The Builders

    CAROLINE.

She had finished her letter and glanced at her watch on the bureau – it was one o'clock – when a cry or moan reached her from the darkness and silence of the house, and a few minutes afterwards there came the sound of running footsteps on the stairs, and a hasty knock fell on her door.

"Miss Meade, will you please come as quickly as you can?"

Opening the door, she met the frightened face of a maid.

"What has happened? Is Mrs. Blackburn ill?"

"I don't know. She hasn't undressed and she is too ill to speak. I left her on the couch, and ran upstairs to call you."

They were already in the hall, and while they hurried to the staircase, Caroline asked a few questions in a whisper.

"Is there any medicine that she is accustomed to take?"

"I give her ammonia sometimes, but to-night it didn't do any good."

"Does she faint often?"

"I'm not sure. She has these attacks, but only after – after – "

The woman paused in confusion, and before she could recover herself, Caroline had opened the door and walked swiftly to the prostrate figure, in white chiffon, on the couch in front of the fire. Bending over she felt Angelica's pulse and lowered her head, with its loosened amber hair, on the pillows.

"Your pulse is good. Do you feel better now?" she asked tenderly, for, in spite of the quiet competence of her professional attitude, her heart was aching with pity.

"I was sure I could count on your sympathy." As she answered, Mrs. Blackburn stretched out her hands until they rested on Caroline's arm. "Has Mary gone out of the room?"

"Your maid? Yes, she has just gone. What can I do for you?"

Even in the midst of the emotional crisis, Angelica's manner had not lost a trace of its charming self-possession, its rather colourless sweetness. Her grey eyes, drenched in tears which left no redness on the firm white lids, were as devoid of passion as the eyes of a child.

"I cannot tell you – I cannot tell any one," she said after a moment, not in answer to the other's question, but with a plaintive murmur. Then she began to cry very gently, while she clung to Caroline with her lovely hands which were as soft and fragrant as flowers.

"I think I know without your telling me," responded Caroline soothingly. "Let me help you." All her years of nursing had not enabled her to watch suffering, especially the suffering of helpless things, without a pang of longing to comfort. She was on her knees now by the couch, her smooth dark head bending over Angelica's disarranged fair one, her grave, compassionate face gazing down on the other's delicate features, which were softened, not disfigured, by tears.

"The worst is about Roane – my brother," began Angelica slowly. "He came here to-night, but they – " she lingered over the word, "sent him away before I could talk to him. He is downstairs now on the terrace because he is not allowed to come into the house – my brother. I must get this cheque to him, but I do not like to ask one of the servants – "

"You wish me to take it to him?" Caroline released herself from the clinging hands, and rose quickly to her feet. Here at last was a definite call to action.

"Oh, Miss Meade, if you would!" Already Angelica's eyes were dry.

"I will go at once. Is the cheque written?"

"I carried it down with me, but I could not get a chance to give it to Roane. Poor boy," she added in a low rather than a soft tone, "Poor boy, after all, he is more sinned against than sinning!"

Drawing the cheque from under the lace pillows, she gave it into Caroline's hand with a gesture of relief. "Go through the dining-room to the terrace, and you will find him outside by the windows. Tell him that I will see him as soon as I can, and ask him please not to trouble me again."

She had rung for her maid while she was speaking, and when the woman appeared, she rose and waited, with a yawn, for her dress to be unfastened. Then suddenly, as if she had forgotten something, she gave Caroline a smile full of beauty and pathos. "Thank you a thousand tunes, dear Miss Meade," she exclaimed gratefully.

It was dark downstairs, except for a nebulous glow from the hall above and a thin reddish line that ran beneath the closed door of the library. Not until she reached the dining-room did Caroline dare turn on the electric light, and as soon as she did so, the terrace and the garden appeared by contrast to be plunged in blackness. When she opened one of the long French windows, and stepped out on the brick terrace, her eyes became gradually accustomed to the starlight, and she discerned presently the shrouded outlines of the juniper trees and a marble fountain which emerged like a ghost from the quivering spray of water. As she went quickly down the steps to the lower terrace, she felt as much alone in her surroundings as if the house and Mrs. Blackburn had receded into a dream. Overhead there was the silvery glitter of stars, and before her she divined the simplicity and peace of an autumn garden, where the wind scattered the faint scent of flowers that were already beginning to drop and decay.

When she approached the fountain, the figure of a man detached itself from the vague shape of an evergreen, and came toward her.

"Well, I've waited awhile, haven't I?" he began airily, and the next instant exclaimed with scarcely a change of tone, "Who are you? Did Anna Jeannette send you?"

"I am Letty's new nurse – Miss Meade."

"What! A spirit yet a woman too!" His voice was full of charm.

"Mrs. Blackburn sent me with this." As she held out the cheque, he took it with a gesture that was almost hungry. "She asked me to say that she would see you very soon, and to beg you not to trouble her again."

"Does she imagine that I do it for pleasure!" He placed the cheque in his pocket book. "She cannot suppose that I came here to-night for the sake of a row."

Though he was unusually tall, he carried his height with the ease of an invincible dignity and self-possession; and she had already discerned that his sister's pathos had no part in the tempestuous ardour and gaiety of his nature.

"She didn't tell me," answered Caroline coldly. "There is nothing else, is there?" Her features were like marble beneath the silken dusk of her hair which was faintly outlined against the cloudier darkness.

"There is a great deal – since you ask me."

"Nothing, I mean, that I may say to your sister?"

"You may say to her that I thank her for her message – and her messenger."

He was about to add something more, when Caroline turned away from him and moved, without haste, as if she were unaware that he followed her, up the shallow steps of the terrace. When she reached the window, she passed swiftly, like a dissolving shadow, from the darkness into the light of the room. Nothing had been said that she found herself able to resent, and yet, in some indefinable way, Roane's manner had offended her. "For a trained nurse you are entirely too particular," she said to herself, smiling, as she put out the light and went through the wide doorway into the hall. "You have still a good deal of haughtiness to overcome, Miss Meade, if you expect every man to treat you as if you wore side curls and a crinoline."

The hall, when she entered it, was very dim, but as she approached the door of the library, it opened, and Blackburn stood waiting for her on the threshold. Behind him the room was illuminated, and she saw the rich sheen of leather bindings and the glow of firelight on the old Persian rug by the hearth.

"You have been out, Miss Meade?"

"Yes, I have been out." As she threw back her head, the light was full on her face while his was in shadow.

"Do you need anything?"

"Nothing, thank you."

For an instant their eyes met, and in that single glance, charged with an implacable accusation, she made Angelica's cause her own. Grave, remote, dispassionate, her condemnation was as impersonal as a judgment of the invisible Powers.

"That is all, then, good-night," he said.

"Good-night."

While he watched her, she turned as disdainfully as she had turned from Roane, and ascended the stairs.

CHAPTER VI

Letty

IN the breakfast room next morning, Caroline found the little girl in charge of Miss Miller, the nurse who was leaving that day. Letty was a fragile, undeveloped child of seven years, with the dark hair and eyes of her father, and the old, rather elfish look of children who have been ill from the cradle. Her soft, fine hair hung straight to her shoulders, and framed her serious little face, which was charming in spite of its unhealthy pallor. Caroline had questioned Miss Miller about the child's malady, and she had been reassured by the other nurse's optimistic view of the case.