Rhoda Fleming. Complete

“But Rhoda has always been more to father than I have,” Dahlia cried, now stretching forward with desperate courage to confront her uncle, distract his speech, and avert the saying of the horrible thing she dreaded. “Rhoda was everything to him. Mother perhaps took to me—my mother!”

The line of her long underlie drawn sharp to check her tears, stopped her speaking.

“All very well about Rhoda,” said Anthony. “She’s everything to me, too.”

“Every—everybody loves her!” Dahlia took him up.

“Let ‘em, so long as they don’t do no harm to her,” was Anthony’s remark. There was an idea in this that he had said, and the light of it led off his fancy. It was some time before he returned to the attack.

“Neighbours gossip a good deal. O’ course you know that.”

“I never listen to them,” said Dahlia, who now felt bare at any instant for the stab she saw coming.

“No, not in London; but country’s different, and a man hearing of his child ‘it’s very odd!’ and ‘keepin’ away like that!’ and ‘what’s become of her?’ and that sort of thing, he gets upset.”

Dahlia swallowed in her throat, as in perfect quietude of spirit, and pretended to see no meaning for herself in Anthony’s words.

But she said, inadvertently, “Dear father!” and it gave Anthony his opening.

“There it is. No doubt you’re fond of him. You’re fond o’ th’ old farmer, who’s your father. Then, why not make a entry into the village, and show ‘em? I loves my father, says you. I can or I can’t bring my husband, you seems to say; but I’m come to see my old father. Will you go down to-morrow wi’ me?”

“Oh!” Dahlia recoiled and abandoned all defence in a moan: “I can’t—I can’t!”

“There,” said Anthony, “you can’t. You confess you can’t; and there’s reason for what’s in your father’s mind. And he hearin’ neighbours’ gossip, and it comes to him by a sort of extractin’—‘Where’s her husband?’ bein’ the question; and ‘She ain’t got one,’ the answer—it’s nat’ral for him to leave the place. I never can tell him how you went off, or who’s the man, lucky or not. You went off sudden, on a morning, after kissin’ me at breakfast; and no more Dahly visible. And he suspects—he more’n suspects. Farm’s up for sale. Th’ old farmer thinks it’s unbrotherly of me not to go and buy, and I can’t make him see I don’t understand land: it’s about like changeing sovereigns for lumps o’ clay, in my notions; and that ain’t my taste. Long and the short is—people down there at Wrexby and all round say you ain’t married. He ain’t got a answer for ‘em; it’s cruel to hear, and crueller to think: he’s got no answer, poor old farmer! and he’s obliged to go inter exile. Farm’s up for sale.”

Anthony thumped with his foot conclusively.

“Say I’m not married!” said Dahlia, and a bad colour flushed her countenance. “They say—I’m not married. I am—I am. It’s false. It’s cruel of father to listen to them—wicked people! base—base people! I am married, uncle. Tell father so, and don’t let him sell the farm. Tell him, I said I was married. I am. I’m respected. I have only a little trouble, and I’m sure others have too. We all have. Tell father not to leave. It breaks my heart. Oh! uncle, tell him that from me.”

Dahlia gathered her shawl close, and set an irresolute hand upon her bonnet strings, that moved as if it had forgotten its purpose. She could say no more. She could only watch her uncle’s face, to mark the effect of what she had said.

Anthony nodded at vacancy. His eyebrows were up, and did not descend from their elevation. “You see, your father wants assurances; he wants facts. They’re easy to give, if give ‘em you can. Ah, there’s a weddin’ ring on your finger, sure enough. Plain gold—and, Lord! how bony your fingers ha’ got, Dahly. If you are a sinner, you’re a bony one now, and that don’t seem so bad to me. I don’t accuse you, my dear. Perhaps I’d like to see your husband’s banker’s book. But what your father hears, is—You’ve gone wrong.”

Dahlia smiled in a consummate simulation of scorn.

“And your father thinks that’s true.”

She smiled with an equal simulation of saddest pity.

“And he says this: ‘Proof,’ he says, ‘proof’s what I want, that she’s an honest woman.’ He asks for you to clear yourself. He says, ‘It’s hard for an old man’—these are his words ‘it’s hard for an old man to hear his daughter called…’”

Anthony smacked his hand tight on his open mouth.

He was guiltless of any intended cruelty, and Dahlia’s first impulse when she had got her breath, was to soothe him. She took his hand. “Dear father! poor father! Dear, dear father!” she kept saying.

“Rhoda don’t think it,” Anthony assured her.

“No?” and Dahlia’s bosom exulted up to higher pain.

“Rhoda declares you are married. To hear that gal fight for you—there’s ne’er a one in Wrexby dares so much as hint a word within a mile of her.”

“My Rhoda! my sister!” Dahlia gasped, and the tears came pouring down her face.

In vain Anthony lifted her tea-cup and the muffin-plate to her for consolation. His hushings and soothings were louder than her weeping. Incapable of resisting such a protest of innocence, he said, “And I don’t think it, neither.”

She pressed his fingers, and begged him to pay the people of the shop: at which sign of her being probably moneyless, Anthony could not help mumbling, “Though I can’t make out about your husband, and why he lets ye be cropped—that he can’t help, may be—but lets ye go about dressed like a mill’ner gal, and not afford cabs. Is he very poor?”

She bowed her head.

“Poor?”

“He is very poor.”

“Is he, or ain’t he, a gentleman?”

Dahlia seemed torn by a new anguish.

“I see,” said Anthony. “He goes and persuades you he is, and you’ve been and found out he’s nothin’ o’ the sort—eh? That’d be a way of accounting for your queerness, more or less. Was it that fellow that Wicklow gal saw ye with?”

Dahlia signified vehemently, “No.”

“Then, I’ve guessed right; he turns out not to be a gentleman—eh, Dahly? Go on noddin’, if ye like. Never mind the shop people; we’re well-conducted, and that’s all they care for. I say, Dahly, he ain’t a gentleman? You speak out or nod your head. You thought you’d caught a gentleman and ‘taint the case. Gentlemen ain’t caught so easy. They all of ‘em goes to school, and that makes ‘em knowin’. Come; he ain’t a gentleman?”

Dahlia’s voice issued, from a terrible inward conflict, like a voice of the tombs. “No,” she said.

“Then, will you show him to me? Let me have a look at him.”

Pushed from misery to misery, she struggled within herself again, and again in the same hollow manner said, “Yes.”

“You will?”

“Yes.”

“Seein’s believin’. If you’ll show him to me, or me to him…”

“Oh! don’t talk of it.” Dahlia struck her fingers in a tight lock.

“I only want to set eye on him, my gal. Whereabouts does he live?”

“Down—down a great—very great way in the West.”

Anthony stared.

She replied to the look: “In the West of London—a long way down.”

“That’s where he is?”

“Yes.”