'They are quoted from the verses of a lord who was a poet, addressed to the castle on Lake Leman. She will read them to you.'
'Will she?'
The mention of the lord set Carinthia thinking of the lord whom that beautiful SHE pitied because she was forced to wound him and he was very sensitive. Wrapped in Henrietta, she slept through the joltings of the carriage, the grinding of the wheels, the blowing of the horn, the flashes of the late moonlight and the kindling of dawn.
CHAPTER VIII
OF THE ENCOUNTER OF TWO STRANGE YOUNG MEN AND THEIR CONSORTING: IN WHICH THE MALE READER IS REQUESTED TO BEAR IN MIND WHAT WILD CREATURE HE WAS IN HIS YOUTH, WHILE THE FEMALE SHOULD MARVEL CREDULOUSLY
The young man who fancied he had robed himself in the plain homespun of a natural philosopher at the age of twenty-three journeyed limping leisurely in the mountain maid Carinthia's footsteps, thankful to the Fates for having seen her; and reproving the remainder of superstition within him, which would lay him open to smarts of evil fortune if he, encouraged a senseless gratitude for good; seeing that we are simply to take what happens to us. The little inn of the village on the perch furnished him a night's lodging and a laugh of satisfaction to hear of a young lady and gentleman, and their guide, who had devoured everything eatable half a day in advance of him, all save the bread and butter, and a few scraps of meat, apologetically spread for his repast by the maid of the inn: not enough for, a bantam cock, she said, promising eggs for breakfast. He vowed with an honest heart, that it was more than enough, and he was nourished by sympathy with the appetites of his precursors and the maid's description of their deeds. That name, Carinthia, went a good way to fill him.
Farther on he had plenty, but less contentment. He was compelled to acknowledge that he had expected to meet Carinthia again at the Baths. Her absence dealt a violent shock to the aerial structure he dwelt in; for though his ardour for the life of the solitudes was unfeigned, as was his calm overlooking of social distinctions, the self-indulgent dreamer became troubled with an alarming sentience, that for him to share the passions of the world of men was to risk the falling lower than most. Women are a cause of dreams, but they are dreaded enemies of his kind of dream, deadly enemies of the immaterial dreamers; and should one of them be taken on board a vessel of the vapourish texture young Woodseer sailed in above the clouds lightly while he was in it alone, questions of past, future, and present, the three weights upon humanity, bear it down, and she must go, or the vessel sinks. And cast out of it, what was he? The asking exposed him to the steadiest wind the civilized world is known to blow. From merely thinking upon one of the daughters of earth, he was made to feel his position in that world, though he refused to understand it, and assisted by two days of hard walking he reduced Carinthia to an abstract enthusiasm, no very serious burden. His note-book sustained it easily. He wrote her name in simple fondness of the name; a verse, and hints for more, and some sentences, which he thought profound. They were composed as he sat by the roadway, on the top of hills, and in a boat crossing a dark green lake deep under wooded mountain walls: things of priceless value.
It happened, that midway on the lake he perceived his boatman about to prime a pistol to murder the mild-eyed stillness, and he called to the man in his best German to desist. During the altercation, there passed a countryman of his in another of the punts, who said gravely: 'I thank you for that.' It was early morning, and they had the lake to themselves, each deeming the other an intruder; for the courtship of solitude wanes when we are haunted by a second person in pursuit of it; he is discolouring matter in our pure crystal cup. Such is the worship of the picturesque; and it would appear to say, that the spirit of man finds itself yet in the society of barbarians. The case admits of good pleading either way, even upon the issue whether the exclusive or the vulgar be the more barbarous. But in those days the solicitation of the picturesque had been revived by a poet of some impassioned rhetoric, and two devotees could hardly meet, as the two met here, and not be mutually obscurants.
They stepped ashore in turn on the same small shoot of land where a farm- house near a chapel in the shadow of cliffs did occasional service for an inn. Each had intended to pass a day and a night in this lonely dwelling-place by the lake, but a rival was less to be tolerated there than in love, and each awaited the other's departure, with an air that said: 'You are in my sunlight'; and going deeper, more sternly: 'Sir, you are an offence to Nature's pudency!'
Woodseer was the more placable of the two; he had taken possession of the bench outside, and he had his note-book and much profundity to haul up with it while fish were frying. His countryman had rushed inside to avoid him, and remained there pacing the chamber like a lion newly caged. Their boatmen were brotherly in the anticipation of provision and payment.
After eating his fish, Woodseer decided abruptly, that as he could not have the spot to himself, memorable as it would have been to intermarry with Nature in so sacred a welldepth of the mountains, he had better be walking and climbing. Another boat paddling up the lake had been spied: solitude was not merely shared with a rival, but violated by numbers. In the first case, we detest the man; in the second, we fly from an outraged scene. He wrote a line or so in his book, hurriedly paid his bill, and started, full of the matter he had briefly committed to his pages.
At noon, sitting beside the beck that runs from the lake, he was overtaken by the gentleman he had left behind, and accosted in the informal English style, with all the politeness possible to a nervously blunt manner: 'This book is yours,—I have no doubt it is yours; I am glad to be able to restore it; I should be glad to be the owner-writer of the contents, I mean. I have to beg your excuse; I found it lying open; I looked at the page, I looked through the whole; I am quite at your mercy.'
Woodseer jumped at the sight of his note-book, felt for the emptiness of his pocket, and replied: 'Thank you, thank you. It's of use to me, though to no one else.'
'You pardon me?'
'Certainly. I should have done it myself.'
'I cannot offer you my apologies as a stranger.' Lord Fleetwood was the name given.
Woodseer's plebeian was exchanged for it, and he stood up.
The young lord had fair, straight, thin features, with large restless eyes that lighted quickly, and a mouth that was winning in his present colloquial mood.
'You could have done the same? I should find it hard to forgive the man who pried into my secret thoughts,' he remarked.
'There they are. If one puts them to paper! . . .' Woodseer shrugged.
'Yes, yes. They never last long enough with me. So far I'm safe. One page led to another. You can meditate. I noticed some remarks on Religions. You think deeply.'
Woodseer was of that opinion, but modesty urged him to reply with a small flourish. 'Just a few heads of ideas. When the wind puffs down a sooty chimney the air is filled with little blacks that settle pretty much like the notes in this book of mine. There they wait for another puff, or my fingers to stamp them.'
'I could tell you were the owner of that book,' said Lord Fleetwood. He swept his forehead feverishly. 'What a power it is to relieve one's brain by writing! May I ask you, which one of the Universities . . ?'
The burden of this question had a ring of irony to one whom it taught to feel rather defiantly, that he carried the blazon of a reeking tramp. 'My University,' Woodseer replied, 'was a merchant's office in Bremen for some months. I learnt more Greek and Latin in Bremen than business. I was invalided home, and then tried a merchant's office in London. I put on my hat one day, and walked into the country. My College fellows were hawkers, tinkers, tramps and ploughmen, choughs and crows. A volume of our Poets and a History of Philosophy composed my library. I had scarce any money, so I learnt how to idle inexpensively—a good first lesson. We're at the bottom of the world when we take to the road; we see men as they were in the beginning—not so eager for harness till they get acquainted with hunger, as I did, and studied in myself the old animal having his head pushed into the collar to earn a feed of corn.'
Woodseer laughed, adding, that he had been of a serious mind in those days of the alternation of smooth indifference and sharp necessity, and he had plucked a flower from them.
His nature prompted him to speak of himself with simple candour, as he had done spontaneously to Chillon Kirby, yet he was now anxious to let his companion know at once the common stuff he was made of, together with the great stuff he contained. He grew conscious of an over-anxiety, and was uneasy, recollecting how he had just spoken about his naturalness, dimly if at all apprehending the cause of this disturbance within. What is a lord to a philosopher! But the world is around us as a cloak, if not a coat; in his ignorance he supposed it specially due to a lord seeking acquaintance with him, that he should expose his condition: doing the which appeared to subject him to parade his intellectual treasures and capacity for shaping sentences; and the effect upon Lord Fleetwood was an incentive to the display. Nevertheless he had a fretful desire to escape from the discomposing society of a lord; he fixed his knapsack and began to saunter.
The young lord was at his elbow. 'I can't part with you. Will you allow me?'
Woodseer was puzzled and had to say: 'If you wish it.'
'I do wish it: an hour's walk with you. One does not meet a man like you every day. I have to join a circle of mine in Baden, but there's no hurry; I could be disengaged for a week. And I have things to ask you, owing to my indiscretion—but you have excused it.'
Woodseer turned for a farewell gaze at the great Watzmann, and saluted him.
'Splendid,' said Lord Fleetwood; 'but don't clap names on the mountains. —I saw written in your book: "A text for Dada." You write: "A despotism would procure a perfect solitude, but kill the ghost." That was my thought at the place where we were at the lake. I had it. Tell me— though I could not have written it, and "ghost" is just the word, the exact word—tell me, are you of Welsh blood? "Dad" is good Welsh— pronounce it hard.'
Woodseer answered: 'My mother was a Glamorganshire woman. My father, I know, walked up from Wales, mending boots on his road for a livelihood. He is not a bad scholar, he knows Greek enough to like it. He is a Dissenting preacher. When I strike a truism, I 've a habit of scoring it to give him a peg or tuning-fork for one of his discourses. He's a man of talent; he taught himself, and he taught me more than I learnt at school. He is a thinker in his way. He loves Nature too. I rather envy him in some respects. He and I are hunters of Wisdom on different tracks; and he, as he says, "waits for me." He's patient!'
Ah, and I wanted to ask you,' Lord Fleetwood observed, bursting with it, 'I was puzzled by a name you write here and there near the end, and permit me to ask, it: Carinthia! It cannot be the country? You write after, the name: "A beautiful Gorgon—a haggard Venus." It seized me. I have had the face before my eyes ever since. You must mean a woman. I can't be deceived in allusions to a woman: they have heart in them. You met her somewhere about Carinthia, and gave her the name? You write —may I refer to the book?'
He received the book and flew through the leaves:
'Here—"A panting look": you write again: "A look of beaten flame: a look of one who has run and at last beholds!" But that is a living face: I see her! Here again: "From minute to minute she is the rock that loses the sun at night and reddens in the morning." You could not create an idea of a woman to move you like that. No one could, I am certain of it, certain; if so, you 're a wizard—I swear you are. But that's a face high over beauty. Just to know there is a woman like her, is an antidote. You compare her to a rock. Who would imagine a comparison of a woman to a rock! But rock is the very picture of beautiful Gorgon, haggard Venus. Tell me you met her, you saw her. I want only to hear she lives, she is in the world. Beautiful women compared to roses may whirl away with their handsome dragoons! A pang from them is a thing to be ashamed of. And there are men who trot about whining with it! But a Carinthia makes pain honourable. You have done what I thought impossible—fused a woman's face and grand scenery, to make them inseparable. She might be wicked for me. I should see a bright rim round hatred of her!—the rock you describe. I could endure horrors and not annihilate her! I should think her sacred.'
Woodseer turned about to have a look at the man who was even quicker than he at realizing a person from a hint of description, and almost insanely extravagant in the pitch of the things he uttered to a stranger. For himself, he was open with everybody, his philosophy not allowing that strangers existed on earth. But the presence of a lord brought the conventional world to his feelings, though at the same time the title seemed to sanction the exceptional abruptness and wildness of this lord. As for suspecting him to be mad, it would have been a common idea: no stretching of speech or overstepping of social rules could waken a suspicion so spiritless in Woodseer.
He said: 'I can tell you I met her and she lives. I could as soon swim in that torrent or leap the mountain as repeat what she spoke, or sketch a feature of her. She goes into the blood, she is a new idea of women. She has the face that would tempt a gypsy to evil tellings. I could think of it as a history written in a line: Carinthia, Saint and Martyr! As for comparisons, they are flowers thrown into the fire.'
'I have had that—I have thought that,' said Lord Fleetwood. 'Go on; talk of her, pray; without comparisons. I detest them. How did you meet her? What made you part? Where is she now? I have no wish to find her, but I want thoroughly to believe in her.'
Another than Woodseer would have perceived the young lord's malady. Here was one bitten by the serpent of love, and athirst for an image of the sex to serve for the cooling herb, as youth will be. Woodseer put it down to a curious imaginative fellowship with himself. He forgot the lord, and supposed he had found his own likeness, less gifted in speech. After talking of Carinthia more and more in the abstract, he fell upon his discovery of the Great Secret of life, against which his hearer struggled for a time, though that was cooling to him too; but ultimately there was no resistance, and so deep did they sink into the idea of pure contemplation, that the idea of woman seemed to have become a part of it. No stronger proof of their aethereal conversational earnestness could be offered. A locality was given to the Great Secret, and of course it was the place where the most powerful recent impression had been stamped on the mind of the discoverer: the shadowy valley rolling from the slate- rock. Woodseer was too artistic a dreamer to present the passing vision of Carinthia with any associates there. She passed: the solitude accepted her and lost her; and it was the richer for the one swift gleam: she brought no trouble, she left no regrets; she was the ghost of the rocky obscurity. But now remembering her mountain carol, he chanced to speak of her as a girl.
'She is a girl?' cried Lord Fleetwood, frowning over an utter revolution of sentiment at the thought of the beautiful Gorgon being a girl; for, rapid as he was to imagine, he had raised a solid fabric upon his conception of Carinthia the woman, necessarily the woman—logically. Who but the woman could look the Gorgon! He tried to explain it to be impossible for a girl to wear the look: and his notion evidently was, that it had come upon a beautiful face in some staring horror of a world that had bitten the tender woman. She touched him sympathetically through the pathos.
Woodseer flung out vociferously for the contrary. Who but a girl could look the beautiful Gorgon! What other could seem an emanation of the mountain solitude? A woman would instantly breathe the world on it to destroy it. Hers would be the dramatic and not the poetic face. It would shriek of man, wake the echoes with the tale of man, slaughter all. quietude. But a girl's face has no story of poisonous intrusion. She indeed may be cast in the terrors of Nature, and yet be sweet with Nature, beautiful because she is purely of Nature. Woodseer did his best to present his view irresistibly. Perhaps he was not clear; it was a piece of skiamachy, difficult to render clear to the defeated.
Lord Fleetwood had nothing to say but 'Gorgon! a girl a Gorgon!' and it struck Woodseer as intensely unreasonable, considering that he had seen the girl whom, in his effort to portray her, he had likened to a beautiful Gorgon. He recounted the scene of the meeting with her, pictured it in effective colours, but his companion gave no response, nor a nod. They ceased to converse, and when the young lord's hired carriage drew up on the road, Woodseer required persuasion to accompany him. They were both in their different stations young tyrants of the world, ready to fight the world and one another for not having their immediate view of it such as they wanted it. They agreed, however, not to sleep in the city. Beds were to be had near the top of a mountain on the other side of the Salza, their driver informed them, and vowing themselves to that particular height, in a mutual disgust of the city, they waxed friendlier, with a reserve.
Woodseer soon had experience that he was receiving exceptional treatment from Lord Fleetwood, whose manservant was on the steps of the hotel in Salzburg on the lookout for his master.
'Sir Meeson has been getting impatient, my lord,' said the man.
Sir Meeson Corby appeared; Lord Fleetwood cut him short: 'You 're in a hurry; go at once, don't wait for me; I join you in Baden.—Do me the favour to eat with me,' he turned to Woodseer. 'And here, Corby! tell the countess I have a friend to bear me company, and there is to be an extra bedroom secured at her hotel. That swinery of a place she insists on visiting is usually crammed. With you there,' he turned to Woodseer, 'I might find it agreeable.—You can take my man, Corby; I shall not want the fellow.'
'Positively, my dear Fleetwood, you know,' Sir Meeson expostulated, 'I am under orders; I don't see how—I really can't go on without you.'
'Please yourself. This gentleman is my friend, Mr. Woodseer.'
Sir Meeson Corby was a plump little beau of forty, at war with his fat and accounting his tight blue tail coat and brass buttons a victory. His tightness made his fatness elastic; he looked wound up for a dance, and could hardly hold on a leg; but the presentation of a creature in a battered hat and soiled garments, carrying a tattered knapsack half slung, lank and with disorderly locks, as the Earl of Fleetwood's friend —the friend of the wealthiest nobleman of Great Britain!—fixed him in a perked attitude of inquiry that exhausted interrogatives. Woodseer passed him, slouching a bow. The circular stare of Sir Meeson seemed unable to contract. He directed it on Lord Fleetwood, and was then reminded that he dealt with prickles.
'Where have you been?' he said, blinking to refresh his eyeballs. 'I missed you, I ran round and round the town after you.'
'I have been to the lake.'