uphill, and the banks of brilliant purple heath, and a white thorn in bloom quite beautiful, and the green fir trees, and the big Bowl black as a cauldron,—indeed a perfect feast of harmonious contrasts in colours.