Flower o' the Peach

His going was the signal for the breaking up of the gathering. Old Samson coughed and walked off and Ford disappeared with him.

"And what would you care to do now?" asked Mrs. Jakes of Margaret. "I have some very good views of Windsor, if you like. You know Windsor?"

Margaret shook her head. Windsor had no attractions for her. What interested her much more was the fact that this small, bleak woman was on the defensive, patently standing guard over privacies of her life, and acutely ready to repel boarders who might endeavor to force an intimacy upon her. It was plain in the rigor of her countenance, set into a mask, and in each tone of her voice. Margaret had yet to undergo her interview with Dr. Jakes in his study, and till that was over, and she definitely enlisted for or against him, Mrs. Jakes would preserve an armed neutrality.

"I think," said Margaret, "I 'd like to go out to the veranda."

"We call it the stoep," corrected Mrs. Jakes. "A Dutch word, I believe. By all means; you 'll probably find Mr. Ford there and I will call you when the doctor is ready."

The stone hall held its cathedral shadows inviolate, and from it Margaret went forth to a westering sun that filled the earth with light, and painted the shadow of the house in startling black upon the ground. She stood between the square pillars with their dead and ruined vines and looked forth at a land upon which the light stood stagnant. It was as though the Karoo challenged her conception of it. She had seen it last vague with the illusions of the dawn, hemmed in by mists and shadows that seemed to veil the distances and what they held. Now these were stripped from it to reveal only a vast nakedness, of red and red-brown and gray, all ardent in the afternoon sun. The shadows had promised a mystery, the light discovered a void. It ran from before her yet in a single sweep to a horizon upon which the blue of remote hills was a faint blur, and in all the far prospect of it there was not one roof, no single interruption to its still level. Margaret, quickly sensitive to the quality of her environment, gazed at it almost with a sense of awe, baffled by the fact that no words at her command were pliant enough to fit it. It was not "wild" nor "desolate" nor even "beautiful"; none of the words allotted to landscapes, with which folk are used to label the land they live upon, could be stretched to the compass of this great staring vacancy. It was outside of language; it struck a note not included in the gamut of speech. "Inhuman" came nearest to it, for the salient quality of it was something that bore no relation to the lives – and deaths – of men.

A sound of coughing recalled her from her contemplation of it, and she walked along the stoep towards it. Behind a pillar near the corner of the house, Ford sat on a camp-stool, with a little easel before him, and smudged with his thumb at the paint on a small canvas.

He looked up at her with no token of welcome, but rather as though he withdrew himself unwillingly from his picture.

"Well?" he said, motioning with his head at the wide prospect before them. "What d'you think of it?"

"Oh, a lot," replied Margaret, refusing to commit herself with adjectives. "Can I see?"

He sat back to give her room to look. She had in her time spent sincere days at one of the art schools which help Kensington to its character and was prepared to appreciate expertly. It was a sketch in oils, done mostly with the thumb and palette-knife, a croûte of the most obvious – paint piled in ridges as though the artist would have built his subject in relief upon the canvas, perspective improvised by the light of nature, crudities, brutalities of color, obtruded in the effort for breadth. They were all there. She stared into this mist of blemishes in an effort to see what the painter saw and could not set down, and had to give it up.

In the art school it had been the custom to tell one's fellows the curt, unwelcome truth.

"You can't paint," said Margaret.

"Oh, I know that," answered Ford. "You weren't looking for that, were you?"

"For what, then?" asked Margaret.

He hitched himself up to the canvas again, and began to smudge with his thumb at a mess of yellow ocre.

"There 's something in it that I can see," he said. "I 've been watching this – this desert for more than a year, you know, and I try to get in what I see in it. You can't see anything?"

"No," said Margaret. "But I did try." She watched his unskilful handling of the ocre. "I could show you a thing or two," she suggested.

She had all a woman's love for technique, and might have been satisfied with more skill and less purpose. But Ford shook his head.

"No, thank you," he said. "It's not worth while. I 'm only painting for myself. I know what I mean by these messes I make; if I could paint more, I mightn't be so pleased with it."

"As you like, of course," said Margaret, a little disappointed.

He worked in silence for about a minute.

"You didn't like the looks of Dr. Jakes?" he suggested suddenly. "I saw you wondering at him in there."

"Well," Margaret hesitated. "He seemed rather out of it," she answered. "Is there anything – wrong – with him?"

Ford was making an irreparable mess of his picture and did not look up.

"Wrong?" he repeated. "Well, depends what you call wrong. He drinks."

"Drinks!" Margaret did not like the matter-of-fact way in which he said it. "Do you mean – "

"He 's a drunkard – he goes to bed drunk. His nerves were like banjo strings this afternoon; he couldn't keep his hands still. You noticed it? That was last night's drinking; he didn't get to bed till daylight. I heard him struggling up the stairs, with Mrs. Jakes whispering to him not to make a noise and helping him. That was just before you came."

"Poor thing!"

"Yes – poor thing!" Ford looked up at the girl sharply. "You 've got it, Miss Harding. It 's Mrs. Jakes that suffers. Jakes has got his liquor, and that makes up to him for a lot. You and I, we 've got – whatever we have got, little or much. Old Samson 's got his memories and his pose; he gets along all right with them. But she 's got nothing at all – only the feeling that she 's managed to screen him and prop him and fooled people into thinking she 's the wife of a decent man. That 's all."

"But," said Margaret, "is he safe?"

"Safe? Oh, I forgot that he was to see you in his study. He won't reel about and fall down, if that 's what you mean. That part of it is all done in private; Mrs. Jakes gets the benefit of that. And as to his patients, he really does know a little about lungs when he 's sober, and there 's always the air. Oh, he 's safe enough."

"It's dreadful," said Margaret. She was at a loss; the men she knew did not get drunk. When they went to the bad, they chose different roads; this one seemed ankle-deep with defilement. She recalled Mrs. Jakes when she had come forth from the silent house to meet her in the chill dawn, and a vision flashed upon her of the vigil that must have been hers through the slow night, listening to the chink of bottle on glass and waiting, waiting in misery and fear to do that final office of helping the drunken man to his bed. Her primness, her wan gentility, her little affectations of fashion, seemed monstrously heroic in the light of that vision – she had carried them with her to the pit of her humiliation and brought them forth again unsullied, the spotless armor of a woman of no account.

"You understand now?" asked Ford, watching her.

"Yes," answered Margaret, slowly. "But it frightens me. I wish I hadn't got to see him in his study. What will he do?"

"Hush!" said Ford. "Here comes Mrs. Jakes. Don't let her hear you. He won't do anything."

He fell to his work again, and Margaret turned to receive the doctor's wife.

"The doctor will see you now, Miss Harding," said Mrs. Jakes. "Will you come with me?"

She eyed the pair of them with a suspicion she could not altogether hide, and Ford was careful to hold an impassive face.

"I am quite ready," returned Margaret, nerving herself for what had assumed the proportions of an ordeal, and went with her obediently.

Jakes' study was a small, rather dark room opening off the hall, in which the apparatus of his profession was set forth to make as much show as possible. His desk, his carpet, his leather chairs and bookcases did their best to counterfeit a due studiousness in his behalf, and a high shelf of blue and green bottles, with a microscope among them, counteracted their effect by suggesting to the irreverent that here science was "skied" while practice was hung on the line. This first interview was a convention in the case of every new patient. Dr. Jakes always saw them alone as a matter of professional honor. Mrs. Jakes would make a preliminary inspection of him to assure herself and him that he was fit for it; old Mr. Samson, passing by the half-open door once, had seen her bending over him, smelling his breath critically; and then she would trust him to his patient's good will and to the arbitrary Providence which ruled her world.

"Miss Harding, Eustace," she announced at the door of the study and motioned the girl to enter.

The little doctor rose with bustling haste, and looked at her with melancholy eyes. There was a smell of eau de Cologne in the room, which seemed natural at the time to its rather comfortable shabbiness.

"Sit down, sit down, Miss Harding," he said, and made a business of thrusting forward one of the leather chairs to the side of his desk. Seated, she faced him across a corner of it. In the interval that had elapsed since she had seen him at tea, he seemed to have recovered himself somewhat. Some of the strain was gone from him, and he was grave with a less effect of effort and discomfort.

He put his open hand upon a paper that lay before him.

"It was Dr. Mackintosh who ordered you south?" he asked. "A clever man, Miss Harding. I have his letter here about your case. Now, I want you to answer a question or two before we listen to that lung of yours."

"Certainly," said Margaret.

She was conscious of some surprise that he should move so directly to the matter in hand. It relieved her of vague fears with which Ford's warning had filled her, and as he went on to question her searchingly, her nervousness departed. The little man who fell so far short of her ideal of a doctor knew his business; even a patient like herself, with all a patient's prejudice and ignorance, could tell by the line his questions took that he had her case by heart. He was clearly on familiar ground, a fact which had power to reassure her, and she told herself that, after all, his resigned, plump face was not entirely repulsive.

"A queer little man," she said to herself. "Queer enough to be a genius, perhaps."

"And, now, please, we 'll just hear how things really are. No, I don't think you need undo anything. Yes, like that."