The Ancient Law

At her words he turned from her, driven by a torment of pity which caused his voice to sound harsh and constrained in his own ears.

"No – no – don't put that on again," he protested, for while she waited she had taken up the spotted veil and the diamond pin.

Something in his tone startled her into attention, and moving a step forward, she stood before him on a white bearskin rug. Her face had hardly changed, yet in some way she seemed to have put him at a distance, and he felt all at once that he had never known her.

From the room downstairs he heard Alice's music lesson go on at broken intervals, the uncertain scales she ran now stopping, now beginning violently again. The sound wrought suddenly on his nerves like anger, and he felt that his voice was querulous in spite of the torment of pity at his heart.

"There's no use putting on your veil," he said, "a warrant is out for my arrest and I must wait here till it comes."

His memory stopped now, as if it had snapped suddenly beneath the strain. After this there was a mere blank of existence upon which people and objects moved without visible impression. From that minute to this one appeared so short a time that he started up half expecting to hear Alice's scales filling Mrs. Twine's empty lodgings. Then his eyes fell on the whitewashed walls, the smoking lamp, the bare table, and the little square window with the branches of the locust tree frosted against the pane.

Rising from the bed, he fell on his knees and pressed his quivering face to the patchwork quilt.

"Give me a new life, O God – give me a new life!"

CHAPTER V

At Tappahannock

AFTER a sleepless night, he rose as soon as the dawn had broken, and sitting down before the pine table wrote a letter to Lydia, on a sheet of paper which had evidently been left in the drawer by the former lodger. "It isn't likely that you'll ever want me," he added at the end, "but if you should happen to, remember that I am yours, as I have always been, for whatever I am worth." When he had sealed the envelope and written her name above that of the town of Botetourt, he put it into his pocket and went down to the dining-room, where he found Mrs. Twine pouring steaming coffee into a row of broken cups. A little mulatto girl, with her hair plaited in a dozen fine braids, was placing a dish of fried bacon at one end of the walnut-coloured oil-cloth on the table, around which the six children, already clothed and hungry, were beating an impatient tattoo with pewter spoons. Bill Twine, the father of the family, was evidently sleeping off a drunken headache – a weakness which appeared to afford his wife endless material for admonition and philosophy.

"Thar now, Canty," she was remarking to her son, "yo' po' daddy may not be anything to be proud of as a man, but I reckon he's as big an example as you'll ever see. He's had sermons p'inted at him from the pulpit; they've took him up twice to the police court, an' if you'll believe me, suh," she added with a kind of outraged pride to Ordway, "thar's been a time when they've had out the whole fire department to protect me."

The coffee though poor was hot, and while Ordway drank it, he listened with an attention not unmixed with sympathy to Mrs. Twine's continuous flow of speech. She was coarse and shrewish and unshapely, but his judgment was softened by the marks of anxious thought on her forehead and the disfigurements of honest labour on her hands. Any toil appeared to him now to be invested with peculiar dignity; and he felt, sitting there at her slovenly breakfast table, that he was closer to the enduring heart of humanity than he had been among the shallow refinements of his past life. Mrs. Twine was unpleasant, but at her worst he felt her to be the real thing.

"Not that I'm blamin' Bill, suh, as much as some folks," she proceeded charitably, while she helped her youngest child to gravy, "for it made me downright sick myself to hear them carryin' on over his beatin' his own wife jest as much as if he'd been beatin' somebody else's. An' I ain't one, when it comes to that, to put up with a white-livered, knock-kneed, pulin' sort of a critter, as I told the Jedge a-settin' upon his bench. When a woman is obleeged to take a strappin' thar's some real satisfaction in her feelin' that she takes it from a man – an' the kind that would lay on softly with never a broken head to show for it – well, he ain't the kind, suh, that I could have helt in any respect an' honour. And as to that, as I said to 'em right then an' thar, take the manly health an' spirit out o' Bill, an' he's jest about as decent an' law abidin' as the rest. Why, when he was laid up with malaria, he never so much as rized his hand agin me, an' it'll be my belief untwel my dyin' day that chills an' fever will keep a man moral when all the sermons sence Moses will leave him unteched. Feed him low an' work him hard, an' you kin make a saint out of most any male critter, that's my way of thinkin'."

While she talked she was busily selecting the choicest bit of bacon for Bill's plate, and as Ordway left the house a little later, he saw her toiling up the staircase with her husband's breakfast on a tin tray in her hands.

"If you think I'm goin' to set an' wait all day for you to get out o' bed, you've jest about clean lost yo' wits, Bill Twine," she remarked in furious tones, as she flung open a door on the landing above.

Out of doors Ordway found that the wind had died down, though a sharp edge of frost was still in the air. The movement of the day had already begun; and as he passed the big house on the brow of the hill he saw a pretty girl, with her hair tied back with a velvet ribbon, run along the gravelled walk to meet the postman at the gate. A little farther, when he had reached the corner, he turned back to hand his letter to the postman, and found to his surprise that the pretty girl was still gazing after him. No possible interest could attach to her in his thoughts; and with a careless acknowledgment of her beauty, she faded from his consciousness as rapidly as if she had been a ray of sunshine which he had admired as he passed along. Then as he turned into the main street at the corner, he saw that Emily Brooke was riding slowly up the hill on her old white horse. She still wore her red cape, which fell over the saddle on one side, and completely hid the short riding-skirt beneath. On her head there was a small knitted Tam-o'-shanter cap, and this, with the easy freedom of her seat in the saddle, gave her an air which was gallant rather than graceful. The more feminine adjective hardly seemed to apply to her at the moment; she looked brave, strong, buoyant, a creature that had not as yet become aware of its sex. Yet she was older, he discovered now, than he had at first imagined her to be. In the barn he had supposed her age to be not more than twenty years; seen in the morning light it was impossible to decide whether she was a year younger or ten years older than he had believed. The radiant energy in her look belonged, after all, less to the accident of youth than to some enduring quality of spirit.

As she neared him, she looked up from her horse's neck, rested her eyes upon him for an instant, and smiled brightly, much as a charming boy might have done. Then, just as she was about to pass on, the girth of her saddle slipped under her, and she was thrown lightly to the ground, while the old horse stopped and stood perfectly motionless above her.

"My skirt has caught in the stirrup," she said to Ordway, and while he bent to release her, he noticed that she clung, not to his arm, but to the neck of the horse for support.

To his surprise there was neither embarrassment nor amusement in her voice. She spoke with the cool authority which had impressed him during the incident of the ram's attack upon "Sis Mehitable."

"I don't think it is quite safe yet," he said, after he had drawn the rotten girth as tight as he dared. "It looks as if it wouldn't last, you see."

"Well, I dare say, it may be excused after forty years of service," she returned, smiling.

"What? this saddle? It does look a little quaint when one examines it."

"Oh, it's been repaired, but even then one must forgive an old servant for growing decrepit."

"Then you'll ride it again?" he asked, seeing that she was about to mount.

"Of course – this isn't my first tumble – but Major expects them now and he knows how to behave. So do I," she added, laughing, "you see it doesn't take me by surprise."

"Yes, I see it doesn't," he answered gaily.

"Then if you chance to be about the next time it happens, I hope it won't disturb you either," she remarked, as she rode up the hill.

The meeting lingered in Ordway's mind with a freshness which was associated less with the incident itself than with some vivid quality in the appearance of the girl. Her face, her voice, her carriage – even the little brown curls blowing on her temples, all united in his thoughts to form a memory in which Alice appeared to hold a place. Why should this country girl, he wondered, bring back to him so clearly the figure of his daughter?

But there was no room for a memory in his life just now, and by the time he reached Baxter's Warehouse, he had forgotten the interest aroused in him a moment before. Baxter had not yet appeared in his office, but two men, belonging evidently to the labouring class, were talking together under the brick archway. When Ordway joined them they did not interrupt their conversation, which he found, after a minute, to concern the domestic and financial troubles of the one whom he judged to be the poorer of the two. He was a meanly clad, wretched looking workman, with a shock of uncombed sandy hair, a cowed manner, and the expression of one who has been beaten into apathy rather than into submission. A sordid pathos in his voice and figure brought Ordway a step closer to his side, and after a moment's careless attention, he found his mind adjusting itself to the small financial problems in which the man had become entangled. The workman had been forced to borrow upon his pathetic personal securities; and in meeting from year to year the exorbitant rate of interest, he had paid back several times the sum of the original debt. Now his wife was ill, with an incurable cancer; he had no hope, as he advanced beyond middle age, of any increase in his earning capacity, and the debt under which he had struggled so long had become at the end an intolerable burden. His wife had begged him to consult a lawyer – but who, he questioned doggedly, would take an interest in him since he had no money for a fee? He was afraid of lawyers anyway, for he could give you a hundred cases where they had stood banded together against the poor.

As Ordway listened to the story, he felt for an instant a return of his youthful enthusiasm, and standing there amid the tobacco stems in Baxter's warehouse, he remembered a great flour trust from which he had withdrawn because it seemed to him to bear unjustly upon the small, isolated farmers. Beyond this he went back still further to his college days, when during his vacation, he had read Virginia law in the office of his uncle, Richard Ordway, in the town of Botetourt. He could see the shining rows of legal volumes in the walnut bookcases, the engraving of Latane's Burial, framed in black wood above the mantel, and against this background the silent, gray haired, self-righteous old man so like his father. Through the window, he could see still the sparrows that built in the ivied walls of the old church.

With a start he came back to the workman, who was unfolding his troubles in an abandon of misery under the archway.

"If you'll talk things over with me to-night when we get through work, I think I may be able to straighten them out for you," he said.

The man stared at him out of his dogged eyes with a helpless incredulity.

"But I ain't got any money," he responded sullenly, as if driven to the defensive.

"Well, we'll see," said Ordway, "I don't want your money."

"You want something, though – my money or my vote, and I ain't got either."

Ordway laughed shortly. "I? – oh, I just want the fun," he answered.

The beginning was trivial enough, the case sordid, and the client only a dull-witted labourer; but to Ordway it came as the commencement of the new life for which he had prayed – the life which would find its centre not in possession, but in surrender, which would seek as its achievement not personal happiness, but the joy of service.

CHAPTER VI

The Pretty Daughter Of The Mayor

THE pretty girl whom Ordway had seen on the gravelled walk was Milly Trend, the only child of the Mayor of Tappahannock. People said of Jasper Trend that his daughter was the one soft spot in a heart that was otherwise as small and hard as a silver dollar, and of Milly Trend the same people said – well, that she was pretty. Her prettiness was invariably the first and the last thing to be mentioned about her. Whatever sterner qualities she may have possessed were utterly obscured by an exterior which made one think of peach blossoms and spring sunshine. She had a bunch of curls the colour of ripe corn, which she wore tied back from her neck with a velvet ribbon; her eyes were the eyes of a baby; and her mouth had an adorable little trick of closing over her small, though slightly prominent teeth. The one flaw in her face was this projection of her teeth, and when she looked at herself in the glass it was her habit to bite her lips closely together until the irregular ivory line was lost. It was this fault, perhaps, which kept her prettiness, though it was superlative in its own degree, from ever rising to the height of beauty. In Milly's opinion it had meant the difference between the glory of a world-wide reputation and the lesser honour of reigning as the acknowledged belle of Tappahannock. She remembered that the magnificent manager of a theatrical company, a gentleman who wore a fur-lined coat and a top hat all day long, had almost lost his train while he stopped to look back at her on the crowded platform of the station. Her heart had beat quickly at the tribute, yet even in that dazzling minute she had felt a desperate certainty that her single imperfection would decide her future. But for her teeth, she was convinced to-day, that he might have returned.

If a woman cannot be a heroine in reality, perhaps the next best thing is to look as if she might have been one in the age of romance; and this was what Milly Trend's appearance suggested to perfection. Her manner of dressing, the black velvet ribbon on her flaxen curls, her wide white collars open at her soft throat, her floating sky-blue sashes and the delicate peach bloom of her cheeks and lips – all these combined to produce a poetic atmosphere about an exceedingly poetic little figure. Being plain she would probably have made currant jelly for her pastor, and have taught sedately in the infant class in Sunday school: being pretty she read extravagant romances and dreamed strange adventures of fascinating highwaymen on lonely roads.

But many a woman who has dreamed of a highwayman at eighteen has compromised with a bank clerk at twenty-two. Even at Tappahannock – the veriest prose piece of a town – romance might sometimes bud and blossom, though it usually brought nothing more dangerous than respectability to fruit. Milly had read Longfellow and Lucille, and her heroic ideal had been taken bodily from one of Bulwer's novels. She had played the graceful part of heroine in a hundred imaginary dramas; yet in actual life she had been engaged for two years to a sandy-haired, freckled face young fellow, who chewed tobacco, and bought the dry leaf in lots for a factory in Richmond. From romance to reality is a hard distance, and the most passionate dreamer is often the patient drudge of domestic service.

And yet even to-day Milly was not without secret misgivings as to the wisdom of her choice. She knew he was not her hero, but in her short visits to larger cities she had met no one who had come nearer her ideal lover. To be sure she had seen this ideal, in highly coloured glimpses, upon the stage – though these gallant gentlemen in trunks had never so much as condescended to glance across the foot-lights to the little girl in the dark third row of the balcony. Then, too, all the ladies upon the stage were beautiful enough for any hero, and just here she was apt to remember dismally the fatal projection of her teeth.

So, perhaps, after all, Harry Banks was as near Olympus as she could hope to approach; and there was a mild consolation in the thought that there was probably more sentiment in the inner than in the outward man. Whatever came of it, she had learned that in a prose age it is safer to think only in prose.

On the morning upon which Ordway had first passed her gate, she had left the breakfast table at the postman's call, and had run down the gravelled walk to receive a letter from Mr. Banks, who was off on a short business trip for his firm. With the letter in her hand she had turned to find Ordway's blue eyes fixed in careless admiration upon her figure; and for one breathless instant she had felt her insatiable dream rise again and clutch at her heart. Some subtle distinction in his appearance – an unlikeness to the masculine portion of Tappahannock – had caught her eye in spite of his common and ill-fitting clothes. Though she had known few men of his class, the sensitive perceptions of the girl had made her instantly aware of the difference between him and Harry Banks. For a moment her extravagant fancy dwelt on his figure – on this distinction which she had noticed, on his square dark face and the singular effect of his bright blue eyes. Then turning back in the yard, she went slowly up the gravelled walk, while she read with a vague feeling of disappointment the love letter written laboriously by Mr. Banks. It was, doubtless, but the average love letter of the average plain young man, but to Milly in her rosy world of fiction, it appeared suddenly as if there had protruded upon her attention one of the great, ugly, wholesome facts of life. What was the use, she wondered, in being beautiful if her love letters were to be filled with enthusiastic accounts of her lover's prowess in the tobacco market?

At the breakfast table Jasper Trend was pouring maple syrup on the buckwheat cakes he had piled on his plate, and at the girl's entrance he spoke without removing his gaze from the plated silver pitcher in his hand.

"Any letters, daughter?" he inquired, carefully running his knife along the mouth of the pitcher to catch the last drop of syrup.

"One," said Milly, as she sat down beside the coffee pot and looked at her father with a ripple of annoyance in her babyish eyes.