A Modern Utopia

“I told you you wouldn't find out about us,” I say, triumphantly.

“But we have,” he says; “but that makes your freak none the less remarkable.”

“You've heard! You know who we are! Well – tell us! We had an idea, but we're beginning to doubt.”

“You,” says the official, addressing the botanist, “are – !”

And he breathes his name. Then he turns to me and gives me mine.

For a moment I am dumbfounded. Then I think of the entries we made at the inn in the Urserenthal, and then in a flash I have the truth. I rap the desk smartly with my finger-tips and shake my index-finger in my friend's face.

“By Jove!” I say in English. “They've got our doubles!”

The botanist snaps his fingers. “Of course! I didn't think of that.”

“Do you mind,” I say to this official, “telling us some more about ourselves?”

“I can't think why you keep it up,” he remarks, and then almost wearily tells me the facts about my Utopian self. They are a little difficult to understand. He says I am one of the samurai, which sounds Japanese, “but you will be degraded,” he says, with a gesture almost of despair. He describes my position in this world in phrases that convey very little.

“The queer thing,” he remarks, “is that you were in Norway only three days ago.”

“I am there still. At least – . I'm sorry to be so much trouble to you, but do you mind following up that last clue and inquiring if the person to whom the thumb-mark really belongs isn't in Norway still?”

The idea needs explanation. He says something incomprehensible about a pilgrimage. “Sooner or later,” I say, “you will have to believe there are two of us with the same thumb-mark. I won't trouble you with any apparent nonsense about other planets and so forth again. Here I am. If I was in Norway a few days ago, you ought to be able to trace my journey hither. And my friend?”

“He was in India.” The official is beginning to look perplexed.

“It seems to me,” I say, “that the difficulties in this case are only just beginning. How did I get from Norway hither? Does my friend look like hopping from India to the Saint Gotthard at one hop? The situation is a little more difficult than that – ”

“But here!” says the official, and waves what are no doubt photographic copies of the index cards.

“But we are not those individuals!”

“You are those individuals.”

“You will see,” I say.

He dabs his finger argumentatively upon the thumb-marks. “I see now,” he says.

“There is a mistake,” I maintain, “an unprecedented mistake. There's the difficulty. If you inquire you will find it begin to unravel. What reason is there for us to remain casual workmen here, when you allege we are men of position in the world, if there isn't something wrong? We shall stick to this wood-carving work you have found us here, and meanwhile I think you ought to inquire again. That's how the thing shapes to me.”

“Your case will certainly have to be considered further,” he says, with the faintest of threatening notes in his tone. “But at the same time” – hand out to those copies from the index again – “there you are, you know!”

§ 8

When my botanist and I have talked over and exhausted every possibility of our immediate position, we should turn, I think, to more general questions.

I should tell him the thing that was becoming more and more apparent in my own mind. Here, I should say, is a world, obviously on the face of it well organised. Compared with our world, it is like a well-oiled engine beside a scrap-heap. It has even got this confounded visual organ swivelling about in the most alert and lively fashion. But that's by the way… You have only to look at all these houses below. (We should be sitting on a seat on the Gütsch and looking down on the Lucerne of Utopia, a Lucerne that would, I insist, quite arbitrarily, still keep the Wasserthurm and the Kapellbrucke.) You have only to mark the beauty, the simple cleanliness and balance of this world, you have only to see the free carriage, the unaffected graciousness of even the common people, to understand how fine and complete the arrangements of this world must be. How are they made so? We of the twentieth century are not going to accept the sweetish, faintly nasty slops of Rousseauism that so gratified our great-great-grandparents in the eighteenth. We know that order and justice do not come by Nature – “if only the policeman would go away.” These things mean intention, will, carried to a scale that our poor vacillating, hot and cold earth has never known. What I am really seeing more and more clearly is the will beneath this visible Utopia. Convenient houses, admirable engineering that is no offence amidst natural beauties, beautiful bodies, and a universally gracious carriage, these are only the outward and visible signs of an inward and spiritual grace. Such an order means discipline. It means triumph over the petty egotisms and vanities that keep men on our earth apart; it means devotion and a nobler hope; it cannot exist without a gigantic process of inquiry, trial, forethought and patience in an atmosphere of mutual trust and concession. Such a world as this Utopia is not made by the chance occasional co-operations of self-indulgent men, by autocratic rulers or by the bawling wisdom of the democratic leader. And an unrestricted competition for gain, an enlightened selfishness, that too fails us…

I have compared the system of indexing humanity we have come upon to an eye, an eye so sensitive and alert that two strangers cannot appear anywhere upon the planet without discovery. Now an eye does not see without a brain, an eye does not turn round and look without a will and purpose. A Utopia that deals only with appliances and arrangements is a dream of superficialities; the essential problem here, the body within these garments, is a moral and an intellectual problem. Behind all this material order, these perfected communications, perfected public services and economic organisations, there must be men and women willing these things. There must be a considerable number and a succession of these men and women of will. No single person, no transitory group of people, could order and sustain this vast complexity. They must have a collective if not a common width of aim, and that involves a spoken or written literature, a living literature to sustain the harmony of their general activity. In some way they must have put the more immediate objects of desire into a secondary place, and that means renunciation. They must be effectual in action and persistent in will, and that means discipline. But in the modern world in which progress advances without limits, it will be evident that whatever common creed or formula they have must be of the simplest sort; that whatever organisation they have must be as mobile and flexible as a thing alive. All this follows inevitably from the general propositions of our Utopian dream. When we made those, we bound ourselves helplessly to come to this…

The botanist would nod an abstracted assent.

I should cease to talk. I should direct my mind to the confused mass of memories three days in Utopia will have given us. Besides the personalities with whom we have come into actual contact, our various hosts, our foreman and work-fellows, the blond man, the public officials and so on, there will be a great multitude of other impressions. There will be many bright snapshots of little children, for example, of girls and women and men, seen in shops and offices and streets, on quays, at windows and by the wayside, people riding hither and thither and walking to and fro. A very human crowd it has seemed to me. But among them were there any who might be thought of as having a wider interest than the others, who seemed in any way detached from the rest by a purpose that passed beyond the seen?

Then suddenly I recall that clean-shaven man who talked with us for a little while in the public office at Wassen, the man who reminded me of my boyish conception of a Knight Templar, and with him come momentary impressions of other lithe and serious-looking people dressed after the same manner, words and phrases we have read in such scraps of Utopian reading as have come our way, and expressions that fell from the loose mouth of the man with the blond hair…

CHAPTER THE SIXTH

Women in a Modern Utopia

§ 1

But though I have come to a point where the problem of a Utopia has resolved itself very simply into the problem of government and direction, I find I have not brought the botanist with me. Frankly he cannot think so steadily onward as I can. I feel to think, he thinks to feel. It is I and my kind that have the wider range, because we can be impersonal as well as personal. We can escape ourselves. In general terms, at least, I understand him, but he does not understand me in any way at all. He thinks me an incomprehensible brute because his obsession is merely one of my incidental interests, and wherever my reasoning ceases to be explicit and full, the slightest ellipsis, the most transitory digression, he evades me and is back at himself again. He may have a personal liking for me, though I doubt it, but also he hates me pretty distinctly, because of this bias he cannot understand. My philosophical insistence that things shall be reasonable and hang together, that what can be explained shall be explained, and that what can be done by calculation and certain methods shall not be left to chance, he loathes. He just wants adventurously to feel. He wants to feel the sunset, and he thinks that on the whole he would feel it better if he had not been taught the sun was about ninety-two million miles away. He wants to feel free and strong, and he would rather feel so than be so. He does not want to accomplish great things, but to have dazzling things occur to him. He does not know that there are feelings also up in the clear air of the philosophic mountains, in the long ascents of effort and design. He does not know that thought itself is only a finer sort of feeling than his – good hock to the mixed gin, porter and treacle of his emotions, a perception of similitudes and oppositions that carries even thrills. And naturally he broods on the source of all his most copious feelings and emotions, women, and particularly upon the woman who has most made him feel. He forces me also to that.

Our position is unfortunate for me. Our return to the Utopian equivalent of Lucerne revives in him all the melancholy distresses that so preoccupied him when first we were transferred to this better planet. One day, while we are still waiting there for the public office to decide about us, he broaches the matter. It is early evening, and we are walking beside the lake after our simple dinner. “About here,” he says, “the quays would run and all those big hotels would be along here, looking out on the lake. It's so strange to have seen them so recently, and now not to see them at all… Where have they gone?”

“Vanished by hypothesis.”

“What?”

“Oh! They're there still. It's we that have come hither.”

“Of course. I forgot. But still – You know, there was an avenue of little trees along this quay with seats, and she was sitting looking out upon the lake… I hadn't seen her for ten years.”

He looks about him still a little perplexed. “Now we are here,” he says, “it seems as though that meeting and the talk we had must have been a dream.”

He falls musing.

Presently he says: “I knew her at once. I saw her in profile. But, you know, I didn't speak to her directly. I walked past her seat and on for a little way, trying to control myself… Then I turned back and sat down beside her, very quietly. She looked up at me. Everything came back – everything. For a moment or so I felt I was going to cry…”

That seems to give him a sort of satisfaction even in the reminiscence.

“We talked for a time just like casual acquaintances – about the view and the weather, and things like that.”

He muses again.

“In Utopia everything would have been different,” I say.

“I suppose it would.”

He goes on before I can say anything more.

“Then, you know, there was a pause. I had a sort of intuition that the moment was coming. So I think had she. You may scoff, of course, at these intuitions – ”

I don't, as a matter of fact. Instead, I swear secretly. Always this sort of man keeps up the pretence of highly distinguished and remarkable mental processes, whereas – have not I, in my own composition, the whole diapason of emotional fool? Is not the suppression of these notes my perpetual effort, my undying despair? And then, am I to be accused of poverty?

But to his story.