The Amazing Marriage. Volume 3

'I have spoken on that head.'

'Well, I may be mistaken,—I fancied it before I knew of the pair she springs from: you won't get her consent to anything without your consenting to meet her. Surely it's the manlier way. It might be settled for to-morrow, here, in this room. She prays to meet you.'

With an indicated gesture of 'Save me from it,' Fleetwood bowed.

He left no friend thinking over the riddle of his conduct. She was a loud-voiced lady, given to strike out phrases. The 'Whitechapel Countess' of the wealthiest nobleman of his day was heard by her on London's wagging tongue. She considered also that he ought at least have propitiated her; he was in the position requiring of him to do something of the kind, and he had shown instead the dogged pride which calls for a whip. Fool as he must have been to go and commit himself to marriage with a girl of whom he knew nothing or little, the assumption of pride belonged to the order of impudent disguises intolerable to behold and not, in a modern manner, castigate.

Notwithstanding a dislike of the Dowager Countess of Fleetwood, Lady Arpington paid Livia an afternoon visit; and added thereby to the stock of her knowledge and the grounds of her disapprobation.

Down in Whitechapel, it was known to the Winch girls and the Woodseers that Captain Kirby and his wife had spent the bitterest of hours in vainly striving to break their immoveable sister's will to remain there.

At the tea-time of simple people, who make it a meal, Gower's appetite for the home-made bread of Mary Jones was checked by the bearer of a short note from Lord Fleetwood. The half-dozen lines were cordial, breathing of their walk in the Austrian highlands, and naming a renowned city hotel for dinner that day, the hour seven, the reply yes or no by messenger.

'But we are man to man, so there's no "No" between us two,' the note said, reviving a scene of rosy crag and pine forest, where there had been philosophical fun over the appropriate sexes of those our most important fighting-ultimately, we will hope, to be united-syllables, and the when for men, the when for women, to select the one of them as their weapon.

Under the circumstances, Gower thought such a piece of writing to him magnanimous.

'It may be the solution,' his father remarked.

Both had the desire; and Gower's reply was the yes, our brave male word, supposed to be not so compromising to men in the employment of it as a form of acquiescence rather than insistent pressure.

CHAPTER XXIII

IN DAME GOSSIP'S VEIN

Right soon the London pot began to bubble. There was a marriage.

'There are marriages by the thousand every day of the year that is not consecrated to prayer for the forgiveness of our sins,' the Old Buccaneer, writing it with simple intent, says, by way of preface to a series of Maxims for men who contemplate acceptance of the yoke.

This was a marriage high as the firmament over common occurrences, black as Erebus to confound; it involved the wreck of expectations, disastrous eclipse of a sovereign luminary in the splendour of his rise, Phaethon's descent to the Shades through a smoking and a crackling world. Asserted here, verified there, the rumour gathered volume, and from a serpent of vapour resolved to sturdy concrete before it was tangible. Contradiction retired into corners, only to be swept out of them. For this marriage, abominable to hear of, was of so wonderful a sort, that the story filled the mind, and the discrediting of the story threatened the great world's cranium with a vacuity yet more monstrously abominable.

For he, the planet Croesus of his time, recently, scarce later than last night, a glorious object of the mid-heavens above the market, has been enveloped, caught, gobbled up by one of the nameless little witches riding after dusk the way of the wind on broomsticks-by one of them! She caught him like a fly in the hand off a pane of glass, gobbled him with the customary facility of a pecking pullet.

But was the planet Croesus of his time a young man to be so caught, so gobbled?

There is the mystery of it. On his coming of age, that young man gave sign of his having a city head. He put his guardians deliberately aside, had his lawyers and bailiffs and stewards thoroughly under control: managed a particularly difficult step-mother; escaped the snares of her lovely cousin; and drove his team of sycophants exactly the road he chose to go and no other. He had a will.

The world accounted him wildish?

Always from his own offset, to his own ends. Never for another's dictation or beguilement. Never for a woman. He was born with a suspicion of the sex. Poetry decorated women, he said, to lime and drag men in the foulest ruts of prose.

We are to believe he has been effectively captured?

It is positively a marriage; he admits it.

Where celebrated?

There we are at hoodman-blind for the moment. Three counties claim the church; two ends of London.

She is not a person of society, lineage?

Nor of beauty. She is a witch; ordinarily petticoated and not squeaking like a shrew-mouse in her flights, but not a whit less a moon-shade witch. The kind is famous. Fairy tales and terrible romances tell of her; she is just as much at home in life, and springs usually from the mire to enthral our knightliest. Is it a popular hero? She has him, sooner or later. A planet Croesus? He falls to her.

That is, if his people fail to attach him in legal bonds to a damsel of a corresponding birth on the day when he is breeched.

Small is her need to be young—especially if it is the man who is very young. She is the created among women armed with the deadly instinct for the motive force in men, and shameless to attract it. Self-respecting women treat men as their tamed housemates. She blows the horn of the wild old forest, irresistible to the animal. O the droop of the eyelids, the curve of a lip, the rustle of silks, the much heart, the neat ankle; and the sparkling agreement, the reserve—the motherly feminine petition that she may retain her own small petted babe of an opinion, legitimate or not, by permission of superior authority!—proof at once of her intelligence and her appreciativeness. Her infinitesimal spells are seen; yet, despite experience, the magnetism in their repulsive display is barely apprehended by sedate observers until the astounding capture is proclaimed. It is visible enough then:—and O men! O morals! If she can but trick the smallest bit in stooping, she has the pick of men.

Our present sample shows her to be young: she is young and a foreigner. Mr. Chumley Potts vouches for it. Speaks foreign English. He thinks her more ninny than knave: she is the tool of a wily plotter, picked up off the highway road by Lord Fleetwood as soon as he had her in his eye. Sir Meeson Corby wrings his frilled hands to depict the horror of the hands of that tramp the young lord had her from. They afflict him malariously still. The man, he says, the man as well was an infatuation, because he talks like a Dictionary Cheap Jack, and may have had an education and dropped into vagrancy, owing to indiscretions. Lord Fleetwood ran about in Germany repeating his remarks. But the man is really an accomplished violinist, we hear. She dances the tambourine business. A sister of the man, perhaps, if we must be charitable. They are, some say, a couple of Hungarian gypsies Lord F. found at a show and brought over to England, and soon had it on his conscience that he ought to marry her, like the Quixote of honour that he is; which is equal to saying crazy, as there is no doubt his mother was.

The marriage is no longer disputable; poor Lady Fleetwood, whatever her faults as a step-mother, does no longer deny the celebration of a marriage; though she might reasonably discredit any such story if he, on the evening of the date of the wedding day, was at a Ball, seen by her at the supper-table; though it is admitted he left the Ball-room at night. But the next day he certainly was in his place among the Peers and voted against the Government, and then went down to his estates in Wales, being an excellent holder of the reins, whether on the coach box or over the cash box.

More and more wonderful, we hear that he drove his bride straight from the church to the field of a prizefight, arranged for her special delectation. She doats on seeing blood-shed and drinking champagne. Young Mr. Mallard is our authority; and he says, she enjoyed it, and cheered the victor for being her husband's man. And after the shocking exhibition, good-bye; the Countess of Fleetwood was left sole occupant of a wayside inn, and may have learnt in her solitude that she would have been wise to feign disgust; for men to the smallest degree cultivated are unable to pardon a want of delicacy in a woman who has chosen them, as they are taught to think by their having chosen her.

So talked, so twittered, piped and croaked the London world over the early rumours of the marriage, this Amazing Marriage; which it got to be called, from the number of items flocking to swell the wonder.

Ravens ravening by night, poised peregrines by day, provision-merchants for the dispensing of dainty scraps to tickle the ears, to arm the tongues, to explode reputations, those great ladies, the Ladies Endor, Eldritch, and Cowry, fateful three of their period, avenged and scourged both innocence and naughtiness; innocence, on the whole, the least, when their withering suspicion of it had hunted the unhappy thing to the bank of Ophelia's ditch. Mallard and Chumley Potts, Captain Abrane, Sir Meeson Corby, Lord Brailstone, were plucked at and rattled, put to the blush, by a pursuit of inquiries conducted with beaks. High-nosed dames will surpass eminent judges in their temerity on the border-line where Ahem sounds the warning note to curtained decency. The courtly M. de St. Ombre had to stand confused. He, however, gave another version of Captain Abrane's 'fiddler,' and precipitated the great ladies into the reflection, that French gentlemen, since the execrable French Revolution, have lost their proper sense of the distinctions of Class. Homme d'esprit, applied to a roving adventurer, a scarce other than vagabond, was either an undiscriminating epithet or else a further example of the French deficiency in humour.

Dexterous contriver, he undoubtedly is. Lady Cowry has it from Sir Meeson Corby, who had it from the poor dowager, that Lord Fleetwood has installed the man in his house and sits at the opposite end of his table; fished him up from Whitechapel, where the countess is left serving oranges at a small fruit-shop. With her own eyes, Lady Arpington saw her there; and she can't be got to leave the place unless her husband drives his coach down to fetch her. That he declines to do; so she remains the Whitechapel Countess, all on her hind heels against the offer of a shilling of her husband's money, if she 's not to bring him to his knees; and goes about at night with a low Methodist singing hymns along those dreadful streets, while Lord Fleetwood gives gorgeous entertainments. One signal from the man he has hired, and he stops drinking—he will stop speaking as soon as the man's mouth is open. He is under a complete fascination, attributable, some say, to passes of the hands, which the man won't wash lest he should weaken their influence.

For it cannot be simply his violin playing. They say he was a pupil of a master of the dark art in Germany, and can practise on us to make us think his commonest utterances extraordinarily acute and precious. Lord Fleetwood runs round quoting him to everybody, quite ridiculously. But the man's influence is sufficient to induce his patron to drive down and fetch the Whitechapel Countess home in state, as she insists—if the man wishes it. Depend upon it he is the key of the mystery.

Totally the contrary, Lady Arpington declares! the man is a learned man, formerly a Professor of English Literature in a German University, and no connection of the Whitechapel Countess whatever, a chance acquaintance at the most. He operates on Lord Fleetwood with doses of German philosophy; otherwise, a harmless creature; and has consented to wash and dress. It is my lord who has had the chief influence. And the Countess Livia now backs him in maintaining that there is nowhere a more honest young man to be found. She may have her reasons.

As for the Whitechapel Countess . . . the whole story of the Old Buccaneer and Countess Fanny was retold, and it formed a terrific halo, presage of rains and hurricane tempest, over the girl the young earl had incomprehensibly espoused to discard. Those two had a son and a daughter born aboard:—in wedlock, we trust. The girl may be as wild a one as the mother. She has a will as determined as her husband's. She is offered Esslemont, the earl's Kentish mansion, for a residence, and she will none of it until she has him down in the east of London on his knees to entreat her. The injury was deep on one side or the other. It may be almost surely prophesied that the two will never come together. Will either of them deal the stroke for freedom? And which is the likelier?

Meanwhile Lord Fleetwood and his Whitechapel Countess composed the laugh of London. Straightway Invention, the violent propagator, sprang from his shades at a call of the great world's appetite for more, and, rushing upon stationary Fact, supplied the required. Marvel upon marvel was recounted. The mixed origin of the singular issue could not be examined, where all was increasingly funny.

Always the shout for more produced it. She and her band of Whitechapel boys were about in ambush to waylay the earl wherever he went. She stood knocking at his door through a whole night. He dared not lug her before a magistrate for fear of exposure. Once, riding in the park with a troop of friends he had a young woman pointed out to him, and her finger was levelled, and she cried: 'There is the English nobleman who marries a girl and leaves her to go selling cabbages!'

He left town for the Island, and beheld his yacht sailing the Solent:– my lady the countess was on board! A pair of Tyrolese minstrels in the square kindled his enthusiasm at one of his dinners; he sent them a sovereign; their humble, hearty thanks were returned to him in the name of Die Grafin von Fleetwood.

The Ladies Endor, Eldritch, and Cowry sifted their best. They let pass incredible stories: among others, that she had sent cards to the nobility and gentry of the West End of London, offering to deliver sacks of potatoes by newly-established donkey-cart at the doors of their residences, at so much per sack, bills quarterly; with the postscript, Vive L'aristocratie! Their informant had seen a card, and the stamp of the Fleetwood dragoncrest was on it.

He has enemies, was variously said of the persecuted nobleman. But it was nothing worse than the parasite that he had. This was the parasite's gentle treason. He found it an easy road to humour; it pricked the slug fancy in him to stir and curl; gave him occasion to bundle and bustle his patron kindly. Abrane, Potts, Mallard, and Sir Meeson Corby were personages during the town's excitement, besought for having something to say. Petrels of the sea of tattle, they were buoyed by the hubbub they created, and felt the tipsy happiness of being certain to rouse the laugh wherever they alighted. Sir Meeson Corby, important to himself in an eminent degree, enjoyed the novel sense of his importance with his fellows. They crowded round the bore who had scattered them.

He traced the miserable catastrophe in the earl's fortunes to the cunning of the rascal now sponging on Fleetwood and trying to dress like a gentleman: a convicted tramp, elevated by the caprice of the young nobleman he was plotting to ruin. Sir Meeson quoted Captain Abrane's latest effort to hit the dirty object's name, by calling him 'Fleetwood's Mr. Woodlouse.' And was the rascal a sorcerer? Sir Meeson spoke of him in the hearing of the Countess Livia, and she, previously echoing his disgust, corrected him sharply, and said: 'I begin to be of Russett's opinion, that his fault is his honesty.' The rascal had won or partly won the empress of her sex! This Lady Livia, haughtiest and most fastidious of our younger great dames, had become the indulgent critic of the tramp's borrowed plumes! Nay, she would not listen to a depreciatory word on him from her cousin Henrietta Kirby-Levellier.

Perhaps, after all, of all places for an encounter between the Earl of Fleetwood and the countess, those vulgar Gardens across the water, long since abandoned by the Fashion, were the most suitable. Thither one fair June night, for the sake of showing the dowager countess and her beautiful cousin, the French nobleman, Sir Meeson Corby, and others, what were the pleasures of the London lower orders, my lord had the whim to conduct them,—merely a parade of observation once round;—the ladies veiled, the gentlemen with sticks, and two servants following, one of whom, dressed in quiet black, like the peacefullest of parsons, was my lord's pugilist, Christopher Ives.

Now, here we come to history: though you will remember what History is.

The party walked round the Gardens unmolested nor have we grounds for supposing they assumed airs of state in the style of a previous generation. Only, as it happened, a gentleman of the party was a wag; no less than the famous, well-seasoned John Rose Mackrell, bent on amusing Mrs. Kirby-Levellier, to hear her lovely laughter; and his wit and his anecdotes, both inexhaustible, proved, as he said, 'that a dried fish is no stale fish, and a smoky flavour to an old chimney story will often render it more piquant to the taste than one jumping fresh off the incident.' His exact meaning in 'smoky flavour' we are not to know; but whether that M. de St. Ombre should witness the effect of English humour upon them, or that the ladies could permit themselves to laugh, their voices accompanied the gentlemen in silvery volleys. There had been 'Mackrell' at Fleetwood's dinner-table; which was then a way of saying that dry throats made no count of the quantity of champagne imbibed, owing to the fits Rose Mackrell caused. However, there was loud laughter as they strolled, and it was noticed; and Fleetwood crying out, 'Mackrell! Mackrell!' in delighted repudiation of the wag's last sally, the cry of 'Hooray, Mackrell !' was caught up by the crowd. They were not the primary offenders, for loud laughter in an isolated party is bad breeding; but they had not the plea of a copious dinner.

So this affair began; inoffensively at the start, for my lord was good- humoured about it.

Kit Ines, of the mercurial legs, must now give impromptu display of his dancing. He seized a partner, in the manner of a Roman the Sabine, sure of pleasing his patron; and the maid, passing from surprise to merriment, entered the quadrille perforce, all giggles, not without emulation, for she likewise had the passion for the dance. Whereby it befell that the pair footed in a way to gather observant spectators; and if it had not been that the man from whom the maid was willy-nilly snatched, conceived resentment, things might have passed comfortably; for Kit's quips and cuts and high capers, and the Sunday gravity of the barge face while the legs were at their impish trickery, double motion to the music, won the crowd to cheer. They conjectured him to be a British sailor. But the destituted man said, sailor or no sailor,—bos'en be hanged! he should pay for his whistle.

Honourably at the close of the quadrille, Kit brought her back; none the worse for it, he boldly affirmed, and he thanked the man for the short loan of her.—The man had an itch to strike. Choosing rather to be struck first, he vented nasty remarks. My lord spoke to Kit and moved on. At the moment of the step, Rose Mackrell uttered something, a waggery of some sort, heard to be forgotten, but of such instantaneous effect, that the prompt and immoderate laugh succeeding it might reasonably be taken for a fling of scorn at himself, by an injured man. They were a party; he therefore proceeded to make one, appealing to English sentiment and right feeling. The blameless and repentant maid plucked at his coat to keep him from dogging the heels of the gentlemen. Fun was promised; consequently the crowd waxed.