"You've been taking some of this stuff," I puffed.
"No," he said. "At the utmost a drop of water that stood in a beaker from which I had washed out the last traces of the stuff. I took some last night, you know. But that is ancient history now."
"And it goes twice?" I said, nearing his doorway in a grateful perspiration.
"It goes a thousand times, many thousand times!" cried Gibberne, with a dramatic gesture, flinging open his Early English carved oak gate.
"Phew!" said I, and followed him to the door.
"I don't know how many times it goes," he said, with his latch-key in his hand.
"And you – "
"It throws all sorts of light on nervous physiology, it kicks the theory of vision into a perfectly new shape! … Heaven knows how many thousand times. We'll try all that after – The thing is to try the stuff now."
"Try the stuff?" I said, as we went along the passage.
"Rather," said Gibberne, turning on me in his study. "There it is in that little green phial there! Unless you happen to be afraid?"
I am a careful man by nature, and only theoretically adventurous. I was afraid. But on the other hand, there is pride.
"Well," I haggled. "You say you've tried it?"
"I've tried it," he said, "and I don't look hurt by it, do I? I don't even look livery, and I feel– "
I sat down. "Give me the potion," I said. "If the worst comes to the worst it will save having my hair cut, and that, I think, is one of the most hateful duties of a civilised man. How do you take the mixture?"
"With water," said Gibberne, whacking down a carafe.
He stood up in front of his desk and regarded me in his easy-chair; his manner was suddenly affected by a touch of the Harley Street specialist. "It's rum stuff, you know," he said.
I made a gesture with my hand.
"I must warn you, in the first place, as soon as you've got it down to shut your eyes, and open them very cautiously in a minute or so's time. One still sees. The sense of vision is a question of length of vibration, and not of multitude of impacts; but there's a kind of shock to the retina, a nasty giddy confusion just at the time if the eyes are open. Keep 'em shut."
"Shut," I said. "Good!"
"And the next thing is, keep still. Don't begin to whack about. You may fetch something a nasty rap if you do. Remember you will be going several thousand times faster than you ever did before, heart, lungs, muscles, brain – everything – and you will hit hard without knowing it. You won't know it, you know. You'll feel just as you do now. Only everything in the world will seem to be going ever so many thousand times slower than it ever went before. That's what makes it so deuced queer."
"Lor," I said. "And you mean – "
"You'll see," said he, and took up a little measure. He glanced at the material on his desk. "Glasses," he said, "water. All here. Mustn't take too much for the first attempt."
The little phial glucked out its precious contents. "Don't forget what I told you," he said, turning the contents of the measure into a glass in the manner of an Italian waiter measuring whisky. "Sit with the eyes tightly shut and in absolute stillness for two minutes," he said. "Then you will hear me speak."
He added an inch or so of water to the little dose in each glass.
"By-the-by," he said, "don't put your glass down. Keep it in your hand and rest your hand on your knee. Yes – so. And now – "
He raised his glass.
"The New Accelerator," I said.
"The New Accelerator," he answered, and we touched glasses and drank, and instantly I closed my eyes.
You know that blank non-existence into which one drops when one has taken "gas." For an indefinite interval it was like that. Then I heard Gibberne telling me to wake up, and I stirred and opened my eyes. There he stood as he had been standing, glass still in hand. It was empty, that was all the difference.
"Well?" said I.
"Nothing out of the way?"
"Nothing. A slight feeling of exhilaration, perhaps. Nothing more."
"Sounds?"
"Things are still," I said. "By Jove! yes! They are still. Except the sort of faint pat, patter, like rain falling on different things. What is it?"
"Analysed sounds," I think he said, but I am not sure. He glanced at the window. "Have you ever seen a curtain before a window fixed in that way before?"
I followed his eyes, and there was the end of the curtain, frozen, as it were, corner high, in the act of flapping briskly in the breeze.
"No," said I; "that's odd."
"And here," he said, and opened the hand that held the glass. Naturally I winced, expecting the glass to smash. But so far from smashing, it did not even seem to stir; it hung in mid-air – motionless. "Roughly speaking," said Gibberne, "an object in these latitudes falls 16 feet in the first second. This glass is falling 16 feet in a second now. Only, you see, it hasn't been falling yet for the hundredth part of a second. That gives you some idea of the pace of my Accelerator."
And he waved his hand round and round, over and under the slowly sinking glass. Finally he took it by the bottom, pulled it down and placed it very carefully on the table. "Eh?" he said to me, and laughed.
"That seems all right," I said, and began very gingerly to raise myself from my chair. I felt perfectly well, very light and comfortable, and quite confident in my mind. I was going fast all over. My heart, for example, was beating a thousand times a second, but that caused me no discomfort at all. I looked out of the window. An immovable cyclist, head down and with a frozen puff of dust behind his driving-wheel, scorched to overtake a galloping char-à-banc that did not stir. I gaped in amazement at this incredible spectacle. "Gibberne," I cried, "how long will this confounded stuff last?"
"Heaven knows!" he answered. "Last time I took it I went to bed and slept it off. I tell you, I was frightened. It must have lasted some minutes, I think – it seemed like hours. But after a bit it slows down rather suddenly, I believe."
I was proud to observe that I did not feel frightened – I suppose because there were two of us. "Why shouldn't we go out?" I asked.
"Why not?"
"They'll see us."
"Not they. Goodness, no! Why, we shall be going a thousand times faster than the quickest conjuring trick that was ever done. Come along! Which way shall we go? Window, or door?"
And out by the window we went.
Assuredly of all the strange experiences that I have ever had, or imagined, or read of other people having or imagining, that little raid I made with Gibberne on the Folkestone Leas, under the influence of the New Accelerator, was the strangest and maddest of all. We went out by his gate into the road, and there we made a minute examination of the statuesque passing traffic. The tops of the wheels and some of the legs of the horses of this char-à-banc, the end of the whip-lash and the lower jaw of the conductor – who was just beginning to yawn – were perceptibly in motion, but all the rest of the lumbering conveyance seemed still. And quite noiseless except for a faint rattling that came from one man's throat. And as parts of this frozen edifice there were a driver, you know, and a conductor, and eleven people! The effect as we walked about the thing began by being madly queer and ended by being – disagreeable. There they were, people like ourselves and yet not like ourselves, frozen in careless attitudes, caught in mid-gesture. A girl and a man smiled at one another, a leering smile that threatened to last for evermore; a woman in a floppy capelline rested her arm on the rail and stared at Gibberne's house with the unwinking stare of eternity; a man stroked his moustache like a figure of wax, and another stretched a tiresome stiff hand with extended fingers towards his loosened hat. We stared at them, we laughed at them, we made faces at them, and then a sort of disgust of them came upon us, and we turned away and walked round in front of the cyclist towards the Leas.
"Goodness!" cried Gibberne, suddenly; "look there!"
He pointed, and there at the tip of his finger and sliding down the air with wings flapping slowly and at the speed of an exceptionally languid snail – was a bee.
And so we came out upon the Leas. There the thing seemed madder than ever. The band was playing in the upper stand, though all the sound it made for us was a low-pitched, wheezy rattle, a sort of prolonged last sigh that passed at times into a sound like the slow, muffled ticking of some monstrous clock. Frozen people stood erect, strange, silent, self-conscious-looking dummies hung unstably in mid-stride, promenading upon the grass. I passed close to a little poodle dog suspended in the act of leaping, and watched the slow movement of his legs as he sank to earth. "Lord, look here!" cried Gibberne, and we halted for a moment before a magnificent person in white faint – striped flannels, white shoes, and a Panama hat, who turned back to wink at two gaily dressed ladies he had passed. A wink, studied with such leisurely deliberation as we could afford, is an unattractive thing. It loses any quality of alert gaiety, and one remarks that the winking eye does not completely close, that under its drooping lid appears the lower edge of an eyeball and a little line of white. "Heaven give me memory," said I, "and I will never wink again."